First Quote Added
April 10, 2026
Latest Quote Added
"Archie Leach was ever so funny and fast."
"It always amazes me that those who fight for the luxuries of life, are the first to resent those who have them. Also, people seek targets for whatever hurts them, especially their own lack of success. Personally, I regard every knock as a boost."
"I used to hide behind the façade that was Cary Grant … I didn’t know if I were Archie Leach, or Cary Grant, and I wasn’t taking any chances. … Another thing I had to cure myself of was the desire for adulation, and the approbation of my fellow man. It started when I was a small boy and played football at school. If I did well they cheered me. If I fumbled I was booed. It became very important to me to be liked. It’s the same in the theater, the applause and the laughter give you courage and the excitement to go on. I thought it was absolutely necessary in order to be happy. Now I know how it can change, just like that. They can be applauding you one moment, and booing you the next. The thing to know is that you have done a good job, then it doesn’t hurt to be criticized. My press agent was very indignant over something written about me not too long ago. “Look,” I told him. “I’ve known this character for many years, and the faults he sees in me are really the faults in himself that he hates.”"
"I never dwell on past mistakes… There is too much to plan for the future to waste time complaining. Elsie Mendl was a great friend of mine for many, many years. And I remember the creed by which she lived: Never complain, never explain. Just think of the people you know who are always explaining their mistakes. It merely rubs the whole thing in. You’re reminded again of the mistake. And no one believes the explanation anyway."
"When I’m married I want to be single, and when I’m single I want to be married."
"You must learn to live within yourself … You must establish the values by which you live. You must first recognize the need, and if it is right you will be amazed at how things will open up."
"Anyone can do well … It’s all out there waiting for you to take. But first you must reach out and get it. You must work for your riches. You cannot expect it to fall into your lap."
"It is the law of life that if you are kind to someone you feel happy. If you are cruel you are unhappy. And if you hurt someone, you will be hurt back."
"Don’t go to extremes. Don’t hate too much and don’t love too much. Try to live somewhere in the middle. Hate destroys the hater. And if you love too much you get too involved and you cannot see too clearly. Love and hate are like night and day. They do exist together and you must accept them both, but you must also understand them and be in control of both emotions. It is peaceful in the middle. You won’t be hurt in the middle."
"Do not blame others for your own mistakes. … YOU are Mother Nature. You have the power within you to be thin or fat, as you desire. … God is within you, and you can do and have anything you want. You must love yourself more. … and then … you can love your fellow man."
"I’m prepared. I have a gun and I know how to shoot, and whoever comes calling without an invitation will get it in the rear end."
"The film I most cared about was a flop. None But the Lonely Heart was the only time I played a character very near myself, a man unsure of himself, a drifter, a rake."
"On The Awful Truth we just clicked. She'd been a weepie star and comedy was strange to her. She'd do a bit and whisper to me, "Funny?" She was the sweetest smelling of my leading ladies and such a lady. If one of the crew cussed, she'd blush. She claims she was out shopping at Bullocks for a present for her husband and the saleslady said, "I don't think Mr. Grant would like that." In the minds of the public, we were married. Reunions became impossible because we both liked first billing. It's ladies first in rowboats but not in movies, I'm afraid. But I still see her at the races and she still smells wonderful, although it's not ."
"I do! I don't remember ever saying it in a movie, but now, every once in a while when I'm with friends, I say, "Judeeee, Judeeee, Judeeee," and everyone breaks up. Isn't that a good imitation of an imitation of an imitator?"
"I often think my life has been a failure. But whenever I drop into a theater and hear women laugh at one of my films, I think, well, if I brightened their day before they went home and did the dishes, maybe my life wasn't wasted, after all."
"Everybody wants to be Cary Grant. Even I want to be Cary Grant. I have spent the greater part of my life fluctuating between Archie Leach and Cary Grant; unsure of either, suspecting each. I pretended to be somebody I wanted to be until finally I became that person. Or he became me."
"I really am a happy, amusing fellow at heart. Trouble is I seem the only one left."
"I suppose you might call me the sophisticated type. I like to act with dialogue. Not with grunts."
"It took me years to figure out that you don't fall into a tub of butter, you jump for it."
