Women Singers

"Trouble is a part of your life, and if you don't share it, you don't give the person who loves you a chance to love you enough."

"John always said he had three favorite women. Fanny Brice, Carole Lombard and me."

"When I was a little kid I thought I would grow up to be black and sing jazz in nightclubs."

"I am a Republican because I believe in the constitution, strength in national defense, limited government, individual freedom, and personal responsibility as the concrete foundation for American government. They reinforce the resolve that the United States is the greatest country in the world and we can all be eternally grateful to our founding fathers for the beautiful legacy they left us today."

"One paper says I'm Catholic and the other says I'm Jewish. I guess that's fitting because as a Methodist I'm meant to be undetermined some of the time."

"Ask any girl what she'd rather be than beautiful, and she'll say more beautiful."

"Children internalize their parents' unhappiness. Fortunately, they absorb our contentment just as readily."

"When you're too mad and too rattled to see straight, you're bound to make mistakes. You can't go on and on for years being miserable about a situation and not have it change you. You get so you can't stand yourself."

"For there's a lot of masochism in the acting profession. We're willing to take a lot of punishment, but the minute we hit a little bit of success we are liable to run from it. We're frightened of it and develop all kinds of phobias as a consequence. Outsiders who don't understand think we have a chip on our shoulder, but it's not that at all. We're so used to failure, to being hurt and rebuffed, that we can easily come unhinged by success."

"I closed my eyes, put blinders on, and ignored what was too painful to think about. I tried to view my troubles less seriously, and worry less. I tried to curb my temper. Things said in embarrassment and anger are seldom the truth, but are said to hurt and wound the other person. Once said, they can never be taken back."

"This was the heyday of the movies; it was hard to keep a level head and one's sense of values. MGM made over-worked, spoiled idols out of Judy Garland, Mickey Rooney, and Elizabeth Taylor; it wasn't the kids' fault, nor the studio's, it was the System. I too was on the spoiling list for a while, but I didn't go along with it."

"My ideal of womanhood has always been the pioneer woman who fought and worked at her husband's side. She bore the children, kept the home fires burning; she was the hub of the family, the planner and the dreamer."

"Russell Markert, Lela Rogers, Ed Sedgwick - these were but a few of the experienced theater people who generously gave me a boost. I have a theory about the assists we get in life. Only rarely can we repay those people who helped us, but we can pass that help along to others. That's why, in 1958, I reactivated Lela's theater workshop with two dozen talented kids trying to get started in show business."

"Here's what I advise any young struggling actress today: The important thing is to develop as a woman first, and a performer second. You wouldn't prostitute yourself to get a part, not if you're in the right mind. You won't be happy, whatever you do, unless you're comfortable with your own conscience."

"People with happy childhoods never overdo; they don't strive or exert themselves. They're moderate, pleasant, well liked, and good citizens. Society needs them. But the tremendous drive and dedication necessary to succeed in any field- not only show business- often seems to be rooted in a disturbed childhood. I wasn't an unloved or an unwanted child, but I was moved around a lot, and then death and cruel circumstances brought many painful separations."

"I don't suppose that hard work, discipline, and a perfectionist attitude toward my work did me any harm. They are a big part of my makeup today, as any of my co-workers will tell you. And when life seemed unbearable, I learned to live in my imagination, and to step inside other people's skins- indispensable abilities for an actress."

"You see much more of your children once they leave home."

"Knowing what you can not do is more important than knowing what you can do. In fact, that's good taste."

"Let the world know you as you are, not as you think you should be, because sooner or later, if you are posing, you will forget the pose, and then where are you?"

"Your audience gives you everything you need. They tell you. There is no director who can direct you like an audience. You step out on the stage and you can feel it is a nervous audience. So you calm them down. I come out before an audience and maybe my house burned down an hour ago, maybe my husband stayed out all night, but I stand there. I'm still. I don't move. I wait for the introduction. Maybe I cough. Maybe I touch myself. But before I do anything, I got them with me, right there in my hand and comfortable. That's my job, to make them comfortable, because if they wanted to be nervous they could have stayed home and added up their bills."

"I know there are people in the world who have worse problems than falling in love and having it blow up in your face, but I didn't want to just wake up drinking, and crying, and listening to the Shangri-Las, and go to sleep, and wake up drinking, and listening to the Shangri-Las. So I turned it into songs, and that's how I got through it."

"The last real individualist."

"If it wasn't for Amy and Frank, one hundred per cent I wouldn't have picked up a guitar, I wouldn't have written "Daydreamer" or "Hometown" and I wrote "Someone Like You" on the guitar too. Contrary to reports, me and Amy didn't really know each other, we weren't friends or anything like that. I went to Brit School and she went for a little while. But a million per cent if I hadn't heard Frank this wouldn't have happened. I adored her."

"Amy Winehouse: Did she invent white soul? Wearing a beehive? No. But she did something brand new and fresh, altogether as a package, and you see who's in her wake, from the Duffys to the Lana Del Reys. Adele selling 20 million records? That would not have happened if Amy Winehouse was alive."

"I'll battle this bitter finale, Just me, my dignity and this guitar case."

"What kind of fuckery is this? You made miss the Slick Rick gig."

"It's okay in the day, I'm staying busy Tied up enough so I don’t have to wonder, "Where is he?" Got so sick of crying So just lately When I catch myself I do a 180 I stay up, clean the house At least I'm not drinking Run around just so I don't have to think about thinking That silent sense of content That everyone gets Just disappears soon as the sun sets His face in my dreams, seizing my guts He floods me with dread Soaked to the soul He swims in my eyes by the bed Pour myself over him Moon spilling in And I wake up alone."

