Atheists From England

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April 10, 2026

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April 10, 2026

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"By the word existence I mean the one contract valid for mankind; I define it as the general contract. In it are the clauses of human life; its uses, responsibilities, limitations, its inevitable eclipse. This contract is the basis of the black novel, whose loathing of violence, which it describes as precisely as possible in order to remind people how disgusting it is, causes it to rise up against death forced on any person before his time, and that is where it becomes a novel in mourning. Each contract is to be terminated in the way that its clauses are set out; but it is not to be destroyed by any contract-holder. That possibility is contained in no contract. To break his contract is either to invite the breaker's destruction, or else it is evidence that the act of destruction has been carried out by a signatory who has already been destroyed, such as a killer — and that is why my detective picks up Suarez' battered head and kisses it. I will go further. What is remarkable about I Was Dora Suarez has nothing to do with literature at all; what is remarkable about it is that in its own way and by its own route it struggles after the same message as Christ. I am not the kind of person that anyone would expect to say such a thing, for although I believe firmly in the invisible, I am not religious. But in writing the book I definitely underwent an experience that I can only describe as cathartic; the writing of Suarez, though plunging me into evil, became the cause of my seeking to purge what was evil in myself. It was only after I had finished the book that I realised this; I was far too deeply involved in the battle with evil that the book became to think any further than that at the time [...] Suarez was my atonement for fifty years' indifference to the miserable state of this world; it was a terrible journey through my own guilt, and through the guilt of others."

- Derek Raymond

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"'You're not very good at it, are you?' said Gust, 'they ought to have sent heavies in.' He thought the man very likely could have got a job playing Hess in this new TV series they were doing on the war, and he would have had a word with a few directors he knew in Soho if he had been a mate of his. But, as he wasn't, Gust kicked him in the stomach as he tried to drag himself up on one leg with the help of the bar-rail, then turned back to the other man. 'You all right?' he said. 'How are you feeling now? Chipper?' He took one of the man's ears in his thumb and forefinger; the ear was tiny, considering the size of his head, and it had little hairs inside it. Gust picked up a cocktail stick out of a dirty glass on the bar and jabbed it down into the eardrum as far as he could; when he pulled it out the stick was half-way red, and there was some grey stuff in it as well. He shouted down his ear: 'I think I just broke your foot!' but the man wasn't making sense any more; he was wailing with his hand clapped to the side of his head, swaying up and down from the waist like a bereaved widow, or else perhaps he just didn't hear, or maybe the music was too loud. Gust realised then that he had pushed the stick in too far and that the man would probably die. Dirty cocktail-stick in the brain? What a bleeding way to go! Now the man with the broken leg tried another naughty stroke; although he only had one hand free because he was using the other one to hold onto the rail, he still managed to smash a glass and try putting it in Gust's face. 'This is just self-defence after all,' Gust said to himself. He stamped on the man's feet again; this time he definitely felt bones go and the man screamed, dropped the glass and let go of the rail; but instead of letting him fall Gust took him round the waist, ripped his fly open and searched inside his pants until he found his testicles, which he yanked right out into his hand. Their owner can't have been much into baths because they smelled like something tepid from a canteen counter. Gust wrung them like the devil having a go at a set of wedding bells with all the grip he had, until the man was shrieking on the same D minor as the music. 'It's nothing personal,' said Gust, 'but I'm afraid you're going to have to learn to fuck all over again.' He wiped the blood off the man's prick down his face, then pulled the face towards him and drove his nose into his brain with his head. The music boosted into E major on a key change, and the man doubled up under a bar-stool, leaving a lot of blood behind him while Gust receded into the half darkness towards the black drapes on the walls."

- Derek Raymond

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"Certainly, it can come as a jolt to discover that, with a single exception, we have no extant descriptions of the Battle of Badr that date from before the ninth century AD. We do not even have Ibn Ishaq’s original biography of Muhammad—only revisions and reworkings. As for the material on which Ibn Ishaq himself drew upon for his researches, it has long since vanished. Set against the triumphal hubbub raised by Arab historians in the ninth century, let alone the centuries that followed, the silence is deafening and perplexing. The precise state of play bears spelling out. Over the course of almost two hundred years, the Arabs, a people never noted for their reticence, and whose motivation, we are told, had been an utterly consuming sense of religious certitude, had set themselves to conquering the world—and yet in all that time, they composed not a single record of their victories, not one, that has survived into the present day. How could this possibly have been so, when even on the most barbarous fringes of civilisation, even in Britain, even in the north of England, books of history were being written during this same period, and copied, and lovingly tended? Why, when the savage Northumbrians were capable of preserving the writings of a scholar such as Bede, do we have no Muslim records from the age of Muhammad? Why not a single Arab account of his life, nor of his followers’ conquests, nor of the progress of his religion, from the whole of the near two centuries that followed his death? Even the sole exception to the rule—a tiny shred of papyrus discovered in Palestine and dated to around AD 740—serves only to compound the puzzle."

- Tom Holland (author)

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