Physicists From The United States

"My mother ... had a wonderful sense of humor, and I learned from her that the highest forms of understanding we can achieve are laughter and human compassion."

"You can know the name of that bird in all the languages of the world, but when you're finished, you'll know absolutely nothing whatever about the bird. You'll only know about humans in different places, and what they call the bird. ... I learned very early the difference between knowing the name of something and knowing something."

"I have a friend who's an artist, and he sometimes takes a view which I don't agree with. He'll hold up a flower and say, "Look how beautiful it is," and I'll agree. But then he'll say, "I, as an artist, can see how beautiful a flower is. But you, as a scientist, take it all apart and it becomes dull." I think he's kind of nutty. ... There are all kinds of interesting questions that come from a knowledge of science, which only adds to the excitement and mystery and awe of a flower. It only adds. I don't understand how it subtracts."

"Let us make recommendations to ensure that NASA officials deal in a world of reality in understanding technological weaknesses and imperfections well enough to be actively trying to eliminate them. They must live in reality in comparing the costs and utility of the Shuttle to other methods of entering space. And they must be realistic in making contracts, in estimating costs, and the difficulty of the projects. Only realistic flight schedules should be proposed, schedules that have a reasonable chance of being met. If in this way the government would not support them, then so be it. NASA owes it to the citizens from whom it asks support to be frank, honest, and informative, so that these citizens can make the wisest decisions for the use of their limited resources. For a successful technology, reality must take precedence over public relations, for nature cannot be fooled."

"There was no way, without full understanding, that one could have confidence that conditions the next time might not produce erosion three times more severe than the time before. Nevertheless, officials fooled themselves into thinking they had such understanding and confidence, in spite of the peculiar variations from case to case. A mathematical model was made to calculate erosion. This was a model based not on physical understanding but on empirical curve fitting."

"The acceptance and success of these flights is taken as evidence of safety. But erosion and blow-by are not what the design expected. They are warnings that something is wrong. The equipment is not operating as expected, and therefore there is a danger that it can operate with even wider deviations in this unexpected and not thoroughly understood way. The fact that this danger did not lead to a catastrophe before is no guarantee that it will not the next time, unless it is completely understood. When playing Russian roulette the fact that the first shot got off safely is little comfort for the next. The origin and consequences of the erosion and blow-by were not understood. They did not occur equally on all flights and all joints; sometimes more, and sometimes less. Why not sometime, when whatever conditions determined it were right, still more leading to catastrophe? In spite of these variations from case to case, officials behaved as if they understood it, giving apparently logical arguments to each other often depending on the "success" of previous flights."

"If we are to replace standard numerical probability usage with engineering judgment, why do we find such an enormous disparity between the management estimate and the judgment of the engineers? It would appear that, for whatever purpose, be it for internal or external consumption, the management of NASA exaggerates the reliability of its product, to the point of fantasy."

"It appears that there are enormous differences of opinion as to the probability of a failure with loss of vehicle and of human life. The estimates range from roughly 1 in 100 to 1 in 100,000. The higher figures come from the working engineers, and the very low figures from management. What are the causes and consequences of this lack of agreement? Since 1 part in 100,000 would imply that one could put a Shuttle up each day for 300 years expecting to lose only one, we could properly ask "What is the cause of management's fantastic faith in the machinery?" We have also found that certification criteria used in Flight Readiness Reviews often develop a gradually decreasing strictness. The argument that the same risk was flown before without failure is often accepted as an argument for the safety of accepting it again. Because of this, obvious weaknesses are accepted again and again, sometimes without a sufficiently serious attempt to remedy them, or to delay a flight because of their continued presence."

"So I have just one wish for you—the good luck to be somewhere where you are free to maintain the kind of integrity I have described, and where you do not feel forced by a need to maintain your position in the organization, or financial support, or so on, to lose your integrity. May you have that freedom."

"On the contrary, it's because somebody knows something about it that we can't talk about physics. It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance — gold transfers we can't talk about, because those are understood — so it's the subject that nobody knows anything about that we can all talk about!"

