Lgbt Rights Activists

"Ever since I was a little girl, I felt that I wanted to be of service here on the earth: I felt that was my job somehow. And whatever I was going to do, I was going to find a way to do that. And so, as I got a larger audience -- a broader audience worldwide, and more and more people were listening to me -- it became important for me to share that thought. And the song "Get on Your Feet" -- which I didn't write, it was written actually by my guitar player, bass player and keyboardist . . . They knew how I felt. [They knew] what my thoughts were . . . So although it was written before my accident, it was thrown back at me so many times . . . But that really is my motto. I look always forward. I look ahead. And that's why I chose to record that song, because I really loved the message. Then "Coming Out of the Dark," which came on the heals of that accident and my rehab, and the incredible love that I felt from everyone worldwide that helped me through that difficult moment when I broke my back in 1990, is a big thank you to my fans -- and an expression of how ultimately we are here for each other to help one another. And the strength of prayer . . . That's why I say I know the love that saved me, you're sharing with me. We do have the power to save one another . . . And I wanted to thank everyone for being there for me."

"Who is Gloria Estefan today? I'm very fulfilled as a woman. I've been able to have a wonderful family life, a fantastic career. I have a lot of good friends around me. My family has been my grounding point, and rooted me deeply to the earth. . . I'm very happy. I've done everything I ever wanted to do. The key to me was -- I told my husband when we were in our 20s -- I'm going to work really hard, so one day I won't have to work so hard. And to me what that was, was having choices. And I do have choices now -- and I have take full advantage of that. It's important for me now to be here for my little girl [Emily, age 12]. My son is full grown -- and I know have quickly that goes. So, I'm balancing being a mother -- which to me is the most important role I have on this earth -- and still being creative, writing -- which is what I love to do. So, I've been able to branch out into not just writing songs like you have heard through the years -- but writing children's books, writing a screenplay. But at my core that's what I am: a writer. And that's what I enjoy doing behind the scenes: writing the songs for albums, recording it. And that's why you have seen me take more of a back seat to being the center of attention, and being out on tour and doing that kind of thing. I've stepped up a lot of my charity work. This year, the five concerts I did were all for charity: different ones and my own foundation. So, that's becoming a bigger and bigger part of my life -- as I wanted it to be. And [I keep] just growing and evolving."

"Well, if you compare my album even as late as two years ago, I think as a writer I am much more at the forefront. I wrote all the lyrics and lots of the music on that album. It shows humor of the writer side of me. But I have evolved since then."

"Oh, that's a good question because what I would consider essential may be different than what my record company and the fans might have in mind. But when you do a retrospective of 20 years like this (album) and realize that you had so many hit singles, it's really an honor. There's a couple of songs that I wrote, one is called "Along Came You" for my daughter Emily; and the other, "Nayib's Song (I Am Here for Your) for my son. Both are in the 'slow disc.' I put them in even if they were not singles or hits because for me my being a mother is an essential part of who I am.""

"[I've] written all original music [for the forthcoming Spanish-language CD], as was [1993's] "Mi tierra" -- years back. It's very organic. It's really down to the roots. I'm in love with that record. It's very rhythmic. It's a very passionate record, and I'm thrilled. It should come out next [2007] summer. And a single probably early on in the summer. The album probably will be [out] around September [2007]."

"I'm never going to stop making music. I couldn't."

"I'll always go back to the stage."

"I was at a dinner party at Steve Martin's house not too long ago. Some very funny people were there - Steve, Marty Short, the whole gang. We sat around the table, like eight of us, and we laughed so hard that we were just sitting there laughing and crying. And I thought, 'This is great. This is what it's like when life is really good. Sitting around with people of that quality and that caliber, people being funny. Smart and funny.' It's great."

"My oldest brother used to take me to the theater. The first play he took me to see was 'Black Comedy,' then he took me to see 'Butley.' We'd see all these British plays. And 'Hello, Dolly,' with Pearl Bailey. I was unconsciously thinking, 'Gee, I would love to be able to do that.'"

"A sitcom is the closest thing for me to doing stage because you work in front of an audience, and if it's well written it can be very satisfying."

"I guess there's some sort of unspoken show business rule, [speaks in British accent] 'You do the theater, and then you move into television, and then, of course, that is your steppingstone to film stardom.' I've done it every which way. I've done theater for many, many years and then had some success in films. I would do television sporadically. I thought this was a good time to try it."

"But in order for anyone to become successful, sometimes you have to be that driven and focused, and maybe there isn't a lot left over for personal relationships—although I certainly have had them. It's not as if I cut myself off, but it makes them very difficult. This profession is very hard on relationships."