"Why do grandparents and grandchildren get along so well? They have the same enemy—the mother."
"I haven't had an orthodox career, and I've wanted more than anything to have your respect. The first time I didn't feel it, but this time I feel it, and I can't deny the fact that you like me, right now, you like me!"
"I admit it worked fairly well but my first reaction was to get up and walk away from the job, but I couldn't. Once you've heard music like that with the picture, it makes your own scoring more difficult to arrive at, it clouds your thinking. Later, as an inside joke, I included a snippet of the Strauss in the score-and some critic pounced on me for stealing. You can´t win."
"Jerry Goldsmith is an artist who meets all the demands upon the composer in films. He communicates, integrates, subordinates, supports, and designs with discipline."
"Originally I was supposed to do Grand Prix, but I was under contract to 20th Century Fox at that time and Alex North was supposed to do Sand Pebbles, but he got sick, so Fox preempted me out of Grand Prix, and to my good fortune, I got to do Sand Pebbles. It was my first time working with Robert Wise and it was a great experience."
"It's nice to think about the Golden Age of Hollywood, with the big studios and their fabulous music departments and the hundreds of films coming out every year. But it's gone. In some ways the composer today is more fortunate, provided he can find a good film, because he can attempt more than he could two decades ago. Twelve-tone music was unheard of during Max Steiner's heyday, as were any other avant-garde techniques. Finally, the future of film music rests with the composers themselves. If they take their work seriously and turn out the best that is within them, then perhaps we can persuade not only the public, but the filmmakers that good music is valuable in films. The public is not stupid. If our music survives, which I have no doubt it will, then it will be because it is good."
"You read reviews by top reviewers of films that not only had remarkably interesting scores, but films whose effectiveness was absolutely enhanced, and frequently created by the music, yet the reviewers seem unaware that their emotions and their nervous reactions to the films have been affected by the scoring. This is a serious flaw. Any film reviewer owes it to himself, and the public, to take every element of the film into account"
"The fact that certain composers have been able to create first-class music within the medium of film proves that film music can be as good as the composer is gifted."
"Working to timings and synchronizing your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was 'turned on' by a libretto. The most difficult problem in music is form, and in a film you already have this problem solved for you. You are presented with a basic structure, and a blueprint, and provided the film has been well put together, and well edited, it often suggests its rhythms and tempo. The quality of the music is strictly up to the composer. Many people seem to assume that because film music serves the visual it must be something of secondary value. Well, the function of any art is to serve a purpose in society. For many years, music and painting served religion. The thing to bear in mind is that film is the youngest of the arts, and that scoring is the youngest of the music arts. We have a great deal of development ahead of us."
"It's really, really sad. I hope his family is okay. I wish them the best."
"Please respect our need to grieve privately. My heart is broken. I am the mother of the most tender-hearted, high-spirited, beautiful little girl who is the spitting image of her father. All that I can cling to is his presence inside her that reveals itself every day. His family and I watch Matilda as she whispers to trees, hugs animals, and takes steps two at a time, and we know that he is with us still. She will be brought up with the best memories of him."
"We mourn the loss of a remarkable talent gone too soon... and the passing of an extraordinary man who will be greatly missed."
"I adored him. I don't know how to compare his talent to others but he's touched me deeply as a talent and it's a great loss - losing him at any age would be a loss but it was pretty rough news. I was really shocked by it."
"He was just so respected in the industry. It's just horribly tragic. He was just a fine actor and a good person, so this is horribly sad and very unexpected."
"It is tragic that we have lost one of our nation's finest actors in the prime of his life. Heath Ledger's diverse and challenging roles will be remembered as some of the great performances by an Australian actor."
"Today's results put an end to speculation, but our son's beautiful spirit and enduring memory will forever remain in our hearts. While no medications were taken in excess, we learned today the combination of doctor-prescribed drugs proved lethal for our boy. Heath's accidental death serves as a caution to the hidden dangers of combining prescription medication, even at low dosage."
"Heath has touched so many people on so many different levels during his short life but few had the pleasure of truly knowing him. He was a down to earth, generous, kind-hearted, life-loving, unselfish individual who was extremely inspirational to many."
