Actors From Mississippi

"For any strategy to work, people first have to perceive vaccination as a normal part of life. That is why public health officials, nonprofit groups and major brands are collaborating on nationwide public service campaigns and partnering with celebrities to make vaccine more visible. The model for the celebrity shot dates to 1956, when few teenagers were getting the year-old polio vaccine. Two critical things happened that fall to reverse the trend. First, 21-year-old Elvis Presley got the shot in front of cameras before “The Ed Sullivan Show.” Second, the March of Dimes launched a wildly successful peer-to-peer campaign among teen social groups. In short, it leveraged the cool kids, but it may not have gotten the cool kids without the King""

"An economist called Elvis Presley, who's unfortunately deceased now but made a significant impact on economic thought, in one of his master treatises said: 'A little less conversation, a little more action, please. A little less fight and a little more spark..."

"I met him in New York during his 2nd appearance on “The Ed Sullivan Show” in 1956. I was just out of the William Morris Agency´s mailroom and still a very junior agent. That night, they held a press conference right before he went on so I went up to him and said, “Elvis, they’re ready for you.”. He said, “Yes sir. I’ll be right there, sir.” I was 24 and he was 21, and I said, “Sir! I’m from the Bronx. You’re the first person in the world to call me sir.” He was the sweetest guy. To this day, I cherish the fact that Elvis Presley was the first person ever to call me sir."

"While many people assume it must have been a difficult slog for an Arab like me to gain acceptance in the Hollywood of the 1960s, I beg to differ. They treated me like a God. I had a beautiful house in Bel-Air, under me was this singer, what was his name, tall super nice guy, he was a very popular singer. I could see his swimming pool. Now I can't remember names of anybody, it's extraordinary. Wait, it was Elvis Presley! So I used to look and see if he had girls in the pool. LOL. And then he died young. I was in the Bel Air house when he died in Memphis, and suddenly the house under me was always empty....’"

"The book, by contrast to "White Rage", offers an extended view, spanning from pre-colonial plots to relocate Britain's human rubbish, to Thomas Jefferson's notion of “whiteness as an automatic badge of superiority,” to modern use of adjectives like “redneck,” “cracker” and “country boy,” such as in the specific case of Elvis Presley. Isenberg's greatest historical and sociological intervention is not just the idea that divide and stratification exist between races, or that such divisions habit within them, but that it has always been this way. American democracy has never accorded all the people a meaningful voice. The masses have been given symbols instead."

"I think when I came out of the womb – I've been saying this but I mean it, you're born knowing who Elvis is. The name Elvis is just part of the fabric of humanity. He just is this thing that exists in the air, and contributed obviously so much to music. But I think he is the definition of what's cool.""

"We never saw energy like that coming off a stage before and meeting Elvis afterwards I found him to be a friendly, happy guy. Nice to everyone"."

"At the time, that was in 1972, I thought he was too old for me, but there was this chemistry between us. I felt a lot for him. I got to see him perform in Las Vegas — the greatest performer ever. I'm still really sad we lost him. I wish I could have been a closer friend to help save him. He was truly a kind and gentle man who never truly recovered from the death of his mother."

"We went in to scout the Hadooshi farm. We were gathering intelligence; there were quite a lot of buildings and compounds across the whole farm. We could see they were antsy. We went up to the gate, breached it. We caught them off guard. This one woman, she was just mean. Every time we walked through the garden, she went nuts. We noticed the garden was freshly dug. We started moving the dirt around, and we pulled up a big square riveted container. When we came across birth certificates, marriage licenses, we knew it was significant. It was like looking for (and finding) Elvis."

"We all automatically wanted to dress like Elvis, look like Elvis, swagger, strut, and sneer like Elvis – and every snide remark from Aunt Mimi, our teachers, or the newspapers only served to reinforce our new idol's grip"

"Many communities have a “this celebrity slept here” story. As a mountain resort, Idyllwild residents can share many but perhaps the most told is the time Elvis Presley spent three weeks there in 1961 to film “Kid Galahad. Visitors, starting in 2018, can now tour "The Hidden Lodge", built in 1947, one of five restored homes on the tour is one of many Idyllwild locations in “Kid Galahad. It’s the first time it’s been open to the public and it’s a lovely, lovely place. It was something the owners couldn’t pass up. The porch where Presley sang “This is Living” in the film is still intact. People will walk up, sit on the railing and strum their hand like they have a guitar. The home is an homage to Presley without going over the top. In fact, the tour is the Idyllwild Area Historical Society's lone fundraiser and usually draws hundreds of visitors.."

