Elvis Presley

"Alas, this turned out to be his only time on UK soil..."

"I believe we need to restore confidence in Illinois. We deserve a state government that you can trust. It has been my mission as your state representative to support, sponsor, and vote for common sense solutions that provide for balanced budgets, to resist tax increases without a commitment to responsible spending, and to secure jobs for working families. I believe doing so will help you have more faith in our state government. I agree with Elvis Presley. “Truth is like the sun. You can shut it out for a time, but it ain’t goin’ away.”"

"i) I mean, they treat me like I'm Elvis there, they really do. ii) Elvis was the king. No doubt about it. People like myself, Mick Jagger and all the others only followed in his footsteps. iii)Bloody Elvis, beating me to the top from the grave.iv) He had it all, But I am not doing too bad myself LOL"

"The third day started with a biscuit breakfast on the bus as we headed set course toward Tupelo to visit Elvis Presley's birthplace. I had given our group a loose itinerary, but what the group didn't know is that I had arranged for an Elvis tribute artist to stand on the side of the road five miles out of Oxford with his thumb out, hitchhiking. We picked him up, Jack Curtis was his name, and he performed a concert of Elvis' classics, up and down the aisle of the bus, all of the way in to Tupelo. We got out to tour the Elvis Presley birthplace and my guests said, “I don’t know how you’re going to top this.”...."

"I was always a fan of Elvis as I was growing up. When I saw him in Vegas, with Phil Spector and his wife, in 1971, he was just awesome, had tremendous energy, charisma, such a handsome man, and a great voice, so actually there was nothing not to like about him. And then, after meeting him backstage, you realize that you are in the presence of someone so gifted, and that it's humbling, really."

"Elvis Presley is a means of seduction, a tool of US imperialism, to make the Communist youth lose its values in the midst of a possible atomic war."

"I never understood his records at first, and then many years later, I thought, "God this guy is good". He had that wonderful sexuality about him, and energy, he was a star, you know, he was bigger than life. Anyways, because I'd met him a couple of times, singing with him was kind of easy, it felt like our spirits were kind of touching..."

"For international visitors, Amtrak is a very common and comfortable means of transportation. To eliminate that, because we're such a strong destination, namely with Elvis Presley home Graceland, Beale Street and Memphis music history being such big draws for international tourists, would be a big, big loss, as lots of people have taken Amtrak train and it has given even more people the opportunity to visit and fall in love with our city."

"The immediate feeling you have is of the entirety of his life. You feel a young man full of potential. On seeing this 13 acres, you realize that he was at a point in his life that because of creativity, he was able to buy it. You feel all the happy times and all the people that have come and gone, dignitaries and musicians. I just wished that the walls could have talked. But in actual fact, the real treat was the private tour of the mansion, which the good folks of Graceland gave to the General Hospital crew. One of the special features is Elvis' white piano and I wish I could have played it, but we weren't allowed on that side of the velvet ropes. It's a big, white Steinway with actual ivory keys. It certainly has a history and you could just imagine Elvis himself playing there."

"The general idea is that Mississippi claims to be the birthplace of America's music and can pretty well back it up. The spiritual home of rock in roll in our state to me is Elvis Presley's birthplace in Tupelo. The B.B. King Museum and Interpretive Center over in Indianola, up in the Delta, that's where the blues live. The Grammys put in a museum at Delta State University, so that's the north part of the state. And the central part, kind of in the land of Jimmie Rodgers, is going to be Marty Stuart's Congress of Country Music Hall. That's where my collection, that's where the spiritual home of country music will live, as far as I'm concerned."

