Composers From Germany

"Where could we find an instance of cultural pathology which philosophy restored to health? If philosophy ever manifested itself as helpful, redeeming, or prophylactic, it was in a healthy culture. The sick, it made even sicker."

"Whoever wishes to justify [Philosophy] must show ... to what ends a healthy culture uses and has used philosophy."

"The only thing of interest in a refuted system is the personal element. It alone is what is forever irrefutable."

"My task is to throw a light on that which we must always love and revere, of which no subsequent knowledge can rob us: man in his greatness."

"I tell the story of these philosophers in simplified form: I merely wish to bring out in each system that point which represents a piece of the personality, and which history must preserve as a part of what is irrefutable and indisputable."

"The possibility has been established for the production of...a master race, the future "masters of the earth"...made to endure for millennia — a higher kind of men who...employ democratic Europe as their most pliant and supple instrument for getting hold of the destinies of the earth."

"There is only nobility of birth, only nobility of blood. When one speaks of "aristocrats of the spirit," reasons are usually not lacking for concealing something. As is well known, it is a favorite term among ambitious Jews. For spirit alone does not make noble. Rather, there must be something to ennoble the spirit. What then is required? Blood."

"To those human beings who are of any concern to me I wish suffering, desolation, sickness, ill-treatment, indignities — I wish that they should not remain unfamiliar with profound self-contempt, the torture of self-mistrust, the wretchedness of the vanquished: I have no pity for them, because I wish them the only thing that can prove today whether one is worth anything or not — that one endures."

"The homogenizing of European man ... requires a justification: it lies in serving a higher sovereign species that stands upon the former which can raise itself to its task only by doing this. Not merely a master race whose sole task is to rule, but a race with its own sphere of life, with an excess of strength ... strong enough to have no need of the tyranny of the virtue-imperative."

"Nietzsche was not a poseur, nor was he represented as a hero during his lifetime. Since his death, many who claim to be his disciples have pictured him as an archetypal hero. Defiant carriage of the head; a lofty brow furrowed with sombre thoughts; thick, wavy hair, clustering down to the strong column of the neck; two falcon eyes beneath bushy eyebrows; every feature of this masterful countenance taut with willpower, health and strength—such is the portrait usually given of him. Like a second Vercingetorix, he is shown with a heavy moustache falling manfully over the hard-set lips which surmount a prominent chin, and involuntarily the image called up is that of the barbarian warrior, a Viking of the Teutonic north striding forward sword in hand to victory, his hunting horn slung over his shoulder and a spear within easy reach. It is thus that our sculptors and painters delight in portraying him, a Germanic superman, a Prometheus bound, hoping thereby to render this great recluse more accessible to men of little faith who, corrupted by school books and stage presentations, are incapable of detecting tragedy unless it is draped in theatrical trappings. But genuine tragedy is never theatrical, and the true portrait of Nietzsche is far less picturesque than busts and paintings of him would have us believe."

"The tragedy of Friedrich Nietzsche's life was that it happened to be a one-man show, a monodrama wherein no other actor entered upon the stage. As the acts of the play precipitate themselves like an avalanche before our eyes, the solitary fighter stands alone beneath the louring skies of destiny—not a soul is at his side to succour him; no woman is there to soften by her ever-present sympathy the stresses of the atmosphere. Every action takes its birth in him, and its repercussions are felt by him alone. The few figures which, at the outset, creep by in the shadow of his person, accompany his heroic enterprise with gestures of dumb astonishment and fear; soon they glide away and vanish as if faced by some danger. Not one person ventures to enter wholeheartedly into the innermost sanctum of Nietzsche's destiny; the poet-philosopher is doomed to speak, to struggle, to suffer alone. He converses with no one, and no one has anything to say to him. What is even more terrible is that none hearken to his voice."

"In his book Modern Times, the historian Paul Johnson referred to Hitler, Stalin, and Mussolini as the three devils of the twentieth century. Interestingly, Nietzshean dogma influenced each of them."

