Elvis Presley

"Recorded at the Beatles' old Abbey Road Studios, it offers one more chance to enjoy Presley's voice in a different context, deliciously backed by a world-class orchestra geared toward the nuances of his delivery. It's a new twist on a very familiar, and treasured, body of work. This one is a tried and true concept, basically a variation on last year's quite successful posthumous pairing of Presley with the Royal Philharmonic Orchestra, but the fact that it's been done once before doesn't diminish the pleasure. There are few surprises, but it's a reminder of Presley's range and vocal dexterity. The orchestral style suits Elvis well: taken out of the rock and roll context, there is no need for his swagger or his snarl, as the orchestra is restrained and understated, allowing Presley's vocals alone to carry the day. The orchestral format also gives rise to "live" concerts with Elvis singing on screen while the Royal Philharmonic performs. A series of six British shows in major arenas this fall is expected to draw thousands of the faithful — the number doesn't seem to be dwindling, even 39 years after his death in a country, the UK, where he never performed."

"I remember exactly where I was when I heard Elvis had died. I was 10 years old, in the back of my mum’s car, as she waited to get the fanbelt replaced. I’m not sure I’d even heard of Elvis, and I don’t think my mum had mentioned his name before or since, but I recall being in no doubt that something momentous had happened. I had the urge to tell Priscilla all this but that would have been ludicrous, so I didn’t."

"Having had the opportunity to work with these recordings, I am now more convinced than ever that Elvis Presley was the most passionate vocalist this world has known."

"I don’t know if it was the algorithm … or the Elvis movie coming out, but I just became inundated with Elvis stuff [on my streaming feeds) so I started thinking a lot about Elvis and I was like, I’m going to try to collect some songs that I’d written, and some covers that I would want to pitch to Elvis. So the songs that I wrote, I was writing like an Elvis impersonation."

"And the singer explodes, no longer laying back, now letting it fly. It is a raw, ragged sound, but the singer is so far into the moment that he doesn't care, and neither does anyone else. "When I read your lovin' letter, my heart began to sink," he roars with ache and ardor in his voice. "There's a million miles between us, but they didn't mean a thing." This glorious minute of "Trying to Get to You" is from Elvis Presley's 1968 television comeback special, one of 77 previously unreleased performances collected on a new four-CD box set, "Platinum: A Life in Music" (RCA). It affirms that 20 years after his death on Aug. 16, 1977, after countless books, albums, tabloid stories, imitators and Graceland tours have wrung seemingly every drop of mystery from his legacy, there remains plenty to learn about Presley. Or, perhaps more precisely, relearn. For in the last 20 years, the essential truth about Presley has been lost. But the truth of his 23 years of public music making is this: He was the most quintessentially American of singers, an artist who drew no boundaries between Saturday night blues and Sunday morning gospel, middle-of-the-road schmaltz and dirt-road hillbilly country. And he could swing a tune like nobody's business. More than anything else, those two factors--his openness to just about any kind of music and his ability to personalize that music with his unique feel for rhythm--are why Presley mattered, and still matters."

"I was in the studio, and they were mixing it over at Little Victor. I probably shouldn’t tell this, but I’m gonna tell you the truth. I was a publisher also, and I had published all of these songs. We shipped to all of the little stations, and the record label would ship to all of the big stations. I’m thinking, ‘Man, we’re gonna have to ship every one of these things, and I’ve got to get it to these little stations. If they start playing it on the big stations first, then these DJs are going to be mad at me. I’m thinking about all the stuff that I’ve got to do as far as work on this thing, and dreading it. Then all of a sudden I thought: ‘Here I’ve got a single by [Elvis] coming out. This is the greatest thing you could have happen, and I’m sitting here dreading it. It’s time for me to get out of this business...LOL."

"The series of Warhol inspired works by Russian artists was not done especially for this exhibition, but when the Moscow curator Andrei Yerofeyev heard about them, he did everything in his power to include the works in the show and catalog. The show ends with two black and white canvases facing each other from opposite walls with space for exhibition visitors in between them. On one wall is Elvis Presley dressed as a cowboy pointing a gun at the visitors. Across from him are executioners of the NKVD with red stars on their caps shooting back....."