"Then you notice likkle carpet burn My stomach drop and my guts churn You shrug and it's the worst Who truly stuck the knife in first? I cheated myself like I knew I would I told you I was trouble, you know that I'm no good I cheated myself, like I knew I would I told you I was trouble, yeah you know that I'm no good."

"He walks away, The sun goes down, He takes the day but I'm grown And in your way, In this blue shade My tears dry on their own."

"I don't understand, Why do I stress a man, When there's so many bigger things at hand. We could've never had it all, We had to hit a wall, So this is inevitable withdrawal. Even if I stop wanting you And perspective pushes through, I'll be some next man's other woman soon. I couldn't play myself again, I should just be my own best friend, Not fuck myself in the head with stupid men."

"He left no time to regret, Kept his dick wet, With his same old safe bet. Me & my head high, And my tears dry, Get on without my guy."

"They tried to make me go to Rehab I said no, no, no Yes, I've been black, but when I come back You'll know, know, know! I ain’t got the time, And if my daddy thinks I'm fine Just try to make me go to rehab I won't go, go, go."

"I'd rather be at home with Ray, I ain't got seventy days Cause there's nothing, There's nothing you can teach me That I can't learn from Mr Hathaway. I didn't get a lot in class But I know it don't come in a shot glass."

"Though I battle blind, Love is a fate resigned Memories mar my mind, Love is a fate resigned Over futile odds, And laughed at by the gods And now the final frame, Love is a losing game."

"My destructive side has grown a mile wide and I question myself again: what is it about men?"

"The Moschino bra you bought me last Christmas Put it in the box, put it in the box Frank's in there and I don't care Put it in the box, put it in the box, Now take it, Take the box."

"I'm a songwriter but she [Katie Melua] has her songs written for her... She must think it's her fucking lucky day... It's not like she's singing old songs like Jamie Cullum], she's singing shit new songs that her manager writes for her."

"You'll never get my mind right like 2 ships passing in the night."

"You've got a degree in philosophy, So you think you're cleverer than me. But I'm not just some drama queen, Cos it's where you're at not where you've been. So what do you expect from me, To hold your head above the sea? And there are you even though you're bigger, Cos don't you know you crush my tiny figure? And anyway we're still so young And this isn't yet the day. I can't help you if you won't help yourself."

"You can't sit down right, Cause your jeans are too tight, And you're lucky it's ladies night. With your big empty purse, Every week it gets worse, At least your breasts cost more than hers."

"You should be stronger than me, But instead you're longer than frozen turkey, Why'd you always put me in control? All I need is for my man to live up to his role, Always wanna talk it through- I'm ok, Always have to comfort you every day, But that's what I need you to do - are you gay?"

"There's no point in saying anything except the truth."

"It's not important to me to make other people at ease. I am difficult, but that's 'cause I don’t really give a fuck."

"Life happens. There is no point in being upset or down about things we can't control or change."

"I always said I never wanted to write about love, but then I went and did that anyway."

"Life's short. Anything could happen, and it usually does, so there is no point in sitting around thinking about all the ifs, ands and buts."

"Listening to Callas is like reading Shakespeare: you’re always going to be knocked senseless by some incredible insight into humanity. She is a huge bonfire! The thread, the "inner serpent" that she would get in certain music was so complete — for example, in the Lucia recording, the phrase "Alfin, son tua." Lucia, at her absolute happiest moment, would have said to Edgardo, "I am finally yours." For me, the woman Lucia came to life in that moment, and I understood why she was out of her mind, you know? You’ve got it all in that one phrase."

"The magic of a Callas is a quality few artists have, something special, something different. There are many very good artists, but very few who have that sixth sense, the additional, the plus quality. It is something which lifts them from the ground: they become like semi-gods. She had it. Nureyev has it, [Laurence] Olivier. But Olivier is also a case of an extremely rich knowledge of everything. He is completely coherent in his life, onstage. Whatever he does is part of a complete personality. Maria is a common girl behind the wings, but when she goes onstage, or even when she talks about her work or begins to hum a tune, she immediately assumes this additional quality. For me, Maria is always a miracle. you cannot understand or explain her. You can explain everything Olivier does because it is all part of a professional genius. But Maria can switch from nothing to everything, from earth to heaven. What is it this woman has? I don't know, but when that miracle happens, she is a new soul, a new entity."

"About Maria Callas, I am honestly practically devoid of words. And that must be the case when one comes up against a phenomenon that one simply can't explain, but whom one appreciates. Indeed, as far as I'm concerned, I've been in love with her for years. She is, I think without any doubt at all, (and I don't mind what letters come to me tomorrow) the greatest theatrical, musical artist of our time.... She has an enormous feeling for music. She has an enormous feeling for words. She has an enormous feeling for the dramatic situation. She can convey all those things to an audience in a way that practically no other artist alive today can do."

"The last great artist. When you think this woman was nearly blind, and often sang standing a good 150 feet from the podium. But her sensitivity! Even if she could not see, she sensed the music and always came in exactly with my downbeat. When we rehearsed, she was so precise, already note-perfect. ... For over thirty years, I was Arturo Toscanini's assistant, and from the very first rehearsal, he demanded every nuance from the orchestra, just as if it were a full performance. The piano, the forte, the staccato, the legato — all from the start. And Callas did this too. ... She was not just a singer, but a complete artist. It's foolish to discuss her as a voice. She must be viewed totally — as a complex of music, drama, movement. There is no one like her today. She was an esthetic phenomenon."