"[To Beth] My sex life is actually pretty shitty after I stopped seeing you. [He shows her his palm] I started developing callouses. I haven't had a drink in three months. I'm working my ass off. I'm off the sauce. I even stopped smoking. Now, will you tell I.A. I'm just your average, healthy, totally fucked up cop and let me out of here... please?"

"Kit, you're right. We live in separate worlds apart. Your world is the right one...I may have taken the wrong path, but I am willing to make things right again, even if it's not too late."

"Tsui Hark - a music judge (cameo)"

"John Woo - Taiwanese police chief"

"Tien Feng - the father of Ho and Kit"

"Kenneth Tsang - Ken, the leader of the taxi company Ho joins"

"Shing Fui-On - Shing's right-hand man"

"Waise Lee - Shing"

"Emily Chu - Jackie, the girlfriend of Kit"

"Chow Yun-fat - Mark Lee"

"Leslie Cheung - Sung Tse-Kit"

"Ti Lung - Sung Tse-Ho"

"Brothers by blood. Enemies by chance. Killers by nature."

"The movie that began it all........."

"Father was killed because of him! Why should you force me to accept him now!? He has no one to blame but himself!! I'm a cop, he's a criminal...in the eyes of the law, we are traveling on separate paths..."

"That's enough!!! I don't need your pity!!...You don't owe me anything! I would never force my own friends to do something they wouldn't do! I have my own principles! I just don't want to live like this anymore!!...Do you think I like to beg!?...I've been in bad shape for three years, waiting for this opportunity! This is my only chance, not to prove that I'm the best, but to simply take back what I have lost!!!...Look at yourself. Look at what you've become!!...Back then, people rejected you! Now, you can't even take two steps without someone following you!!! Have you ever fought for a chance? You never have. Never!!!...I don't want to be like you..."

"Kid, don't point the gun at my head! If you have the guts, shoot me dead! Shoot me...shoot me!"

"I've heard about you. I know what you've done. Breaking the hearts of your poor grieving parents. So you're back, eh? You're back to make life a misery for your lovely parents once more, is that it?"

"The erotic decor in the film suggests a slightly futuristic period for the story. The assumption being that erotic art will eventually become popular art, and just as you now buy African wildlife paintings in Woolworth's, you may one day buy erotica. The violence in the story has to be given sufficient dramatic weight so that the moral dilemma it poses can be seen in the right context. It is absolutely essential that Alex is seen to be guilty of a terrible violence against society, so that when he is eventually transformed by the State into a harmless zombie you can reach a meaningful conclusion about the relative rights and wrongs. If we did not see Alex first as a brutal and merciless thug it would be too easy to agree that the State is involved in a worse evil in depriving him of his freedom to choose between good and evil. It must be clear that it is wrong to turn even unforgivably vicious criminals into vegetables, otherwise the story would fall into the same logical trap as did the old, anti-lynching Hollywood westerns which always nullified their theme by lynching an innocent person. Of course no one will disagree that you shouldn't lynch an innocent person—but will they agree that it's just as bad to lynch a guilty person, perhaps even someone guilty of a horrible crime? And so it is with conditioning Alex."

"The central idea of the film has to do with the question of free-will. Do we lose our humanity if we are deprived of the choice between good and evil? Do we become, as the title suggests, A Clockwork Orange? Recent experiments in conditioning and mind control on volunteer prisoners in America have taken this question out of the realm of science-fiction. At the same time, I think the dramatic impact of the film has principally to do with the extraordinary character of Alex, as conceived by Anthony Burgess in his brilliant and original novel. Aaron Stern, the former head of the MPAA rating board in America, who is also a practising psychiatrist, has suggested that Alex represents the unconscious: man in his natural state. After he is given the Ludovico 'cure' he has been 'civilized', and the sickness that follows may be viewed as the neurosis imposed by society."

