"I know you pinched me three times and got me convicted three times and made me a three time loser. And I know you took an oath to put me away for life. Well you're trying awful hard with all this patriotic eye-wash, but get this: I didn't grift that film and you can't prove I did! And if I said I did, you'd slap that fourth rap across my teeth no matter what promises you made!"

"So you're a Red, who cares? Your money's as good as anybody else's."

"Listen, Mister. When I come in here tonight, you seen an old clock runnin' down. I'm tired. I'm through. Happens to everybody sometime. It'll happen to you too, someday. With me it's a little bit of everything. Backaches and headaches. I can't sleep nights. It's so hard to get up in the morning, and get dressed and walk the streets. Climb the stairs. I go right on doin' it! Well, what am I gonna do, knock it? I have to go on makin' a livin'... so I can die. But even a fancy funeral ain't worth waitin' fer if I gotta do bus'ness with crumbs like you."

"Ask a silly question, you get a dopey look."

"You know Fay, the biggest mistake I made before was shooting for peanuts. Five years have taught me one thing, if nothing else: Anytime you take a chance, you better be sure the rewards are worth the risk. Because they could put you away just as fast for a $10 heist as they can for a million dollar job."

"Narrator: At exactly 3:45 on that Saturday afternoon in the last week of September, Marvin Unger was, perhaps, the only one among the hundred thousand people at the track who felt no thrill at the running of the fifth race. He was totally disinterested in horse racing and held a lifelong contempt for gambling. Nevertheless, he had a $5 win bet on every horse in the fifth race. He knew, of course, that this rather unique system of betting would more than likely result in a loss, but he didn't care. For after all, he thought, what would the loss of twenty or thirty dollars mean in comparison to the vast sum of money ultimately at stake."

"You like money. You've got a great big dollar sign there where most women have a heart."

"Maurice: You have my sympathies, then. You have not yet learned that in this life you have to be like everyone else - the perfect mediocrity; no better, no worse. Individuality's a monster and it must be strangled in its cradle to make our friends feel confident. You know, I've often thought that the gangster and the artist are the same in the eyes of the masses. They are admired and hero-worshiped, but there is always present an underlying wish to see them destroyed at the peak of their glory."

"Sherry Peatty: [to George] It isn't fair. I never had anybody but you. Not a real husband. Not even a man. Just a bad joke without a punch line."

"You'd be killing a horse - that's not first degree murder, in fact it's not murder at all, in fact I don't know what it is."

"...In All Its Fury and Violence"

"These 5 Men Had a $2,000,000 Secret Until One of them told this Woman!"

"Celebrated as Stanley Kubrick’s first mature film and made when he was only twenty-eight years old, The Killing (1956) is remarkable for boldly announcing so many of the stylistic and thematic preoccupations that would become important constants of his cinema. The film’s dark, unrelenting irony and complexly fractured narrative immediately distinguished it from his previous work and revealed the posture of the willfully, often provocatively, “difficult” director that he would cultivate throughout his career."

"Sterling Hayden - Johnny Clay"

"Kola Kwariani - Maurice Oboukhoff"

"Dorothy Adams - Mrs. Ruthie O'Reilly"

"Jay Adler - Leo the Loanshark"