"One can bring no greater reproach against a man than to say that he does not set sufficient value upon pleasure, and there is no greater sign of a fool than the thinking that he can tell at once and easily what it is that pleases him. To know this is not easy, and how to extend our knowledge of it is the highest and the most neglected of all arts and branches of education."

"Italians, and perhaps Frenchmen, consider first whether they like or want to do a thing and then whether, on the whole, it will do them any harm. Englishmen, and perhaps Germans, consider first whether they ought to like a thing and often never reach the questions whether they do like it and whether it will hurt. There is much to be said for both systems, but I suppose it is best to combine them as far as possible."

"Nothing will ever die so long as it knows what to do under the circumstances, in other words so long as it knows its business."

"If a person would understand either the Odyssey or any other ancient work, he must never look at the dead without seeing the living in them, nor at the living without thinking of the dead. We are too fond of seeing the ancients as one thing and the moderns as another."

"The greatest poets never write poetry. The Homers and Shakespeares are not the greatest — they are only the greatest that we can know. And so with Handel among musicians. For the highest poetry, whether in music or literature, is ineffable — it must be felt from one person to another, it cannot be articulated."

"If people like being deceived — and this can hardly be doubted — there can rarely have been a time during which they can have had more of the wish than now. The literary, scientific and religious worlds vie with one another in trying to gratify the public."

"I am the enfant terrible of literature and science."

"The supposition that the world is ever in league to put a man down is childish. Hardly less childish is it for an author to lay the blame on reviewers. A good sturdy author is a match for a hundred reviewers."

"Surely the glory of finally getting rid of and burying a long and troublesome matter should be as great as that of making an important discovery. The trouble is that the coverer is like Samson who perished in the wreck of what he had destroyed; if he gets rid of a thing effectually he gets rid of himself too."

"All men can do great things, if they know what great things are."

"Dullness is so much stronger than genius because there is so much more of it, and it is better organised and more naturally cohesive."

"Inspiration is never genuine if it is known as inspiration at the time. True inspiration always steals on a person; its importance not being fully recognised for some time."

"Genius...has been defined as a supreme capacity for taking trouble...It might be more fitly described as a supreme capacity for getting its possessors into trouble of all kinds and keeping them therein so long as the genius remains."

"It is curious that money, which is the most valuable thing in life, exceptis excipiendis, should be the most fatal corrupter of music, literature, painting and all the arts. As soon as any art is pursued with a view to money, then farewell, in ninety-nine cases out of a hundred, all hope of genuine good work."

"Most artists, whether in religion, music, literature, painting, or what not, are shopkeepers in disguise. They hide their shop as much as they can, and keep pretending that it does not exist, but they are essentially shopkeepers and nothing else."

"He [the Philosopher] should have made many mistakes and been saved often by the skin of his teeth, for the skin of one's teeth is the most teaching thing about one. He should have been, or at any rate believed himself, a great fool and a great criminal. He should have cut himself adrift from society, and yet not be without society."

"Argument is generally waste of time and trouble. It is better to present one's opinion and leave it to stick or no as it may happen. If sound, it will probably in the end stick, and the sticking is the main thing."

"Many, if not most, good ideas die young — mainly from neglect on the part of the parents, but sometimes from over-fondness. Once well started, an opinion had better be left to shift for itself."

"The more unpopular an opinion is, the more necessary is it that the holder should be somewhat punctilious in his observance of conventionalities generally, and that, if possible, he should get the reputation of being well-to-do in the world."

"Ideas and opinions, like living organisms, have a normal rate of growth which cannot be either checked or forced beyond a certain point. They can be held in check more safely than they can be hurried. They can also be killed; and one of the surest ways to kill them is to try to hurry them."

"He who would propagate an opinion must begin by making sure of his ground and holding it firmly. There is as little use in trying to breed from weak opinion as from other weak stock."

"There are some things which it is madness not to try to know but which it is almost as much madness to try to know."

