Booker Prize Winners

"New York is a lovely city. It is an easy city to go back to and an easy city to leave. Every time I go there I immediately make travel plans."

"He struggled to keep his temper. It struck him that both Marta and Chiara took advantage of him by attacking him with their ignorance, or call it innocence. A serious thinking adult had no defence against innocence because he was obliged to respect it, whereas the innocent scarcely knows what respect is, or seriousness either."

"The frame of mind, however, is everything. Given that, one can have a very satisfactory party all by oneself."

"Helping other people is a drug so dangerous that there is no cure, short of total abstention."

"There are dilettantes in human relationships just as there are, let's say, in politics."

"They are no longer the same because I myself am no longer the same. India always changes people, and I have been no exception."

"The great man folded his palms and bowed all around him. He had one of those either/or faces that all great Indian politicians have. This face says that it is now at peace—and you can be at peace too if you follow the owner of that face. But the same face can also say, with a little twitch of its features, that it has known the opposite of peace and it can make this other face yours too, if it wishes."

"Here’s a strange fact: murder a man, and you feel responsible for his life—’’possessive’’, even. You know more about him than his father and mother; they knew his fetus, but you know his corpse. Only you can complete the story of his life, only you know why his body has to be pushed into the fire before its time, and why his toes curl up and fight for another hour on earth."

"With their tinted windows up, the cars of the rich go like dark eggs down the roads of Delhi. Every now and then an egg will crack open—a woman’s hand, dazzling with gold bangles, stretches out an open window, flings an empty mineral water bottle onto the road—and then the window goes up, and the egg is resealed."

"A rich man’s body is like a premium cotton pillow, white and soft and blank. ‘’Ours’’ is different. My father’s spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog’s collar; cuts and nicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man’s life is written on his body, in a sharp pen."

"Now, there are some, and I don’t just mean Communists like you, but thinking men of all political parties, who think that not many of these gods actually exist. Some believe that ‘’none’’ of them exist. There’s just us and an ocean of darkness around us. I’m no philosopher or poet, how would I know the truth? It’s true that all these gods seem to do awfully little work—much like our politicians—and yet keep winning reelection to their golden thrones in heaven, year after year. That’s not to say that I don’t respect them, Mr. Premier! Don’t you ever let that blasphemous idea into your yellow skull. My country is the kind where it pays to play it both ways: the Indian entrepreneur has to be straight and crooked, mocking and believing, sly and sincere, at the same time."

"By the way, Mr. Premier: Have you ever noticed that all four of the greatest poets in the world are Muslim? And yet all the Muslims you meet are illiterate or covered head to toe in black burkas or looking for buildings to blow up? It’s a puzzle, isn’t it? If you ever figure these people out, send me an e-mail."

"Go to Old Delhi, behind the Jama Masjid, and look at the way they keep chickens there in the market. Hundreds of pale hens and brightly colored roosters, stuffed tightly into wire mesh cages, packed as tightly as worms in a belly, pecking each other and shitting on each other, jostling just for breathing space; the whole cage giving off a horrible stench—the stench of terrified, feathered flesh. On the wooden desk above this coop sits a grinning young butcher, showing off the flesh and organs of recently chopped-up chicken, still oleaginous with a coating of dark blood. The roosters in the coop smell the blood from above. They see the organs of their brothers lying around them. They know they’re next. Yet they do not rebel. They do not try to get out of the coop.The very same thing is done with human beings in this country."

"Mr Premier, Sir. Neither you nor I speak English, but there are some things that can be said only in English."

"The dreams of the rich, and the dreams of the poor—they never overlap, do they?See, the poor dream all their lives of getting enough to eat and looking like the rich. And what do the rich dream of?Losing weight and looking like the poor."

"Apparently, sir you Chinese are far ahead of us in every respect, except that you don’t have entrepreneurs. And our nation, though it has no drinking water, electricity, sewage system, public transportation, sense of hygiene, discipline, courtesy, or punctuality, ‘’does’’ have entrepreneurs. Thousands and thousands of them. Especially in the field of technology. And these entrepreneurs—’’we’’ entrepreneurs—have set up all these outsourcing companies that virtually run America now."

