Clergy

"Consult the honor of religion more, and your personal safety less. Is it for the honor of religion (think you) that Christians should be as timorous as hares to start at every sound?"

"It is the duty of the saints, especially in times of straights, to reflect upon the performances of Providence for them in all the states and through all the stages of their lives."

"When God gives you comforts, it is your great evil not to observe His hand in them."

"They foresaw that the concession of a Providence would impose an eternal yoke upon their necks, by making them accountable for all they did to a higher tribunal, so that they must necessarily 'pass the time of their sojourning here in fear', while all their thoughts, words and ways were strictly noted and recorded, for the purpose of an account by an all-seeing and righteous God. They therefore laboured to persuade themselves that what they had no mind for did not exist."

"Sometimes providences, like Hebrew letters, must be read backwards."

"God kills thy comforts from no other design but to kill thy corruptions; wants are ordained to kill wantonness, poverty is appointed to kill pride, reproaches are permitted to destroy ambition."

"The greatest difficulty in conversion is to win the heart to God and after conversion to keep it with Him."

"Here you may suppose the Father to say when driving His bargain with Christ for you. The Father speaks. "My Son, here is a company of poor, miserable souls that have utterly undone themselves and now lay open to my justice. Justice demands satisfaction for them, or will satisfy itself in the eternal ruin of them." The Son responds. "Oh my Father. Such is my love to and pity for them, that rather than they shall perish eternally I will be responsible for them as their guarantee. Bring in all thy bills, that I may see what they owe thee. Bring them all in, that there be no after-reckonings with them. At my hands shall thou require it. I would rather choose to suffer the wrath that is theirs then they should suffer it. Upon me, my Father, upon me be all their debt." The Father responds. "But my Son, if thou undertake for them, thou must reckon to pay the last mite. Expect no abatement. Son, if I spare them... I will not spare you." The Son responds. "Content Father. Let it be so. Charge it all upon me. I am able to discharge it. And though it prove a kind of undoing to me, though it impoverish all my riches, empty all my treasures... I am content to take it.""

"No friend sympathizes so tenderly with his friend in affliction as does Jesus. "In all our afflictions, He is afflicted." He feels all our sorrows, wants, and burdens as His own. Whence it is that the sufferings of believers are called the sufferings of Christ."

"When a man begins to apprehend the first approach of grace, pardon, and mercy by Jesus Christ to his soul; when he is convinced of his utter unworthiness and desert of hell, and can never expect any thing from a just and holy God but damnation, how do the first dawnings of mercy melt and humble him!"

"In society's eyes the virtue of saying the right thing at the right time is more important that the virtue of telling the whole truth, or even of telling the truth at all."

"The fundamental job of the imagination in ordinary life...is to produce, out of the society we have to live in, a vision of the society we want to live in."

"When you stop to think about it, you soon realize that our imagination is what our whole social life is really based on....In practically everything we do it's the combination of emotion and intellect we call imagination that goes to work."

"The use of cliché [is] the use of ready-made, prefabricated formulas designed to give those who are too lazy think the illusion of thinking...If our aim is only to say what gets by in society, our reactions will become almost completely mechanical. That's the direction cliché takes us in...it's no more a product of a conscious mind than the bark of a dog."

"No matter how much experience we may gather in life, we can never in life get the dimension of experience that the imagination gives us. Only the arts and sciences can do that, and of these, only literature gives us the whole sweep and range of human imagination as it sees itself."

"Finnegans Wake is not a book to read, but a book to decipher: as Joyce says, it's about a dreamer, but it's addressed to an ideal reader suffering from ideal insomnia."

"The fable says that the tortoise won in the end, which is consoling, but the hare shows a good deal of speed and few signs of tiring."

"Jargon or gobbledygook, or what people who live in Washington or Ottawa call "federal prose," [is] the gabble of abstractions and vague words which avoids any simple or direct statement....Direct and simple language always has some force behind it, and the writers of gobbledygook don't want to be forceful; they want to be soothing and reassuring."

"Experience is nearly always commonplace; the present is not romantic in the way the past is, and ideals and great visions have a way of becoming shoddy and squalid in practical life. Literature reverses this process."

"Literature does not reflect life, but it doesn't escape or withdraw from life either: it swallows it."

"One of the most obvious uses [of literature], I think, is its encouragement of tolerance. In the imagination our own beliefs are also only possibilities, but we can also see the possibilities in the beliefs of others. Bigots and fanatics seldom have any use for the arts, because they're so preoccupied with their beliefs and actions that they can't see them as also possibilities."

"No matter what direction we start off in, the signposts of literature always keep pointing the same way, to a world where nothing is outside the imagination. If even time, the enemy of all living things, and to poets, the most hated and feared of all tyrants, can be broken down by the imagination, anything can be."