"The breakthrough presentation of Stanley Kubrick's Clockwork Orange for the millions who were not allowed to see it until now!"

"Being the adventures of a young man ---who couldn't resist pretty girls ...or a bit of the old ultra-violence ...went to jail ...was re-conditioned ...and came out a different young man ...or was he?"

"Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven."

"Tramp: This is the poisonous young swine that near done me in—him and his friends, they beat me and kicked me and punched me. Stop him, stop him. They laughed at me blood and me moans. This murderous young pig is a prize specimen of the cowardly brutal young! He is in our midst and at our mercy! Give it to him! That's it!"

"Prison Governor: These new ridiculous ideas have come at last and orders are orders, though I may say to you in confidence that I do not approve. An eye for an eye, I say. If someone hits you, you hit back, do you not? Why then should not the State, very severely hit by you brutal hooligans, not hit back also? But the new view is to say no. The new view is that we turn the bad into good. All of which seems to me to be grossly unjust, eh? (...) You are to be reformed."

"Chaplain: What's it going to be then, eh? Is it going to be in and out of institutions like this, though more in than out for most of you? Or are you going to attend to the Divine Word and realise the punishments that await unrepentant sinners in the next world as well as this? A lot of idiots you are, selling your birthright for a saucer of cold porridge, the thrill of theft, of violence, the urge to live easy. Well, I ask you, what is it worth, when we have undeniable proof, yes, incontrovertible evidence that Hell exists? I know, I know, my friends. I have been informed in visions that there is a place darker than any prison, hotter than any flame of human fire, where souls of unrepentant criminal sinners like yourselves—Don't you laugh, damn you, don't you laugh! I say like yourselves, scream in endless and unendurable agony. Their skin rotting and peeling, a fireball spinning in their screaming guts. I know, oh yes, I know."

"Chief Guard: [to Alex] You are now 655321, and it is your duty to memorise that number."

"Policeman: [to Deltoid] If you'd care to give him a bash in the chops, sir, don't mind us. We'll hold him down. He must be a great disappointment to you, sir."

"(talking over phone) Recruiting brutal young roughs into the police, proposing debilitating and will-sapping techniques of conditioning. Oh, we've seen it all before in other countries. The thin end of the wedge. Before we know where we are, we shall have the full apparatus of totalitarianism. [looks over shoulder in the empty room] This young boy is a living witness to these diabolical proposals. The people - the common people - must know, must see. There are great traditions of liberty to defend. The tradition of liberty is all. The common people will let it go. Oh yes. They will sell liberty for a quieter life - that is why they must be led, sir, driven, pushed!!"

"I know you! Isn't it your picture in the newspapers? Didn't I see you on the video this morning? Are you not the poor victim of this horrible new technique?"

"You've been like a father and mother to me. Well, it wouldn't be fair now or right, I mean, for me to go off and leave you two to the tender mercies of this young monster, who's been like no real son at all. Look, he's weeping now. But that's all his craft and artfulness. Let him go and find a room somewhere else. Let him learn the errors of his way, and that a bad boy like he's been doesn't deserve such a good mum and dad as he's had...You've made others suffer. It's only right that you should suffer proper."

"[to Alex] Violence is a very horrible thing. That's what you're learning now. Your body is learning it...You felt ill this afternoon because you're getting better. You see, when we are healthy, we respond to the presence of the hateful with fear and nausea. You're becoming healthy, that's all. By this time tomorrow, you'll be healthier still."

"Very soon now, the drug will cause the subject to experience a death-like paralysis, together with deep feelings of terror and helplessness. One of our early test subjects described it as being like death, a sense of stifling or drowning, and it is during this period we have found that the subject will make his most rewarding associations between his catastrophic experience-environment and the violence he sees."

"Our subject is impelled towards the good by paradoxically being impelled towards evil. The intention to act violently is accompanied by strong feelings of physical distress. To counter these, the subject has to switch to a diametrically opposed attitude. Any questions?"