Actors From New Jersey

"I'm telling you about a child in trouble. If it's pity, we'll get some money. I'm giving you the facts. Pity. You don't want to be pitied because you're a cripple in a wheelchair; stay in your house."

"I learned from my dad that when you walk in front of an audience, they are the kings and queens, and you’re but the jester — and if you don’t think that way, you’re going to get very, very conceited."

"He keeps imitating himself, but he has much talent and I think in time he will do first rate comedy. I hope so. But he he's going to have to learn artistic discipline."

"A woman doing comedy doesn't offend me, but sets me back a bit. I, as a viewer, have trouble with it. I think of her as a producing machine that brings babies in the world."

"He asked me, "I wrote this movie and I wrote a part for you." He's like, "Will you do it?" And I was like, "Sure!" I didn't think nothing of it. He wanted to do it, but I didn't think he was gonna do it. It didn't even cross my mind again for a few months. And then all of a sudden he called me up and he's like, "Yo, you gotta come pick the script up, we're shooting the movie in like two weeks." … I was like, "What?" He was like, "Remember the movie I told you about? I wrote the part for you? We're doing it in like two weeks." I was like, "Oh shit. Cool." That was it."

"I used to hang out with Bryan down at The Rec. They were going to a comic book show, Kevin, Bryan and Walter. Bryan invited me and told Kevin that Jason Mewes kid's gonna come. And Kevin was like, "Oh, man, I don't want that dude going." He's like, "I ain't driving him." And Bryan was like, "All right. I'll drive." Kevin tells the story better, but when we were driving up — I don't remember, really, but he said I was saying all this stuff and Bryan and Walter were laughing and the whole time he was like, "This guy ain't funny. He ain't funny." He seemed like he really didn't like me. I think that was the first time I met him — he didn't want me coming with them to the comic book show. He didn't even know me, really, but he just didn't want me going. And then one day at The Rec I wound up doing something funny and that's when he started to like me."

"In Kevin's movies I would like to stay Jay. But, yeah, I'd love to do something else in someone else's movie. I got a script sent to me at this office and I got a call from a woman — Universal's doing a snowboarding movie. I'm not in it yet, but I'm supposed to meet with the director in New York soon. I'm waiting to hear back from them."

"I was a metalhead and then I was into the rap and then I was a metalhead again."

"I started working at the Quick Stop with him. Every Sunday I used to go to the Quick Stop and we used to put the Sunday papers together at like five in the morning. And then after a while he got me a job at the video store next door. I used to lock up the store and go next door and hang out all the time and watch movies and stuff."

"Things like kissing and sex scenes don't make me uncomfortable. What makes me uncomfortable is the emotional stuff where I have to really dig deep."

"Truth be told, I don’t really prepare much. I’m not a very serious actor in those regards. I learn my lines, I show up, I take direction."

"I've never really had bad chemistry with anybody. And I think you just really have to be open."

"It's funny – if you told me five years ago that Netflix was producing quality content and they have actors and filmmakers all over Hollywood super excited to be in business with them, I would've been like, what?"

"I expect everything I'm in to be massive, but it just doesn't happen that way."

"On paper, it was all there. It's unlike anything else on television or streaming and that can either bode well for it, or work against it. And it has worked for this show in an incredible way."

"When I heard about the project, the name sounded kind of familiar. I felt like I'd seen it in the book review section or on a list somewhere, but I didn't really know what the story was. The two things that stood out immediately were Jenji Kohan, who I think is one of the best writers out there, and the other thing was Netflix."

"The American Pie success has been so wonderful for me, but it's also locked me into a certain type of role. It's limited my options."

"For the pie scene, people asked if I read the script and said: 'Oh my god, do I have to do that?' No — I said: 'I hope that's me. I hope I get that part.'""

"I don't pay any attention. The stunt people take care of all that. All I do is get in and out of the Coyote [the car Skid drove, which required anyone riding in it to enter and exit through the window], which is no mean trick. You can't get into the S.O.B. without bending yourself into a pretzel. Me, I'd rather drive a pickup."

"What for? I don't go to the Daisy or any of that. We don't give parties under a striped awning out over the lawn for two hundred people, four of whom we like."

"I never heard of these guys. Of course, I can be talking to 40 Academy Award winners and never know the difference. People in Muncie, Indiana, probably know more about them than I do. But I figure what the hell, if they're smart enough to hire me, they must have something."

"The only attraction is the time. I work just 70 days a year on the show. I can still make two, three movies a year if I want to... If it were Bonanza , walking around the Ponderosa, tied up nearly all year, no-o-o chance. That's a fate worse than death."

"In other words...you can't be a misogynist and expect women to appreciate you."

