Bassists

"I was a sitting target, in a way, for anybody who wanted to make some kind of headline. … I certainly never supported the Fatwa, but when I was asked about … the actual principle of blasphemy and capital punishment, well, like the Bible, I said, "You know, yeah, it's there, it's in the Koran." And I couldn't deny that."

"A lot of people would have loved me to keep singing … You come to a point where you have sung, more or less … your whole repertoire and you want to get down to the job of living. You know, up until that point, I hadn't had a life. I'd been searching, been on the road."

"I had to learn my faith and look after my family, and I had to make priorities. But now I've done it all and there's a little space for me to fill in the universe of music again."

"I wrote a song called "Father & Son" about the son running off to do his own thing. Now the story is about my son coming back and bringing a guitar into the house. A couple of years ago, one morning after prayers, his guitar was lying around. I picked it up and my fingers knew exactly where to go. I'd written some words and when I put them to music, it moved me and I realized I could have another job to do. Things just grew from there."

"The last place I wanted to return to was the music business. But it's the people and the cause that matter and right now there's an important need, which is bridge-building. I wanted to support the cause of humanity, because that's what I always sang about. Music can be healing, and with my history and my knowledge of both sides of what looks like a gigantic divide in the world, I feel I can point a way forward to our common humanity again. It's a big step for me but it's a natural step. I don't feel at all irked by the responsibility — I feel inspired."

"It seems to be the easiest thing in the world these days to make scurrilous accusations against Muslims, and in my case it directly impacts on my relief work and damages my reputation as an artist. The harm done is often difficult to repair."

"I wanted a break. I had been on the road more or less since I was 18, you know? And I hadn't known any other life, other than, you know, hotel rooms and concerts and records and studios and press conferences. … and to me, here was a chance to jump off that kind of wagon and see life for real. You know, actually my last album was called Back to Earth. So that was the meaning of it. I wanted to join the human race again. I didn't want to be a star. I didn't want to continue with that thing, because so much illusion and non-reality is connected to it. I wanted to be real. And so I — I kind of — I found an opportunity. And the actual point about music was — the imam who I met and who I first embraced Islam with in London's Central Mosque, he actually told me to continue making records."

"We understand the anger, the anguish and suffering which this act of international terrorism has created amongst people. What we are worried about is the impact of the wrong kind of response to it. … We believe that the civilised world is a multicultural, multi-religious world. That is the type of message we want to get across. … I think there are many who are Muslims and non-Muslims, who are not warmongers but peace makers and want this world to be a better place. We believed the unison of the voices of so many people standing together against international terrorism is something to be valued and something to be built upon."

"I wish to express my heartfelt horror at the indiscriminate terrorist attacks committed against innocent people of the United States yesterday. While it is still not clear who carried out the attacks, it must be stated that no right thinking follower of Islam could possibly condone such an action: the Qur'an equates the murder of one innocent person with the murder of the whole of humanity. We pray for the families of all those who lost their lives in this unthinkable act of violence as well as all those injured; I hope to reflect the feelings of all Muslims and people around the world whose sympathies go out to the victims at this sorrowful moment."

"I'm very sad that this seems to be the No. 1 question people want to discuss. I had nothing to do with the issue other than what the media created. I was innocently drawn into the whole controversy. So, after many years, I'm glad at least now that I have been given the opportunity to explain to the public and fans my side of the story in my own words. At a lecture, back in 1989, I was asked a question about blasphemy according to Islamic Law, I simply repeated the legal view according to my limited knowledge of the Scriptural texts, based directly on historical commentaries of the Qur'an. The next day the newspaper headlines read, "Cat Says, Kill Rushdie." I was abhorred, but what could I do? I was a new Muslim. If you ask a Bible student to quote the legal punishment of a person who commits blasphemy in the Bible, he would be dishonest if he didn't mention Leviticus 24:16."

"In Islam there is a line between let's say freedom and the line which is then transgressed into immorality and irresponsibility and I think as far as this writer is concerned, unfortunately, he has been irresponsible with his freedom of speech. Salman Rushdie or indeed any writer who abuses the prophet, or indeed any prophet, under Islamic law, the sentence for that is actually death. It's got to be seen as a deterrent, so that other people should not commit the same mistake again."

"If Rushdie turned up at my doorstep looking for help, I might ring somebody who might do more damage to him than he would like. I'd try to phone the Ayatollah Khomeini and tell him exactly where this man is."

"Rather than go to a demonstration to burn an effigy of the author Salman Rushdie, I would have hoped that it'd be the real thing."

