Designers

"As far as I know, there is no proof whatever of the existence of an objective reality apart from our senses, and I do not see why we should accept the outside world as such solely by virtue of our senses. These reality enthusiasts are possibly playing at hide-and-seek; at any rate they like to hide themselves, though they are not usually aware of it. They simply do it because they happen to have been born with a sense of reality, that is, with a great interest in so-called reality, and because man likes to forget himself."

"When someone forgets himself, this by no means makes him altruistic; when a thinking person forgets himself, he immediately also forgets his fellowman, he loses himself and his humanity by becoming engrossed in his subject. Thus he is in a sense more contemplative than a feeling person."

"It may seem paradoxical to say that there are similarities between a poetical and a commercial mind, but it is a fact that both a poet and a businessman are constantly dealing with problems that are directly related to people and for which sensitivity is of prime importance. The business-like mind is sometimes described as being cold, sober, calculating, hard; but perhaps these are simply qualities that are necessary for dealing with people if one wants to achieve anything. One is always concerned with the mysterious, incalculable, dark, hidden aspects for which there is no easy formula, but which form essentially the same human element as that which inspires the poet."

"The result of the struggle between the thought and the ability to express it, between dream and reality, is seldom more than a compromise or an approximation. Thus there is little chance that we will succeed in getting through to a large audience, and on the whole we are quite satisfied if we are understood and appreciated by a small number of sensitive, receptive people."

"It is human nature to want to exchange ideas, and I believe that, at bottom, every artist wants no more than to tell the world what he has to say. I have sometimes heard painters say that they paint 'for themselves': but I think they would soon have painted their fill if they lived on a desert island. The primary purpose of all art forms, whether it's music, literature, or the visual arts, is to say something to the outside world; in other words, to make a personal thought, a striking idea, an inner emotion perceptible to other people’s senses in such a way that there is no uncertainty about the maker's intentions."

"The fact that, from 1938 onwards, I concentrated more on the interpretation of personal ideas was primarily the result of my departure from Italy. In Switzerland, Belgium, and Holland where I successively established myself, I found the outward appearance of landscapes and architecture to be less striking than those which are particularly to be seen in the southern part of Italy. Thus I felt compelled to withdraw from the more or less direct and true-to-life illustrating of my surroundings."

"The ideas that are basic to [my work] often bear witness to my amazement and wonder at the laws of nature which operate in the world around us. He who wonders discovers that this is in itself a wonder. By keenly confronting the enigmas that surround us, and by considering and analyzing the observations that I had made, I ended up in the domain of mathematics."

"As long as there have been men.. ..upon this globe.. ..we have held firmly to the notion of.. ..all of which must continue to be everlasting in time and infinite in space."

"After the first proof [of 'Sphere Spirals'] my high expectations were, as always, greatly disappointed. I am now struggling on - with some feeling of despair - so that I at least achieve a passable result."

"In mathematical quarters, the regular division of the plane has been considered theoretically.. .Does this mean that it is an exclusively mathematical question? In my opinion, it does not. [Mathematicians] have opened the gate leading to an extensive domain, but they have not entered this domain themselves. By their very nature they are more interested in the way in which the gate is opened than in the garden lying behind it."

"But to get back to the point: did you ever imagine that your dad, who lives so far away from the bustle and intrigue of the world, working on his prints day after day like a hermit, would some day be drawn into the sickening scene of vain officialdom, despite himself?.. .But what on earth can I do about it? Luckily I can swear by God and all his angels that I never moved a finger to get the decoration or licked the boots of any bigwigs."

"Now, I should like to say something else to you about the connection with music, primarily that of Bach, i.e. the Fugue or, put more simply, the canon.. .It has a great deal in common with my own motifs, which I make turn on various axes too. Nowadays I have such a powerful sense of relationship, of affinity, that when I am listening to Bach I frequently get inspired and feel an overwhelming instinct for his insistent rhythm, a cadence seeking something of the infinite. In the Fugue everything is based on a single motif, often consisting of just a few notes. In my work, too, everything revolves around a single closed contour.."

"The unknown mountain nests in the inhospitable interior of southern Calabria are usually connected only by a mule track with the railway that runs close to the coast: whoever wants to go there has to walk on foot if he has no donkey at his disposal. I think back to that warm afternoon in the month of May when we the four of us, after a long, tiring ride in the harsh sun, packed with the heavy burden of our backpacks, sweat-dripping and a little gasping, entered the city gate of Palizzi.."

"58: Fools ignore complexity. Pragmatists suffer it. Some can avoid it. Geniuses remove it."

"117: It goes against the grain of modern education to teach children to program. What fun is there to making plans, acquiring discipline in organizing thoughts, devoting attention to detail and, learning to be self-critical?"

