People From Indianapolis

"I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me forever within the numbered days, and I'm grateful."

"Late in the winter of my seventeenth year, my mother decided I was depressed, presumably because I rarely left the house, spent quite a lot of time in bed, read the same book over and over, ate infrequently, and devoted quite a bit of my abundant free time to thinking about death."

"But, in fact, depression is not a side effect of cancer. Depression is a side effect of dying. (Cancer is also a side effect of dying. Almost everything is, really.)"

"The moment Colin sat down, Hollis asked Hassan, "Would you like to say grace?" "Sure thing." Hassan cleared his throat. "Bismillah." Then he picked up his fork. "That's it?" Hollis wondered. "That's it. We are a terse people. Terse, and also hungry.""

"It was, he thought, just like how authors always wrote things in ways other than how they actually happened."

"'Sup?" asked Hassan. "Sup is not a word," answered Colin without looking up. "You're like sunshine on a cloudy day, Singleton. When it's cold outside, you're the month of May."

"People just liked Hassan, the way people like fast food and celebrities."

"Sometimes you read a book and it fills you with this weird evangelical zeal and you become convinced that the shattered world will never be put back together unless and until all living humans read that book."

"Tiny Cooper is not the world's gayest person, and he is not the world's largest person, but I believe he may be the world's largest person who is really, really gay, and also the world's gayest person who is really, really large."

"Love is the most common miracle"

"That smile could end wars and cure cancer."

"Colin did not laugh. Instead he thought, Tampons have strings? Why? Of all the major human mysteries—God, the nature of the universe, etc.—he knew the least about tampons. To Colin, tampons were a little bit like grizzly bears: he was aware of their existence, but he'd never seen one in the wild, and didn't really care to."

"When I was little, my dad used to tell me, "Will, you can pick your friends, and you can pick your nose, but you can't pick your friend's nose.""

"I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invent anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark almost blue color, and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.""

"He just wanted to play robot, for God's sake. Was that so wrong?"

"Being in a relationship, that's something you choose. Being friends, that's just something you are."

"They'd just driven past the General Store when Hassan said, "We don't have to go to Hardee's really. We could go anywhere." "Oh good because I really don't want to go to Hardee's," Lindsey said. "It's sort of horrible. There's a Wendy's two exits down the interstate, in Milan. Wendy's is way better. They have, like, salads.""

"It is saying these things that keeps us from falling apart. And maybe by imagining these futures we can make them real, and maybe not, but either way we must imagine them. The light rushes out and floods in."

"Missing her kept him awake more than the coffee."

"This is why we call people exes, I guess -- because the paths that cross in the middle end up separating at the end. It's too easy to see an X as a cross-out. It's not, because there's no way to cross out something like that. The X is a diagram of two paths."

"Colin believed that the world contained exactly two kinds of people: Dumpers and Dumpees. A lot of people will claim to be both, but those people miss the point entirely: You are predisposed to either one fate or the other. Dumpers may not always be the heartbreakers, and the Dumpees may not always be the heartbroken. But everyone has a tendency."

"“I believe the universe wants to be noticed. I think the universe is inprobably biased toward the consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it-or my observation of it-is temporary?”""

"He'd never been all that good at math, but he was a goddamned world-famous expert in getting dumped."

"And then he lay there in his fever of sorry and repeated the now memorized note in his head and wanted to cry, but instead he only felt this aching behind his solar plexus. Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus something."

"I stand in this parking lot, realizing that I've never been this far from home, and here is this girl I love and cannot follow. I hope this is the hero's errand, because not following her is the hardest thing I've ever done."

"When adults say, "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail."

"Thomas Edison's last words were, "It's very beautiful over there." I don't know where there is, but I know it's somewhere, and I hope it's beautiful."

"I would always love Alaska Young, my crooked neighbor, with all my crooked heart."

"'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.'"

"[We] had to forgive to survive in the labyrinth."

"Luck is for suckers."

"But mothers lie. It's in the job description."

"(fills me with hope:) The Anthropocene Reviewed by John Green. I love the way John Green’s mind works. This book of essays traverses so many parts of our world—both elusive and quotidian—and demonstrates, ultimately, how remarkable it is to be human."

"How do you get out of the labyrinth of suffering?"

"I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane."

"I'm just scared of ghosts, Pudge. And home is full of them."

"I'm in love with cities I've never been to and people I've never met."

"What a treacherous thing to believe that a person is more than a person."

"She has great breasts," the Colonel said without looking up from the whale. "DO NOT OBJECTIFY WOMEN'S BODIES!" Alaska shouted. Now he looked up. "Sorry. Perky breasts." "That's not any better!"

"[M]aybe the strings break, or maybe our ships sink, or maybe we're grass—our roots so interdependent that no one is dead as long as someone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose the grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications."

"God will punish the wicked. And before He does, we will."

"Imagining the future is a kind of nostalgia." "Huh?" I asked. "You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present."

"Prick us, we bleed. Prick him, he pops."

"Hank: "If you just say enough things, some of them will end up on those quote websites." // John: "Which, of course, is the point of being a person.""

"You listen to people so that you can imagine them, and you hear all the terrible and wonderful things people do to themselves and to one another, but in the end the listening exposes you even more than it exposes the people you're trying to listen to."

"You can say a lot of things about Alabama, but you can't say that Alabamans as a people are unduly afraid of deep fryers."

"It is so hard to leave—until you leave. And then it is the easiest goddamned thing in the world."

"Y'all smoke to enjoy it. I smoke to die."

"Is the labyrinth living or dying? Which is he trying to escape—the world or the end of it?"

"The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl."