Art

"The Art Snob can be recognized in the home by the quick look he gives the pictures on your walls, quick but penetrating, as though he were undressing them. This is followed either by complete and pained silence or a comment such as 'That's really a very pleasant little water color you have there.'"

"Art is Power."

"The counterfeit and counterpart Of Nature reproduced in art."

"Art is long, and time is fleeting."

"Eminem: I tried to show you art, but you just pick it apart."

"The more I look at most of the art movements, it’s all occultism, when you get down to it. The Surrealists were openly talking about being magicians."

"Comics they say are not literature--adventure strips lack artistic form, mental substance, and emotional appeal to any but the most moronic of minds. Can it be that 100,000,000 Americans are morons?"

"All art is solitary and the studio is a torture area."

"Art is the child of Nature; yes, Her darling child in whom we trace The features of the mother's face, Her aspect and her attitude."

"In Science the paramount appeal is to the Intellect — its purpose being instruction; in Art, the paramount appeal is to the Emotions — its purpose being pleasure. A work of Art must of course indirectly appeal to the Intellect, and a work of Science will also indirectly appeal to the Feelings; nevertheless a poem on the stars and a treatise on astronomy have distinct aims and distinct methods. But having recognised the broadly-marked differences, we are called upon to ascertain the underlying resemblances. Logic and Imagination belong equally to both. It is only because men have been attracted by the differences that they have overlooked the not less important affinities."

"Art is the creation of forms symbolic of human feeling."

"Art is the objectification of feeling, and the subjectification of nature."

"Art and anti-Fascism are synonymous."

"Art unexamined is, after all, art unexperienced."

"Like all worthwhile art, the piece invites us on a journey that has no path nor map, nor even an endpoint. Only a process, footsteps through the mind of an artist now forever lost to us."

"Creation always involves building upon something else. There is no art that doesn't reuse. And there will be less art if every reuse is taxed by the appropriator."

"“Art starts out simple. Pale. True to what is real. Like stone statues of the human body, or verse chanted by firelight. Pale, pale stone. Pale as straw. Simple words, that name what is true. Designs in natural wool, the color of rams’ horns. Then, as time goes on, the design becomes more elaborate. The colors brighter. The story twisted to fit rhyme, or symbol, or somebody else’s power. Finally, the designs are so elaborate, so twisted with motion, and the colors so feverish—look at me, Ludie—that the original, as it exists in nature, looks puny and withered. The original has lost all power to move us, replaced by a hectic simulacrum that bears only a tainted relation to what is real. The corruption is complete.”"

"Most artists are surrealists. … always dreaming something and then they paint it."

"We have learned to whittle the Eden Tree to the shape of a surplice peg, We have learned to bottle our parents twain in the yelk of an addled egg. We know that the tail must wag the dog, for the horse is drawn by the cart, But the devil whoops, as he whooped of old; It's clever, but is it art?"

"Art is the supreme task and the truly metaphysical activity in this life…"

"Three men riding on a bicycle which has only one wheel, I guess that's surrealist."

"Art, like dreaming, is something so necessary to internal balance that people deprived of it go a little wacky. Art is the collective dreamplace, the reservoir of our deepest understandings and desires and hopes, as essential as water. In recognition of this fact, the marketplace offers us entertainment, hoping to replace the wild and forested interior of our souls with potted plastic plants. Just as we dream-whether we want to or not, whether we long for or fear our dreaming-people make art and are drawn to art."

"Muriel Rukeyser unspools one of the most passionate arguments I've ever read for the notion that art creates meeting places, that poetry creates democracy."

"We tend to shy away from that grief,” she explains. “But I think that that’s the role of art: to help us into grief, and through grief, for each other, for our values, for the living world."

"My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments."

"[Odysseus] knows only two possibilities of escape. One he prescribes to his comrades. He plugs their ears with wax and orders them to row with all their might. Anyone who wishes to survive must not listen to the temptation of the irrecoverable, and is unable to listen only if he is unable to hear. Society has always made sure that this was the case. Workers must look ahead with alert concentration and ignore anything which lies to one side. The urge toward distraction must be grimly sublimated in redoubled exertions. Thus the workers are made practical. The other possibility Odysseus chooses for himself, the landowner, who has others to work for him. He listens, but does so while bound helplessly to the mast. ... The bonds by which he has irrevocably fettered himself to praxis at the same time keep the Sirens at a distance from praxis: their lure is neutralized as a mere object of contemplation, as art."

"Pictoribus atque poetis Quidlibet audendi semper fuit æqua potestas."

"There's a redemption that takes place in art"

"Nieuwerkerke's replacement did not give Manet and the painters of the any... cause for cheer. Under the Third Republic... in November 1870 ... became Director of Fine Arts. ...Blanc had published a biography of Ingres, whom he idealized... and for several decades [Blanc] had been the most prolific and articulate exponent of the sort of celebrated at the . In his lofty conception of art, Eve was the original representative of beauty, but by plucking the forbidden fruit from the Tree of Knowledge she had plunged the world into a... sort of Platonic world of appearances in which the ideal was obscured by the humdrum and ugly material world. ...[T]he ability to see through the veil of appearances... was "obscure, latent, and sleeping" among the majority of men. However, great artists— ...especially Ingres and the painters of the —"carry within themselves this idea of the beautiful in a state of light." The true mission of art was... to show the "idea of the beautiful" that concealed itself behind the flickering shadows of the fallen world. ...[A]rt should not portray nature... but should idealize it... [H]e was vehemently opposed to Realism and paintings of la vie moderne, believing that artists who imitated nature and everyday life were slaves to appearance."

