Actors From New York City

"Why is commitment the kryptonite of men, super and otherwise? [...] The trouble is that, deep down, most of us men believe we have a great deal in common with superheroes. This is the secret truth of all male thinking. I'm not even supposed to be telling you this. When men are growing up and reading about Batman, Spiderman and Superman, these are not fantasies, these are options."

"Seems to me the basic conflict between men and women, sexually, is that men are like firemen. To us, sex is an emergency, and no matter what we're doing we can be ready in two minutes. Women, on the other hand, are like fire. They're very exciting, but the conditions have to be exactly right for it to occur."

"Men will always say they love women as a group, but somehow seem to be less fond of them as individuals. Women, on the other hand, often appreciate the man they're with but almost never have anything nice to say about our sex as a group. [...] Women are afraid of men they don't know. Men are afraid of women they know very well."

"A comedian is basically a very aggressive thing to do. You force people to see things your way so powerfully, they react audibly! They actually-- you force them to react. It's "Look at things the way I look at them, and laugh at it when I say to!""

"I thought "This is the pinnacle of life, to me: if [I] could do this-- y'know, if [I] could stand up on stage and make people laugh, that would be the ultimate accomplishment of my personality!" And I just thought "Laughs! To be working with laughs and jokes all the time: what a fun life that would be!""

"I was petrified when [my parents] first saw me [perform]. Well, also: because I wasn't really funny as a kid, and I felt like I was, y'know, exposing this alter-ego. Y'know? Plus, here I am getting up on stage and manipulating these people, y'know, into laughing. It's a power thing! Y'know? And it's weird to do it in front of your parents."

"I get an idea, and I think "There's something funny about that." And I don't know what it is, at first; this is how my stuff usually works. Like, I saw-- like, McDonald's having a sign that says "60 Billion [Sold]". And I think "Now, that's-- y'know, there's something very funny about that: that a company of that size is still counting every burger. Y'know? I mean, there's some kind of insecurity there, that you're still thinking "How well-- Are we doing well?" "We're doing well. Aren't we doing well? Look at how many we've sold!""

"The dumbest thing of all, I think, you can think in a New York cab is "Well, the man knows what he's doing!" "I mean, he is driving a little fast, but he's a professional cab driver. He's got a cab driver's license; I can see it right there." I don't even know what it takes to get a cab driver's license. I think all you need is a face... and a name with, like, eight consonants in a row."

"The word "pet peeve" is one of my biggest pet peeves, to tell you the truth."

"Some people actually cheat on the people that they're cheating with, which is like holding up a bank and then turning to the robber next to you and going, "All right, give me everything you got, too.""

"I always, y'know, idolized people like Bill Cosby and people that were just themselves. I mean, I think the idea of a comedian as someone that you relate to-- I think "comedy star" is almost an oxymoron. You don't look up to comedians like you look at Madonna or, y'know, Elvis, or people like that."

"Dads feel they know enough about the world to start their own civilization. That's what the family is to them. The fathers think "The hell with life! I can invent my own people. My own rules for fashion. My own health and diet.""

"Dogs are broke their entire lives. And you know why they have no money? No pockets! They have no pockets. They see change on the street, there is nothing they can do about it."

"Jerry Seinfeld, one of the greatest comedians of all time and one of the cockiest bastards to ever live. [...] To his credit, he writes some of the best jokes ever."

"That's [my dad's] other big advice to me: "easy". I don't know what the hell that means. Every time we lift up something heavy, he goes "Easy now! Take it easy! Easy! Easy!" It's not easy; it's very difficult. Okay? You want easy? Leave it here in the hallway. That's easy."

"Being engaged is-- you know what it's like to me? It's like being on the first part of the rollercoaster, where you're just goin' up: (makes ticking noises) "Boy, this looks pretty scary!""

"Here's the great thing about writing: you don't have to do it. All you have to do is not do anything else in that time frame. So: you put your idea down and... now, you don't have to do anything. You just sit there and you eventually will realize "There's a problem here." Right? And your brain will naturally try and solve the problem, and the next thing you know, you're writing! So, it's not about forcing yourself to write; it's about creating a -- what do we call it? -- a "discrete space". Is that the right word? So, that's how you write: create a place and time where that's what's happening... but you don't have to write! Just be there with the problem."

"No one else has his work ethic or his clarity of vision, his passion for the craft."

"The fact is: almost everything is funny. You just have to have a way of looking at it."

"The key to marriage -- of course -- is to make the other person happy. I tell all my guy friends: "Make your wife happy. You're not gonna be happy, so don't even worry about that. And that's good, 'cause that cuts your work in half!" And... further: that men don't want to be happy. We don't know what [happiness] is. We don't care what it is. We've never experienced it and couldn't be less interested in it. We just want to do whatever stupid thing it is that we're doing; that's men."

"Jerry killed himself to make Seinfeld good. He and Larry David worked so hard, it is-- actually, it is impossible to describe. And they didn't just do it to make the show successful, because once it was successful, they worked even harder."

"Now they show you how detergents get out bloodstains on television: pretty violent image, there! I think if you've got a T-shirt with bloodstains all over it, maybe laundry isn't your biggest problem right now. Maybe you ought to get rid of the body before you do the wash."

"I always describe my upbringing as "benign neglect": that I was-- I really felt like my parents were just letting me live there 'til I grew up."

"I think the duck really is the perfect model of how to live: paddle as hard as you can beneath the surface, let everything else roll off your back, and have a little sense of humor about your appearance."

"I really feel that that's one of the big powers of adulthood, is the ability to be totally bored and remain standing. I think that's why they can set up the DMV that way."

"You've always been one of the nicest guys in the business. [...] You've always been ethical, classy, smooth, and the best stand-up comic of our generation."

