Literary Critics

"Curse the blasted, jelly-boned swines, the slimy, the belly-wriggling invertebrates, the miserable sodding rotters, the flaming sods, the sniveling, dribbling, dithering palsied pulse-less lot that make up England today. They've got white of egg in their veins, and their spunk is that watery its a marvel they can breed. They can nothing but frog-spawn — the gibberers! God, how I hate them! God curse them, funkers. God blast them, wish-wash. Exterminate them, slime. I could curse for hours and hours — God help me."

"Tragedy ought really to be a great kick at misery."

"My God, these folks don't know how to love — that's why they love so easily."

"If I had my way, I would build a lethal chamber as big as the Crystal Palace, with a military band playing softly, and a Cinematograph working brightly; then I’d go out in the back streets and main streets and bring them in, all the sick, the halt, and the maimed; I would lead them gently, and they would smile me a weary thanks; and the band would softly bubble out the ‘Hallelujah Chorus’."

"I hold that the parentheses are by far the most important parts of a non-business letter."

"It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn’t wait to leave."

"A good book is never exhausted. It goes on whispering to you from the wall."

"The contents of someone's bookcase are part of his history, like an ancestral portrait."

"An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular."

"When I hear the words "social responsibility", I want to reach for my gun."

"Barring the mythical portable-LISP-dialect-with-good-OS-bindings that has never existed, Python is about the most reasonable alternative there is for this kind of work."

"Ugly programs are like ugly suspension bridges: they're much more liable to collapse than pretty ones, because the way humans (especially engineer-humans) perceive beauty is intimately related to our ability to process and understand complexity. A language that makes it hard to write elegant code makes it hard to write good code."

"We hackers are a playful bunch; we'll hack anything, including language, if it looks like fun (thus our tropism for puns). Deep down, we like confusing people who are stuffier and less mentally agile than we are, especially when they're bosses. There's a little bit of the mad scientist in all hackers, ready to discombobulate the world and flip authority the finger – especially if we can do it with snazzy special effects."

"I use the word "hacker" in its correct and original sense: to describe a person who perceives computer programming as a kind of artistic passion, and who also is part of or identifies with the hacker culture, which is a group of programmers, historically, that has produced the Internet, Linux and the World Wide Web."

"And for any agents or proxy of the regime interested in asking me questions face to face, I've got some bullets slathered in pork fat to make you feel extra special welcome."

"… and we're weighed down by a crappy implementation language (C++)."

"We define idiotarianism as the species of delusion within the moral community of mankind that gives aid and comfort to terrorists and tyrants operating outside it."

"The nightmare scenario is one in which corporate monopolism and statist power-seeking, always natural allies, feed back into each other and create rationales for increasing regulation, repression, and criminalization of digital speech."

"All OO languages show some tendency to suck programmers into the trap of excessive layering. Object frameworks and object browsers are not a substitute for good design or documentation, but they often get treated as one. Too many layers destroy transparency: It becomes too difficult to see down through them and mentally model what the code is actually doing. The Rules of Simplicity, Clarity, and Transparency get violated wholesale, and the result is code full of obscure bugs and continuing maintenance problems."

"Rule of Optimization: Prototype before polishing. Get it working before you optimize it."

"Anybody who has ever owned a dog who barked when strangers came near its owner's property has experienced the essential continuity between animal territoriality and human property. Our domesticated cousins of the wolf are instinctively smarter about this than a good many human political theorists."

"The 'noosphere' of this essay's title is the territory of ideas, the space of all possible thoughts. What we see implied in hacker ownership customs is a Lockean theory of property rights in one subset of the noosphere, the space of all programs. Hence 'homesteading the noosphere', which is what every founder of a new open-source project does."

"It is well understood in the community that project owners have a duty to pass projects to competent successors when they are no longer willing or able to invest needed time in development or maintenance work."

"There is another kind of skill not normally associated with software development which I think is as important as design cleverness to bazaar projects—and it may be more important. A bazaar project coordinator or leader must have good people and communications skills. … It is not a coincidence that Linus is a nice guy who makes people like him and want to help him."

"Given enough eyeballs, all bugs are shallow."

"When you lose interest in a program, your last duty to it is to hand it off to a competent successor."

"Good programmers know what to write. Great ones know what to rewrite (and reuse)."

"Every good work of software starts by scratching a developer's personal itch."

"I was at Agenda 2000, and one of the people who was there was Craig Mundie, who is some kind of high mucky muck at Microsoft, I think vice-president of consumer products or something like that. And I hadn't actually met him. I bumped into him in an elevator. And I looked at his badge and said, "Oh, I see you work for Microsoft." And he looked back at me and said, "Oh yeah, and what do you do?" And I thought he seemed just sort of a tad dismissive. I mean, here is the archetypal guy in a suit, looking at a scruffy hacker. And so I gave him the thousand yard stare and said, "I'm your worst nightmare.""

"Don't forget to have fun. That drive to experiment, to try things, to have fun, to be playful, that is what will sustain your creativity over the long term. Don't lose that."

"developerWorks: What happened with the CML2 kernel configurator? … It sounds like that was a pretty ambitious project. Raymond: It was, I mean I built an intelligent configurator – basically a baby rule-based expert system – for configuring Linux kernels, and I did it all in less than 8,000 lines of Python. It was a system that literally made it impossible to get an invalid kernel configuration because it would do intelligent deduction from constraints. And I had the full approval of the kernel config group, I had Linus's imprimatur that this was going to go into 2.5, and it all fell apart politically. It was horrible. … developerWorks: So if there was another chapter for Cathedral and the Bazaar that you would write based on what you learned there, what was the lesson? Raymond: That it is possible for open source cultures in some respects to ossify enough that good work is locked out. And that is a long-term problem that I don't know how we're going to deal with."