"I do believe that our lives and our art go together. Who I am and what I write are the same."

"It is not strength, but art, obtains the prize, And to be swift is less than to be wise. 'Tis more by art, than force of numerous strokes."

"The temple of art is built of words. Painting and sculpture and music are but the blazon of its windows, borrowing all their significance from the light, and suggestive only of the temple's uses."

"Edward G. Robinson: Who knows, the woman who posed for the Mona Lisa might have been the evilest woman in the world."

"In proportion as a community comes to substitute a qualitative for a quantitative standard of living, it escapes the limitations imposed by matter upon man. Art knows no restrictions of space or size, and in proportion as we attain the art of living we shall be likewise free."

"In proportion as we add to mere variety a higher appreciation of those adaptations of matter which are due to human skill, and which we call Art, we pass outside the limits of matter and are no longer the slaves of roods and acres and a law of diminishing returns."

"It is not the mission of art to wallow in filth for filth's sake, to paint the human being only in a state of putrefaction, to draw cretins as symbols of motherhood, or to present deformed idiots as representatives of manly strength. Art must be the handmaiden of sublimity and beauty and thus promote whatever is natural and healthy. If art does not do this, then any money spent on it is squandered."

"The more minimal the art, the more maximum the explanation."

"The proof of the endowment of a true artist is always to be found in the fact that his work of art expresses the general will of a period. Perhaps that is most clearly shown in architecture .... The religious mystical world of the Christian Middle Ages, turning inwards upon itself, found forms of expression which were possible only for that world. A Gothic stadium is as unthinkable as a Romanesque railway station or a Byzantine market hall. The way in which the artist of the Middle Ages, of the beginnings of the modern world, found the artistic solution for the buildings which he was commissioned to create is in the highest degree striking and admirable. That way, however, is no evidence that the conception of the content of life held by the folk of his day was in itself either absolutely right or absolutely wrong. It is evidence only that works of art have rightly mirrored the inner mind of a past age. It is therefore quite comprehensible that insofar as the attempt is made to carry on the life of that past age, those who search for solutions of artistic problems can still seek and find there fruitful suggestions."

"I have observed among the pictures submitted here, quite a few paintings which make one actually come to the conclusion that the eye shows things differently to certain human beings than the way they really are, that is, that there really are men who see the present population of our nation only as rotten cretins; who, on principle, see meadows blue, skies green, clouds sulphur yellow, and so on, or, as they say, experience them as such. I do not want to enter into an argument here about the question of whether the persons concerned really do or do not see or feel in such a way; but, in the name of the German people, I want to forbid these pitiful misfortunates who quite obviously suffer from an eye disease, to try vehemently to foist these products of their misinterpretation upon the age we live in, or even to wish to present them as "Art.""

""Works of art" which cannot be understood in themselves but, for the justification of their existence, need those bombastic instructions for their use, finally reaching that intimidated soul, who is patiently willing to accept such stupid or impertinent nonsense—these works of art from now on will no longer find their way to the German people."

"Ars longa, vita brevis est."

"If you ask today what art is, what its function is, what the meaning of art is and why one should create art, the answer given oftentimes by Western philosophers of art and those who specialize in modern aesthetics is ‘‘art for art’s sake.’’ The modern response is that you just create art for the sake of art; but this was never the answer of traditional civilizations where one created art for both the sake of attainment of inner perfection and for human need in the deepest sense—because the needs of man are not only physical, they are also spiritual. We are as much in need of beauty as of the air that we breathe."

"One thing, however, did become clear to him [Goldmund] – why so many perfect works of art did not please him at all, why they were almost hateful and boring to him, in spite of a certain undeniable beauty. Workshops, churches, and palaces were full of these fatal works of art; he had even helped with a few himself. They were deeply disappointing because they aroused the desire for the highest and did not fulfill it. They lacked the most essential thing – mystery. That was what dreams and truly great works of art had in common: mystery."

"These struggles have got to result in happy endings for all, and the readers must learn not to worship tragedy as the highest art any more."

"Art quickens nature; care will make a face; Neglected beauty perisheth apace."

"If the subject of art will be a broken jug a small broken soul with a great self-pity what will remain of us will be like tears of lovers in a small dirty hotel when wallpapers dawn"

"Art is always an idealization; the ideal is different from reality—at least from the reality of the shadows, as Plato would have put it—but idealization is necessary for understanding."

"While I know that the beautiful, the spiritual and the sublime are today suspect I have begun to stop resisting the constant urge to deny that beauty has a valid right to exist in contemporary art."

"After she died, they kind of just came like vultures. ... Like, artists wanted pieces of her."

"Usually the work of several generations is needed to develop that formal system which later is called the style of the art, from its simple beginning to the wealth of elaborate forms... The interest of the artist is concentrated on this crystallization, where the material... takes, through his action, the various forms that are initiated by the first formal concepts of this style. After completion the interest must fade again, because... "interest" means... to be with... to take part in a process of life... [H]ow far the formal rules of style represent that reality of life which is meant by the art cannot be decided from the formal rules."