Centenarians

"I don’t believe in acting. I think that people in life act, but when you are on the stage, or in my case also on screen, you have to be true."

"I was never proud of anything. I just did it like everything else. To do a film - let me explain to you - it's like having a baby. You labor, you labor, you labor, and then you have it. And then it grows up and it grows away from you. But to be proud of giving birth to a baby? Proud? No, every cow can do that."

"I was nobody to make a pass to. I was very thin like a boy and I was very un-sexy."

"I have always accepted and respected all other schools of architecture, from the chill and elemental structures of Mies van der Rohe to the imagination and delirium of Gaudi. I must design what pleases me in a way that is naturally linked to my roots and the country of my origin."

"Humanity needs dreams to endure misery, even if just for an instant.A humanidade precisa de sonhos para suportar a miséria, nem que seja por um instante."

"Architecture was my way of expressing my ideals: to be simple, to create a world equal to everyone, to look at people with optimism, that everyone has a gift. I don’t want anything but general happiness. Why is that bad?"

"It's funny, the power of beauty, to make us forget such injustice. É estranho o poder da beleza, que nos faz esquecer tanta injustiça."

"First were the thick stone walls, the arches, then the domes and vaults — of the architect, searching out for wider spaces. Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions. A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today's architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene."

"We hated Bauhaus. It was a bad time in architecture. They just didn’t have any talent. All they had were rules. Even for knives and forks they created rules. Picasso would never have accepted rules. The house is like a machine? No! The mechanical is ugly. The rule is the worst thing. You just want to break it."

"Life is very fleeting. It’s important to be gentle and optimistic. We look behind and think what we’ve done in this life has been good. It was simple; it was modest. Everyone creates their own story and moves on. That’s it. I don’t feel particularly important. What we create is not important. We’re very insignificant."

"When people ask me if I take pleasure in the idea of someone looking at my buildings in the future, I tell them that this person will vanish, too. Everything has a beginning and an end. You. Me. Architecture. We must try to do the best we can, but must remain modest. Nothing lasts for very long."

"Brasilia was a wonderful time [...] I designed a wooden cabin for us to live in - me, engineers, visiting friends and JK himself. We called it Catetinho [a national monument today]. JK flew out to join us in the savannah as we built his city. We went to the same dances and bars as the workers. This was a liberating time. It seemed as if a new society was being born, with all the traditional barriers cast aside. It didn't work. Now, Brasilia is too big. The developers, the capitalists are there, dividing society and spoiling the city. Brasilia should stop."

"Architecture for me has always begun with drawing. When I was very little my mother said I used to draw in the air with my fingers. I needed a pencil. Once I could hold one, I have drawn every day since. The buildings do appear on paper the way you say, but they are not the result of gratuitous brushstrokes. The pencil is guided by so many thoughts stored away in my mental library. But, when I have looked at the site for a building, considered its budget and thought of how it might be built, and what it might be, the drawings come very quickly. I pick up my pen. It flows. A building appears. There it is. There is nothing more to say."

"My ambition has always been to reduce a building’s support to a minimum. The more we diminish supporting structures, the more audacious and important the architecture is. That has been my life’s work."

"I had some good opportunities. I was lucky to have had the chance to do things differently. Architecture is about surprise."

"It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve — the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman."

"Here, then, is what I wanted to tell you of my architecture. I created it with courage and idealism, but also with an awareness of the fact that what is important is life, friends and attempting to make this unjust world a better place in which to live."

"I was attracted by the curve — the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches."

"I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete.… This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women."

"My work is not about "form follows function," but "form follows beauty" or, even better, "form follows feminine.""

"Every tub must stand upon its bottom."

"The law is a sort of hocus-pocus science, that smiles in yer face while it picks yer pocket; and the glorious uncertainty of it is of mair use to the professors than the justice of it."

"the search for necessary truths, truths that are not only true, but they couldn’t have been false."

"Speculative Philosophy is the endeavour to frame a coherent, logical, necessary system of general ideas in terms of which every element of our experience can be interpreted. By this notion of 'interpretation' I mean that everything of which we are conscious, as enjoyed, perceived, willed, or thought, shall have the character of a particular instance of the general scheme."

"My ultimate intuitive clue in philosophy is that "God is love" and that the idea of God is definable as that of the being worthy to be loved with all one’s heart, mind, soul, and entire being."

"I think my great book is Born to Sing: An Interpretation and World Survey of Bird Song."

"Do you remember which way I was heading?"

"The secret of my success is longevity."

"All things, in all their aspects, consist exclusively of 'souls', that is, of various kinds of subjects, or units of experiencing, with their qualifications, relations, and groupings, or communities."

"God thus excludes the world; he is only its cause; in no sense is he effect, of himself or anything else. Pantheism (better, "pandeism," for again it is not really the theos that is described) means that God is the integral totality of ordinary cause-effects, and that there, is no super-cause independent of ordinary causes and effects."