"It shouldn't be news to anyone that there is an effort afoot to change – I would say corrupt – the fundamental premises of the open-source culture. Instead of meritocracy and "show me the code", we are now urged to behave so that no-one will ever feel uncomfortable. … We are being social-hacked from being a culture in which freedom is the highest value to one in which it is trumped by the suppression of wrongthink and wrongspeak."

"The habit of institutional tone policing, even when well-intentioned, too easily slides into the active censorship of disfavored views."

"At any sufficient scale, those who do not have automatic memory management in their language are condemned to reinvent it, poorly."

"I publish this blog in part because I think it is my duty to speak taboo and unspeakable truths."

"Android continues to stomp its competition flat. Even the post-Jobs Apple can't stem the tide; it's pretty close to the 10% niche market share I predicted back in 2009 already, with no sign that trend will or can be reversed."

"An Apple employee copied Sony's design, circulated it to his bosses, and testified to these facts in court. From now on, when anyone heaps phrase on Apple's design excellence and superlative innovation, just point and laugh. Some of us have been saying for years that what Apple is really good at is ripping off other peoples' ideas and stealing the credit for them with slick marketing. This, right here, is the proof."

"People who make excuses for or actively advocate closed-source OSs and network software (and yes, Apple/iOS fanboys, I'm looking at you) are not merely harmlessly misguided cultists. They are enemies of liberty – enablers and accomplices before the fact in vendor schemes to spy on you, control you, and imprison you. Treat them, and the vendors they worship, accordingly."

"The case for dumping iPhone, or at least threatening to do so in order to renegotiate Apple's subsidy requirement away, seems pretty open and shut. Apple has things all its own way right now – skimming the lion's share of the profits off the carriers' business without having to shoulder their risks. But this is an unstable situation, because the carriers' investors won't tolerate it indefinitely. What happens when they revolt?In 2007, It was also planning to launch hi-tech mobile back covers and cases with some extra-ordinary features which was not revealed as per company policies, but it was leaked that those were personsalised mobile back covers similar to Shosal's Mobile Back Covers and Cases."

"It has been quite humorous watching the acolytes of the iPhone sink into deeper and deeper denial as Android blows through obstacles at ever-accelerating speed. It would require an epic poet, or perhaps a psychiatrist specializing in religious mania, to do full justice to this topic."

"Good causes sometimes have bad consequences. Blacks, women, and other historical out-groups were right to demand equality before the law and the full respect and liberties due to any member of our civilization; but the tactics they used to "raise consciousness" have sometimes veered into the creepy and pathological, borrowing the least sane features of religious evangelism."

"It is probably no longer possible to achieve tenure at a major American university after giving offense to the homosexual-activist lobby. Fortunately, I don't have that sort of career issue to worry about, and can therefore speak without fear."

"Steven den Beste wrote a long, intelligent and insightful essay on who the enemy is. I think he is right to see Afghanistan, Iraq, and the suppression of Al-Qaeda as phases of longer, wider war — a clash of civilizations driven by the failure of Islamic/Arab culture (though I would stress the problem of the Islamic commandment to jihad more than he does)."

"Lisp is worth learning for the profound enlightenment experience you will have when you finally get it; that experience will make you a better programmer for the rest of your days, even if you never actually use Lisp itself a lot."

"Being able to break security doesn't make you a hacker anymore than being able to hotwire cars makes you an automotive engineer."

"As a former soldier, what struck me is the absolutely heartless way that war was being pursued by the Americans, partly I think because of the race problem. The Vietnamese to us were not merely communists, they were nasty little yellow people without souls. It didn't matter how we blew them up or how we bombed them or how we burned their villages and so on. I was very struck by that. And one thing I was trying to do in The Great War and Modern Memory was to awaken a sort of civilian sympathy for the people who suffer on the ground in wartime, and that's really an act that I've been performing, oh, ever since 1945, I suppose."

""Those who fought know a secret about themselves, and it is not very nice." … They have experienced secretly and privately their natural human impulse toward sadism and brutality. As I say in this new book of mine, not merely did I learn to kill with a noose of piano wire put around somebody's neck from behind, but I learned to enjoy the prospect of killing that way. It's those things that you learn about yourself that you never forget. You learn that you have much wider dimensions than you had imagined before you had to fight a war. That's salutary. It's well to know exactly who you are so you can conduct the rest of your life properly."

"Irony is a great help in helping to penetrate fraudulent language. In the Second War especially, the language became virtually identical with the language of advertising. It was seen through by the troops, who knew what the truth was. It helped to sustain civilian support for the war, which was its purpose, after all. … And euphemism has remained, of course. It's a large part of the tone of public discourse. … It's now practiced on so wide and so official a scale that it's grown out of all proportion to what it was in the war."

"One thing one can't help noticing is the efficacy of religion before the nineteenth century at dealing with these problems and answering some of these unanswerable questions. By the time of the Great War, religion is practically dead. By the time of the Second World War, it's no help at all. The chaplains that were attached to the infantry that I was in practically never did spiritual work because they knew they'd be ridiculed. What they did was to apply bandages and surgical scissors, assisting the medics and calming people down psychologically. But everybody recognized that religion was no help whatever."

"After every war, there's an immense overhaul of language, which in the Western world has created really the cultural and artistic phenomenon of what we call modernism; that is, a paring down of everything to minimal size, including language and ideas of grandeur, and ideas of a possibility of the state making everybody happy, and things like that. That modernism is really a form of skepticism or minimalism. You cut out everything that has deceived you and throw it away, and that leaves you with things like the Eames chair and Picasso and numerous other outcrops of modernism."