Comedy Drama Films

"One thousand years from now, there won't be any guys and there won't be any girls, just wankers. Sounds all right to me."

"The downside of coming off junk was I knew I would need to mix with my friends again in a state of full consciousness. It was awful. They reminded me so much of myself. I could hardly bear to look at them. Take Sick Boy, for instance. He came off junk at the same time as me — not because he wanted to, you understand, but just to annoy me. Just to show me how easily he could do it, thereby downgrading my own struggle. Sneaky fucker, don't you think?"

"I don't feel the sickness yet, but it's in the post. That's for sure. I'm in the junkie limbo at the moment. Too ill to sleep. Too tired to stay awake, but the sickness is on its way. Sweat, chills, nausea. Pain and craving. A need like nothing else I've ever known will soon take hold of me. It's on its way."

"[explaining the gaps in his employment history - from a deleted scene included on some home media releases] Yes, I can. The truth...well, the truth is that I've had a long-standing problem with heroin addiction. I've been known to sniff it, smoke it, swallow it, stick it up my arse and inject it into my veins. I've been trying to combat this addiction, but unless you count social security scams and shoplifting, I haven't had a regular job in years."

"Relinquishing junk, stage one: preparation. For this you will need: one room which you will not leave. Soothing music. Tomato soup, ten tins of. Mushroom soup, eight tins of, for consumption cold. Ice cream, vanilla, large tub of. Magnesia, milk of, one bottle. Paracetamol. Mouthwash. Vitamins. Mineral water. Lucozade. Pornography. One mattress, one bucket for urine, one for feces, and one for vomitus. One television, and one bottle of Valium, which I've already procured from my mother who is, in her own domestic and socially acceptable way, also a drug addict. And now I'm ready. All I need is one final hit to soothe the pain while Valium takes effect."

"People think it's all about misery and desperation and death and all that shite, which is not to be ignored. But what they forget is the pleasure of it. Otherwise we wouldn't do it. After all, we're not fucking stupid. At least, we're not that fucking stupid. Take the best orgasm you ever had, multiply it by a thousand, and you're still nowhere near it. When you're on junk, you have only one worry: scoring. When you're off it, you are suddenly obliged to worry about all sorts of other shite. Got no money: can't get pissed. Got money: drinking too much. Can't get a bird: no chance of a ride. Got a bird: too much hassle. You have to worry about bills, about food, about some football team that never fucking wins, about human relationships, and all the things that really don't matter when you've got a sincere and truthful junk habit."

"[opening narration] Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed-interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourselves. Choose your future. Choose life... But why would I want to do a thing like that? I chose not to choose life. I chose something else. And the reasons? There are no reasons. Who needs reasons when you've got heroin?"

"Campbell Scott - Bob"

"Allison Janney - Ann"

"Caroline Aaron - Woman in Restaurant"

"Marc Anthony - Cristiano"

"Stanley Tucci - Secondo"

"Tony Shalhoub - Primo"

"Isabella Rossellini - Gabriella"

"Ian Holm - Pascal"

"Minnie Driver - Phyllis"

"In love and life, one big night can change everything."

"No. She’s a Philistine. I’m not gonna talk to her. She no understand anyway."

"I'm a businessman. I'm anything I need to be at any time."

"You have to kill yourself after you eat it because you can't live! To eat good food is to be close to God.""

"This is pitiful. A thousand people freezing their butts off, waiting to worship a rat. What a hype! Groundhog Day used to mean something in this town. They used to pull the hog out and they used to eat it! [to the people] You're hypocrites! All of you! [to Larry] You got a problem with what I'm saying? [Larry shakes his head] Untie your tongue, and you come out here and talk. [to Rita] Am I upsetting you, Princess? You want a prediction about the weather, you're asking the wrong Phil. I'll give you a winter prediction: It's gonna be cold, it's gonna be grey, and it's gonna last you for the rest of your life."