"Ordinary fools are all right; you can talk to them, and try to help them out. But pompous fools—guys who are fools and are covering it all over and impressing people as to how wonderful they are with all this hocus pocus—THAT, I CANNOT STAND! An ordinary fool isn’t a faker; an honest fool is all right. But a dishonest fool is terrible!"

"This conference was worse than a Rorschach test: There's a meaningless inkblot, and the others ask you what you think you see, but when you tell them, they start arguing with you!"

"I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe."

"I'll never make that mistake again, reading the experts' opinions. Of course, you only live one life, and you make all your mistakes, and learn what not to do, and that's the end of you."

"Since then I never pay attention to anything by "experts". I calculate everything myself."

"I have to understand the world, you see."

"Finally, I said that I couldn’t see how anyone could be educated by this self-propagating system in which people pass exams, and teach others to pass exams, but nobody knows anything."

"One time I was in the men's room of the bar and there was a guy at the urinal. He was kind of drunk, and said to me in a mean-sounding voice, "I don't like your face. I think I'll push it in."I was scared green. I replied in an equally mean voice, "Get out of my way, or I'll pee right through ya!""

"And then I thought to myself, "You know, what they think of you is so fantastic, it's impossible to live up to it. You have no responsibility to live up to it!"It was a brilliant idea: You have no responsibility to live up to what other people think you ought to accomplish. I have no responsibility to be like they expect me to be. It's their mistake, not my failing."

"And this is medicine?"

"I returned to civilization shortly after that and went to Cornell to teach, and my first impression was a very strange one. I can't understand it any more, but I felt very strongly then. I sat in a restaurant in New York, for example, and I looked out at the buildings and I began to think, you know, about how much the radius of the Hiroshima bomb damage was and so forth... How far from here was 34th street?... All those buildings, all smashed — and so on. And I would go along and I would see people building a bridge, or they'd be making a new road, and I thought, they're crazy, they just don't understand, they don't understand. Why are they making new things? It's so useless. But, fortunately, it's been useless for almost forty years now, hasn't it? So I've been wrong about it being useless making bridges and I'm glad those other people had the sense to go ahead."

"[John] von Neumann gave me an interesting idea: that you don't have to be responsible for the world that you're in. So I have developed a very powerful sense of social irresponsibility as a result of von Neumann's advice. It's made me a very happy man ever since. But it was von Neumann who put the seed in that grew into my active irresponsibility!"

"The electron is a theory we use; it is so useful in understanding the way nature works that we can almost call it real."

"I don't know what's the matter with people: they don't learn by understanding; they learn by some other way — by rote or something. Their knowledge is so fragile!"

"There were certain things I didn't like, such as tipping. I thought we should be paid more, and not have to have any tips. But when I proposed that to the boss, I got nothing but laughter. She told everybody, "Richard doesn't want his tips, hee, hee, hee; he doesn't want his tips, ha, ha, ha." The world is full of this kind of dumb smart-alec who doesn't understand anything."

"Why are the theories of physics so similar in their structure? There are a number of possibilities. The first is the limited imagination of physicists: when we see a new phenomenon, we try to fit it into the framework we already have—until we have made enough experiments, we don't know that it doesn't work. So when some fool physicist gives a lecture at UCLA in 1983 and says, “This is the way it works, and look how wonderfully similar the theories are,” it's not because Nature is really similar; it's because the physicists have only been able to think of the same damn thing, over and over again. Another possibility is that it is the same damn thing over and over again—that Nature has only one way of doing things, and She repeats her story from time to time. A third possibility is that things look similar because they are aspects of the same thing—some larger picture underneath, from which things can be broken into parts that look different, like fingers on the same hand. Many physicists are working very hard trying to put together a grand picture that unifies everything into one super-duper model. It's a delightful game, but at present time none of the speculators agree with any of the other speculators as to what the grand picture is."

"Immediately you would like to know where this number for a coupling comes from: is it related to pi, or perhaps to the base of natural logarithms? Nobody knows. It's one of the greatest damn mysteries of physics: a magic number that comes to us with no understanding by man. You might say the "hand of God" wrote that number, and "we don't know how He pushed His pencil." We know what kind of a dance to do experimentally to measure this number very accurately, but we don't know what kind of dance to do on the computer to make this number come out — without putting it in secretly!"

