Pianists From The United States

"Well, you ain't Fiona Apple. And if you ain't Fiona Apple, I don't give a rat's ass."

"If you don't have a date Celebrate Go out and sit on the lawn And do nothing 'Cause it's just what you must do Nobody does it anymore."

"Conversation once colored by esteem Became dialogue as a diagram of a play for blood. Took a vacation, my palate got clean. Now I could taste your agenda While you're spitting your cud."

"The early cars Already are Drawing deep breaths past my door. And last night's phrases, Sick with lack of basis, Are still writhing on my floor.And it doesn't seem fair That your wicked words should work In holding me down. No, it doesn't seem right To take information Given at close range For the gag And the bind And the ammunition round."

"I opened my eyes While you were kissing me once more than once, And you looked as sincere as a dog. Just as sincere as a dog does, When it's the food on your lips with which it's in love."

"Everything good, I deem too good to be true; Everything else is just a bore. Everything I have to look forward to Has a pretty painful and very imposing before."

"One man, he disappoint me; He give me the gouge and he take my glee. Now every other man I see Remind me of the one man who disappoint me."

"I certainly haven't been shopping for any new shoes, And I certainly haven't been spreading myself around. I still only travel by foot, and by foot it's a slow climb. But I'm good at being uncomfortable, so I can't stop changing all the time."

"And I will pretend That I don't know of your sins Until you are ready to confess. But all the time, all the time, I'll know, I'll know.And you can use my skin To bury secrets in, And I will settle you down."

"So keep on calling me names, keep on, keep on. And I'll keep kicking the crap till it's gone. If you keep on killing, you could get me to settle. And as soon as I settle, I bet I'll be able to move on."

"I may be soft in your palm, But I'll soon grow hungry for a fight, and I will not let you win. My pretty mouth will frame the phrases that will disprove your faith in man. So if you catch me trying to find my way into your heart from under your skin,Fast as you can, baby Scratch me out, free yourself."

"Do I wanna do right, of course but do I really wanna feel I’m forced to answer you, hell no. I’ve acquired quite a taste for a well-made mistake, I wanna make a mistake."

"Hunger hurts, and I want him so bad, oh it kills. 'Cause I know I'm a mess he don't wanna clean up. I got to fold 'cause these hands are too shaky to hold. Hunger hurts, but starving works, when it costs too much to love."

"My derring-do allows me to Dance the rigadoon around you. But by the time I'm close to you, I lose my desideratum and now you."

"What I need is a good defense 'Cause I'm feeling like a criminal And I need to be redeemed To the one I've sinned against Because he's all I ever knew of love."

"I've been a bad, bad girl. I've been careless with a delicate man. And it's a sad, sad world When a girl will break a boy just because she can.Don't you tell me to deny it. I've done wrong and I want to suffer for my sins. I've come to you 'cause I need guidance to be true, And I just don't know where I can begin."

"Oh, it's evil babe The way you let your grace enrapture me, When well you know I'd be insane To ever let that dirty game recapture me.You made me a shadowboxer, baby. I wanna be ready for what you do. I been swinging all around me 'Cause I don't know when you're gonna make your move."

"Once my lover, now my friend; What a cruel thing to pretend. What a cunning way to condescend; Once my lover, and now my friend.Oh, you creep up like the clouds And you set my soul at ease. Then you let your love abound, And you bring me to my knees."

"I got my feet on the ground and I don't go to sleep to dream; You've got your head in the clouds and you're not at all what you seem. This mind, this body and this voice cannot be stifled by your deviant ways. So don't forget what I told you, don't come around, I got my own hell to raise."

"It shouldn’t be like this but I think it’s feeling recognised and appreciated and not being trashed or misunderstood. I feel proud of myself – I’m taking care of myself, I’m taking care of my career and I’m managing things well. I know more than anybody how hard this stuff is for me. There’s been a lot of anxiety and seriously feeling like I cannot do this job but then a lot of outright joy and relief that I actually did put out the album. Something I think about is: if it hadn’t been well received, it would have been the same album, and would I still have felt joy and freedom and satisfaction? I don’t know that I would, and that troubles me. I’m happy that I feel respected in a way that I wasn’t before but it also messes with your idea of yourself."