"Geoffrey Robertson: You don't think that this man deserves to die? Yusuf Islam: Who, Salman Rushdie? Robertson: Yes. Islam: Yes, yes. Robertson: And do you have a duty to be his executioner? Islam: Uh, no, not necessarily, unless we were in an Islamic state and I was ordered by a judge or by the authority to carry out such an act — perhaps, yes."

"Art was what I originally started out to do and music came second at first. I had a year at art college but I left because it was too much like school. I give all my paintings away to people I like."

"It seems as if I am making a comeback but I have never really been away. It’s very strange because the whole attitude changes and everything is turned inside out. Now I am seeing the shiny side again."

"No one can deny the talent and spark of energy that Burton left with Metallica and his inspiration and influence to bass players is still strong. His iconic style of speed picking the bass and convulsion like head movements are the essence and model of head banging. Though Metallica have gone on to become arguably the biggest band in heavy metal, the era of Cliff Burton cannot and should not be forgotten, the spirit, speed and musicianship be brought to the band can’t be matched, no offense to Newsted or Trujillo."

"When it comes to Cliff Burton, it's a tale of what could have been. A legend in the making with Metallica, Burton was only 24 when he was killed after the band's tour bus crashed on an icy road in rural Sweden in 1986. In the wake of that tragedy, Burton's legacy continued to live on even as Metallica became one of the biggest bands in the world. The hair-swinging, spaceship-sounding, bass-playing Burton was a major presence on the band's first three albums that remain metal masterpieces. For a true taste of Burton's greatness, listen to his work "(Anesthesia) – Pulling Teeth," "The Call of Ktulu," "For Whom the Bell Tolls," and "Orion.""

"He's a modern day Stravinsky, the way he constructs his music, he's a madman.... He was doing stuff [40 years ago] that modern people do now, looping his work and stuff. There's a track on Smile with a whole bunch of tubas having a conversation with trumpets. It's great."

"I've always liked Brian Wilson all the way through The Beach Boys. But Pet Sounds blew me away. It’s still one of my favorite albums. When I first heard it, I thought, Wow, this is the greatest record of all time! Brian took the bass into very unusual places. The band would play in C, and Brian would stay in G. That kind of thing. It gave me great ideas. That musical invention of Brian Wilson was eye-opening, I mean, ear-opening. ... It was Pet Sounds that blew me out of the water. I love the album so much. I’ve just bought my kids each a copy of it for their education in life … I figure no one is educated musically ’til they’ve heard that album … I love the orchestra, the arrangements … it may be going overboard to say it’s the classic of the century … but to me, it certainly is a total, classic record that is unbeatable in many ways … I’ve often played Pet Sounds and cried."

"There is a new song, too complex to get all of first time around. It could come only out of the ferment that characterizes today's pop music scene. Brian Wilson, leader of the famous Beach Boys, and one of today's most important musicians, sings his own 'Surf's Up.' Poetic, beautiful even in its obscurity, 'Surf's Up' is one aspect of new things happening in pop music today. As such, it is a symbol of the change many of these young musicians see in our future."

"Brian didn't really write lyrics to the songs; he edited them. That means he might have simply said that he didn't like a particular line. I would then have tried to convince him of its merit, if I felt strongly about it, or I would have written an alternate in an attempt to get closer to what he seemed to be after. None of this is to say that he didn't supply words to some of the songs. He did. But his role was more to react to what I did after I did it, rather than to direct it before it occurred or even as it was occurring. It's fair to say that the general tenor of the lyrics was always his and the actual choice of words was usually mine. I was really just the interpreter."

"I think about God, yes, and I wonder if there is a God. And if there is a God, will God please help me through my hard trips."

"When people hear music that is spiritual it gets through. Music that is Godlike and loving gets through. I don’t have any power in this world, but I have spiritual power. I think God gave me my music and my talent. I’m trying to get across a feeling of spirituality; I think I have a spiritual influence on people."

"Spirituality amounts to love with me. I consider it the same as love. And my band members are full of love."

"Humor — it helps to make the vibe better — it loosens up the vibrations."

"If there's not love present, it's much, much harder to function. When there's love present, it's easier to deal with life."

"I talked to Paul McCartney over the years ranging from 1967 to 2004. … At the landmine show he did "God Only Knows" with me and I did "Let It Be" with him. And then I called him about four months ago asking him if he could come out and do — sing a song called "A Friend Like You," which I wrote for him, me and my collaborator wrote for him. And he said he'd love to come out. And he came to the studio and that was one of the bigger thrills of my life to tell you the truth, to produce Paul McCartney. And that was a thrill for me. That was a thrill."

