Fantasy Authors

"The Lion strode through the Halls of Hell; Across his path grim shadows fell Of many a mowing, nameless shape Monsters with dripping jaws agape. The darkness shuddered with scream and yell When the Lion stalked through the Halls of Hell."

"Howard takes great care to develop mood and atmosphere in his best stories, and in so doing makes the reader feel the dark, desperate undercurrent of his character's schemes and struggles. It is in this that I feel closest to Howard, and it is something that his conscious imitators have never captured. The disparity of writing styles aside, the mood immediately sets pastiche-Howard apart from the real article. Pseudo-Conan is out having just the best time, 'cause he's the biggest, toughest, mightiest-thewed barbarian on the block, and he's gonna have a swell time of brawling and chopping monsters and rescuing princesses and offing wizards and drinking and brawling and … and... etc... etc.... But in Howard's fiction the underlying black mood of pessimism is always there, and even Conan, who enjoys a binge or a good fight, is not having a good time of it at all. This is particularly true of Solomon Kane and King Kull-driven men whom not even a desperate battle can exorcise their black mood, while Conan at times can find brief surcease in excesses of pleasure or violence. I think Solomon Kane and King Kull were closer to Howard's true mood, while Conan represented the ability to escape briefly from black reality that Howard wished he could emulate. He failed. Of all Howard's characters I most prefer King Kull, and it is Kull who is closest to my own Kane..."

"I believe the late R. E. Howard and I would have had a grand time together lambasting civilization; that is, if I have not been misinformed as to his views. Barbarism, barbaric art, barbaric peoples, appeal more and more to me. I could never live in any modern city, and am more of an “outsider” than HPL. His “outsideness” was principally in regard to time-period; mine is one of space, too."

"Howard is a rather surprising person, and I think he is more complex, and is also possessed of more literary ability, than I had thought from many of his stories. The Conan tales, in my opinion, are quite in a class by themselves."

"Anyone following my work has probably seen that I love shoe-horning in fantasy and pulp elements into my superhero books. Catman was inspired by Tarzan, the Secret Six went to Skartaris, Wonder Woman met Beowulf and Claw. To be blunt, I love that stuff. I love the earthy primal quality of it, I love the pulp mythos from people like Lovecraft and Burroughs, and of course, Robert E. Howard."

"I am a tremendous admirer of Mr. Howard’s work. At his best he is very near perfection, it seems to me, and even at his goriest and blood-and-thundery-est there’s a lusty vitality about everything he writes that makes the story engulf one in the vividest, most living sort of way."

"Forget Schwarzenegger and the movies. This is pure pulp fiction from the 1930s, before political corrections and focus groups dictated the direction of our art. Swords spin, entrails spill, and woman swoon.""

"I also think that fantasy fans should go back and read the classics: obviously Tolkien if you haven’t read him, but also works like Fritz Leiber’s classic Fahfrd and the Grey Mousers stories; the original Conan stories by Robert E. Howard and his other characters like Bran Mak Morn and Solomon Kane; Jack Vance, one of my all-time favourites, the marvellous The Dying Earth stories by Jack Vance."

"It is hard to describe precisely what made Mr. Howard's stories stand out so sharply; but the real secret is that he himself is in every one of them, whether they were ostensibly commercial or not. He was greater than any profit-making policy he could adopt — for even when he outwardly made concessions to Mammon-guided editors and commercial critics, he had an internal force and sincerity which broke through the surface and put the imprint of his personality on everything he wrote."

"The best pulp writer was Robert E. Howard... He painted in about the broadest strokes imaginable. A mass of glimmering black for the menace, an ice-blue cascade for the hero, between them a swathe of crimson for battle, passion, blood—and that was the picture, or story, rather, except where a vivid detail might chance to spring to life, or a swift thought-arabesque be added."

"This sort of fiction, commonly called "sword and sorcery" by its fans, is not fantasy at its lowest, but it still has a pretty tacky feel; mostly it's the Hardy Boys dressed up in animal skins and rated R (and with cover art by Jeff Jones, as likely as not). Sword and sorcery novels and stories are tales of power for the powerless. The fellow who is afraid of being rousted by those young punks who hang around his bus stop can go home at night and imagine himself wielding a sword, his potbelly miraculously gone, his slack muscles magically transmuted into those "iron thews" which have been sung and storied in the pulps for the last fifty years. "The only writer who really got away with this sort of stuff was Robert E. Howard, a peculiar genius who lived and died in rural Texas (Howard committed suicide as his mother lay comatose and terminally ill, apparently unable to face life without her). Howard overcame the limitations of his puerile material by the force and fury of his writing and by his imagination, which was powerful beyond his hero Conan's wildest dreams of power. In his best work, Howard's writing seems so highly charged with energy that it nearly gives off sparks. Stories such as "The People of the Black Circle" glow with the fierce and eldritch light of his frenzied intensity. At his best, Howard was the Thomas Wolfe of fantasy, and most of his Conan tales seem to almost fall over themselves in their need to get out. Yet his other work was either unremarkable or just abysmal... The word will hurt and anger his legion of fans, but I don't believe any other word fits. Robert Bloch, one of Howard's contemporaries, suggested in his first letter to Weird Tales that even Conan wasn't that much shakes. Bloch's idea was that Conan should be banished to the outer darkness where he could use his sword to cut out paper dolls. Needless to say, this suggestion did not go over well with the marching hordes of Conan fans; they probably would have lynched poor Bob Bloch on the spot, had they caught up with him back there in Milwaukee."

"Thriller was the first television program to discover the goldmine in those back issues of Weird Tales … Robert E. Howard's "Pigeons from Hell," one of the finest horror stories of our century, was adapted, and remains the favorite of many who remember Thriller with fondness."

"One cannot write about Robert E. Howard without writing about Texas. This is inevitable, and particularly so when discussing any aspect of Howard's biography. To ignore the presence of the Lone Star State in Robert E. Howard's life and writing invites, at the very least, a few wrongheaded conclusions, and at worst, abject character assassination. This doesn't keep people from plunging right in and getting it wrong every time."

"No wonder a few people in Cross Plains don’t like him. They don’t understand him. His preoccupation with history and with writing instead of the price of corn and cotton is something they could not understand Could I? I liked to talk about books. . . History. . . Writing. Well, this was an opportunity to listen to a very interesting storyteller!"

"... all these criticisms fade like morning mist before Howard’s headlong rush of action, his rainbow-tinted prose, the intensity with which he wrote his own feelings into his stories, and, above all, his Hyborian world – that splendid creation – which ranks with Burroughs' Barsoom and Tolkien's Middle Earth as a major fictional achievement.""

"Although he had his faults as a writer, Howard was a natural storyteller, whose narratives are unmatched for vivid, gripping, headlong action. His heroes – King Kull, Conan, Bran Mak Morn, Solomon Kane are larger than life: men of mighty thews., hot passions, and indomitable will, who easily dominate the stories through which they stride. In fiction, the difference between a writer who is a natural storyteller and one who is not is like the difference between a boat that will float and one that will not. If the writer has this quality, we can forgive many other faults; if not, no other virtue can make up for the lack, any more than gleaming paint and sparkling brass on a boat make up for the fact that it will not float."

"Howard had a great love for all that was lost and strange and faraway. One thinks of him sitting at his typewriter in Cross Plains, Texas, a young man dreaming great dreams of gods and heroes far beyond the narrow boundaries of his own space and time, roaming free across the wonderful landscapes he saw in his mind."

"Behind them [Howard's stories] lurks a dark poetry and the timeless truth of dreams."

"If someone asks you where you get your characters... and they're sure to do that... you always say, "He's a combination of a lot of people I have known." That way, if your character is a damn fool, nobody will want to identify with him... To tell the truth, I don't know how a man gets a character for a story, anymore than I know how he falls in love. I don't know if his characters spring full-blown from his head, or if he sees a man walking down the street and recognises him instantly... I doubt any writer knows for sure where his characters come from."

"You express amazement at my statement that 'civilized' men try to justify their looting, butchering and plundering by claiming that these things are done in the interests of art, progress and culture. That this simple statement of fact should cause surprize, amazes me in return. People claiming to possess superior civilization have always veneered their rapaciousness by such claims... Your friend Mussolini is a striking modern-day example. In that speech of his I heard translated he spoke feelingly of the expansion of civilization. From time to time he has announced; 'The sword and civilization go hand in hand!' 'Wherever the Italian flag waves it will be as a symbol of civilization!' 'Africa must be brought into civilization!' It is not, of course, because of any selfish motive that he has invaded a helpless country, bombing, burning and gassing both combatants and non-combatants by the thousands. Oh, no, according to his own assertions it is all in the interests of art, culture and progress, just as the German war-lords were determined to confer the advantages of Teutonic Kultur on a benighted world, by fire and lead and steel. Civilized nations never, never have selfish motives for butchering, raping and looting; only horrid barbarians have those."

"It may sound fantastic to link the term "realism" with Conan; but as a matter of fact - his supernatural adventures aside - he is the most realistic character I ever evolved. He is simply a combination of a number of men I have known, and I think that's why he seemed to step full-grown into my consciousness when I wrote the first yarn of the series. Some mechanism in my sub-consciousness took the dominant characteristics of various prize-fighters, gunmen, bootleggers, oil field bullies, gamblers, and honest workmen I had come in contact with, and combining them all, produced the amalgamation I call Conan the Cimmerian."

"As for war, that will come when international capital is ready. I do not believe, and have never believed, that Mussolini, Hitler and the other European strong-arm, he-man dictators are anything but figure-heads and tools for international capitalism. The same crowd that recently approached Smedley Butler with a proposition to overthrow the government and set up a Fascist dictatorship; the same gang that would have made Hoover dictator if they had dared. The same gang that is now opposing everything Roosevelt tries to accomplish."

"When the civilized Chinese set the the Huns in motion, and the Huns in turn drove the Eastern Teutons before them - in that crush of nations, where were the Lombards, the Vandals, the Franks, and the Goths to go, if not over the crumbling lines of a rotten civilization? There was suffering in such wars; there is suffering in all wars; the barbarians wrought less destruction on their civilized enemies than many civilized races have wrought upon vanquished barbarians - Spaniards upon the Aztecs and Incas, for instance; read inside accounts of French rule in Syria and Algeria for a good idea of how civilization deals with her barbaric subjects. The Romanized peoples probably suffered less from the Germans than the Germans themselves, and the Slavs, suffered from the Huns, Avars or Yen-Yen and Bulgars."

"It seems to me that many writers, by virtue of environments of culture, art and education, slip into writing because of their environments. I became a writer in spite of my environments. Understand, I am not criticizing those environments. They were good, solid and worthy. The fact that they were not inducive to literature and art is nothing in their disfavor. Never the less, it is no light thing to enter into a profession absolutely foreign and alien to the people among which one's lot is cast; a profession which seems as dim and faraway and unreal as the shores of Europe. The people among which I lived — and yet live, mainly — made their living from cotton, wheat, cattle, oil, with the usual percentage of business men and professional men. That is most certainly not in their disfavor. But the idea of a man making his living by writing seemed, in that hardy environment, so fantastic that even today I am sometimes myself assailed by a feeling of unreality. Never the less, at the age of fifteen, having never seen a writer, a poet, a publisher or a magazine editor, and having only the vaguest ideas of procedure, I began working on the profession I had chosen. I have accomplished little enough, but such as it is, it is the result of my own efforts. I had neither expert aid nor advice. I studied no courses in writing; until a year or so ago, I never read a book by anybody advising writers how to write. Ordinarily I had no access to public libraries, and when I did, it was to no such libraries as exist in the cities. Until recently — a few weeks ago in fact — I employed no agent. I have not been a success, and probably never will be. But whatever my failure, I have this thing to remember — that I was a pioneer in my profession, just as my grandfathers were in theirs, in that I was the first man in this section to earn his living as a writer."

"I wrote my first story when I was fifteen, and sent it—to Adventure, I believe. Three years later I managed to break into Weird Tales. Three years of writing without selling a blasted line. (I never have been able to sell to Adventure; guess my first attempt cooked me with them for ever!)"

"You say the attractions of a barbaric life could not exist without the perspective of civilization. Yet (if we call the Vikings barbarians) do you not think that they found their life good without that perspective? The sagas hum with self-glorification, with praise of the "whale path", and the glory of the foray. Dull, mindless clods, mere hunks of inert matter? I cannot agree there. Such men as Eric the Red, Leif the Lucky, Hrolf the Ganger, Hengist - they could not have been feeble jelly-like organisms groping blindly through the scum of primordial night. They were alive; they stung, they burned, they tingled with Life - life raw and crude and violent doubtless; but life, just the same, and worthy to be classified with the best effort of the intellectual side of man."

"Where does barbarism leave off and civilization begin?...We can hardly conceive ourselves to be the sole possessors of the only true civilization that the world has ever known."

"When I look down the vista of the years, with all the "improvements," "inventions" and "progress" that they hold, I am infinitely thankful that I am no younger. I could wish to be older, much older. Every man wants to live out his life's span. But I hardly think life in this age is worth the effort of living. I'd like to round out my youth; and perhaps the natural vitality and animal exuberance of youth will carry me to middle age. But good God, to think of living the full three score years and ten!"

"One objection I have heard voiced to works of this kind—dealing with Texas—is the amount of gore spilled across the pages. It can not be otherwise. In order to write a realistic and true history of any part of the Southwest, one must narrate such things, even at the risk of monotony."

"Magazines were even more scarce than books. It was after I moved into "town" (speaking comparatively) that I began to buy magazines. I well remember the first I ever bought. I was fifteen years old; I bought it one summer night when a wild restlessness in me would not let me keep still, and I had exhausted all the reading material on the place. I'll never forget the thrill it gave me. Somehow it never had occurred to me before that I could buy a magazine. It was an Adventure. I still have the copy. After that I bought Adventure for many years, though at times it cramped my resources to pay the price. It came out three times a month, then... I skimped and saved from one magazine to the next; I'd buy one copy and have it charged, and when the next issue was out, I'd pay for the one which I owed, and have the other one charged, and so on. So I generally owed for one, but only one."