"Though he is widely considered one of the biggest cultural icons of the 20th century, many may not know that Elvis stuttered. In a 2007 interview, his Tupelo childhood friend Mary Magdalene Morgan recalled how Elvis would stutter in elementary school, always seeming nervous, never completely sitting still, stammering, but not to the point you couldn't understand him. When he was 13 years old, his family moved to Memphis, Tennessee, where he would listen to a variety of musicians and singers on the now famous Beale Street. Influenced by country, gospel, and blues among other styles, Elvis recorded his first songs with Sun Record but it took multiple recordings and several rejections before one of Elvis' songs hit the radio waves in mid July of 1954. In an interview in August of 1956, Elvis talked about his stuttering: ʽWhenever I get excited, I stutter a little bit. I have a hard time saying ‘when’ or ‘where’ or any words that start with ‘w’ or ‘i.’ In fact, evidence of his stuttering as an adult can be heard on recordings from the Louisiana Hayride at the start of his career. On one of these, he can be heard stuttering when he talks to the audience in between songs. After he stutters, he stops himself, pauses and then begins again, changing the words slightly. Today, almost forty after his death he is still the best-selling solo artist in the history of recorded music. He had a dream to become a successful performer and entertainer, and he didn't let his stuttering stand in his way. People struggling with stammering issues can find inspiration in knowing that they share something deeply personal with the most successful singer of all time."

"Elvis was one of a kind. He bought me my first car and that's how I attended my first Hollywood premiere. Elvis said, 'Kid if you're going to go to something like your first Premiere you deserve to attend in the right Style'. And he made sure that I did""

"The first time I heard his music, back in ’54 or ’55, I was in a car and I heard the announcer say, “Here’s a guy who, when he appears on stage in the South, the girls scream and rush the stage”. Then he played ‘That’s all right, mama’. I thought his name was about the weirdest I'd ever heard. I thought for sure he was a Black guy. Later on I grew my hair like him, imitated his stage act – once I went all over New York looking for a lavender shirt like the one he wore on one of his albums. I felt wonderful when he sang ‘Bridge over troubled water’, even though it was a touch on the dramatic side – but so was the song. It was unbelievable,and I thought to myself, how the hell can I compete with that?"

"But it wasn’t until 1958, when Elvis Presley teamed the item with brilliantine and attitude in the movie "King Creole" that the jacket crossed over to Main Street and became a much-copied American staple. Elvis always floated between Ivy League style and serious fashion and the Baeacuta G9 came in some great colors. When Elvis wore it was called the "Jivey Ivy" , which was Ivy League with a twist. After that almost every clothing company in the US copied it."

"By 1979, they were so prolific that Freddy was able to lounge in the bath in the Bayerischer Hof hotel in Munich, pick up a guitar – not his usual instrument – and bash out this globally successful tribute to Elvis Presley in 10 minutes. We are not worthy."

"He rarely over-sang when recording, delivering a vocal to suit the song. So, he can loudly accuse in "Hound Dog" (1956), rasp and rage for "Jailhouse Rock" (1957), bare his soul and beg on "Any Day Now"(1969) and sound quietly, sadly, worldly-wise on "Funny How Time Slips Away". (1970). This gift may explain why his music endures so powerfully and why his performances remain so easy to hear."

"At the risk of being sad for two seconds, I drink a toast to a wonderful fellow who left yesterday and did much for American Music. I knew him for maybe 12 or 14 years and we know, what he did in his career, but I knew him as a man, a gentle, good, fine man, gracious and generous in every sense of the word. Things which people never heard about him helping organizations, and children's hospitals but I knew all about that. He was some kind of cat and I hope God's good to him. ii) I am just a singer. Elvis was the embodiment of the whole American culture. Life just wouldn't have been the same without him. There have been many accolades uttered about his talent and performances through the years, all of which I agree with wholeheartedly. I shall miss him dearly as a friend."

"My heart melted when I saw him in person but when he and my dad met for the taping, they were both nervous..."

"During that last show in Indianapolis, he was on stage for an hour and a half. He included his own hits, pertinent covers and classic rock ’n’ roll, and there was a crescendo of gospel which was always a showstopper. It was a special show. He sang his heart out. Having only seen Elvis on stage in Las Vegas in previous years in front of an audience of 2,200 people the atmosphere was equally electrifying in front of 18,000, and the whole audience erupted when he announced that amongst them were 250 Brits."