"It is to be emphasized that no matter how many [amplitude] arrows we draw, add, or multiply, our objective is to calculate a single final arrow for the event. Mistakes are often made by physics students at first because they do not keep this important point in mind. They work for so long analyzing events involving a single photon that they begin to think that the arrow is somehow associated with the photon [rather than with the event]."

"You will have to brace yourselves for this — not because it is difficult to understand, but because it is absolutely ridiculous: All we do is draw little arrows on a piece of paper — that's all!"

"When a photon comes down, it interacts with electrons throughout the glass, not just on the surface. The photon and electrons do some kind of dance, the net result of which is the same as if the photon hit only on the surface."

"Every instrument that has been designed to be sensitive enough to detect weak light has always ended up discovering that the same thing: light is made of particles."

"Light is something like raindrops — each little lump of light is called a photon — and if the light is all one color, all the "raindrops" are the same."

"The scale of light can be described by numbers — called the frequency — and as the numbers get higher, the light goes from red to blue to ultraviolet. We can't see ultraviolet light, but it can affect photographic plates. It's still light — only the number is different."

"The theory of quantum electrodynamics describes Nature as absurd from the point of view of common sense. And it agrees fully with experiment. So I hope you accept Nature as She is — absurd."

"While I am describing to you how Nature works, you won't understand why Nature works that way. But you see, nobody understands that."

"Will you understand what I'm going to tell you? ... No, you're not going to be able to understand it. ... That is because I don't understand it. Nobody does."

"People are always asking for the latest developments in the unification of this theory with that theory, and they don't give us a chance to tell them anything about what we know pretty well. They always want to know the things we don't know."

"That's the way multiplication works you know, with numbers it's the same. ...That's why we call it multiplication. ...Suppose you wanted to say that 6 = 3 x 2, which is true. But let me look at it a different way... This is the analog [to arrow multiplication]... The 2 bears a relation, 2 is not a number from this point of view. It's a relationship. It bears a relation to 1. It's an expansion of 1. How much do you have to expand 1? ...Yeah, double. ...That's what you do to 3 to get 6. That's why... it's called multiplication, because we do to this arrow [#2], what we had to do to the original one [standard arrow] to get the blue one [arrow #1]."

"I want you to think of an arrow in another way... Here is an arrow... Now if we multiply, you have to think in a different way than for adding. There's an arrow... and imagine there's a [different] standard arrow... always horizontal and has unit length, that's the standard unit arrow. Now suppose I have a second arrow and I want to multiply them... [W]hat do I mean by multiplying? ...Let me first describe this [first] arrow [number 1] ...compare it to the standard arrow and ask for the relation... You can turn... and shrink it. So an arrow describes... how much I have to shrink the standard, and how much I have to rotate it to get the arrow I want. Now multiplication of arrows means that you do these rotations and shrinkings in succession. ...Now if I take this arrow [#2] ...this red [arrow #3] is the product [of arrow #1 and arrow #2].... It bears the same geometric relationship to the purple arrow [#2] as the blue one [arrow number 1] bears to the black one [standard arrow]. In other words it's supposed to be turned the same degree and shrunk the same degree as the blue one [arrow #2] is to the black [standard] one. In other words this [arrow #1] is to that [standard arrow], as this [arrow #3] arrow is to that [arrow #2]."

"So there are two aspects of an amplitude. An amplitude is a sort of two dimensional thing and therefor you can represent it... on a plane as an arrow. So an amplitude is a physical thing, which also is identical, we... make it very equal by using three lines [ ≡ ] instead of two [ = ], the same as these arrows that I've been talking about on a plane, and that's, by the way, for those that know mathematics, that can be equivalent to representing everything by s. You can do it algebraically, in other words, not just by drawing the arrows.AMPLITUDE ≡ ARROW ( ≡ COMPLEX NUMBERS)"

