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April 10, 2026
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"‘It's all in the wrist 'n I got the touch,’ Frankie was fond of boasting of his nerveless hands and steady eye. ‘I never get nowheres but I pay my own fare all the way.’ Frankie was regular."
"For the city too was somehow crippled of late. The city too seemed a little insane. Crippled and caught and done for with everyone in it. No one else was really any better off than herself, she reflected with a child's satisfaction, they had all been twisted about a bit whether they sat in a wheelchair or not. She could tell just by the way once familiar doorways had come to look menacing in the morning light, ready to be slammed in the face of anyone who knocked at all. Nobody was at home to anyone else any more."
"Now dealer and players alike united in an unspoken conspiracy to stave off morning forever. Each bet as if the loss of a hand meant death in prison or disease and when it was lost hurried the dealer on. ‘Cards, cards.’ For the cards kept the everlasting darkness off, the cards lent everlasting hope. The cards meant any man in the world might win back his long-lost life, gone somewhere far away. / ‘Don't take it hard, your life don't go with it,’ was the philosophy of the suckers' hour. / But each knew in his heart, when he said that, that he lied: each knew that his life was reshuffled here with every hand."
"Violet had wheeled Sophie to Mass – [...]. Maybe if he went along some Sunday, suddenly right there by the altar rail Sophie would get up on her feet and tell him, ‘Nobody'll have to wheel me here no more, Frankie. Let's go dancin' by Guyman's Paradise t'night.’ / But Sunday morning was always pretty rugged for anything but sleep. All the miracles were performed on Saturday night, it seemed."
"‘Lies are just a poor man's pennies,’ Violet told her."
"My wife only sleeps with her friends and she don't have a enmy in the world. Call her at Madison 1-6971 and have yourselfs one hell of a time. [...] Girls who would and girls who wouldn't. If they did they were no good and if they didn't what good were they?"
"‘I'm a businessman,’ the punk explained with dignity. ‘I fulfill my obligations even if I have to rob a warehouse to do it. You think I want my credit to lapse? That's the difference between a businessman like me 'n a cheap hustler like you – you hustlers got no credit.’ / Frankie shuffled the deck slowly, stalling in the hope that the suckers might start knocking to get the night over and done and forgotten. ‘That's the trouble with the whole country, all you businessmen cheatin' the peoples so fast 'n hard there's nothin' left for an honest hustler to steal.’ / ‘I'll tell you what I think for true,’ Sparrow offered seriously, ‘I don't think there's any difference: a businessman is a hustler with the dough to hustle on the legit 'n a hustler is a businessman who's either gone broke or never had it. Back me up with five grand tonight 'n tomorrow mornin' I get a invitation to join the Chamber of Commerce 'n no questions asked.’"
"It was Happy New Year everywhere except in Molly Novotny's heart; neither her heart nor her nest gave sign of the season. The stove was smoking again and she thought carelessly, ‘We get the ones the landlords buy up for old iron,’ of both the stove and her heart. The day comes when both feel past throwing heat. / It's like that for all hustlers' hearts: to pay the most and get the worst. The only thing a hustling girl has that doesn't get stopped up is her purse. And that's as full of holes as a married man's promises. / [...] She had never understood why she had lived with a man like Drunkie John, for whom she had cared nothing at all, and found the answer now: when a woman feels useless she doesn't think anything of throwing herself away."
"‘I've seen a thing or two in my time,’ he still liked to boast, ‘that was how I found out the best place for wolfin' ain't the taverns. It ain't in dance halls 'r on North Clark on Saturday night. It's in the front row in Sunday school on Sunday mornin'. Oh yeh, I know a thing or two, I been around.’ / The punk knew a thing or two all right. He knew almost everything except how to stay out of jail. For jail was the one place he'd been most around."
"He was simply a man who didn't know what to do with himself, for he didn't yet know who he was. It's sometimes easier to find a job than to find oneself and John hadn't yet gotten around to doing the first. How could he know who he was? Some find themselves through joy, some through suffering and some through toil. Johnny had till now tried nothing but whisky. A process which left him feeling like somebody new every day. / [...] He was many men and no man at all. He was a hysterical little bundle of possibilities that could never come true."