"Both Nietzsche and Marx did their greatest work seeking to explain the mystery. The term both used was "decadence." But if there was decadence, what was decaying? Religious faith and moral codes that had been in place since time was, said Nietzsche, who in 1882 made the most famous statement in modern philosophy — "God is dead" — and three startlingly accurate predictions for the twentieth century. He even estimated when they would begin to come true: about 1915. (1) The faith men formerly invested in God they would now invest in barbaric "brotherhoods with the aim of the robbery and exploitation of the non-brothers." Their names turned out, in due course, to be the German Nazis and the Russian Communists. (2) There would be "wars such as have never been waged on earth." Their names turned out to be World War I and World War II. (3) There no longer would be Truth but, rather, "truth" in quotation marks, depending upon which concoction of eternal verities the modem barbarian found most useful at any given moment. The result would be universal skepticism, cynicism, irony, and contempt. The First World War began in 1914 and ended in 1918. On cue, as if Nietzsche were still alive to direct the drama, an entirely new figure, with an entirely new name, arose in Europe: that embodiment of skepticism, cynicism, irony, and contempt, the Intellectual."

"Nietzsche was not an atheist, any more than the Buddha was."

"The rather more dubious side of Nietzsche's 'evolutionism' is his glorification of the warrior -- particularly when, as an exemplification of the warrior-hero, he chooses an archetypal 'spoilt brat' like cesare Borgia. Nietzsche's own physical weakness and consequent inability to escape the atmosphere of the study leads him to take a rather unrealistic view of the man of action."

"Nietzsche was used to being alone. He regarded it as being part of destiny of the man of genius. His hero, Schopenhauer, convinced him of it when he was barely twenty, and although he came later to reject Schopenhauer, he never rebelled against his destiny of aloneness."

"Nietzsche's great concept of Yea-saying gave him a notion of purpose that is seen as positive. Nietzsche, in short, was a religious mystic."

"Anyone who can understand that the Buddhist idea of Nirvana is not merely negative, and that the Buddha himself who (like the Superman) 'looks down on suffering humanity like a hillsman on the planes' is not an atheistic monster, will instantly see how this misses the point. Nietzsche was not an atheist, any more than the Buddha was. Anyone who reads the Night Song and the Dance Song in Zarathustra will recognize that they spring out of the same emotion as the Vedic or Gathic hymns or the Psalms of David. The idea of the Superman is a response to the need for salvation in precisely the same way that Buddhism was a response to the 'three signs'."

"Although Nietzsche was keenly alive to what concerns the deniers, he was an opponent of them. The indifference to truthfulness which they encourage would be for him merely an aspect of nihilism. When he discovered that the values of truth and truthfulness, such as the resistance to self-deception and to comforting mythologies, were not self-justifying and not given simply with the concept of truth—unless the concept of truth is itself inflated into providing some metaphysical teleology of human existence, of the kind that he rejected in Platonism—he did not settle for a demure civic conversation in the style of Richard Rorty's ironist, or saunter off with the smug nod that registers a deconstructive job neatly done. He was aware that his own criticisms and exposures owed both their motivation and their effect to the spirit of truthfulness. His aim was to see how far the values of truth could be revalued, how they might be understood in a perspective quite different from the Platonic and Christian metaphysics which had provided their principal source in the West up to now."

"I don't see Nietzsche as the sort of philosopher whose views you just adopt: there are all sorts of problems with his positive views about the future, about politics, and so on. I see him in the same way that Foucault saw him, as a sort of resource. Foucault said that there isn't any one Nietzsche: everybody gets out of him what they find most helpful. I'm also convinced, from my own experience, that you get most out of him when you've got part of the way there on some path of your own. I think it's arriving at some thoughts of my own which turned out to be not dissimilar to things that Nietzsche had developed in greater depth that has greatly increased my interest in him. I do think that his genealogies are very remarkable constructions, and deserve our attention and respect. But of course they go beyond the metaphysical psychology of Kantian moralism. They also extend much more generally to the sources of our moral conceptions and their associated metaphysical models."

"In 1870 Nietzsche knew that nihilism stood at the door; now it is with us. Despair for mankind is nearly universal. What hope is there? The current protest of youth is basically a rebellion against a nihilistic society, but what comes next?"

"Nietzsche, like other young men of great intellectual gifts, was debilitated by the effects of masturbation."

"The two leitmotifs of the present writer's Metapolitics: From the Romantics to Hitler, 1941, were the rival outlooks of Nietzsche, Wagner: Nietzsche as the voice warning Germany against nationalism, anti-Semitism, herd-collectivism; Wagner as the voice teaching Hitler his Aryan racism, anti-parliamentary leadership-cult, anti-aristocratic cult of the collective "folk." . . . Nietzsche's was the only voice in the 1880's to say that Richard Wagner's folk-romanticism and anti-Semitism would make his German nationalist disciples "the destroyers of both German and European culture.""