"The first concert I attended was an Elvis concert at Oakland when I was eleven. Even at that age he made me realize the tremendous effect a performer could have on an audience."

"Take me, take me..."

"He as such a nice person, when I found out he died, I really was saddened"

"He looked like a prince from another planet, narrow-eyed, with high Indian cheek bones and a smooth brown skin untouched by his 37 years. When Elvis started to work with the mike, his right hand flailing air, his left leg moving as though it had a life of its own, time stopped, and everyone in the place was 17 again. It was a lesson in dominance; we had just seen the comic who couldn't control anybody, not even himself, and that had got us nervous; now Elvis made it all right again.Elvis used the stage, he worked to the people. The ones in front, in the best seats, the ones in back, and up in the peanut galleries. He turned, he moved, and when a girl threw a handkerchief on the stage, he wiped his forehead with it and threw it back, a gift of sweat from an earthy god. Young girls moaned, and stood in their seats trying to dance, and one kid took a giant leap from a loge seat clear to the stage, only to be caught and taken away. A special champion comes along, a , a , a , someone in whose hands the way a thing is done becomes more important than the thing itself. When DiMaggio hit a baseball, his grace made the act look easy and inevitable. Friday Night at Madison Square Garden, Elvis was like that. He stood there at the end, his arms stretched out, the great gold cloak giving him wings, a champion, the only one in his class."

"During our rehearsal with him, some guys fell off the bandstand laughing at Elvis. It was so shocking to all of us, we couldn’t believe it.”"

"I've always been a big Elvis fan, so the idea of taking this classic and splattering it with some signature INK bloodshed struck me as a match made in hell..."

"I once opened my mailbox and there was a letter from Elvis Presley. I opened it, read it and I was scared to hell. He asked me to discontinue using his name in association with the car so I never used it again""

"i) Ummm, OK. Here was a white kid that could rock and roll, made a lot of people listen to songs that they would not have listened to, rhythm and blues, or whatever you want to call it, and the girls would swoon over him. I dont want to talk more about Elvis because I am gonna lose one third of my fans LOL ii) I wasn't knocking Elvis. He did a lot for the music industry and particularly for the black music industry."

"Jerry Quarry and I got married right before his August 31, 1973 2nd round KO of James J. Woody, at the Las Vegas Convention Center. And, after that, we to see Elvis in concert at the Las Vegas Hilton. In fact, Jerry's mom was with us and she loved Elvis. Once there, his mom asked Red West backstage if she could have a scarf for Elvis to sign. Some time later, Red handed her a scarf but when Elvis recognised me, he threw me up in the air and said, ‘Hi kid how are you doing?’ It was so cute, such a fabulous feeling. Then he looked at Jerry and said: “Listen, you’d better treat this girl good. I know her and if you don’t, I’m gonna kick your butt!” to which Jerry said “Yes sir! Yes sir! LOL. But then, suddenly, Jerry's mom threw the scarf back in my face. When I asked her why she had done that, she said “Look at this.....He signed this to you, not to me..."

"Charlie was always aware of the public. While at the Manoir in the 1950's, a friend visited him and brought him a record of a new singer called Elvis Presley. Charlie hadn't heard of him. "This man has made a sensation in the States," his friend said. "I can't understand it. He wiggles his hips and sings and people go mad." "If he's made such an impact," Charlie replied, "he must have something. You can't fool the public." --"

"In a "Family Guy" parody of Rocky VI, Rocky goes to fight a boxing match on Mars. Even though there's no oxygen, he's not afraid of fighting an alien on another planet. Is there anything that would put fear into either Sly Stallone or Rocky Balboa? The answer is Elvis Presley. Since Elvis couldn't just go to- /a th02e/atr2e do-w them theatre down the block, he invited Sly to come down to Graceland with a copy of the film and do a private screening. Stallone was too intimidated and instead just sent a copy, which Elvis watched with friends and enjoyed"