"Our company's breakthrough came in 1933, when one of our microphones was used by U.S. President Franklin D. Roosevelt. This marked the beginning of our association with political, musical, and cultural milestones. A lustrum later, we revolutionized microphone design with the creation of the Model 55 Unidyne, the world’s first single-element dynamic cardioid microphone. Its iconic design would go on to be associated with countless musical legends —think Elvis Presley crooning into its unmistakable grille..."

"It all started when an elderly American woman once asked me: "Do people in South Africa know Elvis?" "Of course we South Africans know Elvis!" I replied. Or do we, really? So, I went on to write a paper and, using a historiographic approach, I attempted to explore how his image was first imported into South Africa, especially during the Apartheid era when there was no television, and media censorship was a fact of daily life. Additionally, I tried to reflect on the impact of the media – then and now – in creating images, fantasies and illusions in constituting the subjectivity of the Elvis of real life and the Elvis of sound, stage and celluloid in the South African musical imaginary."

"The Owensboro Police Department quickly responded to my accident in the Meijer parking lot on Sunday, where my dog Elvis, a purebred, had apparently put my truck into drive and hit another parked car. I posted a video on Facebook, explaining how Elvis had shifted the car into drive while trying to get to some bacon grease on the truck's dashboard. Alas, I had left the truck running and forgot to put the emergency brake on. which explained how the truck then rolled up at least four parking spaces, hitting a car parked nearby. Police said there were no charges, so Elvis and I got off scot-free."

"Lou Reed, Elvis Presley and Kurt Cobain."

"Little Richard, he was the first one that really got to me. He and, of course, Elvis Presley."

"So when the city of Albany came to the conclusion that the house two doors down from my house was structurally terminal after years of neglect, they had to dump a ramp of dirt to allow the excavator to make the climb. It was a thing to behold: The two-track beast would tear away a portion of the front of the house — first the porch, which had been replaced almost a decade ago after it had degraded to a dangerous sag — and then plant its claw deep in the wreckage and haul itself a few feet higher, like a mountaineer with a pickax. By the time it reached the summit, the house had been reduced to a cross-section: see the bedroom, see the attic, see the bathroom where for decades its former residents shaved and showered through the Depression, World War II, the entire life of Elvis Presley and the demise of Skylab."

"We went backstage and he told me he used to play me on the jukebox when he was in the Army in Germany. He admired the high tenor male voice – he was a baritone. I was and remain a huge fan of his. He was a phenomenon."

"He had a photographic mind, came prepared every day. I would have to say that if you, Carole, if you had ever have to do a scene with him, you be....... somewhat taken back, that's how his sex appeal hit you. His eyes, especially, so seductive..."

"Well for one thing, he never got to sleep with her in his cover, actually he danced with her. My husband Ewan used to say that it was like Elvis being Romeo down on the ground calling up to Juliet, at the top of the Post Office Tower LOL."

"He is the Elvis of Racing"

"I' the King!"

"Andy, you have to do me a favor. I have this crazy idea. You know, you always do the paintings of stars ( like Elvis and MM) ? Well, when Maria (Shriver Kennedy) marries me, she will be a star, so you’ll be painting a star."

"Elvis, to me, is a symbol of tremendous promise and that kind of American hopefulness, where you can come from nowhere and have nothing and build yourself up and chase that American dream."

"So there were portraits of me everywhere, the finest clothes, 150 extras all watching me play this poker game. It just really informed me about who Koumba Diabaté, the diplomat I was playing in the series, really is. So I quickly was able to step into his shoes. But the opulence was ridiculous. We did not decorate those hotel rooms. That’s how the suites are. And it was so fun to shoot there, because you felt Mr. Diabaté’s fascination with Elvis Presley, because where we shot the poker scene was Elvis’s actual bedroom when he stayed there for eight years when it was called The International Hotel. So it was just like living my fantasy within my fantasy. It was so fun to to experience and to feel that energy of how old this place has been, how much history it has, and how much opulence you’re surrounded by. I didn’t have to act because it was literally all there."