"They wandered in from all over the ward, the invited and the uninvited, the wary and the seeking, the strayed, the frayed, the happy and the hapless, the lost, the luckless, the lucky and the doomed. Some, on the assumption that if anyone were getting out of jail it must be the punk again, to congratulate Sparrow; only to find all the more reason for celebration when they learned that, just for this once, it wasn't the punk at all. / Everyone got congratulated for something or other whether he deserved it or not. Everyone but Old Man, who couldn't even get congratulated on his new socks. [...] And Violet, finding pity at the bottom of a whisky glass, began making every stewbum, who came up to kiss her, shake hands with Old Husband first and admire his socks. Till the old man, clutching his calendar dates like so many retrieved hours, felt the party must really be for him after all."
"‘I'm settin' here three days now waitin' for you, listenin' to s go by, countin' how many cars it sounds like. You don't know how lonely it gets, waitin' for El cars. Frankie, let's both quit stonin' ourselves.’ / He didn't know she was crying till her tears touched his lips."
"The captain never drank. Yet, toward nightfall in that smoke-colored season between Indian summer and December's first true snow, he would sometimes feel half drunken. He would hang his coat neatly over the back of his chair in the leaden station-house twilight, say he was beat from lack of sleep and lay his head across his arms upon the query-room desk."
"The man with the golden arm."
"The city had filled him with the guilt of others; he was numbed by his charge sheet's accusations. For twenty years, upon the same scarred desk, he had been recording larceny and arson, sodomy and simony, boosting, hijacking and shootings in sudden affray: blackmail and terrorism, incest and pauperism, embezzlement and horse theft, tampering and procuring, abduction and quackery, adultery and mackery."
"‘I got nuttin' against Kvork. It's just him don't like me,’ the chinless wonder protested. ‘Fact is I respect Cousin for doin' his legal duty – every time he picks me up I get more respect. After all, everybody got to get arrested now 'n then, I'm no better'n anybody else. Only that one overdoes it, Captain. He can't get it t'rough his big muttonhead I'm unincapable, that's all.’"
"That was the way things were because that was how things had always been. Which was why they could never be any different. Neither God, war, nor the ward super work any deep change on West . For here God and the ward super work hand in hand and neither moves without the other's assent. [...] For the super's God is a hustler's God; and as wise, in his way, as the God of the priests and the businessmen. / The hustlers' Lord, too, protects His own: the super has been in office fourteen years without having a single bookie door nailed shut in his territory without his personal consent. No man can manage that without the help of heaven and the city's finest precinct captains."
"The little petit-larceny punk from Damen and and the dealer still got along like a couple playful pups. ‘He's like me,’ Frankie explained, ‘never drinks. Unless he's alone or with somebody.’"
"‘I can get in more trouble in two days of not tryin' than most people can get into in a lifetime of tryin' real hard – [...] It's 'cause I really like trouble, Frankie, that's my trouble. If it wasn't for trouble I'd be dead of the dirty monotony around this crummy neighborhood. When you're as ugly as I am you got to keep things movin' so's people don't get the time to make fun of you. That's how you keep from feelin' bad.’"
"That night, while the little twenty-watt bulbs burned on in a single unwinking fury down the whitewashed tier, Frankie Machine was touched by an old wound fever and dreamed, for the second time in his life, of the man with the thirty-five-pound monkey on his back."
"All had gone stale for these disinherited. Their very lives gave off a certain jailhouse odor: it trailed down the streets of Skid Row behind them till the city itself seemed some sort of open-roofed jail with walls for all men and laughter for very few. On Skid Row even the native-born no longer felt they had been born in America. They felt they had merely emerged from the wrong side of its billboards."
"These were the luckless living soon to become the luckless dead. [...] / Then, only one day too late, they became VIPs at last. Front and profile photographs and a brass tag looped about the neck to await none other than the deputy coroner himself, a police hold order and a genuine pauper's writ."
"‘I'm no good but my wife's a hundred per cent,’ somebody down the tier confided aloud to everyone in hearing distance. / ‘Mine stinks,’ Frankie Machine thought softly; immediately his conscience kicked him in the shin. ‘I got a good one too,’ he answered loudly to make up for everything. / And his conscience kicked him in the other shin for lying."
"The growing light began making a stairway to nowhere out of the shadows of the bars: a stairwell lit feebly by the reflecting mirror's glow as it competed with the lightening day."
"‘She got too big a heart, that girl,’ Antek explained of Molly when John had left. ‘A guy can walk into her heart with army boots on.’"
