People From New Orleans

"The press, television, and movies make heroes of vandals by calling them whiz kids. ... There is obviously a cultural gap. The act of breaking into a computer system has to have the same social stigma as breaking into a neighbor's house. It should not matter that the neighbor's door is unlocked."

"You can't trust code that you did not totally create yourself. (Especially code from companies that employ people like me.) No amount of source-level verification or scrutiny will protect you from using untrusted code."

"I am more strongly confirmed than ever in the belief that the time devoted to chess is literally frittered away. It is, to be sure, a most exhilarating sport, but it is only a sport; and it is not to be wondered at that such as have been passionately addicted to the charming pastime should one day ask themselves whether sober reason does not advise its utter dereliction."

"It has been truly said that Morphy was at once the Caesar and the Napoleon of chess. He revolutionized chess. He brought life and dash and beauty into the game at a time when an age of dullness was about to set in and he did this at a stroke. Then he quit forever. Only two years from the beginning to the end. The negotiations for some modern matches have taken that long!"

"Genius is a starry word; but if there ever was a chess player to whom that attribute applied, it was Paul Morphy."

"After the passage of a century, Morphy still remains the most glamorous figure that has ever appeared in the chess world."

"What was the secret of Morphy's invincibility? I think it was a combination of a unique natural talent and brilliant erudition. His play was the next, more mature stage in the development of chess. Morphy had a well-developed 'feeling for position', and therefore he can be confidently regarded as the 'first swallow' - the prototype of the strong 20th century grandmaster."

"We also remember the brilliant flight of the American super-genius Paul Morphy, who in a couple of years (1857-59) conquered both the New and the Old Worlds. He revealed a thunderous blend of pragmatism, aggression and accurate calculation to the world -- qualities that enabled America to accomplish a powerful spurt in the second half of the 19th century."

""...Morphy, the master of all phases of the game, stronger than any of his opponents, even the strongest of them..." ~ Alexander Alekhine, in Shakmatny Vestnik, January 15, 1914"

"Morphy's principal strength does not rest upon his power of combination but in his position play and his general style....Beginning with la Bourdonnais to the present, and including Lasker, we find that the greatest stylist has been Morphy. Whence the reason, although it might not be the only one, why he is generally considered the greatest of all."

"...Morphy was stronger than anyone he played with, including Anderssen"

"So still was he, that but for the searching intellect which glittered in his full dark eye, you might have taken him for a carven image as he pondered his moves. His bearing was mild and that of a refined gentleman, and he dealt the most crushing blows on his adversary with an almost womanly ease and grace."

"Paul Morphy was the greatest chess player that ever lived. Every student of the game, who has delved into the stories of the past, realizes that no one ever was so far superior to the players of his time, or ever defeated his opponents with such ease, and no one ever offered knight odds to the men who considered themselves his equal."

"Anderssen voiced it well when asked why he did not play as brilliantly as usual in his game with Morphy, when he replied: "Morphy will not let me.""

"Let the chessboard supercede the card table, and a great improvement will be visible in the morals of the community."

"It [chess] is eminently and emphatically the philosopher's game."

"It [chess] is not only the most delightful and scientific, but the most moral of amusements."

"Chess never has been and never can be aught but a recreation. It should not be indulged in to the detriment of other and more serious avocations."

"An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular."

"A good book is never exhausted. It goes on whispering to you from the wall."

"The contents of someone's bookcase are part of his history, like an ancestral portrait."

"It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn’t wait to leave."

"I think that virtuosity is the first sign of morality in a musician. It means you're serious enough to practice."

"How you feel about Wynton Marsalis may indicate how you feel about jazz. To some fans he’s been a kind of saviour, restoring the music’s essence by reconnecting it to its roots in blues and swing, after its post-1960s fragmentation into fusion, free, world, acid, smooth, etc. But to others, his neo-conservatism is actually anti-jazz, restricting its evolutionary energy and creating ‘mausoleum music’. But no one doubts Marsalis’s authority, sincerity and talent. His virtuosity made him famous when he was barely out of his teens, achieving the unprecedented feat of winning Grammy awards in both classical and jazz categories in the same year. In fact, his passion for the trumpet first led him to jazz. Growing up in New Orleans in the 1970s, Marsalis was a mere dabbler in funk until his classical trumpet teacher introduced him to such jazz masters as Clifford Brown. His imagination was fired by a music that combined individuality and virtuosity, forged in African-American experience. That devotion to the heritage and expressive power of jazz still informs everything Marsalis does. It’s why he has fiercely decried the sort of all-purpose dumbing down which, to him, misrepresents the legacy of such African-American heroes as Armstrong, Ellington and Monk. As the trumpeter berated a critic: ‘We are not some hip sub-culture for your entertainment. Jazz is the most intelligent music of all time.’"

"Wynton Marsalis' skills have grown as fast as his ambition, and he is the most ambitious younger composer in Jazz."

"Flexibility is an essential part of Jazz. It's what gives Jazz music the ability to combine with all other types of music and not lose its identity."

"The reason why the music is important is that it's an art form—an ancient art form—that takes in the mythology of our people."

"I'm writing my 5th . It's called the Liberty Symphony. ...It will be rah, rah optimism, but it will also be movements like, "This you did, despite the word of the Lord." ...I take all this very seriously."

"[W]e're in trouble right now, but... a doctor doesn't go into a place where a lot of people are sick and say, "Man, a lot of people are sick here." You're the doctor, man! Come in and help people. So let's roll up our sleeves. A lot of talking always goes on about democracy. Let's see! ...I'm the doctor of democracy. Let's go!"