"I idolized Elvis. I sent him so many songs and I never heard word one. Then one day in 1976 I was pitching songs and this famous publisher sat down next to me and says, ‘Layng, do you have a song for Elvis?” There were three I thought might work. Interestingly, the one I was least excited about, the one I almost didn't bother to send in, was the one Elvis chose. The song was "Way Down." Someone in the music industry called me i 1977 to tell me "Way Down" was climbing the charts. I was so excited. Two days later, I got another call, this time from my attorney. She said, "Layng, are you near a television? Elvis Presley is dead. How did this happen?. He listened to my demo of me singing It was just the most impossible thing I've ever heard of. And it still is, that my song would be the last he released as a single."

"Iconic celebrities never die because they are, in fact, a booming licensing business. Albert Einstein t-shirts. Elvis Presley guitar straps. Marilyn Monroe finger puppets. (These are all real.) If Samuel Jackson can wisecrack his way through Captain Marvel, then a hologram Tom Petty could perform a concert on behalf of a spirits brands at thousands of bars – at the same time. Muhammad Ali could teach your Orange theory boxing class. Julia Child would be in your kitchen with you to co-cook a Thanksgiving turkey on behalf of Butterball. Gone are the days when a celebrity can only be in one place at one time."

"There comes a point when the voice starts to wash over you. You get inside of it, start to really hear what he's doing, and you realise his singing has this extraordinary, effortless quality to it. Sometimes it's like listening to a stream of honey. It's a very smooth ride, the voice of Elvis Presley. I don't think you focus on the words when he's singing. I think he's doing what bel canto singers do – you don't listen to the words, "just" to the beauty of his voice-. When I say "just", that makes it sound as if he's denying you something else but, actually, that's quite enough."

"Halfway through the show, he asked that the house lights be turned up. After that was done he stated that he had told them not to sell the seats to his back and, since they had, he turned around and did the last half facing those of us that had only seen his back for the first. He was a great singer and showman."

"I loved him. There were two icons who changed our life in the 1950's, James Dean and Elvis. He was the first singer who was loved by both girls and guys. He brought us together, boys and girls, a revolutionary, had a profound effect on all of us, culturally, musically emotionally, spiritually, still miss him..."

"While touring Memphis, I was in the dressing room and my knee went and I crawled into a ball and couldn’t get up. I was carried off by a big security guy called Michael who’d once played for the Miami Dolphins. I heard he had an important boss but he didn’t tell me who his boss was. But the next day his boss called me. It was Elvis Presley. He came on the phone singing "You Make Me Feel Like Dancing", down the line. ‘I love that song, man. I hear Michael has been looking after you and that you’re a great guy. And you need to come over to the house’. he said. I was stunned, and got ready to go to spend a few days with Elvis and his girlfriend Ginger. But the next morning I heard on the radio Elvis had been taken to hospital and died. Years later, I began to think I must have dreamt the whole thing. But I met Ginger at a dinner in London, and she said ‘Elvis had been so excited at the idea of spending a few days with you.’ I had tears in my eyes when she said that.”"

"There's more chance of Elvis Presley being Chancellor of the Exchequer than John McDonnell. I've never come across such financial illiteracy.""

"Very proud that my father will receive the Medal of Freedom. That he’s getting it with Elvis is icing on the cake."

"On stage, any chance I get to put the teeth in and bite people, I will take. “Dance of the vampires" is great if only because it lets itself to be really, really silly. Any character I play has at least one if not three animal images that I use. And for the role of Count von Krolock, I said he's part panther, part eagle, and part Elvis Presley. And Elvis Presley — he's sexy as hell.”"

"He liked to do the bumps and grinds as I did them, and that was basically what he used in his routine from 1957. Eventually, he proposed to me, but I told him if anyone knew about us it would cost him his career."

"But my generation did not ONLY love America because she defended freedom. We also loved America because for us she embodied what was most audacious about the human enterprise, because America for us embodied the spirit of conquest. We loved America, because for us, America was a new frontier that was continuously being rolled back, a constantly renewed challenge to the inventiveness of the human spirit. My generation, without even coming to America, shared all of your dreams. In our imaginations, our imaginations were fueled by Hollywood, by the great conquest of the western territories, by Elvis Presley, and you probably haven't heard his name quoted often here -- but for my generation, he is universal."

