Anarchists From France

"Humility consists of knowing that in this world the whole soul, not only what we term the ego in its totality, but also the supernatural part of the soul, which is God present in it, is subject to time and to the vicissitudes of change. There must be absolutely acceptance of the possibility that everything material in us should be destroyed. But we must simultaneously accept and repudiate the possibility that the supernatural part of the soul should disappear."

"The most important part of education — to teach the meaning of to know (in the scientific sense)."

"Stars and blossoming fruit-trees: utter permanence and extreme fragility give an equal sense of eternity."

"Meditation on the chance which led to the meeting of my mother and father is even more salutary than meditation on death."

"Désirer échapper à la solitude est une lâcheté. L'amitié ne se recherche pas, ne se rêve pas, ne se désire pas ; elle s'exerce (c'est une vertu)."

"To desire friendship is a great fault. Friendship should be a gratuitous joy like those afforded by art or life. We must refuse it so that we may be worthy to receive it; it is of the order of grace."

"God's love for us is not the reason for which we should love him. God's love for us is the reason for us to love ourselves."

"If we want a love which will protect the soul from wounds we must love something other than God."

"If we love God while thinking that he does not exist, he will manifest his existence."

"The miser deprives himself of his treasure because of his desire for it."

"We should desire neither the immortality nor the death of any human being, whoever he may be, with whom we have to do."

"We must leave on one side the beliefs which fill up voids and sweeten what is bitter. The belief in immortality. The belief in the utility of sin: etiam peccata. The belief in the providential ordering of events — in short the "consolations" which are ordinarily sought in religion."

"It is not in a person's nature to desire what he already has. Desire is a tendency, the start of a movement toward something, toward a point from which one is absent. If, at the very outset, this movement doubles back on itself toward its point of departure, a person turns round and round like a squirrel in a cage or a prisoner in a condemned cell. Constant turning soon produces revulsion. All workers, especially though not exclusively those who work under inhumane conditions, are easily the victims of revulsion, exhaustion and disgust and the strongest are often the worst affected."

"An imaginary perfection is automatically at the same level as I who imagine it — neither higher nor lower."

"The necessity for power is obvious, because life cannot be lived without order; but the allocation of power is arbitrary because all men are alike, or very nearly. Yet power must not seem to be arbitrarily allocated, because it will not then be recognized as power. Therefore prestige, which is illusion, is of the very essence of power."

"The struggle between the opponents and defenders of capitalism is a struggle between innovators who do not know what innovation to make and conservatives who do not know what to conserve."

"The aim is to replace economic oligarchies by the State, which has a will-to-power of its own and is quite as little concerned with the public good; and a will-to-power, moreover, which is not economic but military and therefore much more dangerous to any good folk who have a taste for staying alive. And on the bourgeois side what on earth is the sense of objecting to State control in economic affairs if one accepts private monopolies which have all the economic and technical disadvantages of State monopolies and possibly some others as well?"

"What a country calls its vital economic interests are not the things which enable its citizens to live, but the things which enable it to make war; petrol is much more likely than wheat to be a cause of international conflict. Thus when war is waged it is for the purpose of safeguarding or increasing one's capacity to make war. International politics are wholly involved in this vicious cycle. What is called national prestige consists in behaving always in such a way as to demoralize other nations by giving them the impression that, if it comes to war, one would certainly defeat them. What is called national security is an imaginary state of affairs in which one would retain the capacity to make war while depriving all other countries of it. It amounts to this, that a self-respecting nation is ready for anything, including war, except for a renunciation of its option to make war. But why is it so essential to be able to make war? No one knows, any more than the Trojans knew why it was necessary for them to keep Helen. That is why the good intentions of peace-loving statesman are so ineffectual. If the countries were divided by a real opposition of interests, it would be possible to arrive at a satisfactory compromise. But when economic and political interests have no meaning apart from war, how can they be peacefully reconciled?"

""A man thinks he is dying for his country," said Anatole France, "but he is dying for a few industrialists." But even that is saying too much. What one dies for is not even so substantial and tangible as an industrialist."

"Attention is the rarest and purest form of generosity."