"Working with Heath was one of the purest joys of my life. He brought to the role of Ennis more than any of us could have imagined - a thirst for life, for love, and for truth, and a vulnerability that made everyone who knew him love him. His death is heartbreaking."
"What a terrible tragedy. My heart goes out to Heath's family."
"The studio is stunned and devastated by this tragic news. The entertainment community has lost an enormous talent. Heath was a brilliant actor and an exceptional person. Our hearts go out to his family."
"That's terrible. Drugs today... when we [members of his own generation] stopped taking drugs, they [members of Ledger's generation] started. It is just an epidemic. I am sorry to hear that. He was a great talent."
"Once every 50 years a guy like that comes along. For his age, Heath has an incredible manliness about him. I think he has a strong sense of himself, but it's especially amazing in someone so young, because usually male stars don't develop that kind of thing until their thirties."
"I had such great hope for him. He was just taking off and to lose his life at such a young age is a tragic loss. My thoughts and prayers are with him and his family."
"We tested a lot of people and when Heath came along, he had the same manly qualities Mel Gibson had as a young man. They're never really boys; they already have it"
"Mr. Heath Ledger died as the result of acute intoxication by the combined effects of oxycodone, hydrocodone, diazepam, temazepam, alprazolam, and doxylamine. … We have concluded that the manner of death is accident, resulting from the abuse of prescription medications."
"I deeply respect Heath's work and always admired his continuing development as an artist. My thoughts are with his family and close friends."
"No amount of money changes what I do between 'action' and 'cut'... Before I got into the industry, I never imagined I'd have anywhere near the money I have now... I don’t need any more. It's not that I don’t want the money, it's just that I would have been really happy sitting on a beach or surfing every morning... I never had money, and I was very happy without it. When I die, my money's not gonna come with me. My movies will live on – for people to judge what I was as a person. I just want to stay curious."
"I have never had great expectations of my performance or of a film. I try not to think about the outcome. If you look that far ahead, it sort of taints your choices as an actor. I try as hard as I can to believe that no one is ever going to see it and that it's not even a movie. Then you can allow yourself to bare more. Then, once a project is done, I tend to forget about it until it comes out."
"Having a child changes every aspect of your life — for the better, of course. The sacrifices are large, but what you get in return is even bigger than the sacrifices you make. I feel, in a sense, ready to die because you are living on in your child. Not literally, not ready to die — but you know, that sort of feeling in a profound way."
"I sat around in a hotel room in London for about a month, locked myself away, formed a little diary and experimented with voices — it was important to try to find a somewhat iconic voice and laugh. I ended up landing more in the realm of a psychopath — someone with very little to no conscience towards his acts … just an absolute sociopath, a cold-blooded, mass-murdering clown .... [being given] free rein [by director Christopher Nolan was] fun, because there are no real boundaries to what The Joker would say or do. Nothing intimidates him, and everything is a big joke.""
"[The Joker is a] psychopathic, mass murdering, schizophrenic clown with zero empathy. … Last week I probably slept an average of two hours a night. I couldn't stop thinking. My body was exhausted, and my mind was still going."
Heute, am 12. Tag schlagen wir unser Lager in einem sehr merkwürdig geformten Höhleneingang auf. Wir sind von den Strapazen der letzten Tage sehr erschöpft, das Abenteuer an dem großen Wasserfall steckt uns noch allen in den Knochen. Wir bereiten uns daher nur ein kurzes Abendmahl und ziehen uns in unsere Kalebassen-Zelte zurück. Dr. Zwitlako kann es allerdings nicht lassen, noch einige Vermessungen vorzunehmen. 2. Aug.
- Das Tagebuch
Es gab sie, mein Lieber, es gab sie! Dieses Tagebuch beweist es. Es berichtet von rätselhaften Entdeckungen, die unsere Ahnen vor langer, langer Zeit während einer Expedition gemacht haben. Leider fehlt der größte Teil des Buches, uns sind nur 5 Seiten geblieben.
Also gibt es sie doch, die sagenumwobenen Riesen?
Weil ich so nen Rosenkohl nicht dulde!
- Zwei auĂźer Rand und Band
Und ich bin sauer!