"People say that there are neither dragons to be killed nor distressed maidens to be rescued nowadays. I do not know, but I think I have dropped across one or two, nor do I feel sure whether the most mortal wounds have been inflicted by the dragons or by myself."

"I doubt whether any angel would find me very entertaining. As for myself, if ever I do entertain one it will have to be unawares. When people entertain others without an introduction they generally turn out more like devils than angels."

"If I die prematurely, at any rate I shall be saved from being bored by my own success."

"Nothing is so cruel as to try and force a man beyond his natural pace."

"It is said of money that it is more easily made than kept and this is true of many things, such as friendship; and even life itself is more easily got than kept."

"The youth of an art is, like the youth of anything else, its most interesting period. When it has come to the knowledge of good and evil it is stronger, but we care less about it."

"Think of and look at your work as though it were done by your enemy. If you look at it to admire it you are lost."

"If a man has not studied painting, or at any rate black and white drawing, his eyes are wild; learning to draw tames them. The first step towards taming the eyes is to teach them not to see too much."

"The composer is seldom a great theorist; the theorist is never a great composer. Each is equally fatal to and essential in the other."

"After having spent years striving to be accurate, we must spend as many more in discovering when and how to be inaccurate."

"Painters should remember that the eye, as a general rule, is a good, simple, credulous organ — very ready to take things on trust if it be told them with any confidence of assertion."

"One reason why it is as well not to give very much detail is that, no matter how much is given, the eye will always want more; it will know very well that it is not being paid in full. On the other hand, no matter how little one gives, the eye will generally compromise by wanting only a little more. In either case the eye will want more, so one may as well stop sooner or later. Sensible painting, like sensible law, sensible writing, or sensible anything else, consists as much in knowing what to omit as what to insist upon."

"An artist's touches are sometimes no more articulate than the barking of a dog who would call attention to something without exactly knowing what. This is as it should be, and he is a great artist who can be depended on not to bark at nothing."

"Art has no end in view save the emphasising and recording in the most effective way some strongly felt interest or affection."

"Sketching from nature is very like trying to put a pinch of salt on her tail. And yet many manage to do it very nicely."

"Honesty consists not in never stealing but in knowing where to stop in stealing, and how to make good use of what one does steal."

"Handel and Shakespeare have left us the best that any have left us; yet, in spite of this, how much of their lives was wasted."

"If you tie Handel's hands by debarring him from the rendering of human emotion, and if you set Bach's free by giving him no human emotion to render — if, in fact, you rob Handel of his opportunities and Bach of his difficulties — the two men can fight after a fashion, but Handel will even so come off victorious."

"When a man is in doubt about this or that in his writing, it will often guide him if he asks himself how it will tell a hundred years hence."

"They say the test of this [literary power] is whether a man can write an inscription. I say “Can he name a kitten?” And by this test I am condemned, for I cannot."

"A man's style in any art should be like his dress — it should attract as little attention as possible."

"A great portrait is always more a portrait of the painter than of the painted."

"Critics generally come to be critics by reason not of their fitness for this but of their unfitness for anything else. Books should be tried by a judge and jury as though they were crimes, and counsel should be heard on both sides."

"Every new idea has something of the pain and peril of childbirth about it; ideas are just as mortal and just as immortal as organised beings are."

"In art, never try to find out anything, or try to learn anything until the not knowing it has come to be a nuisance to you for some time. Then you will remember it, but not otherwise. Let knowledge importune you before you will hear it. Our schools and universities go on the precisely opposite system."

"There is nothing less powerful than knowledge unattached, and incapable of application. That is why what little knowledge I have has done myself personally so much harm. I do not know much, but if I knew a good deal less than that little I should be far more powerful."

"My notes always grow longer if I shorten them. I mean the process of compression makes them more pregnant and they breed new notes."

"Always eat grapes downwards — that is, always eat the best grape first; in this way there will be none better left on the bunch, and each grape will seem good down to the last."