"Elvis Presley has a very definite form of dance rhythm and this may well be what creates the hysteria."

"Each singer (of the so-called folk variety), is recognized as much from its characteristic sound, as from what they actually sing or play, and they manipulate tone colour with a virtuosity that owes nothing to either the classical, or the Tin Pan Alley tradition; one thinks, for example, of the voice of Elvis Presley, an expressive vehicle, shifting from high to low tones, groaning, slurring, and producing breathless changes of rhythm; to many listeners, the voice may have seemed crude, but its folk immediately resided in its crudeness."

"I was in Holland and our dressing room was next door to the one being used by the supergroup The Last Shadow Puppets. Anyways, I went to the toilet and who walks in but Alex Turner? He is a hero of mine and, to me, he looked like Elvis Presley..."

"What's better than Jaden Smith rapping about Elvis Presley and driving around with Harry Potter in the most surreal of ways? Well, Jaden Smith rapping about Elvis Presley and driving around with Harry Potter in the most surreal of ways and with only other voices as his accompaniment."

"The medium of TV and the birth of Elvis came at exactly the same time. Before, it didn't matter as much what you looked like, with radio or records. With Elvis, it was the whole package."

"i)The Houston Rodeo people didn't want us to come. There was a message sent to leave the black girls, they didn't need the black girls. And so Elvis responded with, 'Well if they don't come, I don't come'. But he was really upset about it. There was one person in particular who had sent the message. So when we got there, we were greeted by this little blonde in a convertible and she had to drive us around and she was his daughter. So Elvis always made sure he got even. I'm sure he said, 'And I want your daughter to drive them'. But, when it was happening we didn't know. We learned that later ii) When in true form, he was fabulous, his voice and vocal pitch a lot more remarkable than it ever came off on record; in fact, Elvis was a much better singer than could ever be captured; you know, some singers' voices are just too big, and Elvis' was like that."

"To me, Bob Dylan always represented rock'n'roll – I never thought of him as a folk singer or poet or nothing. I just thought he was the sexiest person since Elvis Presley"

"They've got signs of Elvis. They got billboards of Elvis and Graceland. There should be billboards of Ja Morant. Elvis is dead… It's over. God rest his soul.”"

"Elvis Presley came to Weeki Wachee. He could have gone anywhere, but he came here. He was so good looking and he was this total, ultimate Southern gentleman. He had each one of us come up and he presented to us his latest record. He signed mine 'Warmest wishes, to Vicki. Elvis Presley". I always tell the audience before each show that I did swim, as a mermaid, for Elvis Presley and that he was so cute! But so was I in 1961!""

"If one goes to the Licensing Convention in Las Vegas, the three most iconic images of the 20th century are Elvis, Marilyn Monroe and Muhammad Ali."

"Imagine growing up in post-war Britain. Ration coupons. Rain-slick streets. Bombed-out terraces of dingy brick. And then, shimmering on the horizon, the prospect of salvation: American popular culture. Who needs spirit-sapping austerity when Elvis Presley can cheer you up?"

"Don't get too hot and bothered. We have heard some expressions of annoyance among the older set over the current teenage rage, a young hillbilly entertainer named Elvis Presley. We were about to identify Mr. Presley more explicitly as a singer, but out of deference to sensitive feelings we chose the less controversial noun. Elvis puts on the most active act on TV, contorting his face and body as though in great pain, whomping the daylights out of his defenceless guitar, and uttering unintelligible shrieks and groans. The latter manifestations, preserved on phonograph records, are selling like mad. A good many parents seem fearful for the future of American youth if it can see merit in Mr. Presley's aggravated assaults on the musical idiom. We would remind such worriers of their own youth. Don't they recall their parents threatening to smash the loud speaker of the battery radio if Rudy Vallee megaphoned the 'Maine Stein Song' through it once again? Or fretting over juvenile appreciation for Cab Calloway's scat lyrics? But somehow the youngsters of yesterday grew up to be the sensible citizens of today, and now Rudy's crooning and Cab's hi-de-hi sound sort of pleasantly old-fashioned. So brace up, parents of '56. In another 20 years Elvis Presley really won't seem so bad, and your grown-up teenagers will be biting their nails over the entertainment sensation of '76.""