"There is no area in our minds reserved for superstition, such as the Greeks had in their mythology; and superstition, under cover of an abstract vocabulary, has revenged itself by invading the entire realm of thought. Our science is like a store filled with the most subtle intellectual devices for solving the most complex problems, and yet we are almost incapable of applying the elementary principles of rational thought. In every sphere, we seem to have lost the very elements of intelligence: the ideas of limit, measure, degree, proportion, relation, comparison, contingency, interdependence, interrelation of means and ends. To keep to the social level, our political universe is peopled exclusively by myths and monsters; all it contains is absolutes and abstract entities. This is illustrated by all the words of our political and social vocabulary: nation, security, capitalism, communism, fascism, order, authority, property, democracy. We never use them in phrases such as: There is democracy to the extent that... or: There is capitalism in so far as... The use of expressions like "to the extent that" is beyond our intellectual capacity. Each of these words seems to represent for us an absolute reality, unaffected by conditions, or an absolute objective, independent of methods of action, or an absolute evil; and at the same time we make all these words mean, successively or simultaneously, anything whatsoever. Our lives are lived, in actual fact, among changing, varying realities, subject to the casual play of external necessities, and modifying themselves according to specific conditions within specific limits; and yet we act and strive and sacrifice ourselves and others by reference to fixed and isolated abstractions which cannot possibly be related either to one another or to any concrete facts. In this so-called age of technicians, the only battles we know how to fight are battles against windmills."

"The recognition of human wretchedness is difficult for whoever is rich and powerful because he is almost invincibly led to believe that he is something. It is equally difficult for the man in miserable circumstances because he is almost invincibly led to believe that the rich and powerful man is something."

"We can know only one thing about God — that he is what we are not. Our wretchedness alone is an image of this. The more we contemplate it, the more we contemplate him."

"Truth is sought not because it is truth but because it is good."

"Bellegarrigue adhered to the central anarchist tradition in his idea of society as necessary and natural and as having “a primordial existence which resists all destructions and all disorganizations.” The expression of society Bellegarrigue finds in the commune, which is not an artificial constriction, but a “fundamental organism,” and which, provided rulers do not interfere, can be relied on to reconcile the interests of the individuals who compose it. It is in all men’s interests to observe “the rules of providential harmony,” and for this reason all governments, armies, and bureaucracies must be suppressed. This task must be carried out neither by political parties, which will always seek to dominate, nor by violent revolution, which needs leaders like any other military operation. The people, once enlightened, must act for itself."

"Indeed: Who says anarchy, says negation of government; Who says negation of government, says affirmation of the people; Who says affirmation of the people, says individual liberty; Who says individual liberty, says sovereignty of each; Who says sovereignty of each, says equality; Who says equality, says solidarity or fraternity; Who says fraternity, says social order; By contrast: Who says government, says negation of the people; Who says negation of the people, says affirmation of political authority; Who says affirmation of political authority, says individual dependency; Who says individual dependency, says class supremacy; Who says class supremacy, says inequality; Who says inequality, says antagonism; Who says antagonism, says civil war; From which it follows that who says government, says civil war."

"Oui, l'anarchie c'est l'ordre; car, le gouvernement c'est la guerre civile."

"I am an anarchist, a political and social Huguenot; I deny everything and affirm naught but myself: because the sole truth of which I have material and moral proof and tangible, comprehensible and intelligible evidence, the only real, startling, non-arbitrary truth not susceptible to interpretation, is myself. I am. There I have a positive fact. Everything else is abstraction and, in mathematics, would be designated as "x", and unknown quantity; and I need not trouble myself with it."

"Up to now you have believed in the existence of tyrants. Well, you were mistaken. There are only slaves. Where none obeys, none commands."

"Most of the revolutionaries who turned toward anarchism as a consequence of 1848 did so by virtue of hindsight, but one man at least, independently of Proudhon, made his defense of the libertarian attitude during the Year of Revolutions itself. "Anarchy is order; government is civil war." It was under this slogan, as willfully paradoxical as any of Proudhon's, that Anselme Bellegarrigue made his brief, obscure appearance in anarchist history."

"I am what I am I was made this way When I want to laugh Yes I shriek with laughter I love those who love me It's my fault If they're not the same That I love everytime I am what I am I was made this way What more do you want What do you want from me"

"It's terrible the faint sound of a hard boiled egg firmly cracked on a tin counter it's terrible this faint sound when it stirs the memory of a starving man"

"An orange on the table Your robe on the carpet And you in my bed Sweet present of the present Coolness of the night Warmth of my life."

"Our father who art in heaven Stay there And we will stay here on earth Which is sometimes so pretty"

"Louis Lecoin, who has been described as France's most “militant pacifist,” died today in a hospital at suburban Pavilions‐Sous‐Bois after surgery. He was 83 years old. Mr. Lecoin, who throughout his life indifferently earned a living as a printer, gardener, proofreader or construction worker, joined the anarchists in 1905 at the age of 17 and was sentenced to eight years in prison at 24. One of the leading campaigners here for Sacco and Vanzetti in the 1920's and for Republican Spain in the thirties, he went to jail again in 1939 for the publication of a pamphlet with the evocative title, “Immediate Peace!”"