"In Nietzsche and [Jakob] Burckhardt the German language had its last great voices of the old Goethean individualism amid the triumphant Bismarck era of statism and mechanized material power. . . . Nietzsche remains unequaled in anticipating out ever-increasing need today for the full, unmechanized personality."

"Nietzsche does not favor reckless, anarchic action. The model of the artist, and more specifically the musician, is important. Rhythm is of the essence; timing of notes, of actions, allows for a style that is cohesive, even if not uniform. The music that emerges comes out over time, it becomes and develops slowly into a whole that is effective if timed well. Again Nietzsche sees that artists, especially musicians and poets, have such a talent. And to the extent that a writer writes poetically, he also shares in this talent."

"Probably no one as skillfully as Nietzsche has managed to appeal to the wild instincts that are dormant in man, and on the other hand to outrage at himself all the lofty feelings that we owe to the higher element in us. This way of writing ensured Nietzsche a huge number of readers."

"It would certainly not be difficult to unearth in Nietzsche’s voluminous works a few pages which, outside their context, might serve to illustrate any preconceived thesis, particularly within the framework of a global exegesis which, parenthetically, would be quite useful to the works of Nietzsche, which are more obscure than profound. This is what the anarchists of Western Europe did, who hastened to consider Nietzsche one of them and who received a cruel rebuff: the philosopher of the master’s morality rejected them with all the rudeness he was capable of. It is clear to the reader, we hope, that we find sterile such a literary and textual attitude towards the writings rich in paradoxes of the recently deceased German thinker, whose aphorisms are often contradictory and in general allow for dozens of interpretations. The natural road towards a correct clarification of Nietzschean philosophy is the analysis of the social base that gave birth to this complex product. The present article strove to carry out an analysis of this kind. The base revealed itself to be rotten, pernicious, and poisoned. From which this conclusion: let them invite us as much as they want to dive in all confidence into Nietzscheism, to breathe deeply in his works the fresh air of proud individualism. We will not answer these appeals and, without fearing facile reproaches of narrowness and exclusivism, will reply with skepticism the way Nathaniel did in the gospel: “Can anything good come out of Nazareth?”"

"The whole world knows that virtue consists in the subjugation of one's passions, or in self-renunciation. It is not just the Christian world, against whom Nietzsche howls, that knows this, but it is an eternal supreme law towards which all humanity has developed, including Brahmanism, Buddhism, Confucianism, and the ancient Persian religion. And suddenly a man appears who declares that he is convinced that self-renunciation, meekness, submissiveness and love are all vices that destroy humanity (he has in mind Christianity, ignoring all the other religions). One can understand why such a declaration baffled people at first. But after giving it a little thought and failing to find any proof of the strange propositions, any rational person ought to throw the books aside and wonder if there is any kind of rubbish that would not find a publisher today. But this has not happened with Nietzsche´s books. The majority of pseudo-enlightened people seriously look into the theory of the übermensch, and acknowledge its author to be a great philosopher, a descendant of Descartes, Leibniz and Kant. And all this has come about because the majority of pseudo-enlightened men of today object to any reminder of virtue, or to its chief premise: self-renunciation and love—virtues that restrain and condemn the animal side of their life. They gladly welcome a doctrine, however incoherently and disjointedly expressed, of egotism and cruelty, sanctioning the idea of personal happiness and superiority over the lives of others, by which they live."

"This divergence and perversion of the essential question is most striking in what goes today by the name of philosophy. There would seem to be only one question for philosophy to resolve: What must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition on the Christian nations. For example, in Kant´s Critique of Practical Reason, or in Spinoza, Schopenhauer and specially Rousseau. But in more recent times, since Hegel´s assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards. The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzsche´s half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others. If anyone doubted that the Christian world of today has reached a frightful state of torpor and brutalization (not forgeting the recent crimes committed in the Boers and in China, which were defended by the clergy and acclaimed as heroic feats by all the world powers), the extraordinary success of Nietzsche's works is enough to provide irrefutable proof of this. Some disjointed writings, striving after effect in a most sordid manner, appear, written by a daring, but limited and abnormal German, suffering from power mania. Neither in talent nor in their basic argument to these writings justify public attention. In the days of Kant, Leibniz, or Hume, or even fifty years ago, such writings would not only have received no attention, but they would not even have appeared. But today all the so called educated people are praising the ravings of Mr. N, arguing about him, elucidating him, and countless copies of his works are printed in all languages."