"So you went into this movie really tuned..."

"I think Elvis is the sexiest man to ever walk the earth. I love him."

"The budget is $269 million and Montpetit thinks it will finish under budget. We’re in the middle of a resurgence in the capital, and called the old train station part of a cultural landscape, a national landscape that once saw soldiers leave for war and return years later and one that welcomed Winston Churchill, the Emperor of Japan, and Elvis Presley."

"The “Hamilton” fiasco, with members of the hit Broadway show berating Vice President-elect Mike Pence from the stage, brought to mind another New York event from 44 years ago, when entertainers – at least some of them – had a vastly different idea of their place in American culture. On June 9, 1972, Elvis Presley, about to perform a series of sold-out concerts at Madison Square Garden, held a press conference. It being 1972, it was inevitable that he would be asked about what was then a new phenomenon: the politicization of the arts. One questioner asked him, “Mr. Presley, as you’ve mentioned your time in the service, what is your opinion of war protesters and would you today refuse to be drafted? ”Elvis answered: “Honey, I’d just sooner keep my own personal views about that to myself cause I’m just an entertainer and I’d rather not say. Asked next “Do you think other entertainers should also keep their personal views to themselves, he answered: “No, I can’t even say that!” Elvis was right. The cast of “Hamilton,” and the legions of their virtue-signaling followers are wrong. Elvis, unlike them, grasped that audiences might enjoy “Heartbreak Hotel” or “Suspicious Minds,” or “Hamilton” or any other work of art of any genre, without necessarily subscribing to, or caring about, or even knowing, the political views of the artist. . The performing arts are growing increasingly politicized, and that is why it is harder and harder to find apolitical entertainers like Elvis. It will take performers of courage to remember that no one own the culture, and to regain the spirit of Elvis and go back to being simply entertainers. Until those performers emerge, the stage and screen will find their audiences steadily diminishing, and fewer and fewer political enemies in the audience to lecture. If the “Hamilton” cast doesn't want them around, there are plenty of Elvis records to play to while away the evening."

"It remains a camp and cult classic and was one of my favorite films during my formative years."

"And nobody can bring it all back like Elvis did. And that is why there are sightings, and visits to his home, and why now there is even a stamp. Finally, Elvis can be licked but he can not ever be beaten"

"i) FUN ... it is waiting for you, Mr. and Mrs. Everyday American, and guess what? It is your birthright,” writes Springsteen of that galvanic Elvis moment. Springsteen’s familiar stage voice, his corny carny barker way with action verbs, leaps from the page in assessing what Elvis promised: “The life-blessing, wall-destroying, heart-changing, mind-opening bliss of a freer, more liberated existence. ii) Somewhere in between the mundane variety acts on a routine Sunday night in the year of our Lord 1956, THE REVOLUTION HAS BEEN TELEVISED iii) There have been a lotta tough guys. There have been pretenders. And there have been contenders. But there is only one king. iv)it was like he came along and whispered some dream in everybody’s ear, and somehow we all dreamed it. ii) When I heard it, it just shot straight through to my brain. And I realized, suddenly, that there was more to life than what I'd been living. I was then in pursuit of something and there'd been a vision laid out before me. You were dealing with the pure thrust, the pure energy of the music itself. I was so very young but it still hit me like a thunderbolt."

"Elvis Presley's Suspicious Minds and Cant help falling in love........."

"I asked him if he wanted me to pull up. He said, 'No.' I said, 'Are you sure? I could leave a welt.' He replied, 'That's OK.' So I belted him. That slap you hear in the film was not put in afterward – that was the slap.""

