Academics From England

"Whatever the field under discussion, those who engage in debate must not only believe in each other's good faith, but also in their capacity to arrive at the truth."

"The basic stimulus to the intelligence is doubt, a feeling that the meaning of an experience is not self-evident."

"Man...always acts either self-loving, just for the hell of it, or God-loving, just for the heaven of it; his reasons, his appetites are secondary motivations. Man chooses either life or death, but he chooses; everything he does, from going to the toilet to mathematical speculation, is an act of religious worship, either of God or of himself. Lastly by the classical apotheosis of Man-God, Augustine opposes the Christian belief in Jesus Christ, the God-Man. The former is a Hercules who compels recognition by the great deeds he does in establishing for the common people in the law, order and prosperity they cannot establish for themselves, by his manifestation of superior power; the latter reveals to fallen man that God is love by suffering, i.e. by refusing to compel recognition, choosing instead to be a victim of man's self-love. The idea of a sacrificial victim is not new; but that it should be the victim who chooses to be sacrificed, and the sacrificers who deny that any sacrifice has been made, is very new."

"The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is."

"A god who is both self-sufficient and content to remain so could not interest us enough to raise the question of his existence."

"I don't think the mystical experience can be verbalized. When the ego disappears, so does power over language."

"I never write when I'm drunk. Why should one need aids? The Muse is a high-spirited girl who doesn't like to be brutally or coarsely wooed. And she doesn't like slavish devotion — then she lies."

"A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over."

"It's frightfully important for a writer to be his age, not to be younger or older than he is. One might ask, "What should I write at the age of sixty-four," but never, "What should I write in 1940.""

"Normally, when one passes someone on the street who is in pain, one either tries to help him, or one simply looks the other way. With a photo there's no human decision; you're not there; you can't turn away; you simply gape. It's a form of voyeurism."

"Healing," Papa would tell me, "is not a science, but the intuitive art of wooing Nature."

"A poet's hope: to be, like some valley cheese, local, but prized elsewhere."

"A grand gesture. But what does it period? What does it osse? We were always adroiter with objects than lives, and more facile at courage than kindness: from the momentthe first flint was flaked this landing was merely a matter of time. But our selves, like Adam's, still don't fit us exactly, modern only in this—our lack of decorum."

"It's natural the Boys should whoop it up for so huge a phallic triumph, an adventure it would not have occurred to women to think worth while, made possible onlybecause we like huddling in gangs and knowing the exact time."

"I cannot accept the doctrine that in poetry there is a "suspension of belief." A poet must never make a statement simply because it sounds poetically exciting; he must also believe it to be true."

"In order that people may be happy in their work, these three things are needed: They must be fit for it: they must not do too much of it: and they must have a sense of success in it — not a doubtful sense, such as needs some testimony of others for its confirmation, but a sure sense, or rather knowledge, that so much work has been done well, and fruitfully done, whatever the world may say or think about it."

"It is already possible to imagine a society in which the majority of the population, that is to say, its laborers, will have almost as much leisure as in earlier times was enjoyed by the aristocracy. When one recalls how aristocracies in the past actually behaved, the prospect is not cheerful."

"The belief that politics can be scientific must inevitably produce tyrannies. Politics cannot be a science, because in politics theory and practice cannot be separated, and the sciences depend upon their separation. ... Empirical politics must be kept in bounds by democratic institutions, which leave it up to the subjects of the experiment to say whether it shall be tried, and to stop it if they dislike it, because, in politics, there is a distinction, unknown to science, between Truth and Justice."

"To pray is to pay attention to something or someone other than oneself. Whenever a man so concentrates his attention — on a landscape, a poem, a geometrical problem, an idol, or the True God — that he completely forgets his own ego and desires, he is praying. ... The primary task of the schoolteacher is to teach children, in a secular context, the technique of prayer."

"I see little hope for a peaceful world until men are excluded from the realm of foreign policy altogether and all decisions concerning international relations are reserved for women, preferably married ones."

"A doctor, like anyone else who has to deal with human beings, each of them unique, cannot be a scientist; he is either, like the surgeon, a craftsman, or, like the physician and the psychologist, an artist. ... This means that in order to be a good doctor a man must also have a good character, that is to say, whatever weaknesses and foibles he may have, he must love his fellow human beings in the concrete and desire their good before his own."

"Like everything which is not the involuntary result of fleeting emotion but the creation of time and will, any marriage, happy or unhappy, is infinitely more interesting and significant than any romance, however passionate."

"We are not commanded (or forbidden) to love our mates, our children, our friends, our country because such affections come naturally to us and are good in themselves, although we may corrupt them. We are commanded to love our neighbor because our "natural" attitude toward the "other" is one of either indifference or hostility."

"Proper names are poetry in the raw. Like all poetry they are untranslatable."

