"Buddhism stimulated art in Japan, as it had done in China; the Zen practice of meditation lent itself to brooding creativeness in color and form almost as readily as in philosophy and poetry; and visions of Amida Buddha became as frequent in Japanese art as Annunciations and Crucifixions on the walls and canvases of the Renaissance. The priest Yeishin Sozu (d. 1017) was the Fra Angelico and El Greco of this age, whose risings and descendings of Amida made him the greatest religious painter in the history of Japan."
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The Story of Civilization
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