"...That [speech] was a huge moment in my life that I will never, ever regret, and that I have never regretted, no matter how embarrassed I might have been by it at a certain point. I knew it was one of those moments where you have to be a really good parent to yourself and go: “This is a time you can get out there and just say it, you have to because if you don’t do it now you set a precedent for yourself at these things. You shut up your entire life at school, you took all this shit and you were quiet, look how it made you feel. You’re at this thing right now, this magnified high school class and now you got a chance to go up and say something? Don’t be shy. No matter how it comes out, just let it come out.” So I’m really glad that I did that and I think that that set me on a good path."

"I get that, but it didn’t occur to me because that was the truth – Shameika did say I had potential. It was a true sentence and I really like when true things sound pretty. I was pretty sure there was a Shameika at the school and this had happened, but I question my memories – I question my memory even about having been raped. If I had thought of that I probably wouldn’t have put it out because I would have been afraid that that was how it was coming off..."

"...In that moment I understood what it was for – it’s really for anybody to have those words and feel validated. Even if no one else believes you, even if you’ve not believed yourself, even if you still don’t believe yourself, let me give you these words to sing and at some point you’re gonna feel it and you’re gonna have compassion for yourself, finally, hopefully."

"You could say, more accurately, I had found my voice but I had forgotten that I found it, or I had found my voice but stopped hearing it for a while. I think that happens throughout life. That is maybe why you can write songs about yourself for ever because you cycle through the same things over and over but you’re seeing it a little more clearly every time."

"Don't waste your crazy!"

"I don't have a big thing about leaving my mark or being historic."

"My problem was that I felt ashamed of feeling sad or angry. Now, I don't hide my vulnerability in my lyrics. There's no way I was going to get raped and not get something out of it. I learned about power and hope and forgiveness. I like who I am now and I wouldn't be who I am if that hadn't happened."

"I definitely had an eating disorder. What was really frustrating for me was that everyone thought I was anorexic, and I wasn't. I was really depressed and self-loathing. For me, it wasn't about being thin, it was about getting rid of the bait attached to my body. A lot of it came from the self-loathing that came from being raped at the point of developing my voluptuousness. I just thought that if you had a body and if you had anything on you that would be grabbed, it would be grabbed. So I did purposely get rid of it...I mean, my plan is to gain enough weight that I can really be considered voluptuous, and do my 'First Taste' video. And I am preparing myself for what is going to happen. Because soon they will be saying that I'm fat. And it will hurt me."

"Interviewer: I read a post on the Internet from a young girl who had been victimized by someone and her position was like, "I can talk about this now because Fiona Apple can talk about what happened to her." Do you look at yourself as a role model for women and girls who've had this experience? Fiona: That's the only reason I ever brought the whole rape thing up. It's a terrible thing, but it happens to so many people. I mean, 80 percent of the people I've told have said right back to me, "That happened to me too." It's so common, and so ridiculous that it's a hard thing to talk about. It angers me so much because something like that happens to you and you carry it around for the rest of your life. No matter how much therapy you go through, no matter how much healing you go through, it's part of you. I just feel that it's such a tragedy that so many people have to bear the extra burden of having to keep it secret from everyone else. As if it's too icky a subject to burden other people with and everyone's going to think you're a victim forever. Then you've labeled yourself a victim, and you've been taken advantage of, and you're ruined, and you're soiled, and you're not pure, you know.If I'm in a position where people are looking up to me in any way, then it's absolutely my responsibility to be open and honest about this, because if I'm not, what does that say to people? It doesn't change a person -- well, it does change a person but it doesn't take anything away from you. It can only strengthen you. It has made me so angry in the past. Like I wanted to say it to somebody. I really wanted somebody to connect with, somebody to understand me, somebody to comfort me. But I felt like I couldn't say anything about because it was taboo to talk about."