"Since its debut a decade ago, the film has become a curious favorite of religious leaders of many faiths, who all see in Groundhog Day a reflection of their own spiritual messages. ... Harold Ramis, the director of the film and one of its writers, said last week that since it came out he has heard from Jesuit priests, rabbis and Buddhists, and that the letters keep coming. "At first I would get mail saying, 'Oh, you must be a Christian, because the movie so beautifully expresses Christian belief,' " Mr. Ramis said during a conversation on his mobile phone as he was walking the streets of Los Angeles. "Then rabbis started calling from all over, saying they were preaching the film as their next sermon. And the Buddhists! Well, I knew they loved it, because my mother-in-law has lived in a Buddhist meditation center for 30 years and my wife lived there for 5 years." ... Angela Zito, a co-director of the Center for Religion and Media at New York University, screens the film for students in her Buddhism class. She said that Groundhog Day perfectly illustrates the Buddhist notion of samsara, the continuing cycle of rebirth that Buddhists regard as suffering that humans must try to escape ...Groundhog Day, Dr. Zito said, is a cinematic version of the teachings in Mahayana Buddhism, known as "the greater vehicle." "In Mahayana," she said, "nobody ever imagines they are going to escape samsara until everybody else does. That is why you have bodhisattvas, who reach the brink of nirvana, and stop and come back and save the rest of us. Bill Murray is the bodhisattva. He is not going to abandon the world. On the contrary, he is released back into the world to save it.""

"What's so remarkable about it ... is that normally when you're writing a screenplay you try to avoid repetition. And that's the whole thing here, it's built on repetition. That's so bold. The way they get through it is to short-circuit everything, so just when you think something is going to happen that you've seen before, the film gets to it before you and changes or abbreviates it in some way. I saw it when it came out and it just took my breath away."

"I believe Groundhog Day is a Buddhist movie because of this "transformation" of the Bill Murray character. He becomes, as we would say in Jodo Shinshu Buddhism, "a true human being," as opposed to the self-centered and arrogant person he started out as. What is important to note is that the transformation occurs not through the action of some external supreme being, or through the action of the Bill Murray character himself (i.e., through his own self-power). It occurs because he encounters a difficulty in his life that is greater than himself. In Jodo Shinshu Buddhism, we are taught that, even if we are aware that our ego-self is the problem, we cannot simply decide to become a "good person." The self cannot correct itself. What is required is a power much greater than the self, which essentially "negates" or "challenges" the self. In Buddhism, we call this power the Dharma."

"Ramis gets a kick out of the fact that many religious groups claim the film is for and about their particular sect. I suspect Ramis and the Buddha would agree: 'The more, the merrier." Ramis himself is not a Buddhist, does not meditate but is well read on the principles and consciously practices the simple tenets that weatherman Phil Connors comes to embody (picture a bald Bill Murray in saffron robes). Ramis, I learned from hanging out with him and interviewing many around him, is somewhere between a mensch (a really good guy) and a boddhisatva (a really good guy whose mission is to help other people become really good guys)."

"Phil says, “I’ve killed myself so many times, I don’t even exist anymore.” “Now,” Ramis comments, “Phil is ready for change.” And, typical of a Ramis film, change means Phil becomes the good guy, the bodhisattva who performs selfless acts of kindness, not manipulatively, but for their own sake. This, naturally, wins him the love of the whole town, and, naturally, of Rita. And not surprisingly, he comes to love himself. “No matter what happens tomorrow, or for the rest of my life,” Phil tells Rita, “I’m happy now because I love you.” Sure, it's a Hollywood ending. But Ramis would have it no other way. In his commentary on the fifteenth anniversary DVD, he confessed: “I’m such a sap. I actually believe in this stuff. The movie is quite sincere.”"

"Groundhog Day, the 1993 film Ramis directed and co-wrote with Danny Rubin, became an underground Buddhist classic, despite the fact that the words “Buddhist” or “Buddha” never appear in the script, or that neither Ramis nor Rubin intended it to be Buddhist or Christian or Jewish or any of the other denominations that say it speaks to them and for them. And despite the fact that the film is, after all, a comedy. A comedic take on Buddhism? That alone could earn merit points these days when many Buddhist meditators and scholars seem to have forgotten the light touch of numerous teachers over the centuries."

"A long article in the British newspaper the Independent says "Groundhog Day" is "hailed by religious leaders as the most spiritual film of all time." Perhaps not all religious leaders have seen anything by Bergman, Bresson, Ozu and Dreyer, but never mind: They have a point, even about a film where the deepest theological observation is, "Maybe God has just been around a long time and knows everything." What amazes me about the movie is that Murray and Ramis get away with it. They never lose their nerve. Phil undergoes his transformation but never loses his edge. He becomes a better Phil, not a different Phil. The movie doesn't get all soppy at the end. There is the dark period when he tries to kill himself, the reckless period when he crashes his car because he knows it doesn't matter, the times of despair. We see that life is like that. Tomorrow will come, and whether or not it is always Feb. 2, all we can do about it is be the best person we know how to be. The good news is that we can learn to be better people. There is a moment when Phil tells Rita, "When you stand in the snow, you look like an angel." The point is not that he has come to love Rita. It is that he has learned to see the angel."