"116: You think you know when you learn, are more sure when you can write, even more when you can teach, but certain when you can program."

"101 Dealing with failure is easy: Work hard to improve. Success is also easy to handle: You've solved the wrong problem. Work hard to improve."

"95: Don't have good ideas if you aren't willing to be responsible for them."

"80: Prolonged contact with the computer turns mathematicians into clerks and vice versa."

"79: A year spent in artificial intelligence is enough to make one believe in God."

"75: The computing field is always in need of new cliches: Banality sooths our nerves."

"64: Often it is means that justify ends: Goals advance technique and technique survives even when goal structures crumble."

"59: In English every word can be verbed. Would that it were so in our programming languages."

"19: A language that doesn't affect the way you think about programming, is not worth knowing."

"16: Every program has (at least) two purposes: the one for which it was written and another for which it wasn't."

"11: If you have a procedure with 10 parameters, you probably missed some."

"8: A programming language is low level when its programs require attention to the irrelevant."

"3: Syntactic sugar causes cancer of the semi-colons."

"1: One man's constant is another man's variable."

"Computer science is a restless infant and its progress depends as much on shifts in point of view as on the orderly development of our current concepts."

"Programmers should never be satisfied with languages which permit them to program everything, but to program nothing of interest easily."

"This language [LISP] induces humorous arguments among programmers, often being damned and praised for the same feature."

"The vision we have of conversational programming takes in much more than rapid turn around time and convenient debugging aids: our most interesting programs are never wrong and never final. [...] What is new is the requirement to make variable in our languages what we had previously taken as fixed. I do not refer to new data classes now, but to variables whose values are programs or parts of programs, syntax or parts of syntax, and regimes of control."

"There is an appreciated substance to the phrase "ALGOL-like" which is often used in arguments about programming, languages and computation. ALGOL appears to be a durable model, and even flourishes under surgery — be it explorative, plastic, or amputative."

"Both knowledge and wisdom extend man's reach. Knowledge led to computers, wisdom to chopsticks."

"We toast the Lisp programmer who pens his thoughts within nests of parentheses."

"I think that it's extraordinarily important that we in computer science keep fun in computing. When it started out, it was an awful lot of fun. Of course, the paying customers got shafted every now and then, and after a while we began to take their complaints seriously. We began to feel as if we really were responsible for the successful, error-free perfect use of these machines. I don't think we are. I think we're responsible for stretching them, setting them off in new directions, and keeping fun in the house. I hope the field of computer science never loses its sense of fun. Above all, I hope we don't become missionaries. Don't feel as if you're Bible salesmen. The world has too many of those already. What you know about computing other people will learn. Don't feel as if the key to successful computing is only in your hands. What's in your hands, I think and hope, is intelligence: the ability to see the machine as more than when you were first led up to it, that you can make it more."

"57: It is easier to change the specification to fit the program than vice versa."

"55: LISP programmers know the value of everything and the cost of nothing."

"42: You can measure a programmer's perspective by noting his attitude on the continuing vitality of FORTRAN."

"41: Some programming languages manage to absorb change, but withstand progress."

"39: A picture is worth 10K words - but only those to describe the picture. Hardly any sets of 10K words can be adequately described with pictures."

"31: Simplicity does not precede complexity, but follows it."

"A zebra can't drive a moon-buggy. Or any other sort of car for that matter."

"Who are you inspired by? Creative people who have made their seemingly most self-indulgent artistic whims into a career."

"One begins to think with that new building block, rather than with littler pieces. And finally, the things which seem like elements dissolve, and leave a fabric of relationships behind, which is the stuff that actually repeats itself, and gives the structure to a building or a town."

"Look more carefully...to find out what it really is that is repeating there .... Beyond its elements, each building [or town] is defined by certain patterns of relationships among the elements.... These relationships are not extra, but necessary to the elements... The elements themselves are patterns of relationships."

"On the geometric level, we see certain physical elements repeated endlessly, combined in an almost endless variety of combinations... It is puzzling to realize that the elements, which seem like elementary building blocks, keep varying, and are different every time that they occur .... If the elements are different every time that they occur, evidently then, it cannot be the elements themselves which are repeating in a building or town; these so-called elements cannot be the ultimate "atomic" constituents of space."

"In my life as an architect, I found that the single thing which inhibits young professionals, new students most severely, is their acceptance of standards that are too low."

"Every place is given its character by certain patterns of events that keep on happening there.... These patterns of events are locked in with certain geometric patterns in the space. Indeed, each building and each town is ultimately made out of these patterns in the space, and out of nothing else; they [patterns in the space] are the atoms and molecules from which a building or a town is made."