Authors From The United States

"On the subject of dedication to a craft, in addition talent, it was, and especially the singing, were so original, so powerful, and so accomplished, that the tragedy of his loss, after making only the one record (though a flood of demos and live recordings was released in his wake), seemed ever more poignant. It was clear to me that Jeff Buckley had been one of the few Great Ones, a one-in-a-billion talent, a true voice of his generation, and at thirty, he had hardly begun. Whatever is left behind in the passing of a rare talent, so much is always lost."

"(Cameron Crowe asked about his inclusion of Led Zeppelin songs in his film, Almost Famous): How’d you secure the rights to the music? They took us across the street to a wine bar. They said, “Well, ‘Stairway to Heaven,’ we gotta say no to, ’cause it’s just too much. We just don’t do anything with ‘Stairway to Heaven.'” We’re like, “Whomp, whomp, whomp.” And Page goes, “But I would like to give you an extra song that’s more of an acoustic busking vibe. We’ll give that to you free.” He replaced “Stairway to Heaven” with “Bron-Yr-Aur.” He gave that to us for free, just to have that texture in the movie, which was amazing. And we ran through the streets afterward. The rest of that meeting was spent talking about how much we all loved Jeff Buckley. Officially the coolest night ever, or the un-coolest night ever. I don’t know. That was a huge kind of buoy to swim to, because without Led Zeppelin, it’s just not the same movie."

"You mentioned two spectacular vocalists there (Jeff Buckley and Freddie Mercury) I mean, both of whom had much better chops than me. I mean real great, great singers. Jeff Buckley's voice. I was playing with Jimmy in the mid 90s when we were working with an Egyptian ensemble, and we played a festival in Switzerland, and Jeff Buckley was playing, and we went to see him, and it was mind altering, his voice. Spectacular singing, and so much conviction."

"We were talking earlier about lyrics and beautiful lyrics. That particular period that we've been dwelling upon this evening, partly, and in fact definitely, was a time for prolific writing. Recently, not too long ago, we lost one of the better, most beautiful, caucasian singers, Jeff Buckley, sadly, way, way out to lose such a talent and such a heart."

"Asked in a 2003 interview what he was listening to lately, Jimmy Page replied, "Nothing that's had the impact in me that Jeff Buckley did," and coincidentally, in the same issue of Mojo magazine, Elton John was asked about his favorite all-time record, and he cited either Nina Simone at Town Hall or Jeff Buckley's Grace: "Like an album made by someone from a another planet." (Also interesting that Nina Simone was one of Buckley's many influences, which ranged from Nusrat Fateh Ali Khan to the MC5)."

"On this day in 1996, I saw Jeff Buckley perform in Melbourne.⁣ Jeff Buckley was something of an ethereal spirit: a musical magician whose album 'Grace' showcased a unique talent. His name was on the lips of all musos from the release of that album and for the next two years.⁣ I had heard him sing a couple of songs at a distance on the Other Stage at Glastonbury, where Page and Plant were headlining: you could feel him, it was extraordinary. I had listened intently to 'Grace' whilst I was on tour and made a point to see him at the Palais Theatre in Melbourne on this day in 1996. ⁣"

"Yeah, I was really affected by Jeff Buckley when I heard him perform; and I heard one of his last concerts in Australia ― penultimate concert ― and it was just absolutely staggering. He was absolutely, I mean, you know, he just touched every emotion in you, you know. He was really superb, and in a total class of his own, as you know, as you've heard so many singers, and you go, 'well, they got that from Jeff Buckley.' He was so, you know, he's iconic, and really just in a total class of his own, as I say, and, so I was really deeply affected by his music, and I thought he was a master. It was tragic to hear that he died, but there was a weird irony when somebody said, that I've heard that, that he was singing Whole Lotta Love. If you say it was his road manager, because I didn't know whether it was true, or there was a...yeah, he had actually sort of said, that was in Australia, that it would be really good if we had done something together. Can you imagine how I would have loved to have done that with him, but, you know, he started doing a second album, and then he called a halt, and then he started up again...yeah, yeah, it's a tragic loss. My God, was he good."

"He quite clearly had his feet on the ground and his head and his imagination was flying way, way out there, beyond, beyond."

"The album that I've been listening to for the last 18 months is Grace by Jeff Buckley. He is a great, great singer. He has such an emotional range, doing songs by Benjamin Britten and Leonard Cohen, as well as his own; such technique and command. When the Page/Plant tour hit Australia, we saw them and we were knocked out. It was very moving. Someone heckled him from the audience, "stop playing that heavy stuff!," but he made the perfect reply: "Music should be like making love ― sometimes you want it soft and tender, other times you want it hard and aggressive." I felt he paid us a great compliment with his music in that style."

