Actors From Los Angeles

"The plight of the actor, even if he's a star, is the plight of the women's movement. They're saying the same thing to us: get into bed, give me a good time, then give me something to eat, go get the laundry, be a good girl."

"It always is...until it's not."

"Winning isn’t as fun as losing is miserable."

"Emotion trumps logic."

"All’s well that changes least."

"Things could always be worse. In fact, the overwhelming odds are that they will be."

"To be neurotic is to spend one’s life perpetually replacing one worry with the next."

"I used to fear that taking medication would change my personality; now I fear that it won’t."

"There are two types of people in this world — those who think that there are two types of people in this world, and those who don’t."

"To the optimist, pessimists are neurotic; to the pessimist, optimists are deluded."

"Facts are like kryptonite to teenagers."

"When a psychoanalyst takes on the role of a blank screen, all he really learns is how the patient responds to people who try to act like they’re a blank screen."

"Don’t worry, there will always be something to worry about."

"Nowadays, the absence of catastrophic news is great news."

"I would do anything to keep indulging...including quitting indulging."

"Intuition is usually the first word, and is sometimes the last word, but should never be the only word."

"The human capacity for denial and rationalization is always shocking, but never surprising."

"There are only three things needed to eliminate human misery. Unfortunately, nobody knows what they are."

"Insight is the booby prize of life."

"Social psychology is the scientific study of the obvious, which invariably leads to conflicting results."

"Levy’s style combines erudition with simplicity and earnestness with humor. The result is clear and compelling, accessible to lay persons and mental health professionals alike."

"When it’s bad, I get depressed; when it’s good, I get nervous."

"Tiffani-Amber Thiessen thought we were all on blow....Tori Spelling hung out with us backstage and gave us the lowdown. Brian Austin Green, kept telling us about his music. Ian Ziering was kind of a dick. Maybe he was having a bad day."

"I have a very young brother and sister, and if you can get a kid singing the words to a song after they heard it for the first time, it's a hit.""

"Phish in San Diego...I saw them play an unbelievable fucking show, which, I can honestly say, changed my life. I was physically torn apart and spiritually moved by the experience."

"George Bush is just as much in the dark as I am, and it scares me."

"I've been working with Bill Shatner yea these 40-plus years. He never seems to get it right. I gave him, "It's Takei, as in way." I even said, "as in gay"… I told him, "It's Takei, rhymes with toupee." I thought that would do it."

"He is a clown in blackface sitting on the Supreme Court. He gets me that angry. He doesn't belong there. And for him to say, slaves have dignity. I mean, doesn't he know that slaves were in chains? That they were whipped on the back. If he saw the movie 12 Years as a Slave, you know, they were raped. And he says they had dignity as slaves or— My parents lost everything that they worked for, in the middle of their lives, in their thirties. His business, my father's business, our home, our freedom and we're supposed to call that dignified? Marched out of our homes at gun point. I mean, this man does not belong on the Supreme Court. He is an embarrassment. He is a disgrace to America."

"A bill recently approved by a Tennessee Senate committee would prohibit teachers in that state from discussing homosexuality in the classroom. The so-called "Don't Say Gay" law is premised on the misguided belief that by not talking about gay people, they can simply make us disappear. I'm here to tell Tennessee and all LGBT youth and teachers who would be affected by this law that I am here for you. In fact, I am lending my name to the cause. Anytime you need to say the word "gay", you can simply say "Takei". For example, you could safely proclaim you are a supporter of Takei marriage. If you're in a more festive mood, you can march in a Takei pride parade. Even homophobic slurs don't seem as hurtful if someone says "That is soooo Takei", and around the holidays, you can sing "Don we now our Takei apparel!"."

"Actually I've thanked you a lot of times so now I'm thanking you again."

"It's fascinating to watch a show develop from a script to a 22-minute comedy. I try to learn as much, and ask as many questions, as I can without being annoying."

"Actors didn't use to be celebrities. A hundred years ago, they put the theaters next to the brothels. Actors were poor. Celebrities used to be kings and queens. Then the United States abolished monarchy, and now there's this coming together of show business and celebrity. I don't think it's healthy. I don't want to sound self-important, but all these celebrity shows and magazines—it comes from us, from Hollywood, from our country. We're the ones creating it. And I think it works in close step with a lot of other bad things that are happening in the world. It promotes greed, it promotes being selfish and it promotes this ladder, where you're a better person if you have more money. It's not at all about the work itself. Don't get me wrong. I love movies. But this myth of celebrity has nothing to do with movies."

"Most scripts are bad. I read a lot of them. Brick was a good script just to read. It was like, “Oh my God, these words feel so good in my mouth.” A lot of movies try to set up a world with cool sets, costumes, camera work. In Brick, the world is born from the words."

