Philosophers From England

"Today there is a wide measure of agreement, which on the physical side of science approaches almost to unanimity, that the stream of knowledge is heading towards a non-mechanical reality; the universe begins to look more like a great thought than like a great machine. Mind no longer appears as an accidental intruder into the realm of matter; we are beginning to suspect that we ought rather to hail it as a creator and governor of the realm of matter..."

"The tendency of modern physics is to resolve the whole material universe into waves, and nothing but waves. These waves are of two kinds: bottled-up waves, which we call matter, and unbottled waves, which we call radiation or light. If annihilation of matter occurs, the process is merely that of unbottling imprisoned wave-energy and setting it free to travel through space. These concepts reduce the whole universe to a world of light, potential or existent, so that the whole story of its creation can be told with perfect accuracy and completeness in the six words: ‘God said, Let there be light’."

"The concepts which now prove to be fundamental to our understanding of nature—a space which is finite; a space which is empty, so that one point [of our 'material' world] differs from another solely in the properties of space itself; four-dimensional, seven- and more dimensional spaces; a space which for ever expands; a sequence of events which follows the laws of probability instead of the law of causation—or alternatively, a sequence of events which can only be fully and consistently described by going outside of space and time—all these concepts seem to my mind to be structures of pure thought, incapable of realisation in any sense which would properly be described as material."

"The final truth about a phenomenon resides in the mathematical description of it; so long as there is no imperfection in this, our knowledge of the phenomenon is complete. We go beyond the mathematical formula at our own risk; we may find a model or a picture which helps us understand it, but we have no right to expect this, and our failure to find such a model or picture need not indicate that either our reasoning or our knowledge is at fault. The making of models or pictures to explain mathematical formulas and the phenomena they describe is not a step towards, but a step away from reality; it is like making a graven image of a spirit."

"...when the experiment was attempted by Michelson and Morley it failed, thus showing that space and time assumed in the picture were not true to the facts of nature. ...the pattern of events was the same whether the world stood at rest in the supposed ether, or had an ether wind blowing through it at a million miles an hour. It began to look as though the supposed ether was not very important in the scheme of things... and so might as well be abandoned. But if the bell-rope is to be discarded, what is to ring the bell?"

"From the intrinsic evidence of his creation, the Great Architect of the Universe now begins to appear as a pure mathematician."

"One must stand stiller than still."

"Into such a universe we have stumbled, if not exactly by mistake, at least as the result of what may properly be described as an accident. The use of such a word need not imply any surprise that our earth exists, for accidents will happen, and if the universe goes on for long enough, enough, every conceivable accident is likely to happen in time. It was, I think, Huxley who said that six monkeys, set to strum unintelligently on typewriters for millions of millions of years, would be bound in time to write all the books in the British Museum. If we examined the last page which a particular monkey had typed, and found that it had chanced, in its blind strumming, to type a Shakespeare sonnet, we should rightly regard the occurrence as a remarkable accident, but if we looked through all the millions of pages the monkeys had turned off in untold millions of years, we might be sure of finding a Shakespeare sonnet somewhere amongst thein, the product of the blind play of chance. In the same way, millions of millions of stars wandering blindly through space for millions of millions of years are bound to meet with every kind of accident; a limited number are bound to meet with that special kind of accident which calls planetary systems into being."

"Life exists in the universe only because the carbon atom possesses certain exceptional properties."

"For, for aught we know, or for aught that the new science can say to the contrary, the gods which play the part of fate to the atoms of our brains may be our own minds. Through these atoms our minds may perchance affect the motions of our bodies and so the state of the world around us. To-day science can no longer shut the door on this possibility; she has no longer any unanswerable arguments to bring against our innate conviction of free-will. On the other hand, she gives no hint as to what absence of determinism or causation may mean. If we, and nature in general, do not respond in a unique way to external stimuli, what determines the course of events? If anything at all, we are thrown back on determinism and causation; if nothing at all, how can anything ever occur? As I see it, we are unlikely to reach any definite conclusions on these questions until we have a better understanding of the true nature of time."

