Guitarists From Scotland

""Black Horse and the Cherry Tree" is inspired by old blues, Nashville psycho hillbillies & hazy memories. It tells the story of finding yourself lost on your path, and a choice has to be made. It's about gambling, fate, listening to your heart, and having the strength to fight the darkness that's always willing to carry you off."

"I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band — individuals, not session musicians."

"Growing up in such a stunning landscape is inevitably going to have an effect on you, whether you rebel or whether you embrace, because it's so striking. I lived on this rugged, rugged coastline with the North Sea hammering at the cliffs, and the weather changes literally every half hour. My parents met as rock climbers, so they're absolute outdoors fiends, and we were constantly up hills and under canvas and camping and tramping around. They're very fond memories and something I still love to do."

"I was traveling in Greece as a teenager, and for those who haven't been to Greece, it's absolutely covered in olive groves — stunted, gnarly little bonsai-type trees. And I was driving on a moped and a huge black stallion had pulled away from its stake and was just going nuts in this tiny, tiny, hobbit-like forest. It was just such a powerful image, this enormous beast let loose and going wild in a fairy-tale wood of tiny trees... The song itself is really about going through the process of making the first album. It was a very strange experience and a very steep learning curve. For the previous 10 or 15 years, I'd been completely my own boss — when you play a gig, you just play your new song, the new song is always your favorite. And here I was having to make an album of stuff that's never gonna go away. I was being asked to make these huge decisions, so really the song is just about learning to listen to your guts again. There's actually very few times in our lives now when we have to do that."

"It's lovely to get to say hello to people you've always admired from afar, but the fun really starts out front with people going commando whilst wearing daring mud suits."

"I had that Paul McKenna come up to me once and he said, 'I love that song of yours about bicycles.' So I said to McKenna, 'And I loved the stunt you did in that glass box above the Thames.'"

"Many good things come from the left! [at the House of Blues on August 12th, 2008, while instructing the crowd to do a 'side-wave.']"

"Over the sea and far away She's waiting like an iceberg Waiting to change But she's cold inside She wants to be like the water. All the muscles tighten in her face Buries her soul in one embrace They're one and the same Just like water. Then the fire fades away And most of everyday Is full of tired excuses But it's too hard to say I wish it were simple But we give up easily You're close enough to see that You're the other side of the world to me."

"Well my heart knows me better than i know myself So I'm gonna let it do all the talking."

"I can feel everything you do Hear everything you say Even when you're miles away Coz I am me, the universe and you."

"When you're on your own I'll send you a sign Just so you know I am me, the universe and you."

"Her face is a map of the world Is a map of the world You can see she's a beautiful girl She's a beautiful girl. And everything around her is a silver pool of light The people who surround her feel the benefit of it — It makes you calm She holds you captivated in her palm."

"Suddenly I see (Suddenly I see) This is what I wanna be Suddenly I see (Suddenly I see) Why the hell it means so much to me."

"I grew up knowing I could have had a million different lives. It makes your life mysterious and your imagination go wild."

"My songs examine and explore little specific emotions or situations or stories... They're kitchen table songs, like a conversation between me and one other person. It's almost like an alien has been sent to get emotional samples from human beings and put it all together on a record."

"I was really into sci-fi books as a kid. My dad is a physicist and he used to take my brothers and I into his lab when we were little. We played games with liquid nitrogen and Van de Graaff generators. He had the keys to the observatory at St Andrew's University and he'd get us up in the middle of the night to show us Halley's Comet. That's partly why the album is called Eye To The Telescope."

"I managed to win Battle Of The Bands with one mandolin player! It was me and eleven goth bands and I won."

"On the whole, I'm a positive, skippity-la-la person but I love the dark side of music and I will always want to explore that. It's a positive-sounding album but there's stuff underneath for sure."

"It was blazing sunshine and I went on in a turquoise neck muff, glamorous dress and muddy boots and just had the best gig, really emotional. I've had emails from people saying that they cried. They promised it wasn't the drugs."

"I'm not exactly sure what has driven me so hard... I've never questioned it. I've never had a back-up plan. I was never going to do anything else."

"Thrown like a star in my vast sleep I open my eyes to take a peep To find that I was by the sea Gazing with tranquillity. 'Twas then when the Hurdy Gurdy Man Came singing songs of love..."

"The great Egyptian age is but a remnant of The Atlantian culture. The antediluvian kings colonised the world All the gods who play in the mythological dramas In all legends from all lands were from fair Atlantis. Knowing her fate, Atlantis sent out ships to all corners of the Earth. On board were the Twelve: The Poet, the Physician, the Farmer, the Scientist, The Magician and the other so-called Gods of our legends. Though gods they were —"

"Histories of ages past Unenlightened shadows cast. Down through all eternity The crying of humanity. 'Tis then when the Hurdy Gurdy Man Comes singing songs of love..."

"Lord, kiss me once more, fill me with song Allah, kiss me once more that I may, that I may Wear my love like heaven Wear my love like Wear my love like heaven."

"Wear your love like heaven."

"Electrical banana Is gonna be a sudden craze Electrical banana Is bound to be the very next phase..."

"I'm just mad about Fourteen Fourteen's mad about me"

"They call me mellow yellow (Quite rightly) They call me mellow yellow..."

"I'm just mad about Saffron Saffron's mad about me I'm just mad about Saffron She's just mad about me."

"You've got to pick up every stitch. Mmm... must be the season of the witch, Must be the season of the witch."

"When I look out my window, Many sights to see. And when I look in my window, So many different people to be..."

"I'll pick up your hand and slowly blow your little mind 'Cause I made my mind up you're going to be mine."

"I'll tell you right now Any trick in the book now, baby, all that I can find..."