"Family Affair, to spend time with his family in Hawaii, before casting as Hardcastle: "I get tired of sitting home and doin' nothing. If I'm doing something eight months of the year, I don't mind loafing the other four. But, lately, I've been finding fewer and fewer movies I'd like to do. And when that happens, I get hard to live with. Then this thing came along. I read it. I liked it. This character Hardcastle: I figured I could live with him for five years if I had to. There was something going on there. You don't get a helluva lot of character in series TV. They're more likely to star the car."

"I've made I don't know how many pictures. Forty, I guess. I've seen only about a half dozen of them. We made Reflections in a Golden Eye in Rome last spring. I really enjoyed working with Liz and Brando and that great director, John Huston. But the kind of picture I enjoy seeing is something like The Parent Trap. That was a charming thing with Hayley Mills playing my twin daughters. I saw that four times. I even took my wife's parents to see it. I like it so much I forgot I was in it, as a matter of fact."

"If I live to be a hundred--and I hope I do--I won't have time to read all the books I want to read, or talk to the people I want to know. Not party talk. That's a waste of time. Real talk."

"This is the type of show I love, because it reminds me of what happiness I have with my wife and our children."

"I went to a school that was founded on a lot of very radical ideals of how education should be changed. But what’s happening to schools like that sort of all over the country is in economic pressure they’re becoming more and more preparatory because that’s what people will really pay the money for private schooling for now."

"It’s good to be 18. For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that’s because my parents always treated me as an adult."

"We’re not fighting for equality. None of these conflicts against systems of oppression are fights for equality. They are fights for accurate regard of supremacy. We’re better at sex than y’all. We’re better at art. We’re better at warfare. These are things carried in the old understandings of so-called, whatever-you-want-to-call-it: non-binary, queer, genderqueer, trans, gay, lesbian. Just like the neurodiverse peoples, these people are all sacred beings, superior to other beings."

"Now figure it out, Dr. O'Neal, I kill off the big men (evil laugh)"

"Kobe, tell me how my ass tastes."

"Now that he’s president-elect, you just hope that he can make the world a better place. He won fair and square. We have to give him a chance. There’s no need talking about recounts and this and that."

"And if the big dog ain't me, then the house won't get guarded—period."

"I got hurt on company time, so I’ll heal on company time."

"People really seem to have enjoyed The Tick. I think because it’s odd and quirky and not mainstream, that people that are fans of The Tick love to talk about it, bring it up, and I certainly appreciate that. I felt like it was something special when we made it, and it was very disappointing when our network was not going to support it. I guess about eight years later, we proved the network wrong. Once again, the guys in suits made a big, big mistake, and they’re all big jerks."

"The Tick comes to mind. … that was just my favorite thing ever, and it was so smart and clever, and I loved it. I felt honored to get to step into the shoes of the Tick, and it just didn’t get love…not from the network, you know. The network killed it. It’s had a pretty fantastic after life on DVD, but it could have been a great series if they decided they wanted to spend any money at all back at the time. It became all about reality TV for them. They discovered they could spend very little money and get huge numbers."

"It is more inspirational, I’d say, with the Tick. Because once you grasp or realize who this guy is, the fact that you’re inventing a world and an atmosphere and a persona that, really, his past is a mystery. So everything that he looks at or perceives can be brand new, and he can get really, really excited and intrigued by something that’s just a commonality for everybody else, that’s humorous. He’s like a child; everything’s new. So you just bring that attitude to him, a childlike attitude of discovering things. Yet you’ve got this great writing, where everything’s mixed metaphor, and he’s articulate, and he describes everything in a new way. It’s inspiring as an actor to be able to go to that place. Anything you do is not going to be wrong. All you’ve got to do is just be inventive with this character and have fun. That’s the definition of an ingenious character. To get to step into the shoes of the Tick, I just felt that was an honor. Once again, I will reiterate that Fox apparently didn’t have a clue."

"There are unwanted emotions and pain that goes along with any birth. Preston insists the Scientology-friendly labour doesn't forbid the mum-to-be from yelling out in pain. Screaming is fine... It's the words. If you can avoid saying certain phrases and words... Just try to keep it as quiet as possible. Of course, you are going to groan and yell. It hurts. Just keep it to a minimum."

"It's hard to make a cultural phenomenon every time."

"We lean on our church heavily, and they have helped us a lot, particularly in recent years... I have fame on the level of Marilyn Monroe, John Belushi, or Elvis Presley, but part of the reason I didn't go the way they did was because of my beliefs. People make judgments about Scientology, but often they don't know what they're talking about."

"When I was a kid, I was into The New York Jets. And then I got into girls as I got older, and then I got back into the Jets because I'd realized there's times when the girl won't f**k you, but the Jets will always f**k you."