"Finally, I must tell you what the arrow is for the net result. When a thing can happen in alternative ways you do what we call "add the arrows"... I know how to add numbers. How do you add arrows? The rule is... you simply put one arrow head on the tail of the other... I just draw the second arrow off from the first one... exactly parallel... it's drawn the same, but it's centered, it's moved... it's tied one onto the other, head to tail, and the result, it's supposed to be the sum. The adding is this net arrow that you would get, from where you started [from the beginning of the first arrow] to where you ended [at the end of the second arrow]. The way of thinking of it, that is rather nice, is to think of each arrow as indicating the direction of a step to be taken. If we take a step, on this plane, this way [the distance and direction of arrow #1] and then take a step that way [the distance and direction of arrow #2] and we say, where did we actually move? We could have done it all in one step, this one [from the beginning of arrow #1 to the end of arrow #2]. So this is the one step which is the equivalent of the succession of the other steps. Adding means putting together steps... The square of the [summation] arrow determines the probability of the reflection."

"There has never been a satisfactory model of the very simple process of reflection of light from thin surfaces or... for any other phenomenon. Satisfactory in the old fashioned classical view. A logical hocus-pocus has to be done quantum mechanically in order in order to describe these things... This is another example of the type of difficulty when you try to reason in a straight forward... in a classical way about a simple phenomenon."

"[T]o make it easy... we'll suppose that all the light... is exactly one color... At night... they have these yellow street lights... that's a sodium light... and that emits light all of one color... Then take the soap bubble and blow it at night.. and then you'll see the bands... [You] can take... very thin glass... you can see very thin bands, even in a reasonable size thickness... [S]uppose then that we do have light like from sodium-vapor so that all the light... is always photons of exactly the same energy. We call it monochromatic, one color light."

"If we try to say how big a photon is, or how it's spread out, or what it looks like, we're going to get into some difficulty with some experiment. It isn't going to behave that way you'd expect. ...[I]t's going to be impossible for me to tell you how big a photon is, where it is... Nevertheless... I'll tell you a series of crazy rules by which you can tell exactly what will happen in any experiment with photons... without ever being able to say what a photon looks like... in the sense of some sort of model of waves in space. ...And so to make a complete theory, we cannot do it with a model. We can only make an incomplete theory and what my purpose is today is to tell you the complete theory, not the incomplete approximations..."

"The different colored light... correspond to particles of different energy, that is energy comes in lumps and these lumps have different sizes for the different colored light. [I]t was hard... virtually impossible to understand... that the reflection of light... from layers of different thicknesses varies by using particles... [T]hat makes a problem which I want to describe..."

"I start with the simplest phenomena... the first... is the phenomena of light. Early on, when light was being investigated by Newton, he thought that the light that came into the eye was like a rain of particles, like rain drops... [M]ore light meant more particles... and one kind of color light would one kind of rain drop and another... would be a different kind of rain drop... over the whole spectrum... and if we would some day have sufficiently delicate instruments, we would presumably discover that it was like a pattering... [I]t would go click, click, click when the particles came raining down. ...He also discovered ...the light from the soap bubbles or light from thin films... The brightness of reflection... depends on how thick the film is. As the film gets thicker and thinner, it gets brighter and darker. That was hard for him to understand from the point of view of particles. Finally a theory of waves was invented which explained that very easily... until we measured light very precisely... and lo and behold, to our horror, it behaved like particles."

"What I would like to do now... is to... try to tell you what actually what physicists do when they make calculations, so they can predict... correctly the probabilities of events for all the experiments, at least in a certain range where they know some things about electrons and photons... and light and matter and chemistry and ordinary phenomena not involving gravitation in detail or nuclear phenomena in d... Well, actually today... nuclear phenomena are now probably under control too."

"The idea of quantum mechanics that I want to describe now is a positive thing. It's a way that we actually use to make calculations and understand nature. Excuse me, to make calculations! We really don't understand it very well... Understanding real nature, we are unable to do."

"[T]his rule explains several of the ordinary phenomena... such as angle of incidence equals angle of reflection, and , that light bends... from air to water, and travels in straight lines... It's all hidden in that one rule."

"The probability of an event is always... the square of an amplitude... the size [area] of a circle corresponding to an arrow. An arrow is called an amplitude. For every event you calculate an amplitude (which is an arrow on a plane). The probability is the area corresponding to that arrow."