Actresses From Chicago

"I'm a person that documents the lives of people of color…So that way, when we're gone, no one will forget we were here."

"The hardest thing about being a black writer in this town is having to pitch your black story to white execs…Also, most of the time when we go into rooms to pitch, there’s one token black executive that sometimes can be a friend and sometimes can be a foe. I wonder if they think it makes me more comfortable, if that makes me think that they’re a woke network or studio because they’ve got that one black exec. It feels patronizing. I’m not against a black exec. I want there to be more of them."

"Stop giving a s— what other people think of you. We make decisions too often based on that…When we start to live for ourselves, and be a little bit more selfish, I think we’ll lead more fulfilling lives. So I think what we need to do, is stare at ourselves in the mirror a little bit longer, and really own who we are and not try to be what we think others want us to be."

"Being black and gay, having dreadlocks, having a certain kind of swag, and dressing the way I do…‘That’s dope, you’re cool.’ I don’t feel validated by that. . . . I don’t want to be White. I don’t want to be straight. I don’t want to blend in. . . . I try to wear queer designers who happen to be brown and makin’ shit."

"The mind is an erogenous zone."

"You have to work with people, whatever assholes they might be."

"I am really fed up doing second-rate roles in mediocre films and working against the prejudice that comes with my "image." I have studied all my life. I am not trying to become an actress, I am an artist and an actress."

"I wanted a storybook life, to be Rapunzel and Cinderella and Sleeping Beauty, all the beautiful ladies that wonderful men came along on their big white horses and dragged away. Which is not remarkable, a lot of kids grow up that way. But I decided it was gonna happen."

"I was not brought up to be a sex symbol, nor is it in my nature to be one. The fact that I became one is probably the loveliest, most glamorous, and fortunate misunderstanding."

"In high school I was Rocky, then after the equipment arrived, Hotrocks."

"I'm not a phenomenon who exists out of time, an anachronism of sociological significance. I'm a person."

"Whatever my film work was, it was a departure from the sex symbol previously, who was blonde and more docile than the characters I portrayed as a sex symbol…I think it was a different role for women. Women watch other women, and they are affected by that."

"A lot of times I would play a lot of roles a man would play…In One Million Years B.C.—yes, the costume was revealing. But I was outdoors all the time, I was fighting to survive, there was a girlfight. I was participating, it was physical, and I was independent. I wasn’t that pushover kind of a girl. And I think that left an impression."

"It’s not that I wanted to go into the male mentality, but into the duality. There’s a duality in every man and every woman. And when you have a homosexual man who’s a movie critic and he wants to make himself into a woman who somehow resembles a film goddess, like the women in film from 1935-1945, and then you have to watch how she interacts with these young people who have know idea who they’re really dealing with. The film never could embrace the different layers of complications of what’s going on with Myra/Myron…"

"[At age 11] I noticed this truck full of calves and bonded with one in particular, who kept kissing me. After about an hour the truck driver came out of the restaurant. I asked him what the calf's name was, and he said, "Veal, tomorrow morning by 7 o'clock." That was it: I could no longer disassociate the creature from what was on my plate."

"When people talk about reincarnation, I always feel that if there is such a thing, this is definitely my first time, because I'm always amazed. I'm both amazed at how horrifically we can treat each other and all other living things, and also amazed at the wonder and the beauty. I'm like: 'Oh my God, look at that bird!' or 'Look at that flower!' literally every single day. I can't get over how people are putting so much energy and so many resources into going to Mars when everything we could ever dream of is on this planet, if we just take care of it. What do they have on Mars? They don't even have oxygen up there!"

"Star Trek represented, and still does represent, the future we can have, a future that is beyond the petty squabbles we are dealing with here on Earth, now as much as ever, and are able to devote ourselves to the betterment of all human kind by doing what we do so well: explore. This kind of a future isn't impossible — and we need to all rethink our priorities to really bring that vision to life."