"Nietzsche knew of the ambiguity in all life. He knew of the creative and destructive elements which are always present in every life process. If you want to find out about his idea of God, do not look first to his statement that "God is dead." Read instead the last fragments of The Will to Power, which is a collection of fragments. It is not a book in itself. The last fragment describes the divine demonic character of life in formulations which show the ambiguity, the greatness, and the destructiveness of life. He asks us to affirm this life in its great ambiguity. Out of this he then has another kind of God, a God in which the demonic underground, the Dionysian underground, is clearly visible. The victory of the element of rationality or of meaning is not as clear as in other philosophers like Kant or Hegel, Hume or Locke, but there is an opening up of vitality, and its half-creative, half-destructive power."

"Friedrich Nietzsche, the famous atheist and ardent enemy of religion and Christianity, knew more about the power the idea of God than many faithful Christians."

"It is certainly not an overstatement to say that no one has ever spoken so greatly and so nobly of what a philosopher is as Nietzsche."

"Nietzsche's criticism can be reduced to one proposition: modern man has been trying to preserve biblical morality while abandoning biblical faith. That is impossible."

"Owing to its radical anti-egalitarianism Nietzsche's vision of a possible future is in a sense more profoundly political than Marx' vision. Like the typical Continental European conservative Nietzsche saw in communism only the completion of democratic egalitarianism and of the liberalistic demand for freedom which is not a "freedom for" but only a "freedom from." But in contradistinction to those conservatives he held that conservatism as such is doomed, since all merely defensive positions, all merely backward looking endeavors are doomed. The future seemed to be with democracy and nationalism. Both were regarded by Nietzsche as incompatible with what he held to be the task of the twentieth century."

"I think he sets a certain standard, let's say a standard of seriousness. (Q: Doesn't he seem intolerant to you, even merciless?) Sontag: He's very vehement, yes. Kafka too was very vehement, and he excluded a great deal, in his life and in his work. These are people whose lives I find exemplary in some respect-their thoughts, their ideas, their work, their seriousness."

"At the University of Basel Professor Eucken often served with Nietzsche on the examining committee of candidates for the doctorate in classical philology. On such occasions, if the student appeared to be getting the worst of it in the verbal contest, Nietzsche would be observed to become more and more nervous until, finally, he could contain himself no longer and would break in with leading questions: "I suppose you mean so-and-so?" or "Do you not believe this or that?" until he got the student to say just about what he should have said in the first place. Professor Eucken does not regard the widespread influence of Nietzsche as altogether evil, believing he should not be held responsible for all the vagaries and extravagances of his devotees. The reason of Nietzsche's popularity, according to Eucken, is his strong individualism; for the Germans, in spite of governmental control and the Social Democracy, are pronounced individualists in character. The German will insist upon having his own house, his own seat, his own opinion."

"Nietzsche was personally more philosophical than his philosophy. His talk about power, harshness, and superb immorality was the hobby of a harmless young scholar and constitutional invalid. He did not crave in the least either wealth or empire. What he loved was solitude, nature, music, books. But his imagination, like his judgment, was captious; it could not dwell on reality, but reacted furiously against it. Accordingly, when he speaks of the will to be powerful, power is merely an eloquent word on his lips. It symbolises the escape from mediocrity. What power would be when attained and exercised remains entirely beyond his horizon. What meets us everywhere is the sense of impotence and a passionate rebellion against it."

"Speaking of Spinoza he [Nietzsche] says: "How much of personal timidity and vulnerability does this masquerade of a sickly recluse betray!" Exactly the same may be said of him, with the less reluctance since he has not hesitated to say it of Spinoza. It is obvious that in his day-dreams he is a warrior, not a professor; all the men he admires were military. His opinion of women, like every man's, is an objectification of his own emotion towards them, which is obviously one of fear. "[Thou goest to woman?] Forget not thy whip"—but nine women out of ten would get the whip away from him, and he knew it, so he kept away from women, and soothed his wounded vanity with unkind remarks."