"The moment you recognize what is beautiful in this world, you stop being a slave."

"The book of your revolution sits in the pit of your belly, young Indian. Crap it out, and read.Instead of which, they’re all sitting in front of color TVs and watching cricket and shampoo advertisements."

"In those uneasy two days, between the declaration of peace and its accomplishment, one of the prisoners, a jeweler named Licht, had been making a present for Oskar, something more expressive than the metal stud box he'd been given on his birthday. Licht was working with a rare quantity of gold. … Licht melted the gold down and by noon on May 8 was engraving an inscription on the inner circle in Hebrew. It was a Talmudic verse which Stern had quoted to Oskar in the front office of Buchheister's in October 1939. "He who saves a single life saves the world entire.""

"The list is an absolute good. The list is life. All round its cramped margins lies the gulf."

"In times like these, he said, it must be hard for the churches to go on telling people that their Heavenly Father cared about the death of even a single sparrow. He'd hate to be a priest, Herr Schindler said, in an era like this, when life did not have the value of a packet of cigarettes. Stern agreed but suggested, in the spirit of the discussion, that the Biblical reference Herr Schindler had made could be summed up by a Talmudic verse which said that he who saves the life of one man, saves the entire world."

"Fatal human malice is the staple of narrators, original sin the mother-fluid of historians. But it is a risky enterprise to have to write of virtue."

"The more Orthodox of the ghetto had a slogan—"An hour of life is still life.""

"Peter Thompson: Was one of the things that really attracted you to the story, the obvious moral ambiguity of Schindler? Tom Keneally: Absolutely, it was the fact that you couldn't say where opportunism ended and altruism began. And I like the subversive fact that the spirit breatheth where it will. That is that good will emerged from the most unlikely places."

"All those words of praise they use for novels – spare, economical. Why should I shell out £17 for economical?"

"Although I was too young to understand the theory of universal (that's to say male) guilt, I was old enough to know which sex suffered migraine and which sex caused it."

"I'm a Jewish Jane Austen."

"But here's something that puzzles me: is not victim-blaming counted among the worst of crimes wherever courses on faith and diversity, race and ethnicity, feminist philosophy and so on are taught. Or is victim-blaming an academic luxury not afforded to Jews? Israelis, do I mean? I understand the distinction. The separation between Israel and Jews is fundamental to anti-Zionist discourse. Anti-Semitic, I am assured repeatedly, is the last thing anti-Zionists are. But understand that the sight of Israelis who just happen to be Jews being manhandled into cars and driven away into captivity stirs memories of events that Jews hoped never to be caught up in again. One of the elderly Israeli hostages who just happens to be Jewish is a peacenik who lived in a kibbutz close to Gaza and ferried sick Gazans to hospitals in Jerusalem and Tel Aviv. He thought they were his friends. The experience of friends turning on you the minute a |pogrom gets under way is also burned into the minds of Jews."

"In the highly improbable event of his being asked to nominate the one most un-Jewish thing he could think of, Sefton Goldberg would have been hard pressed to decide between Nature – that's to say birds, trees, flowers, and country walks – and football – that's to say beer, bikies, mud, and physical pain."

"In the matrimonial life of the Jewish male every day is Yom Kippur."

"He was as sentimental as Hitler about applause and crowds."

"And yet she had never felt so bereft, as if her presence in other lives were entirely illusory, as if she herself were a kind of facsimile, pleasant but inauthentic. Before she got too old she must wrest some part of her life for herself, or she would fade, vanish, before anyone noticed her disappearance."

"The house - a substantial but essentially modest suburban villa - was furnished with voluptuous grandeur in approximations of various styles, predominantly those of several Louis, with late nineteenth- and early twentieth-century additions. Heavy coloured glass ashtrays of monstrous size and weight rested in inlaid marquetry tables of vaguely Pompadour associations. At dinner we drank champagne from ruby Bohemian glasses: the meat was carved at a Boulle-type sideboard. ‘Regency’ wallpaper of dark green and lighter green stripes was partially covered by gilt-framed landscapes of no style whatsoever.’"

