Poets From England

"Coldly, sadly descends The autumn evening. The Field Strewn with its dank yellow drifts Of wither’d leaves, and the elms, Fade into dimness apace, Silent;—hardly a shout From a few boys late at their play!"

"O strong soul, by what shore Tarriest thou now? For that force, Surely, has not been left vain!"

"What is the course of the life Of mortal men on the earth?— Most men eddy about Here and there—eat and drink, Chatter and love and hate, Gather and squander, are raised Aloft, are hurl’d in the dust, Striving blindly, achieving Nothing; and, then they die— Perish; and no one asks Who or what they have been, More than he asks what waves In the moonlit solitudes mild Of the midmost Ocean, have swell’d, Foam’d for a moment, and gone."

"Charge once more, then, and be dumb! Let the victors, when they come, When the forts of folly fall, Find thy body by the wall."

"The men of culture are the true apostles of equality."

"Let the long contention cease! Geese are swans, and swans are geese. Let them have it how they will! Thou art tired; best be still."

"They out-talk’d thee, hiss’d thee, tore thee. Better men fared thus before thee; Fired their ringing shot and pass’d, Hotly charged — and broke at last."

"Therefore to thee it was given Many to save with thyself; And, at the end of thy day, O faithful shepherd! to come, Bringing thy sheep in thy hand."

"The sea is calm tonight. The tide is full, the moon lies fair Upon the straits;—on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air!"

"Only, from the long line of spray Where the sea meets the moon-blanch'd land, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in."

"The sea of faith Was once, too, at the full, and round earth’s shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world."

"Why faintest thou! I wander’d till I died. Roam on! The light we sought is shining still. Dost thou ask proof? Our tree yet crowns the hill, Our Scholar travels yet the loved hillside."

"For Time, not Corydon, hath conquer'd thee!"

"Yes, thou art gone! and round me too the night In ever-nearing circle weaves her shade. I see her veil draw soft across the day, I feel her slowly chilling breath invade The cheek grown thin, the brown hair sprent with grey; I feel her finger light Laid pausefully upon life’s headlong train; — The foot less prompt to meet the morning dew, The heart less bounding at emotion new, And hope, once crush’d, less quick to spring again."

"Ah, love, let us be true To one another! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night."

"The people who believe most that our greatness and welfare are proved by our being very rich, and who most give their lives and thoughts to becoming rich, are just the very people whom we call the Philistines. Culture says: “Consider these people, then, their way of life, their habits, their manners, the very tones of their voice; look at them attentively; observe the literature they read, the things which give them pleasure, the words which come forth out of their mouths, the thoughts which make the furniture of their minds; would any amount of wealth be worth having with the condition that one was to become just like these people by having it?”"

"Hear it, O Thyrsis, still our tree is there!— Ah, vain! These English fields, this upland dim, These brambles pale with mist engarlanded, That lone, sky-pointing tree, are not for him; To a boon southern country he is fled, And now in happier air, Wandering with the great Mother’s train divine (And purer or more subtle soul than thee, I trow, the mighty Mother doth not see) Within a folding of the Apennine."

"And that sweet city with her dreaming spires, She needs not June for beauty’s heightening."

"He went; his piping took a troubled sound Of storms that rage outside our happy ground; He could not wait their passing, he is dead!"

"So have I heard the cuckoo's parting cry, From the wet field, through the vext garden-trees, Come with the volleying rain and tossing breeze: The bloom is gone, and with the bloom go I!"

"The signal-elm, that looks on Ilsley Downs, The Vale, the three lone weirs, the youthful Thames."

"Too quick despairer, wherefore wilt thou go? Soon will the high Midsummer pomps come on, Soon will the musk carnations break and swell,"

"Are ye too changed, ye hills? See, ’tis no foot of unfamiliar men Tonight from Oxford up your pathway strays! Here came I often, often, in old days; Thyrsis and I; we still had Thyrsis then."

"Creep into thy narrow bed, Creep, and let no more be said! Vain thy onset! all stands fast. Thou thyself must break at last"

"Steeped in sentiment as she lies, spreading her gardens to the moonlight, and whispering from her towers the last enchantments of the Middle Age, who will deny that Oxford, by her ineffable charm, keeps ever calling us nearer to the true goal of all of us, to the ideal, to perfection, — to beauty, in a word, which is only truth seen from another side? — nearer, perhaps, than all the science of Tübingen. Adorable dreamer, whose heart has been so romantic who hast given thyself so prodigally, given thyself to sides and to heroes not mine, only never to the Philistines! home of lost causes, and forsaken beliefs, and unpopular names, and impossible loyalties!"

"On the breast of that huge Mississippi of falsehood called History, a foam-bell more or less is no consequence."

"Poetry is simply the most beautiful, impressive and wisely effective mode of saying things, and hence its importance."