"Now and then I'll be a little brief with some of my band members. I won't talk or I'll refrain from talking to my band while we're rehearsing. But basically I am friendly with people. … I'll go on cold streaks. I'll work with a collaborator then I'll stop calling the collaborator for a couple weeks. I'll say I need a break from you for a couple weeks. But they're "OK, fine, fine, I'll see you in two weeks.""

"I was very, very surprised. I never thought I would be that loved or respected."

"My cousin came over to my house one day just to fool around and we said — he said, some day we should start a rock n' roll group. We could all get together. And I said, I know I guy named Al Jardine who plays bass and could probably sing good. You know. So we went from there."

"The sound was essentially background sound, myself, and Carl, Dennis and Al Jardine, Mike was our lead singer. The four of us put our voices together. We had done it really beautifully. We had a beautiful blend. We really did."

"Dennis surfed. I couldn't surf. I never learned how."

"It started out — my mom and dad took a little vacation to Mexico and they left $250 for food. But instead of food we went and bought some instruments. We got a bass, guitar and a set of drums. … I was 19. Dennis was 15. Carl was 17. Mike was 18. Al was 19. And so we wrote a song called "Surfin'" in my living room. We were all playing and singing and Mike and I wrote a song called "Surfin'" and that's how it all started."

"Did I suffer from depression? Yes, a little, from time to time. Yes. … I'm not as depressed as I was. I get depressed now and then but not very much anymore. … At the height of it it was just God-awful. It was really bad."

"I'm doing good. I've had a slight nervous breakdown in the '60s. I got through that. And I got through the '70s. And I was in a doctor's program during the '80s and then I met Melinda and we've been together ever since. I've got a happy life."

"We wanted to bring some love to the world. I thought we were good at doing that. Bringin' love to the world."

"I met Paul in 1967, Ringo in 1985, and I saw George Harrison in a nightclub somewhere in L. A. I never met John."

"It's funny how people are pickin' up on our music now, you know? I think it's wonderful that people like our music."

"I think because I felt so sad I had to bring out my feelings, and try to create music that would make me and all my friends feel better."

"It was very competitive in the '60s. And everybody caught the bug, y'know? It was like a “competitive bug.” And, as far as I could see, everybody was turning everybody on. … The Beatles were a part of that whole “competition” thing. Rubber Soul blew my mind. It really made me wanna record; it made me wanna cut. It sounds like a collection of songs that belong together, and it was an uplifting feeling. So I thought I'd make a collection of songs — called Pet Sounds — together. That's how I got that idea. … I'm proud of it. I think it's a very everlasting album. I'm very proud of the love that went into it. A lot of love went into that album. And people pick up on that too, and they really like it 'cause they feel the love."

"I would have the musicians keep playing over and over again till the sound made sense. I worked overtime on that; I worked hours to get it right. If the sound didn't make any sense, then I wouldn't know what to do — I'd be lost! It's instinct that tells me. I have an instinct for music, or a feeling about it, and I'll have my feelings guide my hands."

"You don't want to be scared all the time. There are other emotions besides fear. You've got anger. You've got jealousy. You've got joy. You've got fascination. You've got jealousy. You've got anger. You've got frustration. You've got hunger. You've got all those emotions. But that's how it's strung together. We strung all these hits together. One hit, strung it together. Another hit, strung it together. Another hit, strung it together. And pretty soon we had a string of hits."

"On all of [our Beach Boys records] I said this is a smash! this is a number one smash! And that's how I used to talk to people. I'd talk to Mike Love, I'd say we've got a Top Ten smash on our hands! On Billboard, on Cashbox. And then finally it'd go to number one and I'd call him and say, "We've made it to number one!" and he'd go, "Whoa!" We'd get excited, right. We couldn't help it. It's an exciting thing to get a number one record. A number one record is like the first time you ever fucked a girl, it's a thrill. You know what I mean?"

"Being called a musical genius was a cross to bear. Genius is a big word. But if you have to live up to something, you might as well live up to that. God damn!"

"Being single is like liking a Phil Spector record."

"All of us have the privilege of making music that helps and heals — to make music that makes people happier, stronger and kinder. Don't forget: music is God's voice."

"The one thing that stopped Pet Sounds from being the best album ever made was that the titles are not memorable at all. The tunes are just sensational, though. Ever since, I've been a giant fan of Brian."

"My thighs have been involved in many accidents, And now I can't get insured, And I don't need to be lured by you. My cunt is built like a wound that won't heal, And now you don't have to ask Because you know how I feel."

"Art is why I get up in the morning; my definition ends there. You know it doesn't seem fair, That I'm living for something I can't even define. And there you are right there, in the mean time."