"There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film."

"I had to develop a sense of humor I'm sure it's a defense mechanism. It was, 'Before they make fun of me, I'll make a joke.' Being funny is just a point of view about life in general. Sometimes it's born out of difficult childhoods, where you have to develop a sense of humor. Ultimately, it's a gift."

"I think of myself as an actor and not a movie star. I like doing movies; I enjoy it. But, essentially, I'm a theater actor. That's the only place I feel like I actually am a star. In the theater, I can put people in the seats and sell tickets."

"I can remember seeing the movie for the first time at a revival house in L.A. and laughing with everyone else, and never imagining that I would be doing Max one day, even though by then I had already memorized the entire movie."

"I've seen most of Nathan's work, but it was seeing both 'Lisbon Traviata' and 'Laughter on the 23rd Floor' that I realized just what a superb physical comic he was."

"He is a theater animal who is ignited by his synergy with an audience. Audiences are only beginning to see the tip of the iceberg of what Nathan can do."

"When Nathan read aloud one of his lines, 'I'm a lying, despicable crook, but I have no choice. I am a Broadway producer,' they all howled. And then they started to throw money at the project. They all wanted to produce the show."

"I think it really is all about technique, but it's where the intersection of acting and singing sort of meets. There has to be a musicality to the delivery of a line of dialogue that gives it impact. Somebody like Nathan Lane understands that. It's in his bones really. He can deliver a line five different ways, and each one has incredible impact and intonation and rhythm."

"There isn't anyone else like Nathan. He is able to express more in a look or a word than most actors I've ever worked with."

"Yes, I've been compared to Jackie Gleason often. I've been often compared to Lou Costello. … But after a while you start to go, 'Well, geez. Do I have a personality in there?' The funny thing about Gleason is, he always used to talk about watching Jack Oakie. And if you ever watch Jack Oakie in an old movie, it's very similar to Gleason. … I think we all steal from one another."

"The more competition, the better. I hope to get snubbed again this year."

"It is ironic that Tony Benn's ministerial career should have left only two monuments behind — the uranium mine in Namibia he authorised as Energy Secretary, which helps to support Apartheid and is in territory illegally occupied by South Africa, and an aircraft [Concorde] which is used by wealthy people on their expense accounts, whose fares are subsidised by much poorer taxpayers."

"The story of the Postmaster General and the Queen and the conflict that arose between them over the need to have the monarch's head on every postage stamp provides easily the best part of this book (those who would dismiss it as trivial merely betray how little they understand the true nature of the power structure in Britain). It offers, in fact, a highly illuminating constitutional parable and one that Crossman, for all his desire to produce a twentieth-century Bagehot, was never quite able to match. No one interested in the political influence of the Crown, the intrigues of the civil service or the highly traditionalist character of Harold Wilson as the Queen's First Minister can afford to ignore it."

"Failure is always much more interesting than success, and Tony Benn remains in many ways the most fascinating left-wing figure of our time. These Diaries, covering the dawn of his Ministerial career ... serve as an opportune reminder of just how much he has thrown away. What they reveal is a young politician of the highest promise who a quarter of a century ago appeared to have the world of Labour politics at his feet."

"Some of the Civil Servants used to contribute a lot to counter-briefing directed against Tony Benn on the assumption that he being anti-Europe everything he said should be resisted. I disliked this intensely. This kind of official politicking is one of the most unattractive aspects of the Civil Service... There is a sort of top Civil Servants' mafia. I soon found that they were trying systematically to get pro-European Ministers to gang up against anti-European Ministers. I used to receive briefings from the Foreign Office beginning with: "We expect Mr Benn to say the following..." I made it clear that these briefings about what Mr Benn would say and in the view of officials ought to say should not come from officials in the Department of Energy."

"He was a very good Postmaster General, all those coloured stamps, still going well. Tony's obsessed with shop stewards. That is why he liked planning agreements, because they would be run by shop stewards. We were having a shadow cabinet meeting and I asked for any other business. There was a deep sigh because we knew Tony would have something. And he said, I have just attended a meeting of the Bristol Aerospace workers, I think it was, and they just passed a resolution saying that they should have the right to sack the management at a week's notice. I said, why should they have a week? Why not give them just a weekend to clear out their lockers? I have always said about Tony that he immatures with age."

