Literary Critics

"The actors today really need the whip hand. They're so lazy. They haven't got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen."

"Genealogies are admirable things, provided they do not encourage the curious delusion that some families are older than others."

"Murder is commoner among cooks than among the members of any other profession."

"One can only blaspheme if one believes."

"In any modern city, a great deal of our energy has to be expended in not seeing, not hearing, not smelling. An inhabitant of New York who possessed the sensory acuteness of an African Bushman would very soon go mad."

"It is...axiomatic that we should all think of ourselves as being more sensitive than other people because, when we are insensitive in our dealings with others, we cannot be aware of it at the time: conscious insensitivity is a self-contradiction."

"In all technologically "advanced" countries, fashion has replaced tradition, so that involuntary membership in a society can no longer provide a feeling of community."

"Most people are even less original in their dreaming than in their waking life; their dreams are more monotonous than their thoughts and oddly enough, more literary."

"Young people, who are still uncertain of their identity, often try on a succession of masks in the hope of finding the one which suits them — the one, in fact, which is not a mask."

"Most people call something profound, not because it is near some important truth but because it is distant from ordinary life. Thus, darkness is profound to the eye, silence to the ear; what-is-not is the profundity of what-is."

"In most poetic expressions of patriotism, it is impossible to distinguish what is one of the greatest human virtues from the worst human vice, collective egotism.The virtue of patriotism has been extolled most loudly and publicly by nations that are in the process of conquering others, by the Roman, for example, in the first century B.C., the French in the 1790s, the English in the nineteenth century, and the Germans in the first half of the twentieth. To such people, love of one's country involves denying the right of others, of the Gauls, the Italians, the Indians, the Poles, to love theirs."

"Machines have no political opinions, but they have profound political effects. They demand a strict regimentation of time, and, by abolishing the need for manual skill, have transformed the majority of the population from workers into laborers. There are, that is to say, fewer and fewer jobs which a man can find a pride and satisfaction in doing well, more and more which have no interest in themselves and can be valued only for the money they provide."

"Money is the necessity that frees us from necessity. Of all novelists in any country, Trollope best understands the role of money. Compared with him even Balzac is a romantic."

"A craftsman knows in advance what the finished result will be, while the artist knows only what it will be when he has finished it. But it is unbecoming in an artist to talk about inspiration; that is the reader's business."

"I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them."

"He suffers from one great literary defect, which is often found in lonely geniuses: he never knows when to stop. Lonely people are apt to fall in love with the sound of their own voice, as Narcissus fell in love with his reflection, not out of conceit but out of despair of finding another who will listen and respond."

"In the late Middle Ages there were, no doubt, many persons in monasteries and convents who had no business there and should have been out in the world earning an honest living, but today it may very well be that there are many persons trying to earn a living in the world and driven by failure into mental homes whose true home would be the cloister."

"The mystics themselves do not seem to have believed their physical and mental sufferings to be a sign of grace, but it is unfortunate that it is precisely physical manifestations which appeal most to the religiosity of the mob. A woman might spend twenty years nursing lepers without having any notice taken of her, but let her once exhibit the stigmata or live for long periods on nothing but the Host and water, and in no time the crowd will be clamoring for her beatification."

"I may want to sleep with Miss America, but I have no wish to hear her talk about herself and her family."

"Whatever the field under discussion, those who engage in debate must not only believe in each other's good faith, but also in their capacity to arrive at the truth."

"The basic stimulus to the intelligence is doubt, a feeling that the meaning of an experience is not self-evident."

"Man...always acts either self-loving, just for the hell of it, or God-loving, just for the heaven of it; his reasons, his appetites are secondary motivations. Man chooses either life or death, but he chooses; everything he does, from going to the toilet to mathematical speculation, is an act of religious worship, either of God or of himself. Lastly by the classical apotheosis of Man-God, Augustine opposes the Christian belief in Jesus Christ, the God-Man. The former is a Hercules who compels recognition by the great deeds he does in establishing for the common people in the law, order and prosperity they cannot establish for themselves, by his manifestation of superior power; the latter reveals to fallen man that God is love by suffering, i.e. by refusing to compel recognition, choosing instead to be a victim of man's self-love. The idea of a sacrificial victim is not new; but that it should be the victim who chooses to be sacrificed, and the sacrificers who deny that any sacrifice has been made, is very new."

"The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is."

"A god who is both self-sufficient and content to remain so could not interest us enough to raise the question of his existence."

"I don't think the mystical experience can be verbalized. When the ego disappears, so does power over language."

