Simone Weil

"What she cared about was human souls. Her study of human rights and human obligations exposes the falsity of some of the verbiage still current which was used during the war to serve as a moral stimulant."

"I went through a stage in life when I was thirty-two or thirty-three years old-when I was very fascinated by the writings of Simone Weil. In the end, her religious philosophy left me where I was. But I felt that there was something there that answered to a need that I felt, my "need for roots" that she wrote about so marvelously. I couldn't find the same solution."

"Her life is almost a perfect blending of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have ever written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny. Well Simone Weil's is the most comical life I have ever read about, and the most truly tragic and terrible."

"By saying Simone Weil's life was both comic and terrible I am not trying to reduce it, but mean to be paying her the highest tribute I can, short of calling her a saint, which I don't believe she was. Possibly I have a higher opinion of the comic and terrible than you do. To my way of thinking it includes her great courage and to call her anything less would be to see here as merely ordinary. Of course, I can only say, as you point out, this is what I see, not, this is what she is — which only God knows."

"I have read everything by Simone Weil, who was an extraordinary woman gifted with immense empathy. But I think she might have profited from some better advice. She was not physically strong and yet, in order to directly experience the struggle of working people, she undertook factory work that was too much for her. And she also fought in the Spanish Civil War and, being somewhat clumsy, stepped into a pail of boiling oil, was severely burned, and went to Portugal to recuperate. Later, she would eat only the minimal portion of food she believed was available to people in occupied France—a few potatoes perhaps. She had been diagnosed with tuberculosis, and this may well have contributed to her death. (Then, as you see her, she is more of an inspiration than a model.) EP: Yes, an inspiration. She could not have been a model for me because I am neither a genius nor a mystic and, like Leonora, I had children I loved and for whom I was responsible, so that even if I had discovered a vocation of this sort in myself, I could not have lived such an extreme life."

"[By 1939] Simone Weil had developed a social and political awareness which it took the war and the German occupation to awaken in many French intellectuals and beyond which many of them, including Sartre, have never progressed."

"Simone Weil was one of the most remarkable women of the twentieth, or indeed of any other century. I have great sympathy for her, but sympathy is not necessarily congeniality. It would be easier to write of her if I liked what she had to say, which I strongly do not. …I think Simone Weil had both over- and under-equipped herself for the crisis which overwhelmed her — along, we forget, immersed in her tragedy, with all the rest of us. She was almost the perfectly typical passionate, revolutionary, intellectual woman — a frailer, even more highly strung Rosa Luxemburg. … She made up her own revolution out of her vitals, like a spider or silkworm. She could introject all the ill of the world into her own heart, but she could not project herself in sympathy to others. Her letters read like the more distraught signals of John of the Cross in the dark night."

"Although a few commentators have noted the influence of Simone Weil on the thought of Albert Camus, their relationship has never been fully explored … I shall examine several aspects of that influence in … Weil's critique of Marxism which Camus adopted in L'Homme Révolté… the conception of the rebel as an artisan which Camus also used in L'Homme Révolté, and … Weil's mysticism, to which Camus was reluctantly though definitely drawn. … I shall consider more fully the different conceptions of freedom and justice which appear in their writings and argue that their contributions to political thought here lay with their appreciation of the impulse in modern man to seek and impose absolute values. In this context, we shall see that Camus and Simone Weil provide different routes to individual authenticity and integrity in an absurd world."

"Most sins can be traced back to the social element. They spring from a thirst to appear and to dominate. It is not that Simone Weil rejects the social element as such; she knows that our environment, roots and traditions form bridges, metaxu between earth and heaven; what she repudiates is the totalitarian city — symbolized by the ‘Great Beast’ of Plato and the Beast of the Apocalypse — whose power and prestige usurp God’s place in the soul. Whether it shows itself under a conservative or a revolutionary aspect, whether it consists of adoring the present or the future city, social idolatry always tends to stifle and to replace the true mystic tradition. All the persecutions of prophets and saints are due to it; through it Antigone and Joan of Arc were condemned and Jesus Christ crucified. The social Beast offers man a substitute for religion which allows him to transcend his individuality without surrendering his self and so, at small cost, to dispense with God; a social imitation of the highest virtues is possible by which they are immediately degraded into pharisaism: "The pharisee is he who is virtuous out of obedience to the Great Beast.""

"Light for the spirit and nourishment for the soul, Simone Weil’s work does not have to be brought "up to date," since it emanates from that summit of being which overhangs all times and places. How could one put a date on a particular thought by Plato or Marcus Aurelius, a verse by Aeschylus, or the utterance of a Shakespearean hero ? The same is true, and in exemplary fashion, for Simone Weil. True light does not fade, and a true fountain need never be replenished. To speak of what is timeless is also to speak of what is universal. The undeserved privilege of presenting Simone Weil’s first book to the public has brought me countless favourable comments from the four corners of the globe. What strikes me most about these is that they come from individuals of such diverse backgrounds, social status, cultural milieu, etc, and that reading this work has left a deep impression on all their souls, as they found in it the revelation of an inner truth for which they had, up until then, been waiting in vain. At the twilight of a century whose accelerated history has led to the rise and fall of so many idols, this book increasingly appears like a message from eternity, addressed to eternal man, this "Nothingness capable of God," who is enslaved by gravity and liberated by grace."

"I knew her very well, I have had long discussions with her. For a period of time she was more or less in sympathy with our cause, but then she lost faith in the proletariat and in Marxism. It's possible that she will turn toward the left again."

"Gott ähneln, aber dem gekreuzigten Gott."