"Groundhog Day is a film that finds its note and purpose so precisely that its genius may not be immediately noticeable. It unfolds so inevitably, is so entertaining, so apparently effortless, that you have to stand back and slap yourself before you see how good it really is. Certainly I underrated it in my original review; I enjoyed it so easily that I was seduced into cheerful moderation. But there are a few films, and this is one of them, that burrow into our memories and become reference points. When you find yourself needing the phrase This is like "Groundhog Day" to explain how you feel, a movie has accomplished something."

"Formula comedies are a dime a dozen. Those based on an original idea are more rare, and "Groundhog Day," apart from everything else, is a demonstration of the way time can sometimes give us a break. Just because we're born as SOBs doesn't mean we have to live that way."

"Groundhog Day is now associated in the minds of many spiritual seekers with redemption, rebirth and the process of moving to a higher plane. Professor Angela Zito, the co-director of the Centre for Religion and Media at New York University, told me that Groundhog Day illustrated the Buddhist notion of samsara, the continuing cycle of rebirth that individuals try to escape. In the older form of Buddhist belief, she said, no one can escape to nirvana unless they work hard and lead a very good life. But in the teachings of the slightly more recently established Mahayana Buddhism, no one can escape samsara until everyone else does. "That's why you have what are called bodhisattvas who reach the brink of nirvana and come back for others," she said. "The Dalai Lama is considered one living bodhisattva, but Bill Murray could also be one.""

"With so many movies, especially comedies, you can see the bones sticking out – you can see what they're trying to do. But Groundhog Day is such a clever, wonderful ride that you don't notice the joins. It's rare for a comedy to be funny and profound but also popular. Films such as Groundhog Day and Back to the Future sold a lot of popcorn, but they were insanely smart too. That's very inspiring when you're sitting there trying to write a comedy screenplay. Groundhog Day is living proof that it's possible to create intelligent comedy that still has a broad appeal."

"Well, it's Groundhog Day...again."

"Sometimes I wish I had a thousand lifetimes. I don't know, Phil. Maybe it's not a curse. Just depends on how you look at it."

"When Chekhov saw the long winter, he saw a winter bleak and dark and bereft of hope. Yet we know that winter is just another step in the cycle of life. But standing here among the people of Punxsutawney and basking in the warmth of their hearths and hearts, I couldn't imagine a better fate than a long and lustrous winter. This is Phil Connors. So long."

"Once again, the eyes of the nation have turned here to this...tiny village in western Pennsylvania. Blah, blah, blah, blah, blah. There is no way this winter is ever going to end, as long as this groundhog keeps seeing his shadow. I don't see any other way out. He's got to be stopped. And I have to stop him."

"Robin Duke - Doris, the Waitress"

"Rick Overton - Ralph"

"Rick Ducommun - Gus"

"Angela Paton - Mrs. Lancaster"

"Marita Geraghty - Nancy Taylor"

"Brian Doyle-Murray - Buster Green"

"Stephen Tobolowsky - Ned Ryerson"

"Yeah, sport, I know there's a blizzard. When are the long-distance lines gonna be repaired? Well, what if there is no tomorrow?! There wasn't one today! Hello? [dial tone] Hello?! [hangs up the phone. He breaks a pencil and places one half in front of the clock and the other on top]"

"Chris Elliott - Larry"

"I was in the Virgin Islands once. I met a girl. We ate lobster, drank piña coladas. At sunset we made love like sea otters. That was a pretty good day. Why couldn't I get that day over and over and over?"

"Andie MacDowell - Rita"

"Bill Murray - Phil Connors"

"All those films reinvent structure and create a new conceptual framework that makes you understand them ... They share an almost surrealistic vision, and they pose philosophical questions. Groundhog Day is there primarily to entertain, but there are lots of really intelligent ideas in it. It makes me think of Deleuze and his thoughts on how change can arise from repetition. The film follows that to the letter. ... I thought straight away that it was a classic ... other generations will understand immediately what's so good about it. To me, it's a perfect film."

"It's perfect in its structure, and its ideas are so profound. Very much like Silver Linings Playbook, it's about someone fighting their demons using all that humble, difficult, baby-steps hard work that it takes, but doing it in such a hilarious way. It shows that until you wake up and get things right, you're gonna live that stuff until you die: the same emotional prison every day. Phil has to go through every incarnation of what he thinks love is until he really gets it."