"We relate the poems and plays and novels we read and see, not to the men who wrote them, nor even directly to ourselves; we relate them to each other. Literature is a world that we try to build up and enter at the same time."

"The poet...is an identifier: everything he sees in nature he identifies with human life."

"The world of literature is a world where there is no reality except that of the human imagination."

"There can be no free speech in a mob: free speech is one thing a mob can't stand."

"This story of loss and regaining of identity is, I think, the framework of all literature.(pg.18)"

"As civilization develops, we become more preoccupied with human life, and less conscious of our relation to non-human nature. Literature reflects this, and the more advanced the civilization, the more literature seems to concern itself with purely human problems and conflicts. The gods and heroes of the old myths fade away and give place to people like ourselves."

"All writers are conventional, because all writers have the same problem of transferring their language from direct speech to the imagination. For the serious mediocre writer convention makes him sound like a lot of other people; for the popular writer it gives him a formula he can exploit; for the serious good writer it releases his experiences or emotions from himself and incorporates them into literature, where they belong."

"[L]iterature not only leads us toward the regaining of identity, but it also separates this state from its opposite, the world we don't like and want to get away from...We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it is still with us. ...Literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows."

"The simple point is that literature belongs to the world man constructs, not to the world he sees; to his home, not his environment. Literature's world is a concrete human world of immediate experience...The world of literature is human in shape, a world where the sun rises in the east and sets in the west over the edge of a flat earth in three dimensions, where the primary realities are not atoms or electrons but bodies, and the primary forces not energy or gravitation but love and death and passion and joy."

"At the level of ordinary consciousness the individual man is the centre of everything, surrounded on all sides by what he isn't. At the level of practical sense, or civilization, there's a human circumference, a little cultivated world with a human shape, fenced off from the jungle and inside the sea and the sky. But in the imagination anything goes that can be imagined, and the limit of the imagination is a totally human world."

"No human society is too primitive to have some kind of literature. The only thing is that primitive literature hasn't yet become distinguished from other aspects of life: it's still embedded in religion, magic and social ceremonies."

"In literature you don't just read one poem or novel after another, but enter into a complete world of which every work of literature forms part. This affects the writer as much as it does the reader."

"The kind of problem that literature raises is not the kind that you ever 'solve'. Whether my answers are any good or not, they represent a fair amount of thinking about the questions."

"A person who knows nothing about literature may be an ignoramus, but many people don't mind being that."

"It is clear that all verbal structures with meaning are verbal imitations of that elusive psychological and physiological process known as thought, a process stumbling through emotional entanglements, sudden irrational convictions, involuntary gleams of insight, rationalized prejudices, and blocks of panic and inertia, finally to reach a completely incommunicable intuition."

"One person by himself is not a complete human being."

"Freedom has nothing to do with lack of training; it can only be the product of training. You're not free to move unless you've learned to walk, and not free to play the piano unless you practise. Nobody is capable of free speech unless he knows how to use the language, and such knowledge is not a gift: it has to be learned and worked at."

"The human mind is [a poet's] individual mind at first, but as soon as he writes a poem it becomes our [the readers'] minds too. There is no self-expression in [a poet's] poem, because once the poem is there the individual [poet] has disappeared. ...there is really no such thing as self-expression in literature."

"Writers don't seem to benefit much by the advance of science, although they thrive on superstitions of all kinds."

"Poets are happier as servants of religion than of politics."

"A community`s art is its spiritual vision. (p. 206)"

"If I had been on the hills of Bethlehem in the year one, I do not think I should have heard angels singing because I do not hear them now, & there is no reason to suppose that they have stopped.(p. 74)"

"Nobody seriously thinks of television as a viewer's mode of perception...No matter how much he wants people to look at his product, the advertiser doesn't realize that television is [the viewer's] way of looking at him, & not his way of reaching them. (p. 95-6)"

"Under the stimulation of a "great age" or certain period of clarity in art a wider diffusion of genius becomes actual suggests to me that it is always potential. (p. 8)"

"The "flow of information," which is mostly misinformation, is actually a presentation of myths. And people are increasingly rejecting the prescribed myths & developing their own counter-myths. (p. 97)"

"The soul is an immaculate virgin...Then it goes out and gets fucked by the world all day long & staggers back a baggy-eyed old whore, still hoping that after a sleep the Moment of purification will come again. (p. 27)"

"The objective world is only “material”: it’s there, but it could be there in a great many different forms and aspects...Even here there [are] still possibilities: it can’t be just anything. But perhaps extracting a finite schema from the variety of mythologies, literatures, or religions might contribute something to the understanding of what some of these possibilities could be. The individual can’t create his own world, except in art or fantasy: society can only create a myth of concern. What fun if one could get just a peep at what some of the other worlds are that a new humanity could create–no, live in. (p. 287-8)"

"One of the major activities of art consists in sharpening the edge of platitudes to make them enter the soul as realities. (p. 7)"