"To me, a sex scene in a movie generally means a gratuitous scene that doesn't serve the story but gives a kind of excuse—we've got these two actors, we want to see them naked, so let's bring in the music and the soft light. In Mysterious Skin, none of the sex scenes are like that. They all are about the process that this character is going through—and he grows from each of those scenes. You couldn't have told the story any other way. There's nothing to be embarrassed about. I would be embarrassed if I was like, "Shit, everybody wants to look at my ass.""

"Traditionally there's this barrier between the people who make movies and the people who watch them, and I think it sucks. Making Hollywood this castle on a hill and crowning actors the "Stars" might have been exciting and even brought people together last century, but now it's grown kind of disgusting in its excesses and it's no longer bringing people together—it's keeping people apart. It always turns my stomach a little when, because I'm in movies and on TV, people sometimes treat me as if I'm somehow different from, even above, a normal person. But the emails, posts, and comments I've been trading recently with people through those aforementioned sites cause me no nausea; they inspire me. There's no nasty status predicated on "Fame" or "Fortune." There's just that beautiful thing, the point of all art in the first place: a connection between one individual and another."

"Supermarket tabloids and celebrity gossip shows are not just innocently shallow entertainment, but a fundamental part of a much larger movement that involves apathy, greed and hierarchy. Celebrity doesn’t have anything to do with art or craft. It’s about being rich and thinking that you’re better than everybody else."

"My dad never blew anything up, but he probably had friends who did. He and my mom have always preached that the pen is mightier than a Molotov cocktail."

"I didn’t really like doing commercials. You had to behave like you were on angel dust or something."

"There's this barrier that goes up between the people who make the movies and the people who watch the movies. But the point of art is to have a connection between people. I think it's going to become much more of a dialogue, where everybody will watch everybody's stuff, as opposed to how it is now, where the huge corporations produce everything. I'm looking forward to seeing that."

"[hitrecord.org is my] alternative outlet of where I get to be a little less professional and just freak out a little bit."

"The Lookout was by far the hardest thing I've ever done. Partially because both Brick and Mysterious Skin were four to five week shoots, and The Lookout was nine or 10. So there's the marathon aspect, as well as the fact that Chris Pratt is having a harder go of it than either of the other two characters ever did. You know, waking up in the morning is difficult for him. Putting a sentence together is difficult for him. Getting dressed properly, driving a car, all these things. He can do them fine, but it's just much harder than it is for a normal person, so I had to try to make it hard for myself somehow. So it was challenging."

"I think the whole thing's changing a lot. The traditions of Hollywood are grand and great and are going to survive forever, in a way. But they're not going to be the only way for much longer. The technology is such now that you don't have to have millions of dollars to make a movie. You can make one with a computer. Like the Ze Frank show. I don't know if you know who that guy is, but at ZeFrank.com, he makes a couple-minute show every day. What he does is fucking great, and he does it all by himself. I think those lines between "behind the camera" and "in front of the camera," the lines between actor, writer, director, the lines between audience and performer… all those lines are kind of dissolving. And I'm real curious where it's going to lead."

"[It's a] really smart, faithful adaptation of the book. The book is such a tight page-turner… The character I play is an extreme guy… He's a killer. He wants to be Jesse James. He grew up watching cowboy and Indian movies and wants to be that. Then he meets Mickey Rourke's character, who's named The Black Bird and he wants to partner up with him and be a criminal and kill people. He's a psychotic and very bad guy… The thing about him is, he's not the bad killer, the kind of guy that sits and stews and then has these rageful outbursts. He is this extreme extrovert who never shuts up and tells you ridiculously tall tales about himself and mythologizes everything… Hyperactive, hyper, hyper guy wearing cowboy boots."

"I don't blame the people for the fact that so many movies are bad. I think there's a corrupt, perverted, lazy and sloppy attitude that's pervasive in the movie business. The whole entertainment business is kind of crumbling around us."

"The cool thing about my character was that it’s not that digital. I get to put hours of prosthetic makeup on and see a different creature altogether. I’ve seen how he looks and it’s really cool."

"Sundance means a lot to me. This is my third one. People that come here who love movies. Everyone has the attitude that movies aren't just disposable entertainment - they can really mean something. I love that, because that's the way I feel about films."

"I guess I have an eclectic taste [about (500) Days of Summer, G.I. Joe, and Uncertainty all in one year], I don't just like one thing. Contrast is key. What do they say? Variety is the spice of life. My favorite actors are the chameleons, guys like Daniel Day-Lewis, Billy Bob Thornton, Meryl Streep, people who are always different."

"The most valiant thing you can do as an artist is inspire someone else to be creative."

"I just want to say thank you again to all you crazy motherfuckers who came out for hitRECord on Halloween - give me your records! I want to see your videos, I want to see your photos, and even more importantly, I love this stuff, remix it!"

"Wrote an adaptation for the Brothers Grimm's Little Red Riding Hood for 2011-10-31."