Actors From Mississippi

"I'd been to Graceland (twice) but never to his birthplace in Tupelo, Mississippi, until today"

"My earliest memory of music was Elvis Presley when I was four and a half years old. I then reached into my parents album collection, which is very extensive, and pulled out a record of his. From that moment on, in 1992, I really took to the music industry,"

"It all started when an elderly American woman once asked me: "Do people in South Africa know Elvis?" "Of course we South Africans know Elvis!" I replied. Or do we, really? So, I went on to write a paper and, using a historiographic approach, I attempted to explore how his image was first imported into South Africa, especially during the Apartheid era when there was no television, and media censorship was a fact of daily life. Additionally, I tried to reflect on the impact of the media – then and now – in creating images, fantasies and illusions in constituting the subjectivity of the Elvis of real life and the Elvis of sound, stage and celluloid in the South African musical imaginary."

"The book, by contrast to "White Rage", offers an extended view, spanning from pre-colonial plots to relocate Britain's human rubbish, to Thomas Jefferson's notion of “whiteness as an automatic badge of superiority,” to modern use of adjectives like “redneck,” “cracker” and “country boy,” such as in the specific case of Elvis Presley. Isenberg's greatest historical and sociological intervention is not just the idea that divide and stratification exist between races, or that such divisions habit within them, but that it has always been this way. American democracy has never accorded all the people a meaningful voice. The masses have been given symbols instead."

"Elvis Presley. It's a big, all-American icon with a sense of duty..."

"In 1954, R&B̪ writer Charles Singleton and I wrote "Trying to Get to You," which was first recorded by The Eagles, a black vocal group. Elvis Presley heard their version in a store in Memphis, and he decided to record the song. Elvis did it like The Eagles. Amazing how he did that. He wasn't a big star at that point, and we thought that he couldn't sing. We just didn't understand, yet, were grateful to him. Thank God for Elvis."

"For me, it all started with Elvis. I must've been six, maybe seven years old when I saw him on the Ed Sullivan show, wasn't supposed to be watching, raised as I was in a strict Catholic family, and Elvis the Pelvis was sin. But like most Catholic parents, they watched to see just how sinful Elvis was. He was shot from the waist up, I could see that from my hiding place behind the couch. But Elvis' music and energy ignited my first desire to rock 'n roll. My father was a professional magician with a love of movies, and that's where my childhood creative energies were directed. In fact, through my entire teen life my dream was to be a rock and roll rebel."

"Swipe to see me attempting a classic Elvis move after the film, and my beautiful, most elegant lady, my number 1 supporter from day 1, screaming like Elvis’ fans in the movie! Wow! What a great movie about a great man and a great crew and story! Thank you and God bless Elvis Presley and his entire family and team ❤️ this is a must watch!"

"The headline news of "Platinum", which can be appreciated by fans, scholars, critics and religious fanatics alike, is the inclusion of a newly discovered 1954 demo of the unsigned Elvis singing a lilting wisp of a pop song called "I'll Never Stand in Your Way". His unsophisticated performance is mesmerizing; clearly indebted to the style of the "Ink Spots", Elvis' airy tenor floats delicately above his own guitar accompaniment, aching and somewhat pinched in its feeling; you sense the singer itching to cut loose, to really swing the lyric, open it up; it is in those moments, when the pentimento of the blues vocalist reveals itself, that the melding of styles that soon would change the course of popular music is on fleeting display; it's rare when a single song can be said to make a pricey box-set worthwhile, but this particular "Rosetta stone" of a rare cut, does precisely that. Big time."

"Man, he was a bada—! Love Elvis, I remember the day he died, riding go-carts at my grandmothers house in west Monroe Louisiana 42 years ago.""

"He valued his fans and he treated them with respect. If anybody had a reason to be arrogant it would be him, but it's a great lesson for other musicians and people in general and that is the better you get, the more humble you should be. His music resonated with everyone and that's what made him so special, like Elvis Presley or Mozart""

"Oh yeah, big timeǃǃ"

"I loved him. There were two icons who changed our life in the 1950's, James Dean and Elvis. He was the first singer who was loved by both girls and guys. He brought us together, boys and girls, a revolutionary, had a profound effect on all of us, culturally, musically emotionally, spiritually, still miss him..."

