"Hitler, as it were, came from nowhere- the returning primal being, as the historian Otto Hinze has remarked. The likes of him will always crop up again. Speer, on the other hand, was, by origin and upbringing, the product of a long process of civilization. He came from a respected home with strict values, and had furthermore received his training from a teacher who endeavored to communicate to his students not only professional knowledge, but also standards that would withstand all the temptations of the age. Speer far more than Hitler makes us realize how fragile these precautions are, and how the ground on which we all stand is always threatened."

"Speer preserved a sensitive heart through all the horrors of the closing years of the Third Reich. He was a good comrade, with an open character and an intelligent, natural manner. Originally an independent architect, he became Minister after Todt's early death. He disliked bureaucratic methods and attempted to act according to a healthy understanding of human nature. We worked together without friction and always did our best to give one another such assistance as lay within our power, which is surely the obvious and sensible way to behave. But of how many prominent men in the Third Reich could it be said that they pursued this obvious and sensible course? Speer always retained his objectivity. I never saw him become exaggeratedly excited. He managed to calm down his occasionally highly temperamental colleagues, and when inter-departmental strife arose he always did his best to pacify both parties. Speer possessed sufficient courage to speak his mind to Hitler. At an early stage he explained to him clearly and fully why the war could no longer be won and why it must therefore be ended. This brought Hitler's anger down upon him."

"Speer is generally recognized as the most able of Hitler's subordinates and the most interesting, in that he retained throughout his membership a clear-sighted understanding of its essentially Byzantine character."

"An architect by profession, Speer knew little about industrial production, but he had a flexible and brilliant mind, great energy and an exceptional talent for improvisation. As the Führer's personal architect, Speer had directed the construction of most of the Nazi Party buildings at Nuremberg, Munich and elsewhere, and since his relationship with Hitler had been that of one artist to another, he had gained a most favored standing. It appears that he alone of the leading Nazis was given freedom to speak frankly, a freedom which he had the courage to exercise."

"The ultimate goal of all visual artistic activity is construction! Architects, painters and sculptors must learn again to know and understand the multi-faceted form of building in its entirety as well as its parts. Only then will they of their own accord fill their works with the architectonic spirit they have lost in the art of the salon. Let us establish a new guild of craftsmen without the presumption of class distinctions building a wall of arrogance between craftsmen and artists. Together let us call for, devise and create the construction of the future, comprising everything in one form: architecture, sculpture and painting."

"This is what has Gropius the director made the w:Bauhaus famous. Not its lamps or its furniture. They are all out of fashion already. But the way of approaching formal problems or material as such, that has made it famous. And the emphasis on material, especially its capacity is my contribution. That was never cleared between us teachers: Kandinsky did what he thought should be done. Klee developed an absolutely different method. Schlemmer developed absolutely something else."

"Architecture begins where engineering ends."

"A modern, harmonic and lively architecture is the visible sign of an authentic democracy."

"The mind is like an umbrella - it functions best when open."

"Art itself cannot be taught, but craftsmanship can. Architects, painters, sculptors are all craftsmen in the original sense of the word. Thus it is a fundamental requirement of all artistic creativity that every student undergo a thorough training in the workshops of all branches of the crafts."

"Less is more."

"Symmetry is the aesthetics of the stupid."

"Architecture starts when you carefully put two bricks together. There it begins."

"Architecture is the will of an epoch translated into space."

"I don´t want to be interesting, I want to be good."

"God is in the details."