"Nietzsche's objection to Christianity is that it caused acceptance of what he calls 'slave morality'. It is curious to observe the contrast between his arguments and those of the French philosophes who preceded the Revolution. They argued that Christian dogmas are untrue; that Christianity teaches submission to what is deemed to be the will of God, whereas self-respecting human beings should not bow before any higher Power; and that the Christian Churches have become the allies of tyrants, and are helping the enemies of democracy to deny liberty and continue to grind the faces of the poor. Nietzsche is not interested in the metaphysical truth of either Christianity or any other religion; being convinced that no religion is really true, he judges all religions entirely by their social effects. He agrees with the philosophes in objecting to submission to the supposed will of God, but he would substitute for it the will of earthly 'artist-tyrants'. Submission is right, except for these supermen, but not submission to the Christian God. As for the Christian Churches' being allies of tyrants and enemies of democracy, that, he says, is the very reverse of the truth. The French Revolution and Socialism are, according to him, essentially identical in spirit with Christianity; to all alike he is opposed, and for the same reason: that he will not treat all men as equal in any respect whatever."

"In spite of Nietzsche's criticism of the romantics, his outlook owes much to them; it is that of aristocratic anarchism, like Byron's, and one is not surprised to find him admiring Byron. He attempts to combine two sets of values which are not easily harmonized: on the one hand he likes ruthlessness, war, and aristocratic pride; on the other hand, he loves philosophy and literature and the arts, especially music. Historically, these values coexisted in the Renaissance; Pope Julius II, fighting for Bologna and employing Michelangelo, might be taken as the sort of man whom Nietzsche would wish to see in control of governments. It is natural to compare Nietzsche with Machiavelli, in spite of important differences between the two men. As for the differences: Machiavelli was a man of affairs, whose opinions had been formed by close contact with public business, and were in harmony with his age; he was not pedantic or systematic, and his philosophy of politics scarcely forms a coherent whole; Nietzsche, on the contrary, was a professor, an essentially bookish man, and a philosopher in conscious opposition to what appeared to be the dominant political and ethical trends of his time. The similarities, however, go deeper. Nietzsche's political philosophy is analogous to that of The Prince (not The Discourses), though it is worked out and applied over a wider field. Both Nietzsche and Machiavelli have an ethic which aims at power and is deliberately anti-Christian, though Nietzsche is more frank in this respect. What Caesar Borgia was to Machiavelli, Napoleon was to Nietzsche: a great man defeated by petty opponents."

"Part of Nietzsche's worry was philosophical: How was it possible in a godless world, naturalistically conceived, to deem anything of value? But his concern was also cultural and political. Because of democracy, which was “Christianity made natural,” the aristocracy had lost “its naturalness”—that is, the traditional vindication of its power. How then might a hierarchy of excellence, aesthetic and political, re-establish itself, defend itself against the mass—particularly a mass of workers—and dominate that mass? [...] Nietzsche's response to that challenge was not to revert or resort to a more objective notion of value: that was neither possible nor desirable. Instead, he embraced one part of the modern understanding of value—its fabricated nature—and turned it against its democratic and Smithian premises. Value was indeed a human creation, Nietzsche acknowledged, and as such could just as easily be conceived as a gift, an honorific bestowed by one man upon another. “Through esteeming alone is there value,” Nietzsche has Zarathustra declare; “to esteem is to create.” Value was not made with coarse and clumsy hands; it was enacted with an appraising gaze, a nod of the head signifying a matchless abundance of taste. It was, in short, aristocratic."

"Nietzsche, the child of a Lutheran pastor, radicalized this argument, painting all of Christianity—indeed all of Western religion, going back to Judaism—as a slave morality, the psychic revolt of the lower orders against their betters. Before there was religion or even morality, there was the sense and sensibility of the master class. The master looked upon his body—its strength and beauty, its demonstrated excellence and reserves of power—and saw and said that it was good. ... The modern residue of that slave revolt, Nietzsche makes clear, is found not in Christianity, or even in religion, but in the nineteenth-century movements for democracy and socialism ..."

"There is nothing more wrong and misleading than thinking that Nietzsche embodied the bourgeois (or even petty bourgeois) anthropological response to Marx's anthropological solution, defined as proletarian. The anthropological solution that Nietzsche proposes is, on the contrary, consciously post-bourgeois, because it dissolves all the previous 'ethical contents” of bourgeois society itself. [...] Nietzsche's is an ethics of the all-sided valorisation of the individual, and at the same time an ethics that no longer has ethics as its reference point, as in Hegel. Nietzsche no longer has ethics as his reference point, because his proclamation of the death of God is also a proclamation of the demise of any bourgeois or proletarian ethics. His is an ethic of the individual, or rather of the mature (too mature) stage of modern individuality."