"Obviously after the Elvis concert, I said how can this any better? It was mid August of 1969. The year after, Bill Medley played the smaller lounge, and since I had been in high school a fan of the Righteous Brothers, I went with my girlfriend to see him, sat down in one of those half moon booths. So, in the middle of Bill's concert, I noticed the entire room, about 500 people, all stand up so I turn around and watch as Elvis walks down the aisle towards the stage. He had not even been introduced, and by a struck of luck, sat next to me and my girlfriend at the booth, So I rushed outside to see if I could get a pen, to get his autograph, which I did. When I came back, with paper and pen in hand, I waited until Bill stopped singing, and I then asked Elvis to sing an autograph. To my amazement, he instead started talking to me as if he and I were friends our entire lives, and when I told him I was a music major, he asked me about my courses at the University of Las Vegas. Unbeknownst to Elvis and I, Bill and the entire audience remained silent during our conversation, looking at us, for a full five minutes.LOL. So, finally, he signs the autograph, shakes my hand, and says " Stay in school". The impression of him being who he was, and of talking to a man who had changed the world, was amazing, but more than anything I will cherish how he treated me...."

"I've always loved Elvis, how he entertained, how he performed, so that's where I try and take inspiration from"

""Elvis", in fact I wish Austin could play him in my Bob Dylan biopic, especially since Dylan is on record as to his admiration of Elvis and his SUN Period."

"There was a crowd gathered in one corner of the PX store and the rest of it seemed deserted, though the parking lot was filled with Jeeps, so I asked what was going on and they said that Elvis Presley was over there. I thought to myself, well, that's interesting, and I went about my business, got what I had come for, then went out to my jeep to kill time for awhile. Some time later, I noticed that Elvis was walking out of the store directly toward me. His Jeep was parked right next to mine. So we hung out and talked for 45 minutes. I asked someone to shoot a photo, but I never got a print. I also asked for his autograph, which I sent home to the daughter of one of my store managers who was a fan. He was just the nicest guy you could meet, an ordinary guy, with one exception, and that was that he was even better looking than he was in pictures LOL."

"I like Brando's acting ... and ... and . Quite a few of 'em I like."

"Obama is like Elvis, there will always be demand for impersonators of such popular and historical people."

"Rock n' roll, through Elvis, became a target of southern segregationists, who believed that race mixing led, inevitably, to miscegenation and that exposure to black culture promoted juvenile delinquency and sexual immorality"

"It embodies everything I look for in a tune, simple and striking at the same time"

"I was standing in the hallway, just before the show, and one of the managers told him there was a girl on the telephone who was in the hospital. She said she had tickets for the show but couldn't come as she had a serious illness. And Elvis said, 'I want to talk to her', so he marched into a room and held up the entire show for fifteen minutes to talk to that girl, asking her several questions, with warmth and interest. Just before hanging up, I remember he said, 'No, honey I don't have a blue Cadillac. I've got a pink one, a black one, a white one – a pause, and then he said, oh yeah, I do have a blue one'. He was a gentleman and I respected that immensely."

"Let us remember that Elvis’s style — which often included all-leather outfits and flashy jumpsuits — was also controversial for its mid-century time period. So, is Post Malone truly our modern-day Presley? Judging by his care-free attitude and penchant for leather Cuban heeled boots —another, Presley favorite—the verdict would appear to be yes."

"As a child, I saw Elvis Presley. So that was something, I mean he was this person with a guitar and that was the image I wanted to be. I wanted to be a musician so I got my first guitar when I was thirteen years old, and I felt, oh man, now that I have the guitar, I got the music. But it started from that...."

"When Elvis Presley died in 1977 I was no more than six. On that summer night in August I was sitting between my parents in my grandfather’s house in Italy where we were spending the summer holiday. We were watching television, then delivering to viewers the news of his death, with scenes of fans wailing at the departure of the artist who had engaged the world with his music and gyrating dancing, and personal charisma that made him adored by girls and an inspiration for boys. Last Thursday, at around midnight I received a call from one of my friends telling me that Michael Jackson had died, and one website confirmed the news even before CNN had. Both of them died, and there have still been those who say that death has not touched them and that they still live amongst us with their music and greatness."

"I remember we were in his bathroom, he took my hand, asked me to sit down in a black leather chair, said some beautiful things and then he asked me to marry him."

"I've kind of been infatuated with Elvis since I was a kid, just always watching documentaries and stuff on him. It had a little bit to do with that and, honestly, I just wanted him to have something that wasn't very common."

"In an era when radio stations refused to play Chuck Berry songs, calling it “race music”, Elvis broke down barriers."

