Atheists From The United States

"ELLEN: Conrad’s a pacifist and willing to fight for it."

"KRETON: My dear, you must marry him too. I’m sure the three of you would make a lovely couple."

"KRETON: But I love having you bore me. You do it so beautifully."

"POWERS: Well, good morning Mr. Kreton, and how are we today? KRETON: Absolutely wallowing in the twentieth century."

"ELLEN: Of course I know you’re from another planet and all and I guess we do think an awful lot about sex, but we’re not supposed to talk about it and we only do it when nobody’s looking. KRETON: How ravishing! These primitive taboos. You revel in public slaughter: you pay to watch two men hit one another repeatedly, yet you make love secretly, guiltily and with remorse…too delicious!"

"KRETON: Well, you know how one feels about history, the glamour of the past; I expected to hear everybody talking about great events—battles, poets, that kind of thing—but of course you don’t. You just squabble among yourselves."

"I too feel hurt at the sort of reputation which hovers about my part of this venture. I cannot honestly make much of a case for myself. I played the game stolidly according to rules I abhor. But in extenuation I should like to say what many others have said before me: the theater and its writers are seriously, perhaps fatally, hampered by economic pressure. Because it costs too much to put on a play, one works in a state of hysteria. Everything is geared to success. Yet art is mostly failure. And it is only from a succession of daring, flawed works that the occasional masterwork comes. But in our theater to fail is death and the author of a play which fails is regarded with much the same sympathy as the murderer of a child."

"After the script was ready there were the usual trials, delays, problems of temperament: each participant confident the others had gone into secret league to contrive his professional ruin (and on occasion cabals did flourish…the theater is a child’s world)."

"The size of the population of course has much to do with this collective ignorance. When Aristophanes made a satiric point, he could be confident that his audience would appreciate his slyest nuance because in a small community each citizen was bound to share with his fellows a certain amount of general information, literary, religious, and political. National units today are too large and, in America at least, education is too bland to hope for much change."

"If satire is to be effective, the audience must be aware of the things satirized; if they are not, the joke falls flat. Unfortunately for our native satirists, the American mass audience possess very little general information on any subject. Each individual knows his own immediate world, but as various research polls continually inform us, he holds little knowledge in common with others."

"And though I rather suspect that in a century’s time the novel will be as rare and private an art form as poetry today or that delicate and laborious process by which dedicated men fire glass with color, it will always be worth the doing."

"Joss Whedon abused his power on numerous occasions while working together on the sets of Buffy the Vampire Slayer and Angel. While he found his misconduct amusing, it only served to intensify my performance anxiety, disempower me, and alienate me from my peers. The disturbing incidents triggered a chronic physical condition from which I still suffer. It is with a beating, heavy heart that I say I coped in isolation and, at times, destructively. Last summer, when Ray Fisher publicly accused Joss of abusive and unprofessional behaviour toward the cast and crew during reshoots on the Justice League set in 2017, it gutted me. Joss has a history of being casually cruel. He has created hostile and toxic work environments since his early career. I know because I experienced it first-hand. Repeatedly."

"It is abundantly evident that Joss has persisted in his harmful actions, continuing to create wreckage in his wake. My hope now, by finally coming forward about these experiences, is to create space for the healing of others who I know have experienced similar serialized abuses of power."

"Joss intentionally refused multiple calls from my agents making it impossible to connect with him to tell him the news that I was pregnant. Finally, once Joss was apprised of the situation, he requested a meeting with me. In that closed-door meeting, he asked me if I was "going to keep it" and manipulatively weaponized my womanhood and faith against me. He proceeded to attack my character, mock my religious beliefs, accuse me of sabotaging the show, and then unceremoniously fired me the following season once I gave birth."

"If nothing we do matters, then all that matters is what we do."

"We’re talking about a malevolent force, We’re talking about a bad actor in both senses."

"If I ever did a rom-com, it'd be about an orgy. I cannot do anything except ensemble-pieces. It's awful!"

"All worthy work is open to interpretations the author did not intend. Art isn't your pet — it's your kid. It grows up and talks back to you."

"I have had a dream my whole life... and it was not this good."