"The guy on stage: I made that up. The real me is alone, in the room; that's who I am. I learned that-- the skill of people."

"A joke is a miracle."

"I really think an honest minimum is five years between [hour specials]. That would be a really honest-- and workin' hard!"

"There's something about [writing] -- whether it's a cubicle allegory, or it's a homework or schoolwork metaphor -- there's something about it that totally repels the comic mind. "I can't-- I'm not doin' that. That's work!" Which it is, but only in the beginning! Only in the first ten, fifteen minutes, right? Then, you're kind of havin' fun! You're makin' up stuff. Who cares if it works? Who cares?"

"I was lucky in that I was introduced to fame very-- in a very slow, incremental way."

"Stories about your children are not good stories. They're not interesting, amusing, or relatable. [...] That took me a long time to learn. And a lot-- I have a lot of friends with kids that don't know it: what happened with your kid this morning at breakfast is not funny."

"A real artist -- a real artist -- does what they want to do. And that-- and I'm not talking about being indulgent; I'm talking about "That joke is good enough -- for me -- to make my set-- to be in my set.""

"The concept of writing is so alien-- actual writing is so alien to most comedians."

"Being old is great. There's so many things that you're done with. Like running really fast. I was single until I was 45, and I liked that, but then I couldn't take it anymore. So when you're old, you get to relax a little bit. And you can see much more clearly of what's going on in the world. When you're young, everything is really confusing, and when you're old you can see through people and events really clearly, and I like that a lot."

"That was the dominance of network television at that time. There was no competition. [Theirs] was the only game in town. A guy like me-- Could you ima-- I would never have gotten past my second set, today, before they would've grabbed me! Right? "Hey, this guy's pretty good!" "Just grab him! Let's do-- Somebody come up with somethin' for this kid!""

"Most of the time, comedians: we are expected to be the most agile, in terms of how we think and construct our thoughts and our-- what comes out of our mouth[s]. That's how we got the job. Y'know? So, I'm not really worried about [...] comedians as a group. We have been navigating these slalom gates forever."

"When it's your name on the goddamn show... the pressure is-- it's intense! And then, the show got successful, and everybody expected each week to be even better than the last, and it was a lot of pressure. And I loved every second of it, but it was a lot of pressure and a lot of work, and it was all great, but: never could have accomplished it without [Transcendental Meditation]."

"To me, clothes spend most of their lives waiting, if you look at it. In the closet, in the hamper, in the drawer. The shirts in your house right now are going "He never picks me...". Laundry day is their only exciting day, 'cause the washing machine is the nightclub of clothes. It's dark, bubbles happening; they're all kind of dancing around in there. A shirt grabs the underwear: "C'mon, babe, let's go!""

"I don't hear the applause when I come out [on stage]. I have no interest in that. 'Cause that's for the past. They're saying "We like what you've done in the past." And that's not what tonight's about. Tonight's about tonight. We gotta make this happen tonight. I want you to go home tonight and go "We saw a great show.""

"Remember when you were in school and they'd do those hearing tests? [...] I wanted to do unbelievable on the hearing test. I wanted them to come over to me and go, "We think you may have something close to super-hearing. What you heard was a cotton ball touching a piece of felt. We're sending the results to Washington, we'd like you to meet the President.""

"You ever wonder why Silicon Valley even exists? I have always wondered, why do these people all live and work in that location? They have all this insane technology; why don't they all just spread out wherever they want to be and connect with their devices? Because it doesn't work, that's why."

"Have you ever seen the guy who's got the record for "Fattest Man in the World"? It's an amazing thing: Bob Hughes, 1,400 pounds. Ladies and gentlemen, the man has let himself go! I used to even feel bad, y'know, talkin' about him onstage, 'cause, y'know, somebody-- you could be-- but you could weigh 1,000 pounds and go "He's not talkin' about me." "This is a man with a serious weight problem.""

"I had glasses when I was 10 years old. [...] Somebody puts something on your face at 10, you leave it there; you don't know the difference! I thought I was getting glasses 'cause I couldn't tell what my parents looked like. 'Cause every time I'd ask my mother to buy me something, she'd say "What do I look like? A bank?""

"My favorite sign: you pull up to the light, and it says "Left Turn Okay". Don't you like that one? A little personal touch! It's like they're sayin' to you "Left Turn? Okay..." "We're not crazy about you makin' the left. It's okay..." Pretty much: "Make it. Get it over with." [...] They should get more involved, with signs like "Right Turn? Why Not?" "U Turn? Enjoy It!""

"I was in Switzerland one time. Beautiful country! Great country. And interesting: 500 years without a war! Very impressive. Also very lucky for the Swiss Army! I don't know if you've ever seen that little Swiss Army knife? It's not much of a weapon! [...] If somebody attacks you, what do you pull out? Your nail clippers? "C'mon, buddy! Let's go!" "You get past me, the guy in back of me's got a spoon!""

"When you're 10, your parents are the bank! You know what I mean? If I'm 10 and I need money, [can] I walk into Chase Bank and get money? The teller's just gonna say to me "What do I look like? Your mother?" "Hit the road, four-eyes!""

"I also had braces. [...] Glasses at 10, braces at 12: I was thrilled to have these things on my face. I mean, y'know, [I'm] thinkin' about talkin' to a girl for the very first time in my life, I want a lot of corrective apparatus on my head. [pause for laughter] This is what women like! I said to my parents "Let's not stop now! Let's get me a hearing aid! Orthopedic shoes!""

"I want my comedy to be the things nobody else talks about. Not necessarily things people don't want to talk about, but just things that everybody else missed."

"I have a lot of respect for [stand-up] as a craft. I don't see it as just a stepping-stone. I mean, it's a hard life in some ways. But I have a fascination for it."