"This, I think, is as close to the "real" Elvis as we were ever permitted to glimpse during his lifetime, a funny, self-deprecatory star who loved to hack around with his guys, but who had no trouble reeling them back in when they started having a little too much fun. We, at home, watched and understood how lovable so many people thought he was. The show, when it aired, became one of the top-rated of 1968. Most of the TV critics of the time didn't get it, certainly not the way the show's producer and audience did, the critics being, frankly, rather bad stuck-in-the-mud old fogies and tired, bitter conscripts from elsewhere in the newsroom who were about to be superseded in the early '70's by a new generation of TV critics who had not only grown up with Elvis, but with TV itself"

"Little Richard, he was the first one that really got to me. He and, of course, Elvis Presley."

"Well for one thing, he never got to sleep with her in his cover, actually he danced with her. My husband Ewan used to say that it was like Elvis being Romeo down on the ground calling up to Juliet, at the top of the Post Office Tower LOL."

"Lou Reed, Elvis Presley and Kurt Cobain."

"He had a photographic mind, came prepared every day. I would have to say that if you, Carole, if you had ever have to do a scene with him, you be....... somewhat taken back, that's how his sex appeal hit you. His eyes, especially, so seductive..."

"There comes a point when the voice starts to wash over you. You get inside of it, start to really hear what he's doing, and you realise his singing has this extraordinary, effortless quality to it. Sometimes it's like listening to a stream of honey. It's a very smooth ride, the voice of Elvis Presley. I don't think you focus on the words when he's singing. I think he's doing what bel canto singers do – you don't listen to the words, "just" to the beauty of his voice-. When I say "just", that makes it sound as if he's denying you something else but, actually, that's quite enough."

"We went backstage and he told me he used to play me on the jukebox when he was in the Army in Germany. He admired the high tenor male voice – he was a baritone. I was and remain a huge fan of his. He was a phenomenon."

"So when the city of Albany came to the conclusion that the house two doors down from my house was structurally terminal after years of neglect, they had to dump a ramp of dirt to allow the excavator to make the climb. It was a thing to behold: The two-track beast would tear away a portion of the front of the house — first the porch, which had been replaced almost a decade ago after it had degraded to a dangerous sag — and then plant its claw deep in the wreckage and haul itself a few feet higher, like a mountaineer with a pickax. By the time it reached the summit, the house had been reduced to a cross-section: see the bedroom, see the attic, see the bathroom where for decades its former residents shaved and showered through the Depression, World War II, the entire life of Elvis Presley and the demise of Skylab."

"Andy, you have to do me a favor. I have this crazy idea. You know, you always do the paintings of stars ( like Elvis and MM) ? Well, when Maria (Shriver Kennedy) marries me, she will be a star, so you’ll be painting a star."

"Iconic celebrities never die because they are, in fact, a booming licensing business. Albert Einstein t-shirts. Elvis Presley guitar straps. Marilyn Monroe finger puppets. (These are all real.) If Samuel Jackson can wisecrack his way through Captain Marvel, then a hologram Tom Petty could perform a concert on behalf of a spirits brands at thousands of bars – at the same time. Muhammad Ali could teach your Orange theory boxing class. Julia Child would be in your kitchen with you to co-cook a Thanksgiving turkey on behalf of Butterball. Gone are the days when a celebrity can only be in one place at one time."

"I' the King!"

"Our country faced a similar challenge in the 1950s, when there was widespread apprehension about the safety of the polio vaccine. But when Elvis Presley posed backstage being given the shot before an appearance on the highly rated Ed Sullivan Show, the photo ricocheted across the nation and the world and triggered a rapid increase in vaccination rates."

"He once rode a freight elevator to avoid fans but just as the elevator doors opened, workers were wheeling a deceased guest out on a gurney. “I hope I don’t leave that way,” Elvis quipped."

