Nonfiction Books

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April 10, 2026

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"[On how human activity on the Yangtze river affects the Baiji:] “I was trying to imagine what it would be like to be a blind man trying to live in a discotheque. Or several competing discotheques.” “Well, it’s worse than that, isn’t it?” Mark said. “Dolphins rely on sound to see with.” “All right, so it would be like a deaf man living in a discotheque.” “Why?” “All the stroboscopic lights and flares and mirrors and lasers and things. Constantly confusing information. After a day or two you’d be completely bewildered and disoriented and start to fall over the furniture.” “Well, that’s exactly what’s happening, in fact. The dolphins are continually being hit by boats or mangled in their propellers or tangled in fishermen’s nets. A dolphin’s echolocation is usually good enough for it to find a small ring on the sea bed, so things must be pretty serious if it can’t tell that it’s about to be brained by a boat. Then, of course, there’s all the sewage, the chemical and industrial waste and artificial fertiliser that’s being washed into the Yangtze, poisoning the water and poisoning the fish.” “So,” I said, “what do you do if you are either half-blind, or half-deaf, living in a discotheque with a stroboscopic light show, where the sewers are overflowing, the ceiling and the fans keep crashing on your head and the food is bad?” “I think I’d complain to the management.” “They can’t.” “No. They have to wait for the management to notice.”"

- Last Chance to See

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"I remembered once, in Japan, having been to see the Gold Pavilion Temple in Kyoto and being mildly surprised at quite how well it had weathered the passage of time since it was first built in the fourteenth century. I was told it hadn’t weathered well at all, and had in fact been burnt to the ground twice in this century. “So it isn’t the original building?” I had asked my Japanese guide. “But yes, of course it is,” he insisted, rather surprised at my question. “But it’s been burned down?” “Yes.” “Twice.” “Many times.” “And rebuilt.” “Of course. It is an important and historic building.” “With completely new materials.” “But of course. It was burned down.” “So how can it be the same building?” “It is always the same building.” I had to admit to myself that this was in fact a perfectly rational point of view, it merely started from an unexpected premise. The idea of the building, the intention of it, its design, are all immutable and are the essence of the building. The intention of the original builders is what survives. The wood of which the design is constructed decays and is replaced when necessary. To be overly concerned with the original materials, which are merely sentimental souvenirs of the past, is to fail to see the living building itself. I couldn’t feel entirely comfortable with this view, because it fought against my basic Western assumptions, but I did see the point."

- Last Chance to See

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"Sleeping in Labuan Bajo, however, is something of an endurance test. Being woken at dawn by the cockerels is not in itself a problem. The problem arises when the cockerels get confused as to when dawn actually is. They suddenly explode into life, squawking and screaming at about one o’clock in the morning. At about one-thirty they eventually realise their mistake and shut up, just as the major dog-fights of the evening are getting under way. These usually start with a few minor bouts between the more enthusiastic youngsters, and then the full chorus of heavyweights weighs in with a fine impression of what it might be like to fall into the pit of hell with the London Symphony Orchestra. It is then quite an education to learn that two cats fighting can make easily as much noise as forty dogs. It is a pity to have to learn this at two-fifteen in the morning, but then the cats have a lot to complain about in Labuan Bajo. They all have their tails docked at birth, which is supposed to bring good luck, though presumably not to the cats. Once the cats have concluded their reflections on this, the cockerels suddenly get the idea that it’s dawn again and let rip. It isn’t, of course. Dawn is still two hours away, and you still have the delivery van horn-blowing competition to get through to the accompaniment of the major divorce proceedings that have suddenly erupted in the room next door. At last things calm down and your eyelids begin to slide thankfully together in the blessed predawn hush, and then, about five minutes later, the cockerels finally get it right."

- Last Chance to See

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