"I am unable to rouse much interest in any highly civilized race, country or epoch, including this one."

"I don't believe I ever saw an Oklahoman who wouldn't fight at the drop of a hat — and frequently drop the hat himself."

"Youngsters of this generation seem not quite so hazardous except in the way of mechanical speed, bad liquor and venereal diseases."

"I'll say one thing about an oil boom; it will teach a kid that Life's a pretty rotten thing as quick as anything I can think of."

"Like you, the Sagas of Norse Gods and heroes fascinate me. Their mythology seems more characteristically Nordic than any other-naturally, of course. I still feel deep resentment toward Charlemagne for his bloody conversion of the Nordic pagans – and while I do not consider that it was revenge for his ruthless crusade that sent the more remote Norsemen sweeping down to ravage the south – it was more likely a natural result of growth and expansion and press of population – still I can appreciate the feelings of those Odin-worshippers who destroyed shrine and monastery and burned priests in the ruins of their altars."

"If I was wealthy I'd never do anything but poke around in ruined cities all over the world - and probably get snake-bit."

"I believe, like you, that civilization is a natural and inevitable consequence, whether good or evil I am not prepared to state."

"I'm not worrying about my Irish past. What has my Celtic blood ever done for me but give me a restless and unstable mind that gives me no rest in anything I do? Damn the Shan Van Vocht, and the ancestors that went to Sassenach gallows for her, and damn the Irish and damn the black Milesian blood in my veins that makes me like drift-wood fighting the waves and gives me no peace or rest waking or sleeping or riding or dreaming or traveling or wooing, drunken or sober, with hunger or slumber on me."

"I could name all day, those women I deem great in Greece alone and the records would scarcely be complete. And what of Joan of Arc and Emma Goldman? Kate Richards O’Hare and Sarah Bernhardt? Katherine the Great and Elizabeth Barrett Browning? H.D. and Sara Teasdale? Isibella of Spain who pawned her gems that Columbus might sail, and Edna St. Vincent Millay? And that queen, Marie, I think her name was, of some small province - Hungary I believe - who fought Prussia and Russia so long and so bitterly. And Rome – oh, the list is endless there, also - most of them were glorified harlots but better be a glorified harlot than a drab and moral drone, such as the text books teach us woman should be. Woman have always been the inspiration of men, and just as there are thousands of unknown great ones among men, there have been countless women whose names have never been blazoned across the stars, but who have inspired men on to glory. And as for their fickleness – as long as men write the literature of the world, they will rant about the unfaithfulness of the fair sex, forgetting their own infidelities. Men are as fickle as women. Women have been kept in servitude so long that if they lack in discernment and intellect it is scarcely their fault."

"But who is this who rides in silver white Attire that shames the stars across the night? Helmet and shield and corselet all a-gleam, Like some crusader from a drifting dream Upon a prancing jackass shod with flame— Rise, heralds of the past, bray forth his name"

"The poem you sent me was as fiery and virile as anything you’ve ever written – or anybody else, for that matter. Especially the second part went to my brain like the flaming liquor of insanity. No one else besides Jack London has the power to move me just that way."

"I'm not going to vote. I won't vote for a Catholic and I won't vote for a damned Republican. Maybe I've said that before. My ancestors were all Catholic and not very far back. And I have reason to hate the church."

"Money and muscle, that’s what I want; to be able to do any damned thing I want and get away with it. Money won’t do that altogether, because if a man is a weakling, all the money in the world won’t enable him to soak an enemy himself; on the other hand, unless he has money he may not be able to get away with it."

"What shall a man say when a friend has vanished behind the doors of Death? A mere tangle of barren words, only words."

"Hell, the world isn’t worth reforming or even aiding as I can see. Men are swine and most women are fools. Befriend a man and he’ll betray you. Fondle a woman and she’ll double-cross you – whip her and she’ll cringe to you."

"We’re making tin gods out of those poor buffoons in Hollywood; I dote on movies and appreciate the scanty art therein but I consider the profession about the most debased and debasing I know."

"I mean my characters are more like men than these real men are, see. They’re rough and rude, they got hands and they got bellies. They hate and they lust; break the skin of civilization and you find the ape, roaring and red-handed."

"I reckon if I ever marry, she will have to be a strong woman in a circus or something."

"Don’t you think that as a people, Americans have less poetry, real poetry, in their souls than any other nations?"

"College don't amount to much anyhow. A lot of narrow minded, musty old ideas dispensed by uninterested teachers to pupils who have come to college for athletics, because they considered it the stylish thing or to keep from going to work."