""We worked with a guy called Dr. Stuart Smith from UCLA and he’s an Egyptologist. He put all this stuff on tape for us and it’s kind of the closest we can come to what we think the actual language sounded like. It’s like ancient Latin. When we speak Latin now we think it’s what it sounded like, but we’re not really sure. The problem with a lot of this Egyptian stuff is words like ‘look out’ become like 10 lines. Steve would go, ‘No, no, no. Lose the first four words. Say that word and then say the last word.’ So basically, I’d end up making the stuff up."

"Kris Kristofferson - Abraham Whistler"

"Mercedes McCambridge - voice of Pazuzu"

"Arthur Storch - Psychiatrist"

"Peter Masterson - Dr. Barringer, Clinic Director"

"Barton Heyman - Dr. Klein"

"Reverend William O'Malley - Father Dyer"

"Jack MacGowran - Burke Dennings"

"Kitty Winn - Sharon Spencer"

"Lee J. Cobb - Lieutenant William Kinderman"

"Linda Blair - Regan Teresa MacNeil"

"Jason Miller - Father Damien Karras"

"Max von Sydow - Father Lankester Merrin"

"Ellen Burstyn - Chris MacNeil"

"The 1973 horror flick "The Exorcist" is my favorite snapshot of the cultural place of (white) (cis) little girls. In the film, a little girl (with a single mother) is possessed by the devil. From another perspective, the little girl is actually exploring her sexuality (masturbation and so on) and her own demons/meanness. Obviously, (white) men from the church have to be brought in to save her since her single mom can't do it alone."

"Nobody expected it, nobody believed it, and nothing could stop it. The one hope, the only hope: THE EXORCIST."

"Something beyond comprehension is happening to a girl on this street, in this house. And a man has been sent for as a last resort. This man is the Exorcist."

"Somewhere between science and superstition, there is another world. The world of darkness."

"The Devil Inside."

"THE POWER OF CHRIST COMPELS YOU!"

"[to Father Karras] Especially important is the warning to avoid conversations with the demon. We may ask what is relevant but anything beyond that is dangerous. He is a liar. The demon is a liar. He will lie to confuse us. But he will also mix lies with the truth to attack us. The attack is psychological, Damien, and powerful. So don't listen to him. Remember that - do not listen."

"[possessed voice] Your mother sucks cocks in hell, Karras, you faithless swine."

"[possessed voice, to Father Merrin] Stick your cock up her ass, you motherfucking worthless cocksucker!"

"[possessed voice, as she masturbates with a crucifix] LET JESUS FUCK YOU! LET JESUS FUCK YOU! LET HIM FUCK YOU!!! [pressing Chris's face into her groin] LICK ME! LICK ME! [spins her head 180 degrees] You know what she did?! Your cunting daughter?!"

"[as she is being thrown about on her bed] OH PLEASE MOTHER, MAKE IT STOP!!! IT'S HURTING!!!!! [possessed voice, after a doctor tried to hold her] Keep away! The sow is mine! Fuck me! Fuck me! Fuck me!"

"You're going to die up there."

"My bed was shaking. I can't get to sleep."

"[to the demon, after Merrin's death] You son of a bitch! Take me! Come into me! Goddamn you, TAKE ME! TAKE ME! [becomes possessed, tries to strangle Regan] NO!!! [throws himself out the window]"

"There's not a day in my life that I don't feel like a fraud. Other priests, doctors, lawyers - I talk to them all. I don't know anyone who hasn't felt that."

"The first erotic component is in feeding and sucking and I tried not to deal too much with it because it's always the direction that Vampire films take, so I was interested in taking another direction, to explore another side of vampirism. I wanted to make this film more of a dark fantasy, whether through the colours, the camera movement, the design, and the locations. The first Blade was very stylish and hip and yuppyish but in this one I wanted to show the dark side, the decadent side of their world, almost the despair of the vampire universe. I wanted to have of a wicked sense of humour and a graphic approach like a comic book. I wanted to go crazier and to have a better understanding of Blade's psychology and to understand why he is acting the way he does."

"In Cronos the Vampire was more about the meditation about time and immortality and here in Blade 2 it's the vampire at a basic level, vampires that are just animals that are greedy for blood, I created a new kind of vampires: the reapers that are designed genetically to be even stronger than the normal vampires. But we tried also to find some moments of empathy with these creatures, and there are moments when the reapers look pathetic, like junkies, and at moments when they have a broken arm or a dislocated head you almost feel sorry for them. So we tried to find beauty in these monsters and that's really horrific because it's almost real."

"Well, first we wanted to enhance Blade's romantic life, and get him laid! Also we wanted to make it a different environment. Initially it was going to be Vegas but Prague came up, for various reasons, and that's where we went. Also we wanted to make Blade feel more at ease with what he is."

"Karel Roden - Karel Kounen"

"Matt Schulze - Chupa"

"Luke Goss - Jared Nomak"

"Thomas Kretschmann - Eli Damaskinos"

"Ron Perlman - Reinhardt"

"Leonor Varela - Nyssa Damaskinos"

"[Discovering a large group of Reapers] Eat shit, YOU UGLY MOTHERFUCKERS!!"

"Thought you had me on a short leash, didn't you jefe?"

"[To Blade] Hey me & the gang where wondering: Can you blush?"

"Well, like my daddy said right before he killed my mom, "You want anything done right, you gotta do it yourself.""

"They want us to to spray on some suckpuppy's nut juice?"

"[while Blade is trying to activate the bomb] By the way, Blade, did I ever mention the bomb lever is stuck?"

"[while being overrun by Reapers] You want a bite of me? Well, come on! Come on, motherfucker!"

"[Blade explains his plan to wipe out the Reapers] In broad daylight?"

"We represent the ruling body of the vampire nation."

"Nyssa! Put your sword away! Your people shot first."