Socialists

"No task is more urgent than that of preserving peace. Without peace our independence means little. The rehabilitation and upbuilding of our countries will have little meaning. Our revolutions will not be allowed to run their course. . . ."

"And do not think that the oceans and the seas will protect us. The food that we cat, the water that we drink, yes, even the very air that we breathe can be contaminated by poisons originating from thousands of miles away. And it could be that, even if we ourselves escaped lightly, the unborn generations of our children would bear on their distorted bodies the marks of our failure to control the forces which have been released on the world."

"Not so long ago it was possible to take some little comfort from the idea that the clash, if it came, could perhaps be settled by what were called "conventional weapons"-bombs, tanks, cannon and men. Today that little grain of comfort is denied us for it has been made clear that the weapons of ultimate horror will certainly be used, and the military planning of nations is on that basis. The unconventional has become the conventional, and who knows what other examples of misguided and diabolical scientific skill have been discovered as a plague on humanity."

"Today, the picture is more black. War would riot only mean a threat to our independence, it may mean the end of civilisation and even of human life. There is a force loose in the world whose potentiality for evil no man truly knows. Even in practice and rehearsal for war the effects may well be building up into something of unknown horror."

"If we succeed in doing so, the effect of it for the freedom, independence and the welfare of man will be great on the world at large. The Light of Understanding has again been lit, the Pillar of Cooperation again erected. The likelihood of success of this Conference is proved already by the very presence of you all here today. It is for us to give it strength, to give it the power of inspiration-to spread its message all over the World."

"Not so very long ago we argued that peace was necessary for us because an outbreak of fighting in our part of the world would imperil our precious independence, so recently won at such great cost."

"And, I beg of you do not think of colonialism only in the classic form which we of Indonesia, and our brothers in different parts of Asia and Africa, knew. Colonialism has also its modern dress, in the form of economic control, intellectual control, actual physical control by a small but alien community within a nation. It is a skillful and determined enemy, and it appears in many guises. It does not give up its loot easily. Wherever, whenever and however it appears, colonialism is an evil thing, and one which must be eradicated from the earth. ."

"We are often told "Colonialism is dead." Let us not be deceived or even soothed by that. I say to you, colonialism is not yet dead. How can we say it is dead, so long as vast areas of Asia and Africa are unfree."

"All of us, I am certain, are united by more important things than those which superficially divide us. We are united, for instance, by a common detestation of colonialism in whatever form it appears. We are united by a common detestation of racialism. And we are united by a common determination to preserve and stabilise peace in the world. . . ."

"Yes, we are living in a world of fear. The life of man today is corroded and made bitter by fear. Fear of the future, fear of the hydrogen bomb, fear of ideologies. Perhaps this fear is a greater danger than the danger itself, because it is fear which drives men to act foolishly, to act thoughtlessly, to act dangerously. . . ."

"Perhaps now more than at any other moment in the history of the world, society, government and statesmanship need to be based upon the highest code of morality and ethics. And in political terms, what is the highest code of morality? It is the subordination of everything to the well-being of mankind. But today we are faced with a situation where the well-being of mankind is not always the primary consideration. Many who are in places of high power think, rather, of controlling the world."

"The result of this is fear. And man gasps for safety and morality."

"But has man's political skill marched hand-in-hand with his technical and scientific skill? Man can chain lightning to his command-can be control the society in which be lives? The answer is No! The political skill of man has been far outstripped by technical skill, and what lie has made he cannot be sure of controlling."

"This twentieth century has been a period of terrific dynamism. Perhaps the last fifty years have seen more developments and more material progress than the previous five hundred years. Man has learned to control many of the scourges which once threatened him. He has learned to consume distance. He has learned to project his voice and his picture across oceans and continents. Lie has probed deep into the secrets of nature and learned how to make the desert bloom and the plants of the earth increase their bounty. He has learned how to release the immense forces locked in the smallest particles of matter."

"Never forget history."

"Spank the Yanks and hit the Brits!"

"What really happened to her? How did she die?"

"Canadians look down on the United States and consider it Hell. They are right to do so. Canada is to the United States what, in Dante's scheme, Limbo is to Hell."

"If poetry is like an orgasm, an academic can be likened to someone who studies the passion-stains on the bedsheets."

"When you argue with your inferiors, you convince them of only one thing: they are as clever as you."

"God is indeed dead. He died of self-horror when He saw the creature He had made in His own image."

"My neighbour doesn't want to be loved as much as he wants to be envied."