"I told Gene after the end of the first season that I would not be returning to the show — that I wanted to return to my first love, which is musical theatre, but I didn’t know that meeting a Star Trek fan would change my life. I was told a fan wanted to meet me, and I turned and looked into the face of Dr. Martin Luther King — I was breathless. He said, "Yes, I'm the Trekker — I'm a Star Trek fan." And he told me that Star Trek was one of the only shows that his wife Coretta and he would allow their little children to stay up and watch. I thanked him — and I told him I was leaving the show. All the smile came off his face and he said: "You can’t do that." He said "Don’t you understand that for the first time, we’re seen as we should be seen? You don’t have a Black role — you have an equal role." And on I went back to work on Monday morning. I went to Gene’s office and told him what had happened over the weekend. And he said, "Welcome home. We have a lot of work to do.""

"Gene's whole vision was that minorities weren't on set because we were minorities, we were on set because in the future our diverse world would all be working together as equals. I understand that everyone needs to see role models that can inspire them and talk to them and represent them, but I believe we need to move to a future that transcends race, gender, or anything else. We're all people."

"Don't initiate! Follow the initiator! Follow the follower."

"That which is not yet known comes out of that which is not yet here."

"The most significant change in the games themselves is the addition of 'Follow the Follower' (p 62), a variation on the 'Mirror' game in which no one initiates and all reflect. This game quiets the mind and frees players to enter a time, space, a moment intertwined with one another in a non-physical, non-verbal, non-analytical, nonjudgmental way."

"Games develop personal techniques and skills necessary for the game itself, through playing. Skills are developed at the very moment a person is having all the fun and excitement playing a game has to offer--this is the exact time one is truly open to receive them."

"The theater workshop can become a place where teachers and students meet as fellow players, involved with one another, ready to connect, to communicate, to experience, to respond, and to experiment and discover."

"Play touches and stimulates vitality, awakening the whole person - mind, body, intelligence and creativity, spontaneity and intuition."

"Through spontaneity we are re-formed into ourselves. It creates an explosion that for the moment frees us from handed-down frames of reference, memory choked with old facts and information and undigested theories and techniques of other people's findings. Spontaneity is the moment of personal freedom when we are faced with reality, and see it, explore it and act accordingly. In this reality the bits and pieces of ourselves function as an organic whole. It is the time of discovery, of experiencing, of creative expression."

"Everyone can act. Everyone can improvise. Anyone who wishes to can play in the theater and learn to become 'stage-worthy.' We learn through experience and experiencing, and no one teaches anyone anything. This is as true for the infant moving from kicking and crawling to walking as it is for the scientist with his equations. If the environment permits it, anyone can learn whatever he chooses to learn; and if the individual permits it, the environment will teach him everything it has to teach. 'Talent' or 'lack of talent' have little to do with it."

"It cannot be emphasized too strongly that playing can pull many a director and cast out of a tight spot, freeing all of them from the fear-producing trap of memorizing, characterizing and interpreting. This playing draws upon a very important, almost forgotten, little understood or utilized, and greatly maligned life-giving force --- passion!"

"The more affluent areas, by and large, are afforded these big, beautiful, spectacular buildings, and then the poorer neighborhoods are just disintegrating. And there’s this imbalance, obviously, of power and resources."

"[What her career looks like] "It looks like a marathon. And I'm proud that I'm not a DNF (did not finish). I'm not a DNF yet. I just kept going. I think that's been the key is just to keep going and really try to get better and try to be as truthful as I can and hope that good things come my way.""

"What’s shocking is to see six-year-old children jump roping in the street at 2:00 a.m.—that’s shocking—a block away from drug dealers. Just to see that the gap in the circle is education, in my mind, primarily for young women, because it’s the young women that are raising the kids and that’s where the circle, I think, perpetuates itself."

"I don’t know that I’ve ever fit in, ever. And I say that not in a bad way. I mean, in some ways, it’s a relief not to fit in, because you get to look at different sides equally. Like I don’t know that I have always found my tribe. My tribe are the people who don’t feel like they fit in. And frankly, I think that a lot of people don’t feel like they fit in."