"Minkowski... supposed that this fourth dimension of time was not detached from and independent of the three dimensions of space. He introduced a new four-dimensional space to which ordinary space contributed three dimensions, and time one; we may call it 'space-time'. ...The succession of positions which a particle occupied in ordinary space at a succession of instants of time would be represented by a line in space-time; this he called the 'world-line' of the particle. ...Newton's absolute space and absolute time fell out of science, and they carried much with them in their fall. First to go was the concept of simultaneity. ...It now became necessary to find a way of treating gravitation which should not involve simultaneity. Einstein found through the medium of his 'Principle of Equivalence'."

"And the substance out of which this bubble is blown, the soap-film, is empty space welded onto empty time."

"As the pattern of events is unaltered by motion, the mechanism must be the same when the electron is in motion as when it is at rest. But experiment shows that an electron in motion exerts additional forces which are not the same for all directions in space; if we picture this electron as moving head-foremost through space, these forces surround it like a belt around its waist."

"I think that the favorable expository literature on Žižek deepens his isolation [in refusing to answer or recognize criticism]. Consider the way Terry Eagleton quotes Žižek [in a passage from the latter's Did Somebody Say Totalitarianism?] in discussing how the idea of “destiny” can trivialize the understanding of tragedy: “Does not the term ‘tragedy,’ Žižek asks, “at least in its classical sense, still imply the logic of Fate, which is rendered ridiculous apropos the Holocaust? To say that the annihilation of the Jews obeyed a hidden Necessity of Fate is already to gentrify it.” Eagleton then adds, “Žižek is mistaken to assume that tragedy, even classical tragedy, invariably involves fate; but he is right to see that the notion can actually sanitize suffering, and Euripides is unlikely to have demurred.” Why credit Žižek with an insight at all, if one admits that he is wrong in his claim? Who has ever seriously tried to “gentrify” the Holocaust by saying that it probably has to do with one of the gods “More truth in . . . appearance than in . . . reality.” being offended and that it goes to show that we should not try to evade the words of the oracle? [Eagleton's] [g]iving Žižek credit for victory over a straw man prevents engagement with the actual content of his words."

"Like most academic Marxists, Professor Eagleton knows that, put baldly, the doctrine of economic determinism is patently absurd. So he employs various gambits to soften or conceal the absurdity, without ever really denying the basic model of economic determinism. This is not to say that he is completely free of "vulgar Marxist" rhetoric; indeed, he sometimes sounds like nothing so much as a soapbox Marxist, railing (for example) against "a petty bourgeois liberal humanism, academically dispossessed and subordinated yet in intellectual terms increasingly hegemonic, [which] occupied the bastions of reactionary criticism from within as a dissentient bloc." Yet Professor Eagleton also takes great pains to distance himself from "vulgar Marxism"—the phrase occurs often in his works, always in his beloved scare quotes. The vulgar Marxist is a frank economic determinist and holds that the "superstructure" is a more or less direct reflection of economic processes. The sophisticated Marxist, well schooled in the writings of the Frankfurt School Marxists, allows that the superstructure is "relatively autonomous"—except when he wants to claim economic determination for some phenomenon of his own choosing. The "vulgar Marxist" is frankly Utopian and looks forward to the revolution and the establishment of a workers' paradise; a sophisticated Marxist like Professor Eagleton dandifies his utopianism with lots of high-flown rhetoric. "Once emancipated from material scarcity, liberated from labour," he writes in a typically starry-eyed passage, "[men] will live in the play of the mutual significations, move in the ceaseless 'excess' of freedom." Professor Eagleton's primary weapons against the charge of vulgar Marxism are words like "hegemony," "ideology," and "aesthetic," all of which in his hands have the wonderful property of meaning any of about six different and conflicting things."

