People From Kansas

"Another good reducing exercise consists in placing both hands against the table edge and pushing back."

"He was a writer of paragraphs and short editorials. He always hoped to write something of permanent value, but the business of making a living took most of his time and he never got around to it. In his youth he felt an urge to reform the world, but during the latter years of his life he decided that he would be doing rather well if he kept himself out of jail. … When the last clod had fallen, workmen covered the grave with a granite slab bearing the inscription: "Submitted to the Publisher by Robert Quillen.""

"Discussion is an exchange of knowledge; argument an exchange of ignorance."

"Americanism: Using money you haven’t earned to buy things you don’t need to impress people you don’t like."

"How can Life grant us boon of living, compensate For dull grey ugliness and pregnant hate Unless we dare The soul's dominion? Each time we make a choice, we pay With courage to behold the restless day, And count it fair."

"Courage is the price that Life exacts for granting peace. The soul that knows it not, knows no release From little things: Knows not the livid loneliness of fear, Nor mountain heights where bitter joy can hear The sound of wings."

"Women must try to do things as men have tried. When they fail, their failure must be but a challenge to others."

"No kind action ever stops with itself. One kind action leads to another. Good example is followed. A single act of kindness throws out roots in all directions, and the roots spring up and make new trees. The greatest work that kindness does to others is that it makes them kind themselves."

"Better do a good deed near at home than go far away to burn incense."

"Never interrupt someone doing something you said couldn't be done."

"Never do things others can do and will do, if there are things others cannot do or will not do."

"Please know that I am aware of the hazards. I want to do it because I want to do it. Women must try to do things as men have tried. When they fail, their failure must be a challenge to others."

"In my life I had come to realize that when things were going very well indeed it was just the time to anticipate trouble. And, conversely, I learned from pleasant experience that at the most despairing crisis, when all looked sour beyond words, some delightful "break" was apt to lurk just around the corner."

"Preparation, I have often said, is rightly two-thirds of any venture."

"Anticipation, I suppose, sometimes exceeds realization."

"The most difficult thing is the decision to act. The rest is merely tenacity. The fears are paper tigers. You can do anything you decide to do. You can act to change and control your life and the procedure. The process is its own reward."

"The more one does and sees and feels, the more one is able to do, and the more genuine may be one's appreciation of fundamental things like home, and love, and understanding companionship."

"The time to worry is three months before a flight. Decide then whether or not the goal is worth the risks involved. If it is, stop worrying. To worry is to add another hazard. It retards reactions, makes one unfit. . . . Hamlet would have been a bad aviator. He worried too much."

"I want you to understand I shall not hold you to any midaevil code of faithfulness to me nor shall I consider myself bound to you similarly."

"As I look back on the flight I think two questions have been asked me most frequently. First: Was I afraid? Secondly: What did I wear?"

"There is so much that must be done in a civilized barbarism like war."

"In soloing—as in other activities—it is far easier to start something than it is to finish it. Almost every beginner hops off with a whoop of joy, though he is likely to end his flight with something akin to the D.T.'s."

"I understood. I was a girl-a "nervous lady." I might jump out. There had to be somebody on hand to grab my ankle as I went over. It was no use to explain I had seen aeroplanes before and wasn't excitable. I was not to be permitted to go alone in the front cockpit."

"Ours is the commencement of a flying age, and I am happy to have popped into existence at a period so interesting."

"Gee, I thought we'd be a lot higher at MECO!"

"There's no way I can go play for the Yankees, but I know they are going to come after me hard. … It's definitely not the most important thing to go out there for the top dollar, which the Yankees are going to offer me. It's not what I need."

"We are not the cowboys anymore — we are just the idiots this year … So we are going to go out and try to swing the bats, find the holes, and, hopefully, good things happen. … We were just a bunch of cowboys out there last year, just enjoying every minute … Now, we know we have something to prove. We don’t want to be remembered as a team that, OK, we keep making it to the playoffs, but we keep having tough losses. … I mean, we want to be known as a team that rewrites the history books. … This is definitely the best ballclub I’ve been on. I mean, that Oakland ballclub in 2001 was pretty awesome. We were a bunch of frat boys there. This team is a little older, but we have that same attitude. We feel like we can win every game, we feel like we like to have fun, and I think that’s why this team is liked by so many people out there. … You know, the kids watching us out there — we’ve got the long hair, we’ve got the cornrows, we got just guys acting like idiots. And I think the fans out there like it."

"There are various ways to call a man a liar. One way is just to scream it at him, which doesn't prove anything. Another is to establish facts by long and patient investigation. Still another way is not to call him a liar at all – let him do it himself."