"Technically, he was the best singer that appeared, I'm not being too liberal about this if I say, in two decades. I started to play Grace constantly, and the more I listened to the album, the more I heard – the more I appreciated of Jeff, and Jeff's talents, and Jeff's total ability, to which he was just a wizard; and it was close to being my favorite album of the decade. We (Jimmy Page and Robert Plant) actually made a point of going to hear him play and sing, and it was absolutely scary. One of the things is a little frightening was that I was convinced that he probably did things in tunings, and he didn't. He was doing things in standard tuning. I thought, oh gee, he really is clever, isn't he? Jeff Buckley was one of the greatest losses of all."

"Interviewer: "So Jeff, what are your main musical influences?" Jeff (after a long pause): "Love, anger, depression, joy and dreams. ...And Zeppelin. Totally.""

"And what do I want people to get from the music? Whatever they want. Whatever you like. Somebody asked me what I wanted to do. I just said I wanted to…just to give back to it what it’s given me. And to meet all the other people that are doing it…just to be in the world, really."

"The only goal is in the process. The process is the thing…with little flashes of light here and there. Those are the gigs, those are the live shows. But it’s the life in between—that’s all I got."

"That’s what I wanted to do. You know, 2 hours. It’s like long-distance running or playing in a football game when you totally run out of steam and the moves you make after you run out of steam, because you’re totally unselfconscious, you’re not even thinking about the mechanics anymore. The moves you make then are incredible."

"A ship in harbor is safe, but that is not what ships are built for."

"He who thanks but with the lips, thanks but in part; the full, the true thanksgiving comes from the heart."

"s must be able to slide instantly into the water, cannot waste precious moments struggling over land. No creature is clumsier out of its element than this great diver of the north."

"A new adventure is coming up and I'm sure it will be a good one."

"... Here were young and with an occasional and a ground cover of , , and . I listened to the violin notes of a , the flutelike call of a , the teacher-teacher of an . Following one of the logging roads almost hidden with grass and cover, I flushed a partridge with a flock of well-grown chicks. A deer had walked across the trail, and I found the pellet of a . Here was food, abundant food — berries, buds, worms, insects and mice — and this was a place for living things."

"To anyone who has spent a winter in the and known the depths to which the snow can reach, known the weeks when the stays below , the first hint of spring is a major event. You must live in the north to understand it. You cannot just come up for it as you might to Florida for the sunshine and the surf. To appreciate it, you must wait for it for a long time, hope and dream about it, and go through considerable enduring."

"Wilderness to the people of America is a spiritual necessity, an antidote to the high pressure of modern life, a means of regaining serenity and equilibrium."

"What has particularly interested me about these horses is that, after thousands of years of domestication, they have adapted so successfully to life in the wild. If these horses are really as healthy and as sound as they appear, then there is probably a lot we can learn from them, such as the way their hooves are shaped and the manner in which they shape them."

"Like many people unfamiliar with the history of America's wild, free-roaming horses, I had always thought that the wild horse was a "mustang", that is, a unique breed of horse. In reality, wild horses are feral horses, the offspings of domestic horses that have been turned loose, or escaped, into the wild. By wild, I mean the animals are not owned privately, and they basically fend from themselves without any care or supervision. Moreover, they live in some of America's most remote and sparsely populated high desert country."

"The domestic horse world needs to usher in a new order of horsemanship, based upon the paradigm of the natural horse and rider."

"Unfortunately, equine lameness has also become a booming business in the horse world."

"The vast majority of lameness in the domestic horse world cannot be understood properly or completely without considering the effects of abuse. Although many might argue to the contrary,most lameness among horses is really more an issue of ignorance, violence, and complicity than is of veterinary medicine; veterinar scools, clinics, and slaughterhouses are simply the processing stations that have to deal with it. What is not an issue here are injuries that stem from unfortunate accidents, where the horse enthusiasts made an honest miscalculation or innocently followed the bad advice of someome they trusted. What is of concern is abuse that results from neglect and bad intent."

"Not all horse care practices are bad; some have evolved for very sound reasons. But for those practices where the intent is bad or the results are harmful or ineffective, it is time to go back to nature and think things over."

"Don't lose temper with the horse — this ultimately defeat your best intentions."