"The old-timers, like the dealer and his wife, battled, like respectable people should, behind closed doors. Schwabatski's ears had long ago tuned out the sort of roarer that the dealer and his Sophie sometimes put on. To a stranger it would have sounded like one word short of murder; but the Jailer would shuffle past, explaining it to himself: ‘They want to love each other – but they don't know how.’ And shrug upon his way."
"When he wakened he would see her in the corner where the light and darkness met, half her face in the fading shadows of Saturday night and half in Sunday morning's rain-washed light."
"‘There's only fifty cards in your deck tonight, honey,’ Frankie reproached her gently. ‘I think you got a little repercussion again today.’ / ‘You mean a concussion, dummy.’ For once she had him. / ‘No, I mean a repercussion. Like you been bounced on your head twice.’"
"The sign above the cash register of the Tug & Maul Bar indicated Antek the Owner's general attitude toward West : I'VE BEEN PUNCHED, KICKED, SCREWED, DEFRAUDED, KNOCKED DOWN, HELD UP, HELD DOWN, LIED ABOUT, CHEATED, DECEIVED, CONNED, LAUGHED AT, INSULTED, HIT ON THE HEAD AND MARRIED. SO GO AHEAD AND ASK FOR CREDIT I DON'T MIND SAYING NO."
"Pig wore a creamy, dreamy smirk to veil a long-standing grudge against everybody. He could smile like a chicken-fed tomcat while wishing everyone bad luck without exception."
"Frankie moaned like an animal that cannot understand its own pain. His shirt had soaked through and the pain had frozen so deep in his bones nothing could make him warm again. / ‘Hit me, Fixer. Hit me.’ / A sievelike smile drained through Louie's teeth. This was his hour and this hour didn't come every day. [...] He was falling between glacial walls, he didn't know how anyone could fall so far away from everyone else in the world. So far to fall, so cold all the way, so steep and dark between those morphine-colored walls of [an addict]'s terrible pit."
"‘Man, their eyes when that big drive hits 'n goes tinglin' down to the toes. They retch, they sweat, they itch – then the big drive hits 'n here they come out of it cryin' like a baby 'r laughin' like a loon. Sure I like to watch. Sure I like to see it hit. Heroin got the drive awright – but there's not a tingle to a ton – you got to get M to get that tingle-tingle.’"
"If only he would have hit her so that they would have been able to make it all up in bed later. ‘If Jesus Christ treated me like you do I'd drive in the nails myself,’ she told him in her mind as, in a passion of frustration, she watched him dealing, eternally dealing."
"In twenty seconds the abandoned Ashland Avenue midnight was thronging with sprouts who should have been in bed for hours and windows began blazing with light as if everyone had been sitting around in the dark just waiting for an accident to happen and here they came, lurching with age and skipping with youth, the lame, the sick and the lazy, the fearful, the cheerful and the tamed, [...] all those for whom nothing had yet happened in the world shouting that it had happened at last, they'd always known it would happen sooner or later, that corner had always looked so unlucky. / Something had finally happened outside of the movies."
"[Zygmunt the Prospector] had attended so many night schools in his early manhood that now, in his bustling middle age, he retained the pallor of his Kent College nights: the look of the downtown pavements after the rush-hour window-shoppers are doing all their window-shopping through the bright interiors of dreams. The light on his glasses seemed a reflection of the light of law-school chandeliers in those desperate days when he felt that if he didn't pass the bar he'd be tending one the rest of his life. He looked like a man who had never seen a cloud."
"For the reception desks regarded ambulance chasing as some sort of felony or other and Zygmunt himself, at certain moments, wasn't altogether too sure it might not turn out to be denounced as such on Judgment Day. Therefore he played it safe by hustling both sides of the street, the churches as well as the hospitals, and had more novenas to his credit than defrauded cripples. He kept the ledger balanced slightly in Heaven's favor."
"[...] old Doc Dominoes, as they called him, wasn't Doc Dominowski at all. The original Doc Dominowski had had a license. But after his passing his daughter had rented his office to this blood-reversing impostor who'd left the deceased doc's shingle up. A ruse as simple as that. Though in print he had never claimed to be anything but a wandering masseur. / [...] He boasted that he was the most popular spine manipulator and ray caster on the Northwest Side. He still looked like the business end of a fugitive warrant to Frankie."
"For those nearest our hearts are the ones most likely to tread upon them. What she could not gain through love she sought to possess by mockery. He was too dear to her: into everything he did she must read some secret hatred of herself."
