Critics

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April 10, 2026

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April 10, 2026

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"My privilege is to be spectator of my life drama, to be fully conscious of the tragi-comedy of my own destiny, and, more than that, to be in the secret of the tragi-comic itself, that is to say, to be unable to take my illusions seriously, to see myself, so to speak, from the theater on the stage, or to be like a man looking from beyond the tomb into existence. I feel myself forced to feign a particular interest in my individual part, while all the time I am living in the confidence of the poet who is playing with all these agents which seem so important, and knows all that they are ignorant of. It is a strange position, and one which becomes painful as soon as grief obliges me to betake myself once more to my own little rôle, binding me closely to it, and warning me that I am going too far in imagining myself, because of my conversations with the poet, dispensed from taking up again my modest part of valet in the piece. Shakespeare must have experienced this feeling often, and Hamlet, I think, must express it somewhere. It is a Doppelgängerei, quite German in character, and which explains the disgust with reality and the repugnance to public life, so common among the thinkers of Germany. There is, as it were, a degradation a gnostic fall, in thus folding one's wings and going back again into the vulgar shell of one's own individuality. Without grief, which is the string of this venturesome kite, man would soar too quickly and too high, and the chosen souls would be lost for the race, like balloons which, save for gravitation, would never return from the empyrean."

- Henri-Frédéric Amiel

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"Pascal is a judicious critic of Descartes, not opposing him at all points, but opposing him nevertheless, on points that are fundamental. He perceived, first, that the Cartesian desire for certain knowledge was based upon a false criterion of certainty. Descartes must begin with something so sure that it cannot be doubted, and was led, as a consequence, to believe that all genuine knowledge is technical knowledge. Pascal avoided this conclusion by his doctrine of probability: the only knowledge that is certain is certain on account of its partiality; the paradox that probable knowledge has more of the whole truth than certain knowledge. Secondly, Pascal perceived that the Cartesian raisonnement is never in fact the whole source of the knowledge involved in any concrete activity. The human mind, he asserts, is not wholly dependent for its successful working upon a conscious and formulated technique; and even where a technique is involved, the mind observes the technique 'tacitement, naturellement et sans art' . The precise formulation of rules of inquiry endangers the success of the inquiry by exaggerating the importance of method. Pascal was followed by others, and indeed much of the history of modern philosophy revolves round this question. But, though later writers were often more elaborate in their criticism, few detected more surely than Pascal that the significance of Rationalism is not its recognition of technical knowledge, but its failure to recognize any other: its philosophical error lies in the certainty it attributes to technique and in its doctrine of the sovereignty of technique; its practical error lies in its belief that nothing but benefit can come from making conduct self-conscious."

- Blaise Pascal

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