"If Elvis were playing through a stack of amplifiers, he would be called a heavy metal singer today. The problem is some of the kids who grew up loving everything he stood for, are now journalists who have become what they feared most, parents. No one name says more than his, ELVIS. It roars while others whisper."

"It's because you reminded me so much of Robert. He was gorgeous, and so are you..."

"My mom brought me home from the hospital after my birth with the radio off. This, she told me, was so when we got home and she danced me around to Elvis Presley's “Can’t Help Falling In Love With You,” it was the first musician I would ever hear."

"Return to sender..."

"My father, Herbert Stein was at the time Chairman of the President's Council of Economic Advisers and worked at the White House, often took me for lunch there where top dogs were allowed to have delicious meals, served by Navy Mess NCOs. We saw many famous people there, but one day, roughly three years before I myself started working there, he leaned towards me confidentially and said, “If you saw Elvis Presley in person, would you recognize him?” “I think so,” said I. “Well, look behind you.” I swiveled my hairy head around, and to my total shock, there was Elvis Presley eating with President Richard Nixon's Chief of Staff, Bob Haldeman a much feared but extremely pleasant and smart man. I got up, made my excuses to Mr. Haldeman, and said to Elvis, “Sir, everyone in the world is your fan, but I am your biggest fan.” In a voice and with a phrase that is incredibly famous, he simply said, “Thank yew ver’ much.” I was dazed. But I did not forget. And if you were to ask me to cite a lesson from it, it would be a line from a great Joan Didion novel called "Play It As It Lays: “You can’t win if you’re not at the table.” “Connections are golden.” Well worth remembering."

"Actually, he was an easy-going guy. No putting on airs, like he was some big star. An ordinary person, very polite, very obliging, a wonderful man, when I look back on it. It's a shame he had to go so soon.”"

"An oldies station was on the radio and it was playing that old Elvis song, 'I Want You, I Need you, I love you" so I just started singing my own song but it was 'I Want You, I Need You, I Love You.' I remember going home and I tried so hard but the best I could do was: 'I want you, I need you, but there ain't no way I'm ever gonna love you, don't be sad, 'cause two out of three ain't bad' So it was still a twist but it was my closest to a simple song, and one Elvis could have done."

"Certainly the most famous performer to be attached to a tongues-speaking fellowship was Elvis Presley; shortly after the Presleys arrived in Memphis, from Tupelo, a First Assembly of God bus swung through their rundown neighborhood, so they climbed aboard and became regulars of Pastor James Hamill's congregation; Hamill remembers Elvis attended Sunday school and was exposed there to the best in Pentecostal music; in 1957, after he achieved international acclaim, Presley said 'We used to go to these religious sing-ins all the time, and there were these perfectly fine singers nobody responded to, but there were also these other singers who cut up all over the place, jumping on the piano, moving every which way, and all of which the audience liked, so I guess I learned from them'; uninhibited Pentecostalism gave young Elvis ideas about music and performance and, from then on, he was sometimes called the "Evangelist" by his inner circle of friends."

"I'll never forget it. We were in the rehearsal hall, and all of a sudden, we heard this commotion coming down the hall and there was this entourage of people coming into the room, When Elvis walked into the room, my mouth dropped. I'm like, Wow, I now understand why this guy is the biggest star in the world. He had magnetism. He filled the room. He really did. And to be able to sing with him for about a year and a-half of my life was an amazing experience. He was just a great singer. When you listen to Elvis' records, back in the day when he recorded, everything was recorded analog. There were really no computers to tune your voice or anything. He just had a natural talent. And he recorded in a recording studio just like he sang on stage. He held a microphone in his hand. He walked around the recording studio, and it was like he was doing a live performance. And he hardly ever shaded a pitch. He was just so talented, he really was.”"

"It was a bit like the Elvis Presley excitement, something new, completely revolutionary,"