"His narrative and dialogue could not be improved, and he passes the supreme test of being rereadable. I don't know how many times I have reread the Wolfe stories, but plenty. I know exactly what is coming and how it is all going to end, but it doesn't matter. That's writing."

"Rex Stout's greater innovation lay in his attention to the realities of the larger world. Nero Wolfe might not know the streets of his city very well, but he knew his nation. There are, for examples, reference in Fer-de-Lance to national issues such as Prohibition, and the Depression, and the Lindbergh baby. A few others writers of Golden Age detective stories were inserting a few topical references of this sort, but none to the degree Stout did. The Wolfe series is probably the only major detective story series before the 1970s to make national affairs an essential part of the detective's world, and few of the post-1970 series are as explicit about historical events and figures. ... Stout does not feel obligated to invent a surrogate senator from a vaguely Midwestern state; Nero Wolfe despises Joseph R. McCarthy, and he says so. Archie may drive a Heron, but when it comes to J. Edgar Hoover or Richard M. Nixon, he names names."

"Rex is a perfect writer – economical, rapid, free of cliché. Epigrammatic, intelligent, charming. What else? That's enough."

"Rex Stout's witty, fast-moving prose hasn't dated a day, while Wolfe himself is one of the enduringly great eccentrics of popular fiction. I've spent the past four decades reading and re-reading Stout's novels for pleasure, and they have yet to lose their savor."

"Stout was almost as witty as Raymond Chandler. His detective had splendid putdown lines almost as good as Sir Arthur Conan Doyle. And his mysteries were constructed a lot more smoothly than Agatha Christie's. But you do not expect Chandlerian wit from Conan Doyle, or Conan Doyle's superbly breathless sense of atmosphere and melodrama from Christie, or Christie's scathingly clear, unblinking vision of the monstrous crimes that average human nature is capable of all from the same pen. Stout gives you all of it. He is the Willie Mays or Derek Jeter of the mystery genre: a brilliant all-rounder more talented in each area than any single writer should ever dream of being."

"When Stout is on top of his game, which is most of the time, his diabolically clever plotting and his storytelling ability exceed that of any other mystery writer you can name, including Agatha Christie, who invented her own eccentric genius detective, Hercule Poirot."

"Rex Stout is one of the half-dozen major figures in the development of the American detective novel. With great wit and cunning, he devised a form which combined the traditional virtues of Sherlock Holmes and the English school with the fast-moving vernacular narrative of Dashiell Hammett."

"Wolfe talks in a way that no human being on the face of the earth has ever spoken, with the possible exception of Rex Stout after he had a gin and tonic."

"This fellow is the best of them all."

"Stout says to us, "Here are two friends. Here are two people sharing their lives. As you wish for friendship, share in theirs. As you seek companionship, share in theirs. As you search for love, share in theirs." Rex Stout invites us into the family and offers warmth and security and certainty. He affirms what we all seek on some primal level. If such disparate individuals as Wolfe and Goodwin can share friendship and love and caring and life, can not we? That’s the strength here. That’s the message and the feel-good inherent in the voice and character that Rex Stout has given to Archie Goodwin. In this cold world, it is a fire on which we may warm our hands."

"If he had done nothing more than to create Archie Goodwin, Rex Stout would deserve the gratitude of whatever assessors watch over the prosperity of American literature."

"There are only two kinds of books which you can write and be pretty sure you're going to make a living – cook books and detective stories."

"There isn't a generation gap between you and me – there's two."

"The only thing I want is something I can't have; and that is to know if, 100 years from now, people will still buy my books."

"My God you love to get them, and good Lord you hate to answer them."

"One trouble with living beyond your deserved number of years is that there's always some reason to live another year. And I'd like to live another year so that Nixon won't be President. If he's re-elected I'll have to live another four years."

"There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions – is he tall, is he short? – he had better quit."

"There are damn few great writers and I'm not one of them. While I could afford to I played with words. When I could no longer afford that I wrote for money."

"I'm not a collector. I don't keep letters, or books, or souvenirs. But I do keep one copy of each translation of my books into a foreign language. Have you ever seen a murder story printed in Singhalese? Wow!"

"Any man who undertakes to write a play is either a damn fool or a hero, I don't know which. When you write a book, you pull it out of the typewriter and that's that. When you write a play you've got to go on with the producer and the director and the actors and the rehearsals and the ..."

"I saw every performance Nijinsky danced in New York, and I see every baseball game I can get to. You watch a good second baseman digging for a badly thrown ball without letting his foot leave base and it's the same beautiful impossibility as a good pas de deux in Swan Lake."

"I don't approve of open fires. You can't think, or talk or even make love in front of a fireplace. All you can do is stare at it."