Academics From France

"Foucault, always focused on the exercise of power and repression, tells his students to read Hayek and crew “with special care.” He found much to commend in their work. First and foremost, true liberalism is “imbued with the principle: ‘One always governs too much.’” As important, it asks (and answers) the question, “Why, after all, is it necessary to govern?”"

"I have been thinking a lot about this question. Foucault always subscribed to a number of social projects. And in his texts he was talking to readers in an ongoing transformative process. Over the past year I edited his 1971–1972 lectures at the Collège de France, together with Bernard Harcourt, and it became clear to me that his thinking revolved around the idea of change, of transformation, of individuals and collectives. In the stale climate of the 1960s we thought the transformation could occur only through literature and art. And in the early 1970s, when things were opening up, Foucault thought that social change was possible merely by changing a small number of very important relations of power — for example, the prison system. But already in 1976 he realized that this project of social change was a failure, and that people are much more easily mobilized by religious motives or nationalistic ones. The great movements weren't social. He didn't give up on his project of social change. But it had gotten more complicated."

"From a conservative perspective, the great thing about Foucault's writing is that it is more plastic than Marx, and far less economically subversive. Academics rooted in Foucauldian thought are far more compatible with neoliberalism than the old Marxist academics."

"I openly avow myself the pupil of that mighty thinker Michel Foucault, and even here and there coquette with the modes of expression peculiar to him. But at least for my purposes his useful ideas suffer a certain mystification in his hands: he presents them upside-down, as it were. They must be turned right side up again, if you would discover the rational kernel within the mystical shell."

"The history of the very institution of the prison is a history of reform. Foucault points this out."

"Following Kant, Foucault criticized the practices that impede maturity, issuing a powerful warning against blind submission to the will of authorities. With Kant, he also insisted that the subject has a “right to question truth concerning its power effects and to question power about its discourses of truth”. Indeed, Foucault notes that his view of critique resembles Kant's idea of enlightenment: both involve “the art of voluntary inservitude, of reflective indocility”. For Foucault, moreover, philosophy as a whole exemplifies this art. The history of philosophy is a history of parrěsia, of the courageous practice of speaking truth to power. By the end of his regrettably short life, then, Foucault recognized that he belonged to the tradition of critical philosophy that runs from Kant and Hegel “to the Frankfurt School, passing through Nietzsche, Max Weber and so on”. As a critical thinker, he promoted maturity by encouraging his readers to engage in sustained – critical and self-critical – reflection on the historical conditions that have made them what they are. For by understanding how they are entangled in these conditions, readers might be able to rise above them and resist them. And, for Foucault, whatever freedom we can meaningfully be said to possess consists in resistance to prevailing forms of power."

"Foucault is an interesting case because I'm sure he honestly wants to undermine power but I think with his writings he reinforced it."

"I continue to be very strongly influenced by Foucault's History of Sexuality, in which he warns us against imagining a complete liberation from power. There can never be a total liberation from power, especially in relation to the politics of sexuality."

"I wanted to read Mark Twain and Emerson and Thoreau, and I remember moments in class where I thought my head was going to explode, going, What the fuck are these people talking about? I don't understand what this deconstructive semiotic bullshit is. Who the fuck is Michel Foucault?"

"And now his own history has been written. What does one learn from these books? Chiefly that Foucault's relativistic outlook can be applied to Foucault himself. He used to say that the 19th century was to Marxism what water is to a fish. Increasingly his own work makes sense only when seen as a product of the Sixties. Not that Foucault would have denied this. He never suggested that he wasn't an interested being too. But one should ask of a body of philosophical work that it has a longer shelf life than a couple of decades. Nine years after his death his achievements, such as they are, are so much historical jetsam, their final worth little more than sweet Foucault."

"A profound shaking had happened in the seemingly smooth greensward of the classical philosophical tradition... faultlines in the ancient world that one had barely dreamed of ... A manuscript that moved me deeply."

"At a crucial moment in my own work, I was fortunate to have had the opportunity to take heart from the humbling serenity and unaffected craftsmanship of Michel Foucault, in what I was not to know were his last years."