"The vocation of man, as that of any other creature, is to be active in all his being. But man cannot act as an individual. The essence of his life activity is cooperation with other individuals of his species. Outside this cooperation, outside of society, man does not achieve any specific human activity. But so long as this co-operation is arbitrarily ruled by accidentality, so long as it is not organized, man remains limited and constricted in his life-activity...."

"A writer? What education did I receive? None. Where did I study? Nowhere. What did I study? It does not matter. I nonetheless became a writer immediately, because I wrote more than I have ever read; hence I thought more than I had food for thought."

"My main problem was, naturally, religion: from it I moved later on to the principles of ethics. First to be examined was my positive religion [ie. Judaism]. It collapsed. So I wanted to base myself on naturaly religion: but my agony was so great, that this [foundation] also collapsed before my eyes. Nothing, nothing remained. I was the most miserable person in the world. I became an atheist."

"I was supposed to devote myself only to the Talmud. But the Talmud utterly repelled me, thought I was still a pious Jew-boy [Judenkind]. I wanted to satisfy my craving to be active, to do something: this craving looked for a sphere for itself because none was offered it. I did not want to be a good-for-nothing - and therefore I became a writer."

"In the Jewish Quarter [Judengasse] was I born and educated; until my fifteenth year, they tried to beat the Talmud into me. My teachers were inhuman beings [Unmenschen], my colleagues were bad company, inducing me to secret sin; my body was frail, my spirit raw."

"We Germans are the most universal, the most European people of Europe."

"He who wishes to study the barometric level of spiritual freedom must examine the relationship of the state to its Jewish subjects."

"The focus of all life is its economy, the mode through which every living creature produces its material existence. I know no other criterion for the evaluation of social life except that of social economy. In society, just like anywhere else, the mode of production is the focus around which revolve all the modes of life: in the historical life of conscious beings, it is also the focus of all modes of consciousness."

"I would quite like to try my hand at directing although I would do it in the theatre rather than in TV or film. Theatre is more just about telling the story. I understand the way the theatre works. I will leave the TV to the experts. Doctor Who is very complicated to direct. It would be impossible to direct that and act in it as well."

"The Doctor does have some long speeches and he talks very quickly. Learning all his babble can take a while, but it's very well written babble so I don't mind and you do get quicker. When I filmed Recovery during the break in Doctor Who I would sit down at the weekend and learn the script in an hour and I was like 'Hang on??' You do get used to it though."

"I often stop when I'm doing something, in the middle of rehearsals or some other job, and I try to take a minute to think "Okay, this might be as good as it gets, so drink it in, appreciate it now". So far, I've been lucky because another job has always come along to equal the last."

"This man is talking about rape survivors who want female-only care, the nurses currently suing their health trust for making them change in front of a man, girls and women losing sporting opportunities to males and female prisoners incarcerated with convicted sex offenders."

"If I'm honest I'm a little depressed by the fact that acknowledging that everyone has the right to be who they want to be and live their life how they want to live it as long as they're not hurting anyone else should merit any kind of special award or special mention because it's common sense, isn't it? It is human decency. We shouldn't live in a world where that is worth remarking on. However, until we wake up and Kemi Badenoch doesn’t exist any more – I don’t wish ill of her, I just wish her to shut up – whilst we do live in this world, I am honoured to receive this."

"[About Donald Trump] When he was over here, he was saying that he was going up to Scotland, my golf course in Scotland, cause people in London are protesting but up in Scotland they really like me. Can I say on behalf of the Scottish nation? We fucking don’t."

"I am so glad, I didn't get stuck in traffic!"

"Getting the call to be in The Goblet of Fire was like being welcomed into the most exclusive upper circle of some elite actors' club. You sit on set with the cream of the National Theatre and the RSC, all clutching wands or wearing witches' hats."

"I was once asked for my autograph in the shower on one of my rare visits to the gym. I was washing my hair, facing the wall, when I was tapped on the shoulder so already it's quite inappropriate. I turned round and there was another naked man standing there with a piece of paper. And I think 'if you can't see how inappropriate this I am just going to have to play along' so I took the paper, which is slowly becoming mulch, and carved my name in it."

"Back in 2005, when I was Christopher Eccleston, we saw one of the largest increases on record, of CO2 in the atmosphere. Unless we keep the rise in global temperature to under 2 degrees, by the time I'm Daniel Radcliffe or wee Jimmy Crankie, I won't be able to save the planet. I won't be here to help you -- well I might, but I'll be that bloke who won Any Dream Will Do."

