Rappers

"The Third World deserves freedom of speech just like everyone else. We want to fight the battle to say what we want, whether to be serious or just make fun of ourselves. That's what "Worldtown" is about, that's what "Paper Planes" is about. It's what people in the third world live through."

"Google’s more powerful than any government now – people think it’s God. They’re storing all our data and one day they’re going to turn against us."

"My approach to politics is that I never said I'm smart. But why aren't I allowed to write about my experience?"

"I have to be true to that - I can't take certain things away. I do have a political background. I’m only in England, learning this language and building a life in this society, because of political reasons. Why would I deny that?"

"As soon as I came to England, really, I must have about spent two or three months bouncing around the pop world trying to get an idea of what England was. I wasn't really motivated by anything else. And nothing really inspired me. I was really confused about who I was and where I stood in society, you know what I mean? You come there and you just don't know what the hell is going on. And then I remember the first house we stayed in and I watched 'Top of the Pops' and it was like- woah! It was the first music show that I saw on TV. I saw Madonna, Whitney Houston. It was amazing"

"I'm not sure, but music now should be like sonic massage. You want to really feel it, internally. The police [sic] use sound cannons at public protests that explode people’s insides with a single note – human beings have to come up with the opposite of that."

"It's good. You know, it's nice coming out and actually meeting all your fans - you make this thing in your bedroom and you don't really know who is going to get it or relate to it or anything, you know? And you just pour your heart out kind of thing, and then you find out you relate to people and that's the final process of it. You know, to meet people who are actually like you and that you connect with, you know what I mean? That's kind of cool. That's the best thing about touring."

"I feel the reason why I'm really like outspoken and stuff is because all of these things were inflicted upon me, and I never went and caused any trouble, you know? I just feel like I was kind of skipping along in some country and somebody decides to drop a bomb and shake up my life and then it's all been survival from then on. And that's the reality for thousands - and millions - of people today. Why should I get censored for talking about a life that half the time I didn't choose to live?"

"I haven't heard honesty in music for so long and this is how I feel, and this is what I think. You don't even have to say words … I was just being as raw as possible. I wanted to make music that you felt in your gut."

"I didn't want to make huge political statements; in fact, I hate preachy shit and people saying, 'This is good; this is bad.' I talk about how I see things as an everyday person in England. I was saying things that were a bit controversial, and I wanted to say that there are some opinions that aren't black and white. Things are confusing and complex. If you really want to be a good person, you understand things from all points of view and you are empathetic towards every opinion and every voice. I was like, 'I'm going to make an album about how it's difficult to make sense of living today, and that is added to by the television and the media, the person at my bank and the person at my mobile phone company.' I want to make sense of all those people and what is going on, and that is what I tried to do lyrically, and not provide a manifesto."

"I was never really affected by it because I don’t have the time to go up to every grime kid and explain the ideology and the lifestyle. It’s too hard....Look at Afrikan Boy, he still has that problem. You have this talent to see something and articulate something new, but you can’t because the arena to do that doesn’t exist. It’s easier to breed movements in England than really support one artist, especially in urban culture."

"I feel like I'm a fucking infomercial for issues around the world this year. I don’t want it to be like that though. I feel like for the first time I'm truly falling in love with music in its own right."

"They wanted me to be the face of Coca Cola. I was like 'Wow. Have you guys got any idea what you’re talking about?' Then Pepsi called me the next week. My mother-in-law called me and said 'Oh my God, Maya, they’re offering you so much money."

"Nobody wants to be dancing to political songs. Every bit of music out there that’s making it into the mainstream is really about nothing. I wanted to see if I could write songs about something important and make it sound like nothing. And it kind of worked."

"It's important for communities to be put together on a different basis. It's really shitty that we're taught to be really patriotic when 99 percent of the shit that we wear and we use and eat and everything comes from everywhere all the time, and musically, it's the same."

"I saw firsthand where the music we made ended up. It turned up in sterile bullshit clubs in LA, separated from the spirit we made it in."

"Kala is about my mum and her struggle–how do you work, feed your children, nurture them and give them the power of information?"

"OK, let's go and explore the rest of the world, and how easy is it to put together music through found objects and stuff, and people, and ideas and certain electricity, certain environments."

"I used to see songwriting like editing a film or something. You can edit music like you can edit a film. Or if I was painting or making a picture or something, that night I could sit down and write a song. I think it really helps to break things up. Sometimes when you sit down to write songs, you write three or four songs in a row feeling the same sort of vibe. But if you stop in-between that time and change something, you break the pattern – you prevent yourself from unconsciously falling into a format."

"I performed at a show at the MoMA. There was this big dinner there, and I was seated in this hall with the mayor of New York and all these extremely wealthy art-supporting and art-buying people. There was a piece of work hanging in the hall-it was a fan. This fan was supposed to swing by the momentum of its own propeller. So, while we were having dinner, the fan was stopped, and the guy next to me, a curator at P.S.1, said, "Look, this is what art symbolizes today." Like, that piece of art is supposed to be moving, but just to have dinner we've stopped the art. That's what New York is like today. You can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting."

"I'm more of a realist, than a theorist"

"I think I just kind of thought about all the artists that I really respected throughout the - just any genre of music really and I think everybody that I respected and liked. They were just them. You know, they're people who always stuck to who they were, and were true and honest about who they were. So I think that kind of gave me a real like confidence to just stick at it. Just thinking about people like Bjork - you know, I don't know, Bob Dylan, you know artists that truly were strong in themselves."