"Forsake the use of violence on defence of reason. Remember, horses are unique with minds of their own and need to be related to as such if we are ever to have enjoyable and productive relationship with them."

"The wild horse — healthy, prolific, and fully capable of surviving on its own — provides us with the perfect window through which to inquire, observe and learn about nature's grand plan for the quintessential natural horse."

"Variation is clearly nature's way."

"The natural hoof, like natural locomotion, is what nature has intended for the hooves of the modern horse. The natural shaped hoof found among wild horses in the outback is nothing less than a structural masterpiece; it has no rivals among domesticated horses anywhere."

"Every system of horsemanship practiced in the horse world today should come into scrutiny."

"It is the Soldier, not the minister, who has given us freedom of religion. It is the Soldier, not the reporter, who has given us freedom of the press. It is the Soldier, not the poet, who has given us freedom of speech. It is the Soldier, not the campus organizer, who has given us freedom to protest. It is the Soldier, not the lawyer, who has given us the right to a fair trial. It is the Soldier, not the politician, who has given us the right to vote. It is the Soldier who salutes the flag, Who serves beneath the flag, And whose coffin is draped by the flag, Who allows the protester to burn the flag."

"A true friend is someone who is there for you when he'd rather be anywhere else."

"Never be embarrassed by the things you cannot do. Be embarrassed by the things you can do and don't do well."

"Well, with all the experiences I have had, I would say the most disappointing ones are the ones when I have not taken enough."

"And when you start using a lot of psychedelics, and particularly a lot of the natural psychedelics, my experience has been that I come in contact with some very old entities. And these entities have been around for a while, at least since humans first started experimenting with these plants."

"The only things I had to look forward to in life was a job and a career and a family and just going through the whole cycle. It just seemed like what everybody else was doing. And I looked at people around me. I looked at the people that taught the schools and around the government, and I looked at the type of work that my father did, and none of it really interested me that much. And when I first took psychedelics, I felt like I was admitted into a world of compassion and beauty and creativity. It was like nothing I had experienced in my regular life. And almost instantly that became the goal of where I wanted to be..."

"I need to take a break from this life as a human for 45 minutes and go experience a little bit of immortality."

"And so much of these plant psychedelic entities are at least 4,000 years old. Now, when you experiment - when you work with these plant psychedelics, what I have found is that these entities are actually there. They are aware of you, they are aware that you are a person, and they are able to communicate with you."

"Moonlighting was funny, innovative, genre-busting chaos. Also, apparently, unsustainable. Sigh."

"I hope I am pigeonholed with comedy. I’m really not interested in writing the darker stuff, the emotional stuff."

"I can't make real-life workplaces safer and more fair for women just by showing them with briefcases or crossbows. But I can try to grant my characters the quirky gift of humanity — whether they're adjudicating torts or dishing tortes or saving the world. And hope the little girls watching do the rest."

"Today the percentage of female judges, college professors and detectives seen on television is a pretty good reflection of the actual world. (In the case of judges, I wouldn't be shocked to find out the number on television exceeds the number in real life — what is it about those black robes that makes us think ovaries?) But merely thrusting more women into more prestigious on-screen jobs doesn't necessarily make the working world a better place for women. If you were to show people images of two real-life professionals, one a man, one a woman, and ask them to rate their competence knowing nothing but job and gender — I bet people still give the guys the edge. It's not television's fault, exactly. But television can help fix the problem. Not by writing women into better professions, but by more accurately showing them as complex people contending with the sort of snide, generous, ambitious, incompetent, sad and hilarious co-workers who populate real workplaces."

"Children are the world's most ardent traditionalists. They like things stable and categorized. They want to know what girls can do and what girls can't do. Television, like it or not, teaches them a lot of these rules."

"I've been a television writer for a dozen years, and I've been fortunate to put words in the mouths of some great female characters. They've been working women, mostly, and I like to think they've become role models for a generation of girls trying to figure out their futures. But let's be honest: TV isn't going to change anyone's perceptions of working women in the real world just by promoting fictional females to ever-higher positions of authority. And I'm not doing my job if I put a woman's career before her character."

"I will not listen to childcare lectures from a man who put his daughter in a box and shipped her to Maine."

"Any story worth telling relates to real life in some meaningful way. Scifi allows you to tell meaningful stories without seeming too preachy — it adds a metaphorical layer between the story and the real world. Scifi is dismissed as ungrounded fluff, but it's actually the opposite."

"I watch a lot of TV, but I find that recently it’s largely oddball stuff … Scripted stuff sometimes feels like homework, like I'm scoping out the competition or something."