"The hope may be entertained that some practitioner of the "sociology of knowledge" will one day have an interesting story to tell about -why the work of Michel Foucault generated such wide enthusiasm among certain intellectual elites for several decades in the latter half of the twentieth century. One or two hypotheses of my own may be hazarded. What is interesting about Foucault's unique rhetoric is that he steadfastly resists pronouncing explicit moral-political judgments, yet of course he is judging all the time. Foucault refuses to come clean on his normative commitments, but rather "insinuates" them throughout his work. This constitutes a kind of radical-left positivism that is somehow potently attractive to what I will call the hyper-liberal ethos of late modernity. The idea here is that one must avoid at all costs spelling out a normative vision, since it would ineluctably become the ground for a repressive regime of "normalization." This is clearly connected to the negativism one associates with postmodern writers."

"Foucault has a very good discussion of what the theory of crime—modern economic theory of crime and punishment—has to say. I didn't have much to disagree with him. I think he was accurate on what it has to say. He goes also into a theory of formation of laws, which I had a lot of sympathy with as well."

"The aim of this Socratic parrhesiastic activity... is to lead the interlocutor to the choice of that kind of life (bios) that will be in Dorian-harmonic accord with, logos, virtue, courage, and truth."

"The harmony between word and deed in Socrates' life is Dorian... manifested in the courage he showed at Delium. This harmonic accord... distinguishes Socrates from a sophist... [who] can give... fine and beautiful discourses on courage, but is not courageous... [U]nlike the sophist, he can use parrhesia and speak freely because what he says accords... with what he thinks... [which] accords... with what he does."

"In Plato... or Xenophon... we never see Socrates requiring... examination of conscience or... confession of sins. [A]n account of your life, your bios, is... not to give... the historical events... but... to demonstrate whether you are able to show... a relation between the rational discourse, the ', you... use, and the way... you live. Socrates is inquiring into the way that logos gives form to a person's style of life... whether there is a harmonic relation between the two... the degree of accord between a person's life and its principle of intelligibility or logos... [and] the true nature of the relation between the logos and bios"

"[F]rom Plato's Republic... [t]he primary danger of liberty and free speech in a democracy is what results when everyone has his own... style of life... For then there can be no common logos, no possible unity, for the city."

"[In] "On the Peace"... in 355 B.C., Isocrates... [argues that] depraved orators ["flatterers"]... only say what the people desire to hear. ... The honest orator... is courageous enough, to oppose the demos. He has a critical and pedagogical role... to transform the will of the citizens so that they will serve the best interests of the city. ...[O]pposition between the people's will and the city's best interests is fundamental to Isocrates' criticism of the democratic institutions of Athens. ...[H]e concludes ...it is not ...possible to be heard in Athens if one does not parrot the demos' will ...the only ...speakers left who have an audience are "reckless orators" and "comic poets" ..."

"This aristocratic thesis is... [t]he demos, the people, are the most numerous... also comprised of the most ordinary, and... even the worst, citizens. Therefore... what is best for the demos cannot be what is best for the polis... the city."

"[M]ost of the texts... preserved from this period come from writers... either... affiliated with the aristocratic party, or... distrustful of democratic or radically democratic institutions."

"The problem... Democracy is founded by a politeia, a constitution, where the demos, the people, exercise power, and... everyone is equal in front of the law. Such a constitution... is condemned to give equal place to all forms of parrhesia, even the worst. Because parrhesia is given even to the worst citizens, the overwhelming influence of bad, immoral, or ignorant speakers may lead... into tyranny, or... otherwise endanger the city. Hence parrhesia may be dangerous for democracy itself."

"In order for parrhesia to have positive political effects, it must... be linked to a good education, to intellectual and moral formation, to paideia or mathesis."

"In... "The Education of Children"... Plutarch gives an anecdote of Theocritus, a sophist, as an example of athuroglossos... he is... "a giant in impudence"... strong not because of his reason, or his rhetorical ability... or his ability to pronounce the truth, but only because he is arrogant. ...His fourth trait is... "putting his confidence in bluster." He is confident in thorubos... the noise made by a strong voice, by a scream, a clamor, or uproar. ...The final characteristic ...his confidence in ..."ignorant outspokenness..." ... it lacks mathesis ...—learning or wisdom."

"[A]thuroglossos is characterized by..: (1) When you have "a mouth like a running spring," you cannot distinguish those occasions when you should speak from those when you should remain silent; or that which must be said from that which must remain unsaid; or the circumstances and situations where speech is required from those where one ought to remain silent. (2) As Plutarch notes... you have no regard for the value of logos, for rational discourse as a means of gaining access to truth."

"Ion is... a parrhesiastes, i.e., the sort... so valuable to democracy or monarchy since he is courageous enough to explain either to the demos or to the king just what the short-comings of their life really are."