"He was an extraordinary figure of his and our time, his legacy tremendous in terms of the music he created, his films, and as an entertainment personality. The generosity that he showed toward others is simply remarkable and I think it's these aspects of his character, his persona, that make him such a special person."

"I was there taking in the show when it happened. Out of the crowd, I can still see it, an orange, medium sized frisbee comes floating up. I'm like ' Oh, that's going to make the stage. It did. It sailed right into Elvis, smacking him just above his right eyebrow. Bam!! I watched closely as Elvis, just a few feet away from me, absorbed the blow, then imagined the worst. He dropped to one knee, looked me right in the eye — I think he thought I was a bodyguard and not the curtain raiser I was that night — and said. 'I've been shot'. "No, Elvis, it's just a frisbee" I said. Not an attempted assassination, just one more painful byproduct of fame, I thought. "Oh," responded Elvis, then got back to his feet and started singing again. Like he always did. For that night, at least, the show wasn't over...."

"Black culture has historically pioneered music, dance, fashion, and it’s then been emarketed as Elvis (Presley) or whatever....."

"I hate that I missed Elvis and I wish I would have had a chance to see him"

"I am reminded of a comment made shortly after the death of Elvis Presley by a musician he had worked with. He pointed out that despite an impressive vocal range of two and a half octaves and something approaching perfect pitch, Elvis was totally willing to sing off-key when he thought the song required it. Those off-key notes were art."

"I loved Elvis since i was a kid, as my dad was a huge Elvis fan. His range was incredible high, or low and he could croon. His impact on me was his love of African American music."

"Songwriter Earl Brown was tapped to create a special finale song that reflected Elvis' emotions about the social upheaval of the time. According to the show's director , the resulting song, “If I Can Dream,” was recorded with Elvis in the dark, almost in a fetal position, writhing on top of the studio's cement floor. And when he got done, Elvis came in the control room and asked for the song to be played more than a dozen times. Later, Binder also crafted a gospel segment populated with racially diverse singers and dancers, which he knew would spotlight the Southern-born Presley's disdain for prejudice. Fittingly, it was the highest-rated TV special of 1968 and signalled the rebirth of Elvis's career."

"In 2004,at age 13, I became such an Elvis fan that I wanted to either marry him or be him, then I made my parents listen. He is my mentor..."

"By honoring Presley with the Medal of Freedom, the President paid tribute to someone who arguably did as much to bridge the cultural and racial divide as anyone who ever lived, an impressive and unifying act from someone usually considered the most divisive of presidents."

"It's probably asking too much that “Ruben Brandt, Collector” sustain its pop-art ebullience across its entire running time. But the dips are hardly depressions, and there's nearly always a frisky detail to enjoy or virtuosic tableau to bathe in, all of it augmented wonderfully by Tibor Cári's appealing score. Mostly, though, Krstić, whose background encompasses set design and sculpture, painting and photography, has shown everybody how to throw down the first-feature gauntlet at the age of 66: with Warhol's holstered “Elvis I & II” facing down our hero and declaring, “Draw!”"

"That is why we can waste no time promoting legitimate role models. This is where N.B.A. players come in. In 1956, Elvis Presley received his polio vaccine before one of his appearances on television, launching a highly effective vaccination campaign that by 1960 had reduced annual occurrences of polio by 90 percent. Health policy professionals suggest that public health campaigns using celebrities should focus on celebrities who are influential in particular communities in order to build trust. N.B.A. players, 81.1 percent of whom are Black, appeal to the under-35 and African-American demographics"

"When I was about five years old, they again showed "Aloha from Hawaii" here in my country, Norway. I had my parents wrapped around my finger, so they would let me stay up and watch it, because it was on after midnight. I was so amazed by the performance........."

"The only thing black people can do for me is shine my shoes and buy my music."

"Love me tender, love me sweet, Never let me go."

"Sweetheart we're alone And you are mine. Let's make this night a night to remember. Don't make our love a cold dying ember, For with the dawn, you'll be gone."

"The way she held your hand, The little things you planned. Her memory is with you yet, That's someone you'll never forget."

"A well I bless my soul What's wrong with me? I'm itching like a man on a fuzzy tree. My friends say I'm actin' wild as a bug. I'm in love, I'm all shook up. Mm mm oh, oh, yeah, yeah!"