"i) I didn’t like Elvis before I went to work with him in the summer of 1969. I mean, I didn’t know him. I just didn’t like his music. I was into black music mostly and jazz so when I went to work for him on the first rehearsal I told my ex-wife, I don’t think I’m going to do this gig, but I’m going to go down and check it out, see what’s going on.’ I came home that night and said, you gotta come down and hear this guy tomorrow night.’ She said, you’re kidding.’I said, no, you got to come down and hear him.’ She came down the next night to the rehearsal and she walked away a fan. It was that immediate. When I walked in and I heard him I said, Oh, oh, I believe that I've been missing something. ii) In some ways Elvis was Conservative and in other ways he was very Liberal. He wasn't someone that was following some political line, you know he'd figure out for himself what he thought was right"

"At the start, I listened to my older brother's collection of Paul Anka and Elvis Presley records. When the Beatles arrived, at home it became a fight between my brother, who loved Elvis and I, who loved the Beatles.. but we both stayed the course...."

"He was the greatest. In fact, he was the most charismatic individual I have ever seen both off and on the screen, he was the kind of person who could not walk into a room and not stop whatever was happening in that room. Every person, man or woman would turn to look at him, he was that magical, There are no words in the vocabulary, unless it is that he had magic."

"What Presley accomplished was a fusion of modes, not theft"

"I found him to be a gentleman. Elvis won everyone over. It’s true that Elvis was glowing. He also said that he wasn’t worried about the rest of his career, that he would like to focus on movies and that he was glad that he had his folks come over to Germany to be close to him. He seemed relaxed and his behavior seemed to surprise those who were covering his stay."

"I suppose you'd had to call him a lyric baritone, although with exceptional high notes and unexpectedly rich low ones. But what is more important about Elvis Presley is not his vocal range, nor how high or low it extends, but where its center of gravity is. By that measure, Elvis was all at once a tenor, a baritone and a bass, the most unusual voice I've ever heard."

"And to think I only wanted to imitate Elvis"

"I just wanted to be like my dad. He was absolutely charming, adorable and irresistible. I looked at him the way other people looked at him, like if he was Elvis. I was like: ‘Man I want what he’s got!’ I didn't realize I was born with it."

"He is the king of the Democratic liars. If there was a Hall of Fame for liars, like, let's say, a Rock & Roll Hall of Fame, he would be Elvis."

"Bill was about 16 when he drove from Blanco, Texas, to see Elvis Presley play at the then Municipal Auditorium. And when he found out the show was sold out, he climbed a tree to try to get into a window. He saw Elvis there in the window so Elvis motioned to him and asked him, 'What are you doing up there in the tree?' And Bill Wittliff explained , and Elvis Presley tore out a paper towel and wrote to the ticket taker to let these three boys in. They're friends of mine. We have that piece of paper on display at the Wittliff Collection."

"We finished a take and the phone rang and it was one of Elvis's associates, a guy I had met through Chet [Atkins] many times. And so this associate of Elvis says "Buffy? Elvis just recorded your song, "Until It's Time For You To Go." By this time I was pretty much over Elvis. When I was thirteen, Elvis was fresh. He was young. He was healthy and beautiful, and he was sexy and a natural musician. He was everything. He was just everything. But, it was just a total surprise as Elvis had by then already gone into kind of a different style. He no longer had that young rebel thing going for him. But when he recorded "Until It's Time For You To Go," it was just amazing. It was as if Santa Claus had said yes to coming to your birthday"

"I was publishing a book with the title "The case against Muhammed", dealing with the founder of Islam, from a critical point of view, and many people were asking me "why do you do that? And my answer was always "because you are asking me". Because you wouldn't if the book had been called "The Case against Elvis Presley". You would accept any criticism of any historical figure, you will consider it as freedom of art, of research, of opinion, but in the case of Muhammed, you say "The Prophet is the Muslim's world last stone of identity, so why do you attack HIM, let him in peace". And I then always answer my Muslim friends, that maybe he became the last stone of their identity because they left him in peace, alone, for fourteen hundred years."

"Every time he'd appeared on Letterman, he'd had to change his act. Written down, worked out, pre-approved by the production staff, his sweet improvisational melody was sliced and diced into a sampled, discordant riff. He just didn't come across. And he hadn't yet figured out what to do about it. At least not until that twelfth appearance. His ghost appearance, resonating forever in the memory of the Ed Sulli­van Theatre, there, center stage, near Elvis's swiveling hips. Another really big show, never to be seen."

"Although the beachside hotels on the bay supplemented most of the older hotels, El Mirador maintained its status, primarily because of the iconic cliff divers, or clavadistas, who dived from a platform outside the hotel more than forty meters into the water below. The classic image of cliff divers in Acapulco was immortalized in popular culture worldwide by the film "Fun in Acapulco" (1963), in which Elvis Presley plays a former acrobat, down on his luck and stranded there."