"Dove Linkhorn, Kitty Twist, Legless Schmidt, Oliver Finnerty, Reba, Hallie and all those Algren calls "the broken men and breaking ones; wingies, dingies, zanies and lop-sided kukes; cokies and queers and threadbare whores" are all in search of America, only for the reader to discover that they are America."
"Nelson Algren's life is terrifying in its proof that talent, love and a determination to speak truth to power can destroy a writer as surely as mediocrity and compromise. A Walk on the Wild Side, the last of Algren's novels to be published in his lifetime, is in consequence a most moving achievement."
"Because A Walk on the Wild Side is a permanent part of our literature, these people, who continue to live among us, will continue to be heard. That's all Nelson ever wanted his work to accomplish, and what writer could want more?"
"While living through all this Algren began A Walk on the Wild Side. Later in his life Algren would consider it his best novel, ‘an American fantasy written to an American beat as true as Huckleberry Finn’."
"It shouldn't surprise me that Nelson Algren, clearly one of the best novelists of his time, is not much read these days. It's the "kill the messenger" syndrome, I suppose, for the news that Algren's works brings us is not good news: if the world he describes is at all like our own, then it's not morning in America, and it hasn't been for a long, long time. [...] In A Walk on the Wild Side it's the early Depression, east Texas and New Orleans, old Perdido Street; his characters are pimps and prostitutes, con men, drug addicts and alcoholics, homeless wanderers, illiterate whites and blacks trying to "make an honest dollar in a crooked sort of way.""
"‘If God made anything better than a girl,’ Dove thought, ‘He sure kept it to Himself.’ / That was all long ago in some brief lost spring, in a place that is no more. In that hour that frogs begin and the scent off the mesquite comes strongest."
"A Walk on the Wild Side, which Algren at times seemed to think little of, is to my mind an American classic, a home-grown version of the European Bildungsroman, to be read alongside Huckleberry Finn, The Red Badge of Courage and Native Son."
"Algren achieved all this in a lush language at once immediate and vernacular, but steeped in the tradition of his culture's greatest writers: the poetry of his sentences harked back to Whitman; his wry humour and vernacular power to Twain; his novelistic largeness to Melville; his pained humanity to Fitzgerald. [...] He was a naturalist who wrote unnaturalistic prose; an absurdist whose work reeked of reality; a realist whose best effects are often comic, a determined stylist who in the end believed passion mattered more than style; a passionate writer who fully understood that the measure of great writing was in its capacity to escape the writer's intentions, politics and passions."
"Bad air and boils – yet sometimes there came a day so blue it caught at the heart like a sense of loss – all these days too blue, all lost. Rainy days were melancholy but sunny ones were worse. When it was raining out there he could sink into a sullen half-dream where nothing could touch him. But blue days recalled his every folly and he'd think, ‘So much time gone! So little time left! Scarcely time left for a boy to rise!’"
"These were neither the great gray wolves of the snowplain wilderness nor fanged cats treed and spitting; but only those small toothless foxes of summer someone had chased and someone had chained, barking at changes in the weather. / [...] / Their crimes were sickness, idleness, high spirits, boredom and hard luck. They were those who had failed to wire themselves to courts, state attorney's office or police. Hardly a stone so small but was big enough to trip them up and when they fell they fell all the way. / [...] / Lovers, sec-fiends, bugs in flight, the tricked, the maimed, the tortured, the terribly fallen and the sly. All those who are wired to nobody, and for whom nobody prays. / That the public defender defends by saying, ‘Your Honor, this man has had his chance.’"
"‘It don't do no good for a man to rise these days, son,’ was Country Kline's curious philosophy, ‘for that can't be done any longer except on the necks of others. And when you make it that way, all the satisfaction is taken out of it. Son, I hope you don't mind my saying so, but you got pimp wrote large all over you – but that's the sorriest way of all to rise, and the reason I'll tell you why – if God ever made anything better than a hustling girl He's kept it to Himself. There's no trick in not going down the drain if you don't live in the sink. But you take a woman who makes her living where the water is sucking the weaker bugs down and she don't go down, she's twice the woman that one who never had to fight for her soul is.’"
"‘I don't mind getting roughed up, everybody gets roughed up. Everybody, in jail or out, is shaking somebody else's jolt. The thorn that sticks my side to this day is the one time in my life I was innocent was the one time that I got it.’ [...] Whatever happened, it was Country's consolation, he had Broomface where it pinched. He owed so much time here and there that even were he to serve it concurrently, he was sure to die owing at least fifty years. They'd never be able to collect."