"So there were portraits of me everywhere, the finest clothes, 150 extras all watching me play this poker game. It just really informed me about who Koumba Diabaté, the diplomat I was playing in the series, really is. So I quickly was able to step into his shoes. But the opulence was ridiculous. We did not decorate those hotel rooms. That’s how the suites are. And it was so fun to shoot there, because you felt Mr. Diabaté’s fascination with Elvis Presley, because where we shot the poker scene was Elvis’s actual bedroom when he stayed there for eight years when it was called The International Hotel. So it was just like living my fantasy within my fantasy. It was so fun to to experience and to feel that energy of how old this place has been, how much history it has, and how much opulence you’re surrounded by. I didn’t have to act because it was literally all there."

"Elvis, to me, is a symbol of tremendous promise and that kind of American hopefulness, where you can come from nowhere and have nothing and build yourself up and chase that American dream."

"He is the Elvis of Racing"

"i) I didn’t like Elvis before I went to work with him in the summer of 1969. I mean, I didn’t know him. I just didn’t like his music. I was into black music mostly and jazz so when I went to work for him on the first rehearsal I told my ex-wife, I don’t think I’m going to do this gig, but I’m going to go down and check it out, see what’s going on.’ I came home that night and said, you gotta come down and hear this guy tomorrow night.’ She said, you’re kidding.’I said, no, you got to come down and hear him.’ She came down the next night to the rehearsal and she walked away a fan. It was that immediate. When I walked in and I heard him I said, Oh, oh, I believe that I've been missing something. ii) In some ways Elvis was Conservative and in other ways he was very Liberal. He wasn't someone that was following some political line, you know he'd figure out for himself what he thought was right"

"Very proud that my father will receive the Medal of Freedom. That he’s getting it with Elvis is icing on the cake."

"He is the king of the Democratic liars. If there was a Hall of Fame for liars, like, let's say, a Rock & Roll Hall of Fame, he would be Elvis."

"There's more chance of Elvis Presley being Chancellor of the Exchequer than John McDonnell. I've never come across such financial illiteracy.""

"But my generation did not ONLY love America because she defended freedom. We also loved America because for us she embodied what was most audacious about the human enterprise, because America for us embodied the spirit of conquest. We loved America, because for us, America was a new frontier that was continuously being rolled back, a constantly renewed challenge to the inventiveness of the human spirit. My generation, without even coming to America, shared all of your dreams. In our imaginations, our imaginations were fueled by Hollywood, by the great conquest of the western territories, by Elvis Presley, and you probably haven't heard his name quoted often here -- but for my generation, he is universal."

"While touring Memphis, I was in the dressing room and my knee went and I crawled into a ball and couldn’t get up. I was carried off by a big security guy called Michael who’d once played for the Miami Dolphins. I heard he had an important boss but he didn’t tell me who his boss was. But the next day his boss called me. It was Elvis Presley. He came on the phone singing "You Make Me Feel Like Dancing", down the line. ‘I love that song, man. I hear Michael has been looking after you and that you’re a great guy. And you need to come over to the house’. he said. I was stunned, and got ready to go to spend a few days with Elvis and his girlfriend Ginger. But the next morning I heard on the radio Elvis had been taken to hospital and died. Years later, I began to think I must have dreamt the whole thing. But I met Ginger at a dinner in London, and she said ‘Elvis had been so excited at the idea of spending a few days with you.’ I had tears in my eyes when she said that.”"

"It just murdered...."

"I just wanted to be like my dad. He was absolutely charming, adorable and irresistible. I looked at him the way other people looked at him, like if he was Elvis. I was like: ‘Man I want what he’s got!’ I didn't realize I was born with it."

"What Presley accomplished was a fusion of modes, not theft"

"He liked to do the bumps and grinds as I did them, and that was basically what he used in his routine from 1957. Eventually, he proposed to me, but I told him if anyone knew about us it would cost him his career."