"Friedrich Nietzsche. It's easy to see why his sociopathic ravings would have inspired so many repugnant movements of the twentieth and twenty-first centuries, including fascism, Nazism, Bolshevism, the Ayn Randian fringe of libertarianism, and the American alt-Right and neo-Nazi movements today. Less easy to see is why he continues to be a darling of the academic humanities. True, he was a punchy stylist, and, as his apologists note, he extolled the individual superman rather than a master race. But as Bertrand Russell pointed out in A History of Western Philosophy, the intellectual content is slim: it “might be stated more simply and honestly in the one sentence: ‘I wish I had lived in the Athens of Pericles or the Florence of the Medici’.”"

"It will be seen by the discriminating that Nietzsche in... bidding his renaissant aristocrats to ignore morality in favour of their own individual needs was, in reality, allotting them a difficult task, and one that from the moral point of view is often commended. Yet the distinction must be insisted upon that an individually determined adjustment of means to ends is contrary to the very spirit of popular morality, however externally it may appear to be high morality. For the aristocrat in determining his own mode of life specifically repudiates any universal value in it. He not only does not accept the common mode of life, but he has no desire to make his own mode common. That, in fact, is the distinction between the aristocrat and the demagogue turned tyrant. The mark of the plebeian raised to power is that he desires his values to become universal. He desires all men to say, do, think and feel as he says, does, thinks and feels. But the true aristocrat desires that all men shall be like himself free, self-ruling, self-choosing. But this reticence and self-denial are also difficult to maintain in the face of popular sophistry. Nietzsche, however, makes it clear that war against popular sophistry is the normal condition of the aristocrat. To develop individual power there is needed a long purpose and a great resistance; and what resistance can be greater than that offered by the multitude? Hence, in one sense, the multitude with their gods are indispensable to the creation of the powerful man. As a sort of battlefield and place of exercise, the populace serve the needs of the aristocrat."

"Along with ignoring the French Revolution, one of the most telling features of the new books on atheism [cf. new atheism ] is their consistent refusal to engage Nietzsche, who, if read correctly, ought to make atheists squirm far more than he has ever caused discomfit to believers. ¶ First, he turned the critical methods of the Enlightenment against their inventors and showed that Enlightened faith in progress was just as illusory as belief in an afterlife. Second, he demanded that a critical philosophy stop pretending to be a substitute religion (he shrewdly called Hegelian idealism “insidious theology”). Third, he insisted on the indissoluble bond between Christian doctrine and Christian morality and poured contempt on novelists like George Eliot for supposing otherwise [...] ¶ Perhaps this why Nietzsche said in Ecce Homo, “the most serious Christians have always been well disposed toward me.” For they at least, unlike Dawkins, Harris, Daniel Dennett and Christopher Hitchens, can see that after Nietzsche a moral critique of the Christian God has become impossible, for it denies the very presupposition that makes its own critique possible. Like Abraham asking if the Lord God of justice could not himself do justice, protest atheism must accept the very norms that Nietzsche showed are essential to the meaning of belief. In Nietzsche alone one reads what the world really looks like si Deus non sit [if God does not exist]."

"Loyalty to life, according to Nietzsche, begins in the resolve to seek life's principle with itself and not in something outside it—not, for example, in a God or supernature that, by being conceived as all that life is not—infinite, eternal, changeless, perfect goodness, perfect plenitude—stands as antithetical to life."

"The one reaction Nietzsche cannot tolerate is indifference, and this is what his use of hyperbole is designed to eliminate."

"In the coarsest sense, to say that Nietzsche's style is important is to say that his writing is unusual and idiosyncratic. This in turn is just to say that his works do not exhibit the features we have been accustomed to expect of philosophical treatises. And, forgetting that philosophical treatises themselves have been written in the most various styles imaginable, this has often been taken to show that Nietzsche's works are not, in some sense, philosophical."

"Nietzsche's dynamic contradictiousness has served as a source for the kind of static, somnolent, undiscriminating, sceptical tolerance which seems to be expressed by the claim to have stopped believing in sin. Readiness to question everything mutates mysteriously into a pose of equal indifference to all possible answers. Can this be more than pose? That it often is a pose, lasting only till the owner's moral corns happen to be trodden on, is by now a common observation. (The shocked immoralist in Tom Stoppard's play Professional Foul is a nice case.) But this is not just an unfair joke by satirists. What else could the undiscriminating position be? It is scarcely possible to vindicate it as a stern attempt to stand by one's moral principles, and remain indifferent in the face of all temptation to do otherwise."