"God thus includes the world; he is, in fact, the totality of world parts, which are indifferently causes and effects. Now AR [absolute perfection in some respects, relative perfection in all others] is equally far from either of these doctrines; thanks to its two-aspect view of God, it is able consistently to embrace all that is positive in either deism or pandeism. AR means that God is, in one aspect of himself, the integral totality of all ordinary causes and effects, but that in another aspect, his essence (which is A), he is conceivable in abstraction from any one or any group of particular, contingent beings (though not from the requirement and the power always to provide himself with some particulars or other, sufficient to constitute in their integrated totality the R aspect of himself at the given moment)."

"These distinctions make sense only when AR [absolute perfection in some respects, relative perfection in all others] is assumed (hence Spinoza's failure, who assumed mere A). Just as AR is the whole positive content of perfection, so CW, or the conception of the Creator-and-the-Whole-of-what-he-has-created as constituting one life, the super-whole which in its everlasting essence is uncreated (and does not necessitate just the parts which the whole has) but in its de facto concreteness is created – this panentheistic doctrine contains all of deism and pandeism except their arbitrary negations. Thus ARCW, or absolute-relative panentheism, is the one doctrine that really states the whole of what all theists, if not all atheists as well, are implicitly talking about."

"In Plato’s Republic one finds the proposition: God, being perfect, cannot change (not for the better, since "perfect" means that there can be no better; not for the worse, since ability to change for the worse, to decay, degenerate, or become corrupt, is a weakness, an imperfection). The argument may seem cogent, but it is so only if two assumptions are valid: that it is possible to conceive of a meaning for "perfect" that excludes change in any and every respect and that we must conceive God as perfect in just this sense."

"The idea of revelation is the idea of special knowledge of God, or of religious truth, possessed by some people and transmitted by them to others. In some form or other the idea is reasonable. In all other matters people differ in their degree of skill or insight. Why not in religion?"

"In all countries and in all historical times there have been individuals to whom multitudes have looked for guidance in religion. Buddha, Lao Tse, Confucius, Moses, Zoroaster, Shankara, Jesus, Muhammed, Joseph Smith, and Mary Baker Eddy were such individuals. New examples are to be found within the lives of many of us. Pure democracy or sheer equalitarianism in religious matters is not to be expected of our human nature. Some distinction between leaders or founders and followers or disciples seems to be our destiny. But there is a question of degree, or of qualification. To what extent, or under what conditions, are some individuals, or perhaps is some unique individual, worthy of trust in religious matters? It is in the answer to this question that mistakes can be made."

"[T]he traditional idea of divine perfection or infinity is hopelessly unclear or ambiguous and that persisting in that tradition is bound to cause increasing skepticism, confusion, and human suffering. It has long bred, and must evermore breed, atheism as a natural reaction."

"The reward for living is the living itself."

"No one in my family disbelieved in religion, and no one disbelieved in evolution, either."

"What we need is to make a renewed attempt to worship the objective of God, not our forefathers' doctrines about him."

"Musicians who have listened to birds believe [that birds derive pleasure from singing] much more than ornithologists, who are terrified of being accused of anthropomorphism... Having studied thousands of hours of birdsong from around the world, I am convinced some species possess an aesthetic sense, however limited compared to ours. It is part of human egotism to believe that only we have active minds."

"The world has too many automobiles and televisions. Now the standard is there should be one car and TV for every person. This is not healthy for the environment or our souls."

"Hitler made it impossible to keep believing in pacifism, which was one of the many terrible things he did to the world."

"[W]e live in a century in which everything has been said. The challenge today is to learn which statements to deny."

"I had a happy, idyllic, old-fashioned childhood. Go to the town where I spent that childhood, you will not find my happy hours there. Yet they remain definite constituents of a divine reality about which true statements can still be made. My happy childhood was a gift my parents and the world offered to God."

"Too many intellectuals look down on religion and think it will go away. God is not going to go away. There are far more religious people in the world today than when I was born."

"Not armies, not nations, have advanced the race; but here and there, in the course of ages, an individual has stood up and cast his shadow over the world."

"The unelected if indisputable chairman of the American Establishment ...one of the most powerful, influential and richest men in America ...[he] sits at the hub of a vast network of financiers, industrialists and politicians whose reach encircles the globe"

"We now live in a world where we are related by economics, politics, the environment, technology and human nature. We can no longer think of the people and problems in other parts of the world as “foreign” to us. David certainly understood this early in the game, and has been a tireless and inspirational advocate in this regard. He wears the badge of "proud internationalist" openly, as do I."

"For David Rockefeller, the Presidency of the United States would be a demotion."

"Whatever the price of the Chinese Revolution, it has obviously succeeded, not only in producing more efficient and dedicated administration, but also in fostering a high morale and cummunity propose... The social experiment in China under Chairman Mao's leadership is one of the most important and successful in human history."