"He was the greatest. In fact, he was the most charismatic individual I have ever seen both off and on the screen, he was the kind of person who could not walk into a room and not stop whatever was happening in that room. Every person, man or woman would turn to look at him, he was that magical, There are no words in the vocabulary, unless it is that he had magic."

"And to think I only wanted to imitate Elvis"

"At the start, I listened to my older brother's collection of Paul Anka and Elvis Presley records. When the Beatles arrived, at home it became a fight between my brother, who loved Elvis and I, who loved the Beatles.. but we both stayed the course...."

"On stage, any chance I get to put the teeth in and bite people, I will take. “Dance of the vampires" is great if only because it lets itself to be really, really silly. Any character I play has at least one if not three animal images that I use. And for the role of Count von Krolock, I said he's part panther, part eagle, and part Elvis Presley. And Elvis Presley — he's sexy as hell.”"

"The spirit of Elvis Presley, I feel it.”"

"Halfway through the show, he asked that the house lights be turned up. After that was done he stated that he had told them not to sell the seats to his back and, since they had, he turned around and did the last half facing those of us that had only seen his back for the first. He was a great singer and showman."

"I was publishing a book with the title "The case against Muhammed", dealing with the founder of Islam, from a critical point of view, and many people were asking me "why do you do that? And my answer was always "because you are asking me". Because you wouldn't if the book had been called "The Case against Elvis Presley". You would accept any criticism of any historical figure, you will consider it as freedom of art, of research, of opinion, but in the case of Muhammed, you say "The Prophet is the Muslim's world last stone of identity, so why do you attack HIM, let him in peace". And I then always answer my Muslim friends, that maybe he became the last stone of their identity because they left him in peace, alone, for fourteen hundred years."

"Bill was about 16 when he drove from Blanco, Texas, to see Elvis Presley play at the then Municipal Auditorium. And when he found out the show was sold out, he climbed a tree to try to get into a window. He saw Elvis there in the window so Elvis motioned to him and asked him, 'What are you doing up there in the tree?' And Bill Wittliff explained , and Elvis Presley tore out a paper towel and wrote to the ticket taker to let these three boys in. They're friends of mine. We have that piece of paper on display at the Wittliff Collection."

"Often overlooked, probably because of his immense popularity and mega-star status, Elvis was an extremely generous and compassionate human. I remember an appearance by Elvis on the Ed Sullivan show on a Sunday night while my grandmother was babysitting me. Sitting in a rocking chair and looking over the top of her glasses while she was knitting she uttered, “That boy is going places”. I was 7 or 8, she was 60 something and that moment is etched indelibly in my mind. Hey Nana, you were right."

"Elvis Presley was more influential as a performer than any other musician in world history. In some respects he resembled other influential performers, including the famous Italian violinist Niccolò Paganini (1782–1840) and the Hungarian pianist Franz Liszt (1811–1886). Like them Elvis was exciting, charismatic, and enormously successful. Unlike Liszt and Paganini,however, Elvis did not compose any of his own music, yet the ways in which he performed the songs he sang transformed twentieth-century popular music worldwide. At his best, was most influential as a Southern White singer who introduced audiences throughout the United States and around the world to Black American music, especially to rock ‘n’ roll, a form of rhythm and blues. He was also influential because he combined in his performances elements from different American singing styles, including gospel, rockabilly, country-western and standard' pop numbers; he even employed bel canto singing in a few songs borrowed from Italian music. His stage persona was extremely influential as well, simultaneously glamorising, as he did, rock music and making it seem ‘dangerous’, thus even inspiring aspects of punk rock in the 1970s. Later, his performances as a touring artist and a Las Vegas entertainer contributed to the birth of glam rock."

"Every time he'd appeared on Letterman, he'd had to change his act. Written down, worked out, pre-approved by the production staff, his sweet improvisational melody was sliced and diced into a sampled, discordant riff. He just didn't come across. And he hadn't yet figured out what to do about it. At least not until that twelfth appearance. His ghost appearance, resonating forever in the memory of the Ed Sulli­van Theatre, there, center stage, near Elvis's swiveling hips. Another really big show, never to be seen."