"That's what I have to say as a band leader. I can't say, "Well, I'm going to solo on every tune. Every time somebody plays it's me." That's not the solution."

"[I]n jazz you can plug the base amp in, the drummer can play loud, one soloist can play 400 choruses, and the next one can fight by playing 430. The music breaks down. You have to balance your freedom to improvise with restraint that comes with swinging and recognizing other people. Democracy dies when you do not understand the need for leveling, and to create wealth for everybody, and to see in your neighbor not an enemy, but a friend, and for elites to manage themselves."

"The level of corruption we're seeing now... I'm a nonpartisan attacker of the corruption I see. I've been doing it for 40 years, and what you're seeing in the public space now is the type of arrogance and criminal activity that we were always working our way towards. Now you see it. ...[H]ow do the people at large respond to this? ...The judicial system is not saving us the way it should. ...[W]e have to wake up and say "we're tired of this..." And... if we don't, we're going to be just like all the other things that could've been something."

"That's democratic leadership. It's like a flock of geese. They make the calls from the back. ...If you really are leading, everybody is leading. ...Chris Crenshaw ...started to tell me, from the last two songs, who hadn't played. ...So then we all started to look out for each other. ...Then we start to negotiate the song so that we make sure everyone plays."

"I always believed in working hard. ...That’s something that my father and my great-uncle would always tell me. My great-uncle was a stone-cutter for the cemetery, and he was in his nineties. He would always say, "Learn how to work a job. Your job is your identity. You don’t work a job for somebody else. You work your job for yourself." So when I got to be serious about music, I started practicing, and trying to look for teachers."

"I had a trumpet, but I didn't want to be a trumpet player. I wanted to be some type of athlete or in some type of scholarly activity, be a chemist or something―I had my little chemistry set, and I liked playing with it."

"They take your drawers off for you, they show your ass, they sell bullshit, they call themselves 'niggaz' and the women 'bitches' and 'hos' and it's fine with everybody. ...That's what the essence of decadence is. Civilisation is an effort."

"Some stances are just conducive to swinging. If I stand up straight for too long it's harder to swing. Plus my feet hurt."

"The first jazz musician was a trumpeter, Buddy Bolden, and the last will be a trumpeter, the archangel Gabriel."

"I have to tell you I don't just see this role of women as caretakers in the world that I cover, I see it in the world I live in. Slowly, slowly, slowly but definitely, the workplace is becoming a more humane place because of the presence of women. The idea that time can be taken for family, whether it's having children or caring for sick people or elderly people in your family. That is becoming more possible for the men in the work place as well as for the women in the work place because of the fights that we have fought over the last several decades."

"I say, in politics, it is the women who are constantly bringing the civilizing issues to the forefront, the caretaking issues, the issues of concern to families and children."

"The truth is, the notion that gay marriage is harmful to marriage, is sort of mind-boggling, because these are people trying to get married. But it seems to me, if you want to defend marriage against something, defend it against divorce."

"Senator John Tower (R-Texas): What is your definition of womanizing?Roberts: Well, I think most women know it when they see it, Senator."

"The long view: when we were living in Greece, we used to go to this beach at Marathon — just think of it .... And there was a little museum there, a little tiny museum from well before the Battle of Marathon that you've studied, with artifacts from 7000 years ago. And you looked in these cases, and there were buttons, there were frying pans, there were mirrors, there was jewelry — and it was remarkable to look at. You could open them and put on — you could put it on and use it right away! It was totally recognizable to the lives of women today. For men, what was in those cases? Well, there were some bows and arrows, and there were some articles of worship, so if you were a soldier or a priest there was something. But if you just went about leading your daily lives, there wasn't something terribly recognizable for you. That's what we have: we have this wonderful, wonderful continuum. So I say to you, young women of Wellesley, open up those cases. Take up the tools and put on the jewels — of your foremothers and sisters. Go out into this world and take good care of it."

"Life is long. You have many opportunities ahead of you. You have so many more opportunities than so many people. You are privileged and blessed. And you will have the opportunity to say "Yes" to many different things, but you also will have the opportunity in the saying of "Yes" to say "No" sometimes, to say "No, it's not right for me, and my family, right now, to take this great job offer." And you know what? Another one will come along. I'm living proof of that. You can do it all. There are times when you have to not do it all at once. There are times when you don't sleep. But you can do it if you have some sense about saying, "This is what's right now, this is where I am now, and this is the care I need to take right now." I think that it is important to look at the long view as you go out of here and realize that there's a long time ahead, and there is time to see it all, to do it all, and to do it in ways that make you proud and happy in the end."

"After 58 years you'd think writing would get easier. It doesn't. If you're lucky, you become harder to please. That's all right, it's still a pleasure."

"My grandson, Max, who is an all state lacrosse player, once gave me some lacrosse advice: A limp pass is like a limp dick; it doesn't get the job done. I think the same can be said about limp writing."

"I leave out the parts that people skip."

"What do you tell a man with two black eyes? Nothing, he's already been told twice."

"I know a guy who walks into a bank with a little glass bottle. He tells everyone it's nitroglycerin. He scores some money off the teller, walks out. On his way out, the bottle breaks, he slips on it and knocks himself out. The "nitro" was Canola oil. I know more fucked-up bank robbers than ones who know what they're doing. I doubt if one in twenty could tell you where the dye pack is. Most bank robbers are fucking morons."

"It's like seeing someone for the first time, and you look at each other for a few seconds, and there's this kind of recognition like you both know something. Next moment the person's gone, and it's too late to do anything about it."