"It is not in my nature, some of my critics would rather say, not in my power, to dispute on behalf of any opinion, even my own, very obstinately. To try and approach truth on one side after another, not to strive or cry, nor to persist in pressing forward, on any one side, with violence and self-will, — it is only thus, it seems to me, that mortals may hope to gain any vision of the mysterious Goddess, whom we shall never see except in outline, but only thus even in outline. He who will do nothing but fight impetuously towards her on his own, one, favourite, particular line, is inevitably destined to run his head into the folds of the black robe in which she is wrapped."

"Burke is so great because, almost alone in England, he brings thought to bear upon politics, he saturates politics with thought."

"The notion of the free play of the mind upon all subjects being a pleasure in itself, being an object of desire, being an essential provider of elements without which a nation's spirit, whatever compensations it may have for them, must, in the long run, die of inanition, hardly enters into an Englishman's thoughts."

"Philistine must have originally meant, in the mind of those who invented the nickname, a strong, dogged, unenlightened opponent of the children of the light."

"Everything in our political life tends to hide from us that there is anything wiser than our ordinary selves."

"I am bound by my own definition of criticism: a disinterested endeavour to learn and propagate the best that is known and thought in the world."

"On the mind of an adversary one never makes the faintest impression."

"For the creation of a masterwork of literature two powers must concur, the power of the man and the power of the moment, and the man is not enough without the moment."

"Critical power...tends to make an intellectual situation of which the creative power can profitably avail itself. It tends to establish an order of ideas, if not absolutely true, yet true by comparison with that which it displaces; to make the best ideas prevail."

"The grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject."

"The great apostle of the Philistines, Lord Macaulay"

"The translator of Homer should above all be penetrated by a sense of four qualities of his author: — that he is eminently rapid; that he is eminently plain and direct both in the evolution of his thought and in the expression of it, that is, both in his syntax and in his words; that he is eminently plain and direct in the substance of his thought, that is, in his matter and ideas; and, finally, that he is eminently noble."

"Of these two literatures, as of the intellect of Europe in general, the main effort, for now many years, has been a critical effort; the endeavour, in all branches of knowledge — theology, philosophy, history, art, science — to see the object as in itself it really is."

"There is the world of ideas and there is the world of practice; the French are often for suppressing the one and the English the other; but neither is to be suppressed."

"Forgive me, masters of the mind! At whose behest I long ago So much unlearnt, so much resign'd — I come not here to be your foe! I seek these anchorites, not in ruth, To curse and to deny your truth; Not as their friend, or child, I speak! But as, on some far northern strand, Thinking of his own Gods, a Greek In pity and mournful awe might stand Before some fallen Runic stone — For both were faiths, and both are gone."

"Wandering between two worlds, one dead, The other powerless to be born, With nowhere yet to rest my head, Like these, on earth I wait forlorn."

"Oh, hide me in your gloom profound, Ye solemn seats of holy pain! Take me, cowl'd forms, and fence me round, Till I possess my soul again; Till free my thoughts before me roll, Not chafed by hourly false control!"

"All are before me! I behold The House, the Brotherhood austere! — And what am I, that I am here? For rigorous teachers seized my youth, And purged its faith, and trimm'd its fire, Show'd me the high, white star of Truth, There bade me gaze, and there aspire. Even now their whispers pierce the gloom: What dost thou in this living tomb?"

"And youth and bloom, and this delightful world."

"So, on the bloody sand, Sohrab lay dead. And the great Rustum drew his horseman’s cloak Down o’er his face, and sate by his dead son. As those black granite pillars, once high-rear’d By Jemshid in Persepolis, to bear His house, now, mid their broken flights of steps, Lie prone, enormous, down the mountain side — So in the sand lay Rustum by his son."

"But — if you cannot give us ease — Last of the race of them who grieve Here leave us to die out with these Last of the people who believe! Silent, while years engrave the brow; Silent — the best are silent now. Achilles ponders in his tent, The kings of modern thought are dumb, Silent they are though not content, And wait to see the future come. They have the grief men had of yore, But they contend and cry no more."

"She [Comedy] it is who proposes the correcting of pretentiousness, of inflation, of dulness, and of the vestiges of rawness and grossness to be found among us. She is the ultimate civilizer, the polisher, a sweet cook."

"But the majestic River floated on, Out of the mist and hum of that low land, Into the frosty starlight, and there mov’d, Rejoicing, through the hush’s Chorasmian waste, Under the solitary moon: he flow’d Right for the Polar Star, past Orgunjè, Brimming, and bright, and large: then sands begin To hem his watery march, and dam his streams, And split his currents; that for many a league The shorn and parcell’d Oxus strains along Through beds of sand and matted rushy isles — Oxus, forgetting the bright speed he had In his high mountain cradle in Pamere, A foil’d circuitous wanderer:—till at last The long’d-for dash of waves is heard, and wide His luminous home of waters opens, bright And tranquil, from whose floor the new-bath’d stars Emerge, and shine upon the Aral Sea."