"I never write when I'm drunk. Why should one need aids? The Muse is a high-spirited girl who doesn't like to be brutally or coarsely wooed. And she doesn't like slavish devotion — then she lies."

"A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over."

"It's frightfully important for a writer to be his age, not to be younger or older than he is. One might ask, "What should I write at the age of sixty-four," but never, "What should I write in 1940.""

"Normally, when one passes someone on the street who is in pain, one either tries to help him, or one simply looks the other way. With a photo there's no human decision; you're not there; you can't turn away; you simply gape. It's a form of voyeurism."

"Healing," Papa would tell me, "is not a science, but the intuitive art of wooing Nature."

"A poet's hope: to be, like some valley cheese, local, but prized elsewhere."

"A grand gesture. But what does it period? What does it osse? We were always adroiter with objects than lives, and more facile at courage than kindness: from the momentthe first flint was flaked this landing was merely a matter of time. But our selves, like Adam's, still don't fit us exactly, modern only in this—our lack of decorum."

"It's natural the Boys should whoop it up for so huge a phallic triumph, an adventure it would not have occurred to women to think worth while, made possible onlybecause we like huddling in gangs and knowing the exact time."

"I cannot accept the doctrine that in poetry there is a "suspension of belief." A poet must never make a statement simply because it sounds poetically exciting; he must also believe it to be true."

"In order that people may be happy in their work, these three things are needed: They must be fit for it: they must not do too much of it: and they must have a sense of success in it — not a doubtful sense, such as needs some testimony of others for its confirmation, but a sure sense, or rather knowledge, that so much work has been done well, and fruitfully done, whatever the world may say or think about it."

"It is already possible to imagine a society in which the majority of the population, that is to say, its laborers, will have almost as much leisure as in earlier times was enjoyed by the aristocracy. When one recalls how aristocracies in the past actually behaved, the prospect is not cheerful."

"The belief that politics can be scientific must inevitably produce tyrannies. Politics cannot be a science, because in politics theory and practice cannot be separated, and the sciences depend upon their separation. ... Empirical politics must be kept in bounds by democratic institutions, which leave it up to the subjects of the experiment to say whether it shall be tried, and to stop it if they dislike it, because, in politics, there is a distinction, unknown to science, between Truth and Justice."

"To pray is to pay attention to something or someone other than oneself. Whenever a man so concentrates his attention — on a landscape, a poem, a geometrical problem, an idol, or the True God — that he completely forgets his own ego and desires, he is praying. ... The primary task of the schoolteacher is to teach children, in a secular context, the technique of prayer."

"I see little hope for a peaceful world until men are excluded from the realm of foreign policy altogether and all decisions concerning international relations are reserved for women, preferably married ones."

"A doctor, like anyone else who has to deal with human beings, each of them unique, cannot be a scientist; he is either, like the surgeon, a craftsman, or, like the physician and the psychologist, an artist. ... This means that in order to be a good doctor a man must also have a good character, that is to say, whatever weaknesses and foibles he may have, he must love his fellow human beings in the concrete and desire their good before his own."

"Like everything which is not the involuntary result of fleeting emotion but the creation of time and will, any marriage, happy or unhappy, is infinitely more interesting and significant than any romance, however passionate."

"We are not commanded (or forbidden) to love our mates, our children, our friends, our country because such affections come naturally to us and are good in themselves, although we may corrupt them. We are commanded to love our neighbor because our "natural" attitude toward the "other" is one of either indifference or hostility."

"Proper names are poetry in the raw. Like all poetry they are untranslatable."

"All sin tends to be addictive, and the terminal point of addiction is what is called damnation."

"May it not be that, just as we have to have faith in Him, God has to have faith in us and, considering the history of the human race so far, may it not be that "faith" is even more difficult for Him than it is for us?"

"Christmas and Easter can be subjects for poetry, but Good Friday, like Auschwitz, cannot. The reality is so horrible, it is not surprising that people should have found it a stumbling block to faith."

"The countenances of children, like those of animals, are masks, not faces, for they have not yet developed a significant profile of their own."

"Of course, Behaviorism "works." So does torture. Give me a no-nonsense, down-to-earth behaviorist, a few drugs, and simple electrical appliances, and in six months I will have him reciting the Athanasian Creed in public."

"Can sixty make sense to sixteen-Plus? What has my camp in common with theirs, With buttons and beards and Be-Ins? Much, I hope. In Acts it is written Taste was no problem at Pentecost."

"The Ogre does what ogres can, Deeds quite impossible for Man, But one prize is beyond his reach, The Ogre cannot master Speech: About a subjugated plain, Among its desperate and slain, The Ogre stalks with hands on hips, While drivel gushes from his lips."