"All sin tends to be addictive, and the terminal point of addiction is what is called damnation."

"May it not be that, just as we have to have faith in Him, God has to have faith in us and, considering the history of the human race so far, may it not be that "faith" is even more difficult for Him than it is for us?"

"Christmas and Easter can be subjects for poetry, but Good Friday, like Auschwitz, cannot. The reality is so horrible, it is not surprising that people should have found it a stumbling block to faith."

"The countenances of children, like those of animals, are masks, not faces, for they have not yet developed a significant profile of their own."

"Of course, Behaviorism "works." So does torture. Give me a no-nonsense, down-to-earth behaviorist, a few drugs, and simple electrical appliances, and in six months I will have him reciting the Athanasian Creed in public."

"Can sixty make sense to sixteen-Plus? What has my camp in common with theirs, With buttons and beards and Be-Ins? Much, I hope. In Acts it is written Taste was no problem at Pentecost."

"The Ogre does what ogres can, Deeds quite impossible for Man, But one prize is beyond his reach, The Ogre cannot master Speech: About a subjugated plain, Among its desperate and slain, The Ogre stalks with hands on hips, While drivel gushes from his lips."

"Thoughts of his own death, like the distant roll of thunder at a picnic."

"Americans—like omelets: there is no such thing as a pretty good one."

"Marriage is rarely bliss But, surely it would be worse As particles to pelt At thousands of miles per sec About a universe In which a lover's kiss Would either not be felt Or break the loved one's neck."

"When a just man dies, Lamentation and praise, Sorrow and joy, are one."

"God bless the U.S.A., so large, So friendly, and so rich."

"Auden was a religious poet in the nature of Herbert-is of this guy shambling along somewhere down lower Manhattan, almost looking like a bum in the way that he's going by, but containing within him a tremendous concern for others. All those big words. Auden could write them because he was a great poet. He could write Pity with a capital "P," and he could write Justice, and the Just. Maybe the authority to write of such emotions and qualities with a capital letter is gone now. But Auden was entitled to do it, and he believed in doing it."

"Some perks belong, though to all unwilling celibates: our rooms are seldom battlefields, we enjoy the pleasure of reading in bed (as we grow older, it's true, we may find it prudent to get nodding drunk first), we retain the light to choose our sacred image."

"Don Juan needs no bed, being far too impatient to undress, nor do Tristan and Isolde, much too in love to care for so mundane a matter, but unmythical mortals require one, and prefer to take their clothes off, if only to sleep"

"Brains evolved after bowels, therefore, Great assets as fine raiment and good looks can be on festive occasions, they are not essential like artful cooks and stalwart digestions."

"Lifted off the potty, Infants from their mothers Hear their first impartial Words of wordly praise: Hence, to start the morning With a satisfactory Dump is a good omen All our adult days."

"Some thirty inches from my nose The frontier of my Person goes, And all the untilled air between Is private pagus or demesne. Stranger, unless with bedroom eyes I beckon you to fraternize, Beware of rudely crossing it: I have no gun, but I can spit."

"Any one who attempts to translate from one tongue into another will know moods of despair when he feels he is wasting his time upon an impossible task. But, irrespective of success or failure, the mere attempt can teach a writer much about his own language which he would find it hard to learn elsewhere."

"If the most significant characteristic of man is the complex of biological needs he shares with all members of his species, then the best lives for the writer to observe are those in which the role of natural necessity is clearest, namely, the lives of the very poor."

"No opera plot can be sensible, for people do not sing when they are feeling sensible."

"Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake."

"I sometimes think of Auden's poetry as a hygiene, a knowledge and practice, based on a brilliantly prejudiced analysis of contemporary disorders, relating to the preservation and promotion of health, a sanitary science and a flusher of melancholies. I sometimes think of his poetry as a great war, admire intensely the mature, religious, and logical fighter, and deprecate the boy bushranger."

"In terms of English and American poets, it would be quite just to call this The Age of Auden. Not only because Auden was such a dominant and successful poet, but because he went through all the contradictory ideological phases, from Marx to God. He really is representative in that sense."

"He proclaimed so diminished a scope for poetry, including mine. I had little use for his beginnings and middles. Yet he was one of the masters."

"I really wrote in his (Auden's) style. I was crazy about him. I loved his poems so much that I was using this British language all the time—I was saying trousers and subaltern and things like that. You understand I was a Bronx kid. We went through a few poems, and he kept asking me, do you really talk like that? And I kept saying, Oh yeah, well, sometimes. That was the great thing I learned from Auden: that you’d better talk your own language. Then I asked him what young writers now ask me—and I always tell them this story—I said to Auden, Well, do you think I should keep writing? He laughed and then became very solemn. If you’re a writer, he said, you’ll keep writing no matter what. That’s not a question a writer should ask. Something like that, not exactly, but close."