"Well then, who had he had time for, during his 24 years in the Party, if he didn't like collectivists and didn't like moderates? There was a pause. "Well, Benn. I have a high opinion of Wedgwood Benn. He is committed to a form of collectivism, but at least he is honest and original. I'd like to see him leading the Labour Party." You could have knocked me down with a feather. But, I said, would not Benn's leadership of the Labour Party make it still more likely that the country would go collectivist, with the inevitable erosion of our liberties as outlined by Johnson in his "Farewell"? Not necessarily, Johnson replied, because Benn was a genuine democrat, and might, when it came to the crunch between collectivism and liberty, choose liberty. But it would be too late by then! Well, said Johnson, it might be. But at least Benn leading Labour and Thatcher leading the Tories would present the country with "a proper choice" between collectivism and individualism. This struck me as dotty."

"[Tony Benn is] an Old Testament prophet preaching the sort of New Jerusalem he wants to see."

"The way a government treats refugees is very instructive because it shows you how they would treat the rest of us if they thought they could get away with it."

"I don't think people realise how the establishment became established. They simply stole land and property from the poor, surrounded themselves with weak minded sycophants for protection, gave themselves titles and have been wielding power ever since."

"In Labour Governments we did our best to make capitalism work in a civilised way. And we failed. It never can work. It will always exploit and oppress the people."

"I never liked meat - and my son Hilary, 30 years ago, said, 'If the world ate the grain instead of feeding it to animals and killing them, there would be enough food for everybody,'"

"The key to any progress is to ask the question why? All the time. Why is that child poor? Why was there a war? Why was he killed? Why is he in power? And of course questions can get you into a lot of trouble, because society is trained by those who run it, to accept what goes on. Without questions we won't make any progress at all."

"When you think of the number of men in the world who hate each other, why, when two men love each other, does the church split?"

"First they ignore you, then they say you're mad, then dangerous, then there's a pause and then you can't find anyone who disagrees with you."

"The way change occurs to begin with, if you come up with a good idea, like healthcare, you're ignored. If you go on you must be mad, absolutely stark-staring bonkers. If you go on after that you're dangerous. Then, if the pressure keeps up there's a pause. And then you can't find anyone at the top who doesn't claim to have thought of it in the first place. That's how progress is made."

"I think democracy is the most revolutionary thing in the world, because if you have power you use it to meet the needs of you and your community."

"Choice depends on the freedom to choose and if you are shackled with debt you don’t have the freedom to choose."

"People in debt become hopeless and hopeless people don’t vote. They always say that that everyone should vote but I think that if the poor in Britain or the United States turned out and voted for people that represented their interests there would be a real democratic revolution."

"I think there are two ways in which people are controlled. First of all frighten people and secondly, demoralize them."

"An educated, healthy and confident nation is harder to govern."

"If we can find the money to kill people, we can find the money to help people."

"I rang John Rees because I heard that George Galloway had attacked the Respect party at some conference, so I thought it would be useful to know what was going on. John said that George was very much a loner, but that he was in contact with some fundamentalist Muslims in his constituency; that on a left-right basis he was on the right, not the left."

"Ideas are more powerful than guns."

"I was born about a quarter of a mile from where we are sitting now and I was here in London during the Blitz. And every night I went down into the shelter. 500 people killed, my brother was killed, my friends were killed. And when the Charter of the UN was read to me, I was a pilot coming home in a troop ship: 'We the peoples of the United Nations determined to save succeeding generations from the scourge of war, which twice in our lifetime has brought untold sorrow to mankind.' That was the pledge my generation gave to the younger generation and you tore it up. And it's a war crime that's been committed in Iraq, because there is no moral difference between a stealth bomber and a suicide bomber. Both kill innocent people for political reasons."

"[The Labour Party]'s never been a socialist party, but it's always had socialists in it, just as there are some Christians in the Church, it's an exact parallel."

"My Great-grandfather was a Congregational Minister and my Mother was a Bible scholar, and I was brought up on the Bible, that the story of the Bible was conflict between the kings who had power, and the prophets who preached righteousness. And I was taught to believe in the prophets, got me into a lot of trouble. And my Dad said to me when I was young, "Dare to be a Daniel, Dare to stand alone, Dare to have a purpose firm, Dare to let it (be) known.""

"The Americans would not allow an anti-American government to be elected in Britain - I mean an anti-capitalist government, a socialist government, to be elected in Britain. So how would you ever make a change, unless you put on such pressure that the system falls and then people take over. The idea that a little debate in Parliament will change things is really an illusion. I’m not in favour of a bloody revolution, because we saw what happened with Stalin, but I’m not in favour of surrendering, step by step, the right of people to dec ide the policies that the elected government follows, because otherwise you might just as well hang the whole thing up. That is the issue that interests me very much, and Paul Foot’s book, The Vote: How It Was Won and How It Was Undermined, is highly relevant to it."