"Sunshine came softly through my a-window today Could've tripped out easy a-but I've a-changed my ways It'll take time, I know it but in a while You're gonna be mine, I know it, we'll do it in style 'Cause I made my mind up you're going to be mine."

"When rain has hung the leaves with tears I want you near to kill my fears, To help me to leave all my blues behind. For standin' in your heart Is where I want to be And long to be, Ah, but I may as well try and catch the wind."

"For me to love you now Would be the sweetest thing, 'Twould make me sing, Ah, but I may as well try and catch the wind."

"In the chilly hours and minutes Of uncertainty I want to be In the warm hold of your lovin' mind. To feel you all around me And to take your hand Along the sand, Ah, but I may as well try and catch the wind."

"It seemed — in 1968 — the possibilities of peace and brotherhood could be realised that very year. We're still working on it."

"We are magic. It is magic that we're walking around. It's fantastic magic. Some people would call it miracles; I like to call it magic. … Yes, I'm very aware of this. Yes, the more aware I get, the more I can understand how big it is, how big it will get. It'll be harder to comprehend; that's why I have to go along with it, 'cause its so vast. To say to somebody that God is everything that lives and ever has lived and ever will live, and you're never going to touch and see, smell and be everything that is God. Magic is very hard to comprehend."

"The magic that you hear in tales and things was all based around the Celtic mythology of England, which is Tolkien, The Lord of the Rings. I just drain from that source. I just drain everything. So the magic is there."

"The softer you sing, the louder you're heard."

"When I was 14 or 15 I wanted to be a protest singer like Pete Seeger and Woody Guthrie. My father was a socialist and worked with the unions. I thought change was to change the government and to change from one system, capitalism, to socialism and to make the poor of the world happy. But when I opened the book The Way of Zen by Alan Watts and I opened up the Diamond Sutra, and Lao Tsu’s Tao Te Ching, I realized that the problem of suffering was much deeper than governments and social problems. The problems were very deep. They were nothing short of changing the way we look at reality. Therefore I became a teacher, or a reflection of the teachings. Phil Ochs, the great protest singer, said I had given up protest, and Joan Baez said to Bob Dylan, “He’s given up protest.” But what I had given up was looking for the answer in social change. The change was to be a spiritual change. The suffering was coming from an erroneous view of reality..."

"We are one, we are all brothers and sisters, but the people of the world do not know this. So this was the teaching, but how do you teach it? As young people, John Lennon, George Harrison, myself, Carlos Santana and other spiritual seekers in pop music, we wanted to know the answer but we found a question: How do you convince the rest of the western world that they are ill, they are mentally ill, that they have a sickness and that they have lost the way? How do you teach that? You cannot teach that in the normal sense. You have to encourage a spiritual call, so we devoted ourselves to making songs which would have a spiritual call inside of them, hoping to awaken an awareness with this music. And other people in the arts felt the same..."

"Today I can’t comment on what the problem is in China, Russia, or Africa without realizing again and again the Diamond Sutra, which says that we look at the world and see it as separate but in fact, this is an illusion, but the reality is that we are one shining being. Until this can be understood, I can’t see any change. But I see some change now. There is a world consciousness. In the "old" New Age, they talked about the Age of Aquarius being an age of enlightenment. And now when a man goes to the moon he sees the earth. Before when someone did meditation he or she could meditate on the earth and the moon but now a man and a woman can see that we are on one planet and that the water is polluted and that the air is dirty. So these are changes that are important. But when we spoke about these things in the 60s people said we were dreamers."

"Up to '67, the drugs were, uh, soft. Marijuana, and even LSD, I considered soft drugs then. But, then, after '67, needle drugs and the strong amphetamines came in, and that's when the Beatles and Donovan stood up and said, 'Try meditation instead.' And I still stick by that, of course. You've got to be very, very careful. I'm talking about naive days, before the drug barons and the dealers took over. It was once a small, bohemian event. But it was when millions started wanting to get high that it got bad. And when Haight-Asbury turned into Skid Row, the Beatles and me stood up and said, 'Give it a rest.' The answer is that each individual must face the problem by himself. And meditation is an alternative. Meditation is a lot better for you, and it's great to be straight."

"I still carry with me the same themes as always — I'm still compelled to present mystic ideas..."

"I found myself at the top of the the ladder, with everything, but with one thing missing: that one thing was a companion. Because, it's cliché to say, but nothing really means anything in the end unless you're really doing what you want to do, and... I walked off a huge world tour, with a yacht and television specials, and record deals, and film deals. I walked away and my whole thing collapsed. I shocked my business world and walked back to my cottage, which I had been renting to two American girls. One of them was Cynthia, and I stayed with her for two days, then her friend Lori came back from Clapton's house, where there had been a party going on for almost a week. Lori came in with another friend, and it was Linda, my Sunshine Supergirl from 1965 whom I'd written all my songs for. We hadn't married then, because she had a child with Brian Jones and wasn't ready for another relationship. And it was good that we didn't marry back then, because my four years of '60's fame would have wrecked the marriage. But we met again, and I went away from fame and into the arms of my muse, my lover, and then my wife, and then the mother of my children."

"The most important of my achievements, if you want to call them that, was that I successfully introduced mystical ideas into pop culture, which was my obsession and my compulsion when I was 16 years old. So, behind all of this fame and fortune, there was a seeker, on a spiritual path — a young man who wanted to discover and share with others an alternative way of looking at the world. I wanted to save our culture from the stupidity and the bigotry and the ignorance that threatened it. And there was the Buddhist way, and the Celtic way."

"Way down below the ocean where I wanna be she may be."

"Let us rejoice and let us sing and dance and ring in the new: Hail Atlantis!"