"Perhaps you thought that George Eliot was the author of Middlemarch. No: according to Professor Eagleton, the phrase “George Eliot” signifies nothing more than the insertion of certain specific ideological determinations -- Evangelical Christianity, rural organicism, incipient feminism, petty-bourgeois moralism–into a hegemonic ideological formation which is partly supported, partly embarrassed by their presence. Similarly, he tells us that Henry James, like Joseph Conrad, “is . . . no more than a particular name for . . . an aspect of the crisis of nineteenth-century realism.” The idea is to downgrade the notion of individual genius, as if George Eliot’s personal contribution to the writing of Middlemarch were somehow accidental, the more important thing being the “specific ideological determinations” she embodied. The main point of all this is that nothing is what it seems; or, as Professor Eagleton puts it in Criticism and Ideology, “there is no ‘immanent’ value”: everything in the realm of culture is determined by something outside culture–namely (catch that whiff of vulgarity?) the oppressive economic relations of capitalism."

"Terry Eagleton is a deft, witty summarizer of other people's ideas. Applied Marxism is, oddly, his weakest point. He also goes limply soft on academic feminism, whose bourgeois prudery, moralism, and Protestant word-fetishism he does not see. Eagleton'e thought-provoking arguments against the [literary] canon are unfortunately vitiated by the fact that he seems to have little feeling for art. Is education to be gutted merely because Terry Eagleton wandered into a profession for which he discovered too late that he had minimal talent? Like Foucault, Eagleton continues to push into one new field after another, restlessly searching for success in something."

"Socialism is the completion of democracy, not the negation of it."

"Capitalism is the sorcerer's apprentice: it has summoned up powers which have spun wildly out of control and now threaten to destroy us. The task of socialism is not to spur on those powers but to bring them under rational human control."

"There are many ways that reviewing can be dishonest. Here is one illustration, drawn from no less a personnage than the self-appointed doyen of the literature dons, Terry Eagleton. A standard rhetorical device in discursive literature has the form “some say X, but I say Y.” The author might not disagree with X, but thinks Y is the more important point. A scurrilous reviewer can systematically misrepresent the author by saying, “the author says X” and omitting the author’s rider “Y”. This is one of Eagleton’s techniques of choice (chapter and verse can be abundantly supplied). Of course, this might not be intentional on Eagleton’s part; he might merely be stupid or lazy. But since it is better to doubt this, we have to conclude instead that he is guilty of wilful misrepresentation. It is alarming to think that such are the ethics of criticism he teaches his students at Manchester University."

"History works itself out by an inevitable internal logic."

"It is capitalism, not Marxism, that trades in futures."

"Modern capitalist nations are the fruit of a history of slavery, genocide, violence and exploitation every bit as abhorrent as Mao's China or Stalin's Soviet Union."

"The truth is that the past exists no more than the future, even though it feels as though it does."

"You can tell that the capitalist system is in trouble when people start talking about capitalism."

"After all, if you do not resist the apparently inevitable, you will never know how inevitable the inevitable was."

"There seems to be something in humanity which will not bow meekly to the insolence of power."

"We face a probable future of nuclear-armed states warring over a scarcity of resources; and that scarcity is largely the consequence of capitalism itself. For the first time in history, our prevailing form of life has the power not simply to breed racism and spread cultural cretinism, drive us into war or herd us into labour camps, but to wipe us from the planet. Capitalism will behave antisocially if it is profitable for it to do so, and that can now mean human devastation on an unimaginable scale. What used to be apocalyptic fantasy is today no more than sober realism. The traditional leftist slogan ‘‘Socialism or barbarism’’ was never more grimly apposite."

"What perished in the Soviet Union was Marxist only in the sense that the Inquisition was Christian"

"Cultural theory as we have it promises to grapple with some fundamental problems, but on the whole fails to deliver. It has been shamefaced about morality and metaphysics, embarrassed about love, biology, religion and revolution, largely silent about evil, reticent about death and suffering, dogmatic about essences, universals and foundations, and superficial about truth, objectivity and disinterestedness. This, on any estimate, is rather a large slice of human existence to fall down on. It is also, as we have suggested before, rather an awkward moment in history to find oneself with little or nothing to say about such fundamental questions."