"[On handling stress] When you start projecting on the future—"Oh my God, I gotta do this and I’m not there yet"—well, of course you’re not there yet because you’re here now. That time will come…I try to stay in the moment as much as I can and find whatever joy I can in that moment, no matter what it is. Then it doesn’t feel as stressful."

"I am strong-willed, and I am driven, and I am passionate...but I don’t have…a central cause…a motivating cause, I don’t know what that would be…other than trying to tell the truth when I work."

"All of us have an artist inside us. It's part of our DNA as human beings. We have all witnessed the power of the arts to deeply connect people, to open our minds to new ideas and express our innermost sacred selves. The imagination isn't just simply reserved for children. The imagination can be, for all of us, a very real gateway to joy, understanding, liberation and peace."

"[On yoga] Once you've completed a wonderful class, you get a sense of the deepest, purest part of yourself. You feel like you are connected to everybody else in the world."

"I think science and spirituality are one and the same, I don't think they're really different…quantum physics is validating all kinds of spiritual teachings."

"[On the message of the Dalai Lama] We are in a very important time, where it’s clear that we live…in a pluralistic society. And certainly the Internet has made it clear that the actions of one group of people on one side of the globe can instantaneously affect the actions of another group people on the other side of the globe. So in this time when we are all so interconnected, the idea of practicing tolerance and non-discrimination doesn’t mean that you weaken yourself or that you weaken your society. On the contrary, I think it means that you’re able to strengthen yourself and your society."

"I was never that kid practising an acceptance speech in the mirror, holding an award. I was the kid who wanted to know, who was God? What is God? That was my obsession. I mailed away for catechism lessons from an advertisement in the back of the Silver Surfer comic, but that wasn’t what I meant. Then I started collecting Bibles. Then I moved on to tarot cards. My mom was just horrified. Cut to two years from now – I’ll have started a religion based on Star Wars."

"Compassion takes imagination."

"[On running] For me running is about freedom. I find that the freer I feel, the faster I am."

"[On boxing] [For] The Chicago Code, I did some boxing. It makes you stand differently when you know you can punch someone out."

"[On dealing with physical and emotional pain] … a friend taught me before I gave birth…“don't try to take your mind away from the pain. Go right into the centre of the pain”, because when she did that she found the pain dissipated. It's true for me anyway, but it's not always possible, I admit. It has become a valuable exercise to apply to different things in life, of not avoiding or disregarding pain or bad feelings. I just have to remember that nothing in life is ever stagnant and that this grief or ache is going to change because everything in life changes."

"[On cancer] One of the problems is that the notion of cancer has been so normalized. You hear about it so often, and it's not ok... it's not ok to normalize this disease. And with all of the pinkwashing that goes on —where companies are selling products based on breast cancer month — it's a lovely gesture, but consumers get so used to it that it becomes more normal."

"[On meditation] ...that's the single most important thing that I do...there's something about understanding who you truly are. The essence of everyone is so beautiful that it's startling."

"I’m not always really calm, but I try not to get taken away by things that are incredibly transitory."

"[Regarding Flashdance-related fame] It was very clear to me that it’s not real. It’s not real…I was never the little girl who thought I wanted to be famous. My first real quest that I can recall…other than wanting to be a jockey…was trying to figure out who or what God was. That really drove me for quite some time…I had a notion that there was this mystery that I didn’t really know anything about, and I wanted to try to figure it out….so fame was not my driving force."

"[Regarding how the L Word change how she selects her roles] I really have a lot less tolerance for being subjugated to simply being the emotional center of a story, rather than being the active portion of the plot. It's as if women can't drive the action so often in stories. I don't know who made up that rule but it can get very frustrating if there's not more to play."

"Whether it’s that moment in acting when everything is suspended and you’re not yourself, or breaking through the veil of a very long run or swim, or hearing my daughter laugh—they are all pathways to what I think God must be."

"[Demystifying lesbian sex for an interviewer] In a way, the sex isn’t really that different... From what I can tell, no, not really. All the things that men and women do together, think of everything that men and women do together, women and women can do together. And that makes you realize that sex is just simply about connecting with another person, or about intimacy…"