"Ion explains that in a democracy there are three categories of citizens: ...(1) citizens who have neither power nor wealth, and who hate all who are superior ...; (2) ...good Athenians ...capable of exercising power, but because they are wise ...keep silent ... and do not worry about ...political affairs ...(3) ...reputable men who are powerful, and use their discourse and reason to participate ...[T]he first group ...will hate him; the second ...will laugh at the young man who wishes to be regarded as one of the First Citizens of Athens; and the ...politicians, will be jealous ...and will try to get rid of him."

"[W]e see..., a connection between the lack of parrhesia and slavery. For if you cannot speak freely... then you are enslaved."

"[[Power|[P]ower]] without limitation is directly related to madness. The man who exercises power is wise only insofar as there exists someone who can use parrhesia to criticize him, thereby putting some limit to his power, to his command."

"[The play] Ion is... devoted to the problem of parrhesia... [I]t pursues the question; who has the right, the duty, and the courage to speak the truth?"

"In... Plato, Socrates appears in the role of the perrhesiastes."

"A sovereign shows himself to be a if he disregards his honest advisors, or punishes them for what they have said."

"[I]n Euripides' plays and... in the texts of the Fourth Century B.C., parrhesia is an essential characteristic of ."

"In parrhesia the speaker uses his freedom and chooses frankness instead of persuasion, truth instead of falsehood or silence, the risk of death instead of life and security, criticism instead of flattery, and moral duty instead of and moral apathy... in most of the Greek texts... from the Fifth Century B.C. to the Fifth Century A.D."

"The last characteristic of parrhesia... telling the truth is regarded as a duty."

"[W]hen a philosopher criticizes a ... a citizen criticizes the majority... a pupil criticizes his teacher... such speakers may be using parrhesia."

"The parrhesia comes from "below,"... and is directed... "above." ...[A]n ancient Greek would not say ...a teacher or father who criticizes a child uses parrhesia."

"[T]he function of parrhesia... has the function of criticism: criticism of the interlocutor or of the speaker..."

"Parrhesia is... always a "game" between the one who speaks the truth and the interlocutor."

"Parrhesia... in its extreme form... takes place in the "game" of life or death. ...[Y]ou risk death to tell the truth instead of reposing in the security of a life where... truth goes unspoken. ...[H]e prefers himself as... truth-teller rather than... living... false to himself"

"[W]hen a philosopher addresses himself to... a , and tells him... tyranny is incompatible with justice, then the philosopher speaks... [and] believes he is speaking the truth, and... takes a risk... [T]hat was Plato's situation with Dionysius in Syracuse... reference... Plato's Seventh Letter, and... The Life of Dion by Plutarch."

"[R]ecognizing someone as a parrhesiastes... was... important... in Greco-Roman society, and... was explicitly raised and discussed by Plutarch, Galen, and others."

"If there is a kind of "proof" of the sincerity of the parrhesiastes, it is his courage... [Saying] something dangerous—different from what the majority believes—is a strong indication that he is a parrhesiastes."

"In the Greek conception of parrhesia... truth-having is guaranteed by the possession of... moral qualities... required... to know... and... convey such truth..."

"The second characteristic of parrhesia... there is always an exact coincidence between belief and truth."

"[T]he commitment... in parrhesia is linked to... a difference of status between the speaker and his audience... the parrhesiastes says something which is dangerous to himself and thus involves a risk..."

"[I]n parrhesia, the speaker makes it... clear and obvious that what he says is his own opinion... by avoiding... rhetorical form which would veil what he thinks. ...[T]he parrhesiastes uses the most direct words and... expression. Whereas rhetoric provides ...technical devices to help ...prevail upon ...minds ...(regardless of the rhetorician's... opinion...)"

"Parrhesia is ordinarily translated into English by "free speech"... the parrhesiastes is the one who uses parrhesia, i.e., the one who speaks the truth."

"My intention was not to deal with the problem of truth, but with the problem of the truth-teller, or of truth telling... [W]ho is able to tell the truth, about what, with what consequences, and with what relations to power. ...[W]ith the question of the importance of telling the truth, knowing who is able to tell the truth, and knowing why we should tell the truth, we have the roots of what we could call the 'critical' tradition in the West."

"I don't really know what they mean by "intellectuals," all the people who describe, denounce, or scold them. I do know, on the other hand, what I have committed myself to, as an intellectual, which is to say, after all, a cerebro-spinal individual: to having a brain as supple as possible and a spinal column that's as straight as necessary."