"Billie and I got chased through the traffic once in a car. You expect paparazzi to do that, but when it's normal people you start to think the world's gone a bit mad."

"I really wouldn't. We have such good writers on the show. And I couldn't walk up to Russell and hand it over and say 'Here's 45 minutes for you' and then he would have to hand it back and say 'Thanks, but it's shit!'"

"Caroline S. Conzelman, a cultural anthropologist who teaches at the University of Colorado, Boulder, said her first thought was that she wouldn’t change how she used the book, “because it still captures the essence of the emotional memory of being colonized.” But now, she said: “I will have them read what he says about it. It’s good for students to see that writers can think critically about their own work and go back and revise what they meant.”"

"In his Book of Embraces, Eduardo has a story that I love. To me it is a splendid metaphor of writing in general and his writing in particular. "There was an old and solitary man who spent most of his time in bed. There were rumors that he had a treasure hidden in his house. One day some thieves broke in, they searched everywhere and found a chest in the cellar. They went off with it and when they opened it they found that it was filled with letters. They were the love letters the old man had received all over the course of his long life. The thieves were going to burn the letters, but they talked it over and finally decided to return them. One by one. One a week. Since then, every Monday at noon, the old man would be waiting for the postman to appear. As soon as he saw him, the old man would start running and the postman, who knew all about it, held the letter in his hand. And even St. Peter could hear the beating of that heart, crazed with joy at receiving a message from a woman.""

"Like thousands of refugees all over the continent, I also had to leave my after the military coup of 1973. I could not take much with me: some clothes, family pictures, a small bag with dirt from my garden, and two books: an old edition of the Odes by Pablo Neruda, and the book with the yellow cover, Las Venas Abiertas de America Latina. More than twenty years later I still have that same book with me. That is why I could not miss the opportunity to write this introduction and thank Eduardo Galeano publicly for his stupendous love for freedom, and for his contribution to my awareness as a writer and as a citizen of Latin America. As he said once: "it's worthwhile to die for things without which it's not worthwhile to live.""

"Many years ago, when I was young and still believed that the world could be shaped according to our best intentions and hopes, someone gave me a book with a yellow cover that I devoured in two days with such emotion that I had to read it again a couple more times to absorb all its meaning: Open Veins of Latin America, by Eduardo Galeano…There is one other aspect of Eduardo Galeano that fascinates me. This man who has so much knowledge and who has-by studying the clues and the signs-developed a sense of foretelling, is an optimist. At the end of Century of the Wind, the third volume of Memory of Fire, after 600 pages proving the genocide, the cruelty, the abuse, and exploitation exerted upon the people of Latin America, after a patient recount of everything that has been stolen and continues to be stolen from the continent, he writes: “The tree of life knows that, whatever happens, the warm music spinning around it will never stop. However much death may come, however much blood may flow, the music will dance men and women as long as the air breaths them and the land plows and loves them." This breath of hope is what moves me the most in Galeano's work."

"Galeano's vision is unswerving, surgical and yet immensely generous and humane.... Eduardo Galeano ought to be a household name....""

"I've gone back many times to Eduardo Galeano's essay Defense of the Word,"...Galeano's "defense" was written after his magazine, Crisis, was closed down by the Argentine government. As a writer in exile, he has continued to interrogate the place of the written word, of literature, in a political order that forbids literacy and creative expression to so many; that denies the value of literature as a vehicle for social change even as it fears its power. Like Nadine Gordimer in South Africa, he knows that censorship can assume many faces, from the shutting down of magazines and the banning of books by some writers, to the imprisonment and torture of others, to the structural censorship produced by utterly unequal educational opportunities and by restricted access to the means of distribution-both features of North American society that have become more and more pronounced over the past two decades."

"In his 1976 essay "Defensa de la palabra" Uruguayan writer Eduardo Galeano wrote, "What process of change can move a people that does not know who it is, nor where it came from? If it doesn't know who it is, how can it know what it deserves to be?" The role of a socially committed historian is to use history, not so much to document the past as to restore to the dehistoricized a sense of identity and possibility. Such "medicinal" histories seek to reestablish the connections between people and their histories, to reveal the mechanisms of power, the steps by which their current condition of oppression was achieved, through a series of decisions made by real people to dispossess them, but also to reveal the multiplicity, creativity, and persistence of their own resistance."

"I love Galeano’s books. I mean, his book Open Veins of Latin America was an absolute eye-opener for many people, and Days and Nights of Love and War."