"If it were proved to me that in making war, my ideal had a chance of being realized, I would still say "No" to war. For one does not create human society on mounds of corpses."

"One morning, I awoke to find my two neighbours dead by my side. The day before, sleeping in the same straw, we had spoken a little — to reassure ourselves and each other."

"Under his [ Marc Chagall ] sole impulse metaphor made its triumphal entry into modern painting."

"Divine Dali!"

"There is a concealment that is of a different nature. It may take various forms; it always has to do, I think, with a special concern for the majority. I remember a meeting with André Breton after I had translated an introduction of his to a book of "primitive" paintings. We spoke of publishing. "I would never publish anywhere," he said, "unless I knew that there I and my followers constituted a majority." (This attitude, certainly, stands in direct relation to the forming of groups of the "intentionally obscure.")"

"André Breton, initiator of the most extraordinary revolution (because it engages much more than art-indeed, our whole life) is, of today's French poets, the most authentic. Others—"prettier," more "pleasant," more traditional, and more cowardly, as it were-may be more popular. But who cares? The least literary of our Men of Letters will remain the richest of all. Supremely indifferent: "I am not on earth with all my heart." Supremely knowledgeable and vigilant: "I touch only the heart of things/I hold the thread." Within him, the exaltation of research, the dazzling discoveries, the smiling calm of one who knows, the assurance of one who sees. André Breton: richest and purest. Blocks of crystal piled high."

"André Breton's poetry is a poetry of happiness. It ignores neither the anguish nor the maledictions that haunted the nightmares of Baudelaire and Rimbaud, but it goes beyond them and resolves them. Breton, like Rimbaud, is a "seer," but he does not allow himself to be hypnotized by the terrible visions of the Rimbaldian hell. Even in horror and despair, Breton knows how to discern the subterranean springs of joy. Despair? It "enchants" him! His own life? The most serious question! And yet, he knows how to attach no importance to it. For him, death is "pink," and all the mysterious aspects of existence are illuminated by his penetrating gaze-all contradictions, all mysteries. Supreme reward of that supreme science: Poetry."

"I had always believed in Andre Breton's freedom, to write as one thinks, in the order and disorder in which one feels in thinks, to follow sensations and absurd correlations of events and images, to trust to the new realms they lead one into. "The cult of the marvelous." Also the cult of the unconscious leadership, the cult of mystery, the evasion of false logic. The cult of the unconscious as proclaimed by Rimbaud. It is not madness. It is an effort to transcend the rigidities and the patterns made by the rational mind."

"We lived in New York between 1941 and 1945 in a great friendship, running museums and antiquarians together. I owe him a lot about the knowledge and appreciation of objects. I've never seen him [Breton] doing a mistake on exotic and unusual objects. When I say a mistake, I mean about its authenticity but also its quality. He [Breton] had a sense, almost of divination."

"So, André Breton, if tonight I dream I am screwing you, tomorrow morning I will paint all of our best fucking positions with the greatest wealth of detail."

"Apollinaire asserted that Chirico's first paintings were done under the influence of kinesthetic disorders (migraines, colic, etc.)"

"In those days, a man at least as boring as I, Pierre Reverdy, was writing: 'The image is a pure creation of the mind. It cannot be born from a comparison but from a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be – the greater its emotional power and poetic reality..' (in the 'Nord-Sud', March 1918). These words, however sibylline for the uninitiated, were extremely revealing, and I pondered them for a long time."

"A story is told according to which Saint-Pol-Roux, in times gone by, used to have a notice posted on the door of his manor house in Camaret, every evening before he went to sleep, which read: ‘THE POET IS WORKING’."

"Surrealist methods would, moreover, demand to be heard. Everything is valid when it comes to obtaining the desired suddenness from certain associations. The pieces of paper that Picasso and Braque (in this quotation Breton refers to the early collage art of the two Cubists, ed.) insert into their work have the same value as the introduction of a platitude into a literary analysis of the most rigorous sort. It is even permissible to entitle POEM what we get from the most random assemblage possible (observe, if you will, the syntax) of headlines and scraps of headlines cut out of the newspapers."

"What reason, I ask, a reason so much vaster than the other, makes dreams seem so natural and allows me to welcome unreservedly a welter of episodes so strange that they could confound me now as I write? And yet I can believe my eyes, my ears; this great day has arrived, this beast has spoken."