"Q: So, why do you write these strong female characters? A: Because you’re still asking me that question."

"Joss: Um, no. Dead Buffy's a Buffy. But a dead one."

"Whedon as man appears to have inspired no loyalty at all from the people that worked for him."

"You only have to look at the chubby little goblin and you see Gamma face. Puffy and pinched with sunken piggy eyes. The Germans have a word, Backpfeifengesicht, a face in need of a fist. Just looking at a picture of Whedon and any normal man feels his fingers instinctively start to clench."

"Hello, I'm the writer and director. Now take your clothes off and get on top of Morena."

"I think that people need two kinds of fulfillment — one in which you give and one in which you hold back. Part of fulfillment is need, is longing, is being unfulfilled, that’s the nature of tragedy and a lot of drama. Very often, what the fans want, they get. But very often, what they want, they can’t quite have, because we want them to feel the way our characters felt..."

"There is nothing more painful in the world than Aly when she makes her big eyes. She makes her big hurt eyes, there's nothing you can do. She just kills you."

"The greatest expression of rebellion is joy."

"Get out of my BRAIN!"

"SENTINEL: Is dead Buffy actually a robot?"

"People with real power never fear of losing it. People with control think of little else."

"People love a happy ending. So every episode, I will explain once again that I don't like people. And then Mal will shoot someone. Someone we like. And their puppy."

"The actors can make up their dialogue. I'm bushed, and they're all funny, and the hell with it. Maybe I'll give them a premise to work off of, like "You're all in trouble" or "Wash has a thing". They could maybe light it too."

"I know there's been some debate about the DVD art. Just remember it's what's INside that counts, as I used to remind girls in high school constantly. CONSTANTLY — until I realized that I was empty inside. Empty and homely. Man, that's a rough combo."

"Stay crunchy, even in milk."

"If I made a series of lectures on PBS on why there should be feminism, no one would be coming to the party, and it would be boring. The idea of changing culture is important to me, and it can only be done in a popular medium."

"I believe the only reality is how we treat each other. The morality comes from the absence of any grander scheme, not from the presence of any grander scheme."

"I don't actually have anything against anybody, unless their belief precludes everybody else's. … I am an atheist and an absurdist and I have been for many years. I've actually taken a huge amount of flack for that."

"Veronica solves little puzzles because she, like all of us, cannot unravel the bigger ones."

"Let freedom ring, unless it's on vibrate."

"The English language is my bitch. Or I don't speak it very well. Whatever."

"My visions of the future are always pretty much standard issue. The rich get richer, the poor get poorer... and there are flying cars."

"The network called up and said 'We piggybacked you on the deal for another show,' I'm like 'Okay, so what you're saying to my writers is that they weren't picked up when they thought they were and now that they are it was because of something that has nothing to do with them. Okay. Great. Stop calling'."

"Two roads diverged in a wood, and I took the road less traveled by and they CANCELLED MY FRIKKIN' SHOW. I totally shoulda took the road that had all those people on it. Damn."

"You can either watch TV or you can make TV."

"Very occasionally, if you really pay attention, life doesn’t suck."

"I believe we are the only sentient beings in the universe, and I believe that 500 years from now, we will still be the only sentient beings around. … Aliens are something everyone else is doing."

"I think there's a lot of people out there who say we must not have horror in any form, we must not say scary things to children because it will make them evil and disturbed... That offends me deeply, because the world is a scary and horrifying place, and everyone's going to get old and die, if they're that lucky. To set children up to think that everything is sunshine and roses is doing them a great disservice. Children need horror because there are things they don't understand. It helps them to codify it if it is mythologized, if it's put into the context of a story, whether the story has a happy ending or not. If it scares them and shows them a little bit of the dark side of the world that is there and always will be, it's helping them out when they have to face it as adults."

"The first thing I ever thought of when I thought of Buffy, the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise … genre-busting is very much at the heart of both the movie and the series."

"You say your life's a bum deal 'n yer up against the wall. Well, people, you ain't even got no deal at all. 'Cause what they do in Washington. They just takes care of Number One. An' Number One ain't you. You ain't even Number Two!"

"There are three things that smell of fish. One of them is fish. The other two are growing on you!"