"In the street the rain was little more than a fine mist which softened the outlines of the houses and even lent a touch of poetry to a neighbourhood unlikely to evoke tender emotions. He raised his eyes to a roofline bristling with television aerials, lowered them again to windows still blank before the evening lights were lit."

"I saw the business of writing for what it truly was and is to me. It is your penance for not being lucky. It is an attempt to reach others and to make them love you. It is your instinctive protest, when you find you have no voice at the world's tribunals, and that no one will speak for you. I would give my entire output of words, past, present, and to come, in exchange for easier access to the world, for permission to state "I hurt" or "I hate" or "I want." Or, indeed, "Look at me." And I do not go back on this. For once a thing is known it can never be unknown. It can only be forgotten. And writing is the enemy of forgetfulness, of thoughtlessness. For the writer there is no oblivion. Only endless memory."

"It is best to marry for purely selfish reasons."

"It was, I saw, a flat to get out of rather than one to stay in. It was a machine for eating and sleeping in, a suitable dwelling place for a working woman, whose main interest is in her work. I disliked this version of myself, which seemed to negate my other activities, reduced them to after-hours amusements, whereas I had always thought them pretty central. These mute, white walls had been silent witnesses to many encounters; nevertheless, they withheld comment, and their very withholding struck me as unfriendly. Unheimlich was the word which came to mind when I stood on the threshold of my bedroom."

"Women have come a long way, of course: we can all be left alone at night now. But sometimes it seems a high price to pay. We can also open the door cheerfully to strangers at any hour, deal with obscene telephone calls and mend fuses."

"Fiction is just a constant torment, and an embarrassment. I loathe my fiction. I have a fantasy when I'm passing a bookstore that I could click my fingers and all my books would go blank, so that I could start again and get them right."

"But trying to be a painter did teach me to look at the world in a very particular way—looking very closely at things, at colors, at how things form themselves in space — and I've always been grateful for that. You have all this space, and you have a figure: what do you do with it? And in a way that’s what all art is. How do we find a place for our creatures, or inventions, in this incoherent space into which we’re thrown?"

"I am essentially a religious type. In my teens I gave up Catholicism, and at the same time I started writing. Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get."

"A boy in his teens! What did I know about death? This is a problem for Irish writers — our literary forebears are enormous. They stand behind us like Easter Island statues, and we keep trying to measure up to them, leaping towards heights we can't possibly reach. I suppose that's a good thing, but it makes for a painful early life for the writer. Anyway, hunched there over my Aunt Sadie's Remington, I was starting to learn how to write. Now, fifty years later, I'm still learning."

"My present study - a word that always makes me uneasy, I am not sure why - is a small apartment in a huge, anonymous, quadrilateral block in Dublin city centre. My window, the one I do not look out of, gives on to a courtyard where no one ever goes, and where the silence is day-long and almost pastoral. When I first began to come here to work, a dozen years ago, I used to shut my door on entering each morning and put the chain on. The place is clean, or cleanish, and, yes, well lighted. Here I am unassailable. Or so I like to imagine."

"I feel a kind of intellectual regret, not an emotional regret, at having left my parents and that world behind. But it's not a great weight on my soul. In a way I wish it were. To leave one’s background without guilt is an indication of shallowness of character, I suspect."

"For me, a line has to sing before it does anything else. The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days when I think about how I could be living instead of writing."

"[T]he older I get the more I realise that the world is not as varied as we thought it was when we were young. Most places are much alike."

"I hesitate to talk about Czech food. [...] The people are very sweet, wonderfully cultured, very friendly, but my God how they eat that food I do not know. It is surely the most disgusting cuisine in the world."

"We cannot all afford a farm in Cuba or a suite at the George V in newly liberated Paris, and more often than not must strive to forge our clean, well-lighted sentences at a folding table wedged between the baby's cot and the dining table."

"There is something slightly sinister about Prague, just as there is about Lyon and Turin."

"I'm doing my best to not be too rude about it, but oh my God that Czech food..."