"I find myself at odds with virtually the entire politico-media class in my reaction to the "storming" of the US Capitol... I was surprised that even politicians and pundits could utter all that eyewash about "the citadel of democracy" and "a light to the world" with a straight face. It's a citadel of crap, and the lights went out long ago: ask anyone who needs that $600 "relief"."

"This is what’s so frightening about the trends in education today. Cromwell told his portrait painter, ‘Paint me, warts and all.’ That’s not what is happening in America, where the trend in education is to paint only America’s warts. So even the great Kate Smith, who sang “God Bless America” for years, is having her statue taken down because she made a racially insensitive record in 1931. Well you know who really had a racially insensitive record in 1931? The Democratic Party. But unlike Kate Smith’s statue, it’s still around."

"Our political division in America today is a class division, and we need to expose it as such whenever we see it. The ruling class tries to keep racial and other forms of division stirred up in our politics so that we don’t notice the class protection racket they are running."

"The things our news media talks about incessantly, whether it’s transgender bathrooms or Confederate statues being toppled or the totally dishonest national conversation on race—nothing like this is heard in China as it goes along steadily strengthening its position as the world’s leading power. The Chinese don’t find themselves stuck in these sterile, drain-circling, dishonest public conversations about identity politics. These conversations are a waste of time. And one thing we should demand of our politicians is that they talk about things that aren’t a waste of time."

"Remember the way old-school feminists used to go on about how this and that was "phallocentric"? Some of them are a bit shocked to find that somehow the wily old phallus outmaneuvered them and that women themselves can now be literally phallocentric... As I always say: Oh, you can laugh, but none of the people who matter in our society are laughing - like the police and the politicians and the judges and the "educators"... So in nothing flat we are on our way not merely to the abolition of the sexes but to a world in which it is no longer permissible even to suggest that someone hung like a horse is not a woman. As Justin [Trudeau] would say, such views "have no place in our country"."

"The western world's leaders - Trudeau, Merkel, Pelosi - are bored by their own people. And they're making it ever plainer that the replacements they have in mind are not just newer and different but better."

"It is so depressing to watch, almost on a daily basis, the erasure of great men by know-nothing non-entities who can build nothing, create nothing, do nothing but destroy all that does not conform to the ever shifting pieties of present-tense virtue-signalling."

"My four years at Berkley represent two of the happiest weeks of my life."

"It could be that today's conservative movement remains in thrall to the same narrative that has defined its attitude toward film and the arts for decades. Inspired by feelings of exclusion after Hollywood and the popular culture turned leftward in the '60s and '70s, this narrative has defined the film industry as an irredeemably liberal institution toward which conservatives can only act in opposition—never engagement. Ironically, this narrative ignores the actual history of Hollywood, in which conservatives had a strong presence from the industry's founding in the early 20th century up through the '40s, '50s and into the mid-'60s]. The conservative Hollywood community at that time included such leading directors as Howard Hawks, Frank Capra, and Cecil B. DeMille, and major stars like John Wayne, Clark Gable, and Charlton Heston. These talents often worked side by side with notable Hollywood liberals like directors Billy Wilder, William Wyler, and John Huston, and stars like Humphrey Bogart, Lauren Bacall, and Spencer Tracy. The richness of classic Hollywood cinema is widely regarded as a testament to the ability of these two communities to work together, regardless of political differences. As the younger, more left-leaning "New Hollywood" generation swept into the industry in the late '60s and '70s, this older group of Hollywood conservatives faded away, never to be replaced. Except for a brief period in the '80s when the Reagan Presidency led to a conservative reengagement with film—with popular stars like Clint Eastwood, Sylvester Stallone, and Arnold Schwarzenegger making macho, patriotic action films—conservatives appeared to abandon popular culture altogether. In the wake of this retreat, conservative failure to engage with Hollywood now appears to have been recast by today's East Coast conservative establishment into a generalized opposition toward film and popular culture itself. In the early '90s, conservative film critic Michael Medved codified this oppositional feeling toward Hollywood in his best-selling book Hollywood vs. America."

"The hero [of a narrative] must be male, regardless of the gender of the text-image, because the obstacle, whatever its personification, is morphologically female....The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences. Female is what is not susceptible to transformation, to life or death; she (it) is an element of plot-space, a topos, a resistance, matrix and matter.""