"I do not know whether to be delighted or outraged by the fact that Literary Theory: An Introduction was the subject of a study by a well known U.S. business school, which was intrigued to discover how an academic text could become a best-seller."

""In some traditionalist universities not long ago, you could not research on authors who were still alive. This was a great incentive to slip a knife between their ribs one foggy evening, or a remarkable test of patience if your chosen novelist was in rude health and only 34"."

"What persuades men and women to mistake each other from time to time for gods or vermin is ideology. One can understand well enough how human beings may struggle and murder for good material reasons—reasons connected, for instance, with their physical survival. It is much harder to grasp how they may come to do so in the name of something as apparently abstract as ideas. Yet ideas are what men and women live by, and will occasionally die for."

"In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the ‘imaginary’ level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it."

"The most compelling confirmation of Marx's theory of history is late capitalist society. There is a sense in which this case is becoming truer as time passes."

"It is important to see that, in the critique of ideology, only those interventions will work which make sense to the mystified subject itself."

"It is silly to call fat people “gravitationally challenged”, a self-righteous fetishism of language which is no more than a symptom of political frustration."

"Post-structuralism is among other things a kind of theoretical hangover from the failed uprising of ‘68, a way of keeping the revolution warm at the level of language, blending the euphoric libertarianism of that moment with the stoical melancholia of its aftermath."

"Readers are less and less seen as mere non-writers, the subhuman “other” or flawed derivative of the author; the lack of a pen is no longer a shameful mark of secondary status but a positively enabling space, just as within every writer can be seen to lurk, as a repressed but contaminating antithesis, a reader."

"Ideology consist of a specific objective level, of a relatively coherent ensemble of representations, values and beliefs: just as 'men', the agents within a formation, participate in an economic and political activity, they also participate in religious, moral, aesthetic and philosophical activities. Ideology concerns the world in which men live, their relations to nature, to society, to other men and to their own activity including their own economic and political activity. The status of the ideological derives from the fact that it reflects the manner in which the agents of a formation, the bearers of its structures, live their conditions of existence; i.e. it reflects their relation to these conditions as it is 'lived' by them. Ideology is present to such an extent in all the agents' activities that it becomes indistinguishable from their lived experience. To this extent ideologies fix in a relatively coherent universe not only a real but also and imaginary relation: i.e. men's real relation to their conditions of existence in the form of an imaginary relation. This means that in the last analysis ideologies are related to human experience without being thereby reduced to a problematic of the subject—consciousness. This social-imaginary relation, which performs a real practical—social function, cannot be reduced to the problematic of alienation and false consciousness."

"If history moves forward, knowledge of it travels backwards, so that in writing of our own recent past we are continually meeting ourselves coming the other way."

"Chaucer was a class traitor Shakespeare hated the mob Donne sold out a bit later Sidney was a nob."

"It follows that through its constitution ideology is involved in the functioning of this social-imaginary relation, and is therefore necessarily false; its social function is not to give agents a true knowledge of the social structure but simply to insert them as it were into their practical activities supporting this structure. Precisely because it is determined by its structure, at the level of experience the social whole remains opaque to the agents. In class-divided societies this opacity is over-determined by class exploitation and by the forms which this exploitation takes in order to be able to function in the social whole. Hence, even if it includes elements of knowledge, ideology necessarily manifests an adequation / inadequation vis-à-vis the real."

"All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that."

"We live in a society which on the one hand pressurizes us into the pursuit of instant gratification, and the other hand imposes on whole sectors of the population and endless deferment of fulfillment."

"Any attempt to define literary theory in terms of a distinctive method is doomed to failure."

"Language always pre-exists us: it is always already 'in place', waiting to assign us our places within it."

"The truth is that liberal humanism is at once largely ineffectual, and the best ideology of the 'human' that present bourgeois society can muster."

"Understanding is always in some sense retrospective, which is what Hegel meant by remarking that the owl of Minerva flies only at night."

"As opposed to science ideology has the precise function of hiding the real contradictions and of reconstituting on an imaginary level a relatively coherent discourse which serves as the horizon of agents' experience."