"When did society forget that kids 'should not make life-changing choices' like gender surgery?"

"Do you know what I made the mistake of doing yesterday? I watched Ace Ventura: Pet Detective with my 8-year-old and my 10-year-old," Rogan said, as their conversation veered towards controversial films. … "I didn't realise how transphobic that fucking movie is."

"What’s weird is that when you say pride, people immediately think of gay.How insidious they snuck it in, They slowly took over pride like they took over the rainbow."

"Hamilton Morris: I had a very traumatic and formative experience myself. My best friend had a psychotic break while I was with him tripping, so I have seen this firsthand. I know exactly what it looks like.Joe Rogan: Yeah, I've had friends have really bad experiences too with screaming and yelling and disassociation, and afterwards, become very strange and have a really hard time with reality for a bit. I've never seen someone have a complete psychotic break.Hamilton Morris: This was that. He never recovered.Joe Rogan: Never?Hamilton Morris: He never recovered. He was my best friend at the time, and he never recovered.Joe Rogan: So he was fine before the psychedelics?Hamilton Morris: Yes.Joe Rogan: Jesus Christ. So now, he's still fucked?Hamilton Morris: Yes.Joe Rogan: Damn."

"Richard Dawkins: I think that eternity is what is frightening about death. And eternity is best spent under a general anesthetic—which is what is going to happen.Joe Rogan: Right. Gonezo. Out go the lights. Maybe, or maybe not. Have you had any experiences with psychedelics?Richard Dawkins: No.Joe Rogan: Do you have any interest in that? […] I would think that a person like yourself, who has this sort of rigorous belief that the lights go out, and then that's it … I would think that that would be attractive to just at least dip your toes in.Richard Dawkins: Yes, yes. Well, don't you think the lights go out?Joe Rogan: I don't know. I have had some pretty profound psychedelic experiences that make me wonder what thoughts are and what consciousness is.Richard Dawkins: Well, I wonder what consciousness is, but it's pretty clear that it's to do with brains, and brains decay. So I wouldn't hold out much hope if I were you.Joe Rogan: Well, you might be right. Certainly, consciousness does have to do with brains. We know brain damage severely perturbs consciousness. But there's some interaction with certain chemicals that makes this experience far different than what it is when we're on "the natch".Richard Dawkins: I believe that, but it's still brains, though.Joe Rogan: Still brains … but that's it? Reductionist?Richard Dawkins: Nothing wrong with reductionism.Joe Rogan: Nothing wrong with it. Not saying there is."

"Brian Cox: I'm damn sure that there's nothing going on in my head other than what is allowed by the laws of nature as we understand them.Joe Rogan: So, eliminating "woo", you mean. The idea of the soul being some sort of a divine thing that's inside the housing of the body.Brian Cox: Yeah. I would say we can rule that out, actually.Joe Rogan: Rule it out? How do you rule it out?Brian Cox: I have argued that we can rule it out in the following manner: here is my arm, right. It is made of electrons and protons and neutrons. And if I have a soul in there—something that we don't understand, but it's a different kind of energy or whatever it is we don't have in physics at the moment—it interacts with matter, because I am moving my hand around. So whatever it is, it is something that interacts very strongly with matter. But if you look at the history of particle physics in particular, which is the study of matter, we spent decades making high-precision measurements of how matter behaves and interacts. And we have looked, for example, for a fifth force of nature. So we know four forces: gravity, the two nuclear forces—called the weak and strong forces—and electromagnetism. And that is what we know exists. And we have looked for another one, with ultra-high precision, and we don't see any evidence for it. So I would claim that we know how matter interacts at these energies. It is room temperature now. At these energies, we know how matter interacts, very precisely. And so, if you want to suggest that there is something else that interacts with matter strongly, then I would say that it is ruled out. I would go as far as say that it is ruled out by experiment."

"We're all in this, like, constant wrestling match with biology, and the reality of our environment, and the utter ridiculousness of the fucking universe. The whole thing. It's constantly weighing on you. When I drive home, every fucking time I drive anywhere, at some point in the drive, I'll roll down the window … and I look up, and I just want to see forever. And I just want to stick my fucking head out, and know that, that this goes on forever, right from here, forever, little perspective shot. Boom. Roll the window back up. None of it makes sense! It's all crazy! And if you're really paying attention to the whole thing, and pretending that everything's moving along fine and I'm in this temporary body, with no idea of what's next, but that's okay, I'm gonna raise a bunch of other temporary beings, and we're gonna fucking drive around, and spend money, which doesn't even mean anything, because it's based on confidence, and it's just ones and zeroes in a data bank somewhere, and hopefully no one's manipulating it! I want to get what I earn! And you just keep going 'til your fucking heart stops."

"People are scared, man. They're scared of the void."