"It was because of this guy I had gone out with and had been really, really close with. I really loved him. I felt that he was my best friend. But he was a teenaged guy, and they don't think a lot of times. He mistreated me and then he came back. I couldn't even be friends with him for awhile. I cared about him, but it was just a situation where he kept trying to be friends with me, but I knew that he just wanted to be friends with me so he could have the option of making a move on me whenever he wanted to. And because I was so infatuated with him, and even in love with him, I was always available for that. It made me feel weak every time I would fall for that. And I would look forward to him making a move on me, but I knew that it was wrong. I knew that he was playing with me. And after awhile, I didn't even care anymore because I wanted him so much."

"This world is bullshit. And you shouldn't model your life — wait a second — you shouldn't model your life about what you think that we think is cool and what we're wearing and what we're saying and everything. Go with yourself. Go with yourself."

"I got a woman way over town, That's good to me, Oh yeah!"

"You gotta know how to get to people's heart"

"It's a little like a Ray Charles concert, isn't it? Georgia!"

"Ray Charles is the only genius in our business."

"A lot of Negro style-the style of a man like Miles Davis or Ray Charles or the style of a man like myself is based on a knowledge of what people are really saying and on our refusal to hear it. You pick up on the beat, which is much more truthful than words."

"There are certain artists who belong to all the people, everywhere, all the time. The list of singers, musicians, and poets must include David the harpist from the Old Testament, Aesop the Storyteller, Omar Khayyam the Tent Maker, Shakespeare the Bard of Avon, Louis Armstrong the genius of New Orleans, Om Kalsoum the soul of Egypt, Frank Sinatra, Mahalia Jackson, Dizzy Gillespie, Ray Charles....Celia Cruz...All great artists draw from the same resource: the human heart, which tells us all that we are more alike than we are unalike."

"Other arms reach out to me Other eyes smile tenderly Still in peaceful dreams I see The road leads back to you. Georgia, oh Georgia, no peace I find... Just an old sweet song Keeps Georgia on my mind."

"Music is nothing separate from me. It is me. I can't retire from music any more than I can retire from my liver. You'd have to remove the music from me surgically — like you were taking out my appendix."

"Women anchor me. They're there when I need them. They're sensitive to me, and I'm sensitive to them. I'm not saying I've loved that many women. Love is a special word, and I use it only when I mean it. You say the word too much and it becomes cheap. But sex is something else. I'm not sure that there can ever be too much sex. To me, it's another one of our daily requirements — like eating. If I go twenty-four hours without it, I get hungry. Sex needs to be open and fun, free and happy. It's whatever you make it, and I try my hardest to create situations where me and my woman can enjoy ourselves — all of ourselves — without our inhibitions getting in the way. You got to set your mind right and the rest will come to you naturally. No restrictions, no hang-ups, no stupid rules, no formalities, no forbidden fruit — just everyone getting and giving as much as he and she can."

"My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil."

"Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine. That's how my band made it. We swam through a lot of shit together, we swallowed a lot of pride, but we managed to do what we needed to do."

"Then there were motorcycles. I learned to ride one in Tallahassee when I was about 14 or 15. … I got to know the town pretty well, and soon I felt confident about riding round. Tallahassee was full of hills, and I loved racing up and down 'em, sometimes trailing my friend or riding next to him, so I could hear the sound of the exhaust and make sure to follow closely and yet not too closely. I know it sounds strange — a blind teenager buzzin' round on a motorcycle — but I liked that; that was me. I had always been nervy, and I always had a lot of faith in my ability not to break my neck."

"When I was going blind, I didn't turn to God. It didn't seem to me then — and it doesn't seem to me now — that those items were His concern. Early on, I figured I better begin to learn how to count on myself, instead of counting on supernatural forces."

"I know that men ain't supposed to cry, but I think that's wrong. Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human."

"I was born with music inside me. That's the only explanation I know of, since none of my relatives could sing or play an instrument. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me — like food or water."

"Before I begin, let me say right here and now that I'm a country boy. And, man, I mean the real backwoods! That's at the start of the start of the thing, and that's at the heart of the thing."

"His melding of styles influenced artists from a wide range of genres, and his own records are classics, running the gamut from country to gospel to R&B."

"Every music has its own soul, Quincy"

"You better live every day like your last because one day you're going to be right."