"I think I'm the edge finder"

"Yeah manmade power Stood like a tower Higher Higher, Hello And the higher you go you feel lower, oh I was close to the edge Staying undercover, staying undercover And with my nose to the ground I found my Sound"

"I'm here to paint what's written on your face Cause these are the days We are losing our ways To find better ways To say what nobody says"

"Do you know that cost of AKs Up in Africa 20 dollars ain't shit to you But that's how much they are So they gonna use the shit just to get far"

"All I want to do is [gunshots, cash register ring sounds] take your money... No one on the corner has swagga like us Hit me on the banner prepaid wireless We pack and deliver like UPS trucks Already going hell just pumping that gas."

"Can I get Control? Do you like me Vulnerable? I'm armed and I'm equal More fun for the people..."

"I bongo with my Lingo, Beat it like a wing yo From Congo to Columbo, Can't sterotype my thing yo"

"Who the hell is huntin' you? In the BMW How the hell they find you? 1 4 7'd you Feds gonna get you Pull the strings on the hood One Paranoid you Blazing through the Hood."

"No one ever gives those kids the microphone and says, 'Tell us, what the fuck is going on.' They don't show them because none of them know how to talk to you. It took me 20 years to get over here, learn the language, become a pop star and say, 'Finally, I get the microphone!' This is what I was going to say if I got it when I was 10."

"What was crucial to the partnership, it should be noted, is that Flavor Flav was a clown — in the tradition of the best black comics — yet he was a clown with consciousness, empowered with knowledge of self, an entirely different persona from the "Stepin Fetchit" and "Sambo" stereotypes of subservient and uncouth black Americans. Flavor Flav was and is a fool, but a fool on a mission. On the cover of Nation of Millions, he wears a gigantic clock as a medallion — a preposterous getup — yet it is designed to illustrate, through a comic medium, that time is indeed running out."

"The simple reason why we work together is just the contrast in our voices. People try to come up with intellectual reasons for 'the noise' and it ain't nothing intellectual. We was just making BAU tapes and needed voices to cut through that shit. Flavor got a powerful trebly voice, with cut. I got some bass with treble and pitch, which also cuts. So you put me and Flavor together and it's basically like Bobby Bird and James Brown — Everybody over here? Get on Up! The Bird/Brown combination set off everything."

"Well let me tell you like this, the rap scene right now has taken its own course and its own direction because you have so many rap records of all different calibers coming out. And me, I favor everybody, I like everybody and the reason why is because I want everyone to Favor Flav. If I favor one certain rapper or one certain singer then only one certain singer/rappers are going to favor Flav. So me, I'm just a friendly ghost and not only that I'm a musician. I like all kinds of music. And everybody making records right now is definitely respected by Flav and for all you new comers just starting to make records: welcome aboard."

"Well let me tell you something, I can't be nobody but myself. Ya know what I'm saying? The thing that makes the world love Flav is Flav being himself. So honestly man, to tell you the truth: it was not hard to be myself. It was real easy."

"Yeah boyeee!"

"I think and speak clearer since I cut the dairy out. I can breathe better and perform at a better rate, and my voice is clearer. I can explore different things with my voice that I couldn’t do because of my meat and dairy ingestion. I am proud and blessed to be a vegetarian, everything became clear."

"This is street rad-i-o, For unsung hero, Driving in the regal, trying to stay legal, My daughter found Nemo, I found the new primo, Yeah, you know how we do, we do it for the people.""

"But once the man got you well he altered the native Told her if she got an image and a gimmick That she could make money, and she did it like a dummy Now I see her in commercials, she's universal She used to only swing it with the inner-city circle Now she be in the burbs lickin' rock and dressin' hip And on some dumb shit"

"I fight, with myself in the ring of doubt and fear The rain ain't gone, but I can still see clear As a child, given religion with no answer to why Just told believe in Jesus cause for me he did die Curiosity killed the catechism Understanding and wisdom became the rhythm that I played to And became a slave to master self A rich man is one with knowledge, happiness and his health My mind had dealt with the books of Zen, Tao the lessons of the Koran and Bible, to me they all vital And got truth within 'em, gotta read them boys You just can't skim 'em, different branches of belief But one root that stem 'em, but people of the venom try to trim 'em And use religion as an emblem When it should be a natural way of life Who am I or they to say to whom you pray ain't right? That's who got you doin' right and got you this far Whether you say "in Jesus name" or "Al hum du'Allah" Long as you know it's a being that's supreme to you You let that show towards others in the things you do Cause when the trumpets blowin', 24 elders surround the throne Only 144,000 gon get home"

"Granted we known each other for some time but it don't take a whole day to recognize sunshine"

"The revolution will not be televised The revolution is here"

"The perseverence of a rebel, I drop heavier levels of unseen or heard, a king with words Can't knock the hustle, but I've seen street dreams deferred Dark spots in my mind where the scene occurred Some say I'm too deep, but I'm in too deep to sleep"

"I'm the truth, across the table from corporate lies Immortilized by the realness I bring to it If revolution had a movie I'd be theme music My music, you can either fight, fuck, or dream to it"

"This industry will make you lose intensity"

"Cause federal and state was built for a black fate Her emptiness was filled with beatings and court dates They fabricated cases, hoping one would stick And said she robbed places that didn't exist In the midst of threats on her life and being caged with Aryan whites Through dark halls of hate she carried the light"

"The chosen one from the land of the frozen sun, where drunk nights get remembered more than sober ones"

"Never looking back, or too far in front of me. The present is a gift, and I just wanna be."

"We got arms but wont reach for the skies"

"Be the author of your own horoscope"