People From Vienna

"In a month’s time, I shall be able to give your Majesty news of the Comtesse de Provence, for the marriage is fixed for May 14th; they had prepared many fetes for this marriage, but now they are economising in them for want of money."

"We made our entrance into Paris. As for honors, we received all that we could possibly imagine; but they, though very well in their way, were not what touched me most. What was really affecting was the tenderness and earnestness of the poor people, who, in spite of the taxes with which they are overwhelmed, were transported with joy at seeing us."

"I have come, Sire, to complain of one of your subjects who has been so audacious as to kick me in the belly."

"No harm will come to me. The Assembly is prepared to treat us leniently."

"The King of Prussia is innately a bad neighbor, but the English will also always be bad neighbors to France, and the sea has never prevented them from doing her great mischief."

"What do you make of these threatening verses?... Pray heaven you speak truly, Madame d’Adhémar, however, these are strange experiences. Who is this personage who has taken an interest in me for so many years without making himself known, without seeking any reward, and who yet has always told me the truth? He now warns me of the overthrow of everything that exists and, if he gives a gleam of hope, it is so distant that I may not reach it... You fancy that I possess credit or power in our Salon. You are mistaken; I had the misfortune to believe that a Queen was permitted to have friends. The consequence is that all try to rule me, or to use me for their own personal advantage. I am the centre of a crowd of intrigues, which I have difficulty in avoiding."

"Madame d'Adhémar, here is another missive from my unknown. Have you not heard people talking again of the Comte de St.--Germain?... This time, the oracle has used the language which becomes him, the epistle is in verse; it may be bad, but it is not very cheering. You shall read it at your leisure...The unknown says the same as you do; but who is wrong or right?'"

"Courage! I have shown it for years; think you I shall lose it at the moment when my sufferings are to end?"

"We had a beautiful dream and that was all. The interest of my son is the only guide I have, and whatever happiness I could achieve by being free of this place I cannot consent to separate my self from him. I could not have any pleasure in the world if I abandoned my children.I do not even have any regrets."

"Meanings are not determined by situations, but we determine ourselves by the meanings we give to situations."

"The Adlerians, in the name of “individual psychology,” take the side of society against the individual. ... Adler’s later thought succumbs to the worst of his earlier banalization. It is conventional, practical, and moralistic. “Our science ... is based on common sense.” Common sense, the half-truths of a deceitful society, is honored as the honest truths of a frank world."

"The striving for significance, this sense of yearning, always points out to us that all psychological phenomena contain a movement that starts from a feeling of inferiority and reach upward. The theory of Individual Psychology of psychological compensation states that the stronger the feeling of inferiority, the higher the goal for personal power."

"Nietzsche's "will to power" and "will to seem" embrace many of our views, which again resemble in some respects the views of Féré and the older writers, according to whom the sensation of pleasure originates in a feeling of power, that of pain in a feeling of feebleness."

"Man knows much more than he understands."

"It is always easier to fight for one's principles than to live up to them."

"To be human means to feel inferior."

"I close my eyes halfway just as when I conceive paintings and I see the houses 'Dunkelbunt' -glowing in pure strong and deep colours a little sad like seem on a rainy day instead of ugly cream colour and green meadows on all roofs instead of corrugated iron. p.6"

"I am looking forward to become humus myself buried naked without coffin under a beech tree planted by myself on my land in ao tea roa. p6"

":[This sentence also occurs in Hundertwasser's manifesto "On the Paradise Destroyed by the Straight Line" (1985).]"

"The straight line is godless and immoral."

"Today we live in a chaos of straight lines, in a jungle of straight lines. If you do not believe this, take the trouble to count the straight lines which surround you. Then you will understand, for you will never finish counting."

"Only when architect, bricklayer and tenant are a unity, or one and the same person, can we speak of architecture. Everything else is not architecture, but a criminal act which has taken on form."

"We must at last put a stop to having people move into their quarters like chickens and rabbits into their coops."

"Everyone should be able to build, and as long as this freedom to build does not exist, the present-day planned architecture cannot be considered art at all."

"There are no evils in Nature, there are only evils of Man."

"A person in a rented apartment must be able to lean out of his window and scrape off the masonry within arm's reach. And he must be allowed to take a long brush and paint everything outside within arm's reach. So that it will be visible from afar to everyone in the street that someone lives there who is different from the imprisoned, enslaved, standardised man who lives next door."

"One begins to think with that new building block, rather than with littler pieces. And finally, the things which seem like elements dissolve, and leave a fabric of relationships behind, which is the stuff that actually repeats itself, and gives the structure to a building or a town."

"Look more carefully...to find out what it really is that is repeating there .... Beyond its elements, each building [or town] is defined by certain patterns of relationships among the elements.... These relationships are not extra, but necessary to the elements... The elements themselves are patterns of relationships."

"On the geometric level, we see certain physical elements repeated endlessly, combined in an almost endless variety of combinations... It is puzzling to realize that the elements, which seem like elementary building blocks, keep varying, and are different every time that they occur .... If the elements are different every time that they occur, evidently then, it cannot be the elements themselves which are repeating in a building or town; these so-called elements cannot be the ultimate "atomic" constituents of space."

"Every place is given its character by certain patterns of events that keep on happening there.... These patterns of events are locked in with certain geometric patterns in the space. Indeed, each building and each town is ultimately made out of these patterns in the space, and out of nothing else; they [patterns in the space] are the atoms and molecules from which a building or a town is made."

"When we know those moments, when we smile, when we let go, when we are not on guard at all – these are the moments when our most important forces show themselves; whatever you are doing at such a moment, hold on to it, repeat it – for that certain smile is the best knowledge that we ever have of what our hidden forces are, and where they lie, and how they can be loosed."

"A thing is whole according to how free it is of inner contradictions. When it is at war with itself, and gives rise to forces which act to tear it down, it is unwhole. The more free it is of its own inner contradictions, the more whole and healthy and wholehearted it becomes."

"...the constitution of the universe may be such that the human self and the substance that things [are] made out of, the spatial matter or whatever you call it, are much more inextricably related than we realized."

"...we have so far beset ourselves with rules, and concepts, and ideas of what must be done to make a building or a town alive, that we have become afraid of what will happen naturally, and convinced that we must work within a "system" and with "methods" since without them our surroundings will come tumbling down in chaos."

"In my life as an architect, I found that the single thing which inhibits young professionals, new students most severely, is their acceptance of standards that are too low."

"...every pattern we define must be formulated in the form of a rule which establishes a relationship between a context, a system of forces which arises in that context, and a configuration which allows these forces to resolve themselves in that context."

"Nothing which is not simple and direct can survive the slow transmision from person to person."

"...a great architect's creative power, his capacity to make something beautiful, lies in his capacity to observe correctly, and deeply. A painter's talent lies in his capacity to see – he sees more acutely, more precisely, what it is that really matters in a thing, and where its qualities come from."

"The concept of 'tonality' signifies the unified relationship of chords to a central tonic and hence comprises two different assumptions: first, the existence of unifying factors, and second, the existence of, or at least the hypothetical ability to reconstruct, a tonal center."

"I think the origin of all this clamour for tonality is not so much the need to sense a relationship to the tonic, as a need for familiar chords: let us be frank and say "for the triad"; and I believe I have good reason to say that just so long as a certain kind of music contains enough such triads, it causes no offence, even if in other ways it most violently clashes with the sacred laws of tonality."

"I regard Alban Berg as a musical swindler and a musician dangerous to the community. One should go even further. Unprecedented events demand new methods. We must seriously pose the question as to what extent musical profession can be criminal. We deal here, in the realm of music, with a capital offence."

"The best music always results from ecstasies of logic."

"If...Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes."

"Already in my original paper I stressed the circumstance that I was unable to give a logical reason for the exclusion principle or to deduce it from more general assumptions. I had always the feeling, and I still have it today, that this is a deficiency."

"Although Heisenberg and Dirac may have been even more creative than Pauli, no physicist alive was more clever."

"I think you and Uhlenbeck have been very lucky to get your spinning electron published and talked about before Pauli heard of it. It appears that more than a year ago Kronig believed in the spinning electron and worked out something; the first person he showed it to was Pauli. Pauli ridiculed the whole thing so much that the first person became also the last and no one else heard anything of it. Which all goes to show that the infallibility of the Deity does not extend to his self-styled vicar on earth."

"He was very easily hurt and therefore would let down a curtain. He tried to live without admitting reality. And his unworldliness stemmed precisely his belief that that was possible."

"I related to Feynman other anecdotes about physicists. Some of these were Pauli stories. I told him what I had learned from Pauli when I asked him about his opinion of various physicists. Feynman especially enjoyed the following remarks of Pauli. About Oppenheimer, Pauli had said: 'He always acts like the caricature of God in action!' About Hermann Weyl: 'One must first penetrate his façade [literally 'makeup', Schminke in German] in order to understand his thoughts.' About Leon Rosenfeld: 'He is the choirboy of the Pope [Niels Bohr]!' About Freeman Dyson, which I had heard from Telegdi: 'Everyone wants to learn something from me; no one wants to teach me anything. I had hoped Dyson would do it, but he's only a mathematician!' By now, Feynman was becoming quite eager: 'Did you ask Pauli about me?' I said, 'Yes.' 'Well, what did he say?' I replied, 'When I asked Pauli what he thought of you, he was amused, and replied, "Oh, Feynman, that Feynman, he talks like a gangster!"' This story made Feynman's day; nothing could have pleased him more."

"The famous physicist Wolfgang Pauli is said to have remarked that the deepest pleasure in science comes from finding an instantiation, a home, for some deeply felt, deeply held image."

"It is well known that theoretical physicists cannot handle experimental equipment; it breaks whenever they touch it. Pauli was such a good theoretical physicist that something usually broke in the lab whenever he merely stepped across the threshold. A mysterious event that did not seem at first to be connected with Pauli's presence once occurred in Professor J. Franck's laboratory in Göttingen. Early one afternoon, without apparent cause, a complicated apparatus for the study of atomic phenomena collapsed. Franck wrote humorously about this to Pauli at his Zürich address and, after some delay, received an answer in an envelope with a Danish stamp. Pauli wrote that he had gone to visit Bohr and at the time of the mishap in Franck's laboratory his train was stopped for a few minutes at the Göttingen railroad station. You may